165 results for ""richard nixon""

President Richard Nixon, 1990 Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 10 William Coupon is an America...

Nixon, Richard. The Memoirs of Richard Nixon. New York: Grosset & Dunlap, 1978. First Edition. Signed and inscribed on a pasted down bookplate. In original dust jacket and boards...

Nixon football. This rose bowl football was presented to Vice President Richard M. Nixon in 1954. Nixon gave the ball to his nephew. His nephew and ...

Hand-typed letters between "Jim Harper" of California and the 37th president of the United States, Richard Nixon, and Vice President Spiro Agnew. It featur...

President Richard Nixon, 1990 Archival pigment print 24 x 24 inches Signed and numbered edition of 25 William Coupon is an American photographer, born in New York City, known pr...

President Richard Nixon, 1990 Archival pigment print 14 x 14 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, known pri...

President Richard Nixon, 1990 Archival pigment print 48 x 48 inches Signed and numbered edition of 10 William Coupon is an American photographer, born in New York City, known pr...

President Richard Nixon, 1990 Archival pigment print 36 x 36 inches Signed and numbered edition of 10 William Coupon is an American photographer, born in New York City, known pr...

President Richard Nixon, 1990 Archival pigment print 14 x 14 inches Signed and numbered edition of 10 William Coupon is an American photographer, born in New York City, known pr...

President Richard Nixon, 1990 Archival pigment print 14 x 14 inches Signed and numbered edition of 10 William Coupon is an American photographer, bo...

President Richard Nixon is a photograph realized in the 1960s. Good conditions. The artwork is realized in a well-balanced composition.

President Richard Nixon, 1990 Archival pigment print 24 x 24 inches Signed and numbered edition of 10 William Coupon is an American photographer, born in New York City, known pr...

President Richard Nixon is a photograph realized in the 1970s. Good conditions.

A very wellmade 1:1 wall hung face mask in glazed porcelain. The color of the glaze is cream/off-white. It has great facial expressions and intricate details. Anonymous European or A...

Richard Nixon inauguration Fred W. McDarrah, 1926-2007 Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation,...

Nixon, Richard. Six Crises. New York: Doubleday & Company, Inc., 1962. Stated first edition. Autopen signature on free endpaper. Presented in the publisher's original dust jacket...

Photograph signed in ink and with photographer stamp verso and hand written title. Richard Milhous Nixon (January 9, 1913 – April 22, 1994) was the 37th president of the United Stat...

Nixon, Richard. The Memoirs of Richard Nixon. Norwalk: The Easton Press, 1988. Two-volume set. Bound in full leather with 22-karat gold embossing. Housed ...

Artist: Hugh Smith Haynie, American (1927 - 1999) Title: Thank Goodness for Summits (Richard Nixon) Year: 1974 Medium: Ink and Collage, signed Size: 16.5 in. x 12 in. (41.91 cm x 30....

Richard Nixon Resigns, 1984

Annie’s Big Book. 40 years of era-defining photography, now in an accessible edition. When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds). This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images—such as John Lennon and Yoko Ono entwined in a last embrace—as well as portraits that had rarely, if ever, been seen before. The Annie Leibovitz SUMO...

Indulge in the 9 foot long Pearl Necklace worn by Vikki Carr with Elvis Presley at the Tropicana Hotel in Las Vegas in 1974, along with photos of Vikki wearing the necklace with Elvi...

Beautiful teak and leather “The Chair” armchair by Hans J. Wegner. Smoothly sculpted wooden details and decorative joinery. “The Chair” was designed in 1949 and quickly became a huge...

'Marilyn Monroe, 1962' by American photographer, Lawrence Schiller. Digital pigment, Ed. of 35. Image: 13 x 18.5 in. / Paper: 16 x 20 in. From the set of the film 'Something's Got to Give', this colored photograph features Marilyn Monroe in a pool with her leg resting over the edge. In 1962, Schiller received an assignment from Paris Match...

Annie’s Big Book Famed photographer Annie Leibovitz weighs in with her own SUMO Art Edition (No. 1–1,000) Archival pigment print Keith Haring (contact sheet), New York City, 1986...

Boleslaw Cybis (1895-1957). Taos (Timeless Ritual), Indian Negro Series, 6 of 18. Conte on paper, sheet measures 18 x 23 inches. Small tear in sheet left margin. Evidence of alteration of image lower left where writing was probably removed before photographs require to create lithograph. The area has oxidized consequently. Signed by the artist some years after its creation in blue ink, lower left, ca. 1950's. the sheet is hinged at top margin, not glued down to backing board. Provenance: Cybis Archive. This original drawing was created in 1939-40 during an extensive visit to the Southwest US. The artist created 18 portraits and titled the series "Indian Negro Serie". Of the 18 images, 9 were selected to be included in a limited edition lithographic series some 30 years after creation. 1000 editions were printed. This is the original drawing upon which one of the images is based, and is thus unique. Of the 18 original drawings, 2 are owned by the polish government, 5 are in our collection and the other 11 are whereabouts unknown. The artist and his wife opened a porcelain factory in the 1950's, Cybis Studios. The only non-porcelain retail offering from the Cybis studio was a 1970s art issue called the Folio One. This was a limited edition reproduction series taken from nine conté drawings of Native Americans made by Boleslaw Cybis in 1939. Conté is the name of a type of crayon made of compressed charcoal or graphite mixed with wax or clay. The artist Georges Seurat was particularly fond of using conté for his drawings. Boleslaw Cybis was fascinated by the Native American (then typically referred to as American Indian) culture and peoples. This may seem odd when you consider that much of his ceramic-based works were distinctly Rococo and/or Old World European in style….a pretty stark contrast, I’d say! But Cybis was nothing if not eclectic in his tastes. The originals were reproduced as color lithographs, in an edition of 1000, in 1970. This meant “1000 of each individual print.” At present its original issue pricing is unknown, but a Spring 1972 dealer price list shows the full set of nine at $500. Individual prints could also be purchased at either $50 (for Comanche, Shoshone, or Apache) or $65 (for any of the other six)… representing a $40 savings when buying the entire folio at once versus singly. The Spring 1981 price list is the final one that shows the Folio One set for sale, still at the same price ($500) as it was a decade earlier. Individual prints are not available on that list. According to the 1979 Cybis catalog text “Each of the 12″ x 20″ prints is hand-numbered on heavy Beckett rag-content paper, with a specially designed validating hallmark in the lower right-hand corner, and carries an accompanying page with a brief tribal history.” The hallmark is blind-embossed, not surface printed. However, the Spring 1972 dealer price list cited above described the prints as being 17″ x 23″ in size. Checking past auction listings for the set, the actual prints are indeed 17″ x 23″, which means that the 12″ x 20″ size probably refers to the image area. The overall size of the set’s burlap-covered box is 18.5″ x 24.5″. These nine portraits represent seven different tribes: the Comanche, Shoshone, Taos, Apache, Hopi, Mohave, and Yuma. A bit of trivia is that only two of those tribes (Apache and Shoshone) were featured within the modern studio’s North American Indians porcelain...

The ’Pumpkin' sculpture is a polka-dotted painted lacquer resin collectible art object by the legendary contemporary Artist, Yayoi Kusama. Published by Benesse Holdings, Inc., Naosh...

The ’Pumpkin' Set of Two sculptures are polka-dotted painted lacquer resin collectible art objects by the legendary contemporary Artist, Yayoi Kusama. Published by Benesse Holdings, ...

Black and white matte photography on paper by well-known Polish artist Czeslaw Czaplinski. The artwork is minimalistic with composition in which flo...

'Marilyn Monroe, 1962' by American photographer, Lawrence Schiller. Digital pigment, AP 2/10. Image: 15.75 x 22.25 in. / Paper: 20 x 24 in. From the set of the film 'Something's Got to Give', this colored photograph features Marilyn Monroe naked in front of a pool. Photograph taken in 1962 and printed in 2023. In 1962, Schiller received an assignment from Paris Match...

Peaches in a Pot, c. 1970s/80s, oil on canvas, signed lower right, 16 x 20 inches, original label verso, presented in its original frame Peaches in a Pot is an excellent example of...

Eden Hashish Centre Ganesh poster by acclaimed Indian artist S. Murugakani. with original 1974 calendar attached. Framed in custom brass framed glass frame and tin back, with hange...

The ’Pumpkin' sculpture is a polka-dotted painted lacquer resin collectible art object by the legendary contemporary Artist, Yayoi Kusama. Published by Benesse Holdings, Inc., Naosh...

PORTRAIT STYLE KERCHIEF FROM THE 1952 PRESIDENTIAL CAMPAIGN OF REPUBLICAN IKE EISENHOWER, FORMER SUPREME COMMANDER OF ALLIED FORCES IN EUROPE DURING WWII (NATO) Printed cotton kerch...

The ’Naoshima’ Red Pumpkin is a painted lacquer resin abstract sculpture and art object by legendary contemporary Artist, Yayoi Kusama. Published by Benesse Holdings, Inc., Naoshima,...

In over five decades of photography Elliott Erwitt (b.1928) has never lost his characteristic intrigue at the curiosities of life. His unique ability to capture beauty in the mundane as well as the famous, to find the commonplace in the exceptional and vice versa. Fifth Avenue captures the chaos of Erwitt's native city with the late afternoon sun glinting on the bonnets of traffic. One of the leading photographers of his generation, Elliott Erwitt (b.1928) has been taking pictures since the late 1940s. A member of the prestigious Magnum agency since 1954, he has photographed all-over the world and his images have been the subject of many books and exhibitions. Containing over 500 pictures, over half of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images such as Nikita Khrushchev...

A library of 18 first editions by Gore Vidal (1925-2021), all but one with dust jackets, various publishers and dates, including his first published work, Williwaw. This library incl...

Victor Mikhail Arnautoff (1896 - 1979) Motion (Mile Rocks Lighthouse), San Francisco, 1939 Oil and tempera on board 60 x 40 inches Signed lower left Provenance: The artist California School of Fine Arts (CFSA) John & Lynne Bolen Fine Arts, Huntington Beach, California Exhibited: New York, World's Fair, Exhibition of Contemporary American Art, 1939. San Francisco Museum of Art, 1962. Literature: American Art from the New York World's Fair 1939, Poughkeepsie, 1987, no. 11, p. 41, illustrated. Robert W. Cherny, Victor Arnautoff and the Politics of Art, Urbana, Illinois, 2017. The lighthouse in the distance is the Mile Rocks Lighthouse in San Francisco Bay, built in 1906 after many shipwrecks made the lighthouse necessary. In 1962 the lighthouse was reduced in size to make room for a helipad. Arnautoff was the son of a Russian Orthodox priest. He showed a talent for art from an early age and hoped to study art after graduating from the gymnasium in Mariupol. With the outbreak of World War I, he enrolled in the Yelizavetgrad Cavalry School. He went on to hold military leadership positions in the army of Nicholas II and the White Siberian army. With the defeat of the Whites in Siberia, he crossed into northeastern China and surrendered his weapons. Arnautoff remained in China for five years. He again tried to pursue art, but was impoverished and took a position training the cavalry of the warlord Zhang Zuolin. He met and married Lydia Blonsky and they had two sons, Michael and Vasily. In November 1925 Arnautoff went to San Francisco on a student visa to study at the California School of Fine Arts. There he studied sculpture with Edgar Walter and painting with several instructors. His wife and children joined him, and they all continued to Mexico in 1929, where, on Ralph Stackpole...

'Marilyn Monroe, 1962' by American photographer, Lawrence Schiller. Digital pigment, Ed. 26/35. Image: 13.5 x 19 in. / Paper: 16 x 20 in. From the set of the film 'Something's Got to...

Scandinavian desk chair in solid mahogany Hans Wegner. Edition Johannes Hansen, circa 1970. Assisi renovated full grain leather walnut Sørensen. The full grain leather is an uncorrec...

Vikki Carr and George Bush State Dinner White House worn Ciner Necklace and Earrings. Indulge in a piece of Presidential American History, American Music History, Mexican American H...

The “Smile, Things Could Be Worse” caricature poster by Joe Petagno from 1970 offers a humorous yet biting critique of President Richard Nixon. The visual imagery of Nixon sitting on...

A signed limited edition of this collection of essays by a host of popular authors such as Agatha Christie and J. R. R. Tolkien on their early literary influences, with this copy bei...

This is a very unique and one of a kind item; consisting of a Custom Made Hand Crafted Leather Designer Golf Bag, in Western Motif; all hand tool and...

'Marilyn Monroe, 1962' by American photographer, Lawrence Schiller. Archival digital pigment, AP 3/5. Image: 12.5 x 19 in. / Paper: 16 x 20 in. From the set of the film 'Something's ...

Boleslaw Cybis (1895-1957). Apache (Image Makers), Indian Negro Series, image #15 of 18 unique image that comprise the drawing series. Conte on paper, sheet measures 18 x 23 inche...

Set of four beautiful teak and leather “The Chair” dining chairs by Hans J. Wegner. Smoothly sculpted wooden details and decorative joinery. “The Chair” was designed in 1949 and qui...

Boleslaw Cybis (1895-1957). Yuma (Vanished Dreams), Indian Negro Series, image #7 of 18 unique image that comprise the drawing series. Conte on paper, sheet measures 18 x 23 inches. Unsigned. Staining lower left is a consequence of removal of writing prior to lithographic photography process. Small hole on paper, lower region, patched with white tape. The sheet is hinged at top margin, not glued down to backing board. The sheet has an 9 notation on back signifying that it is the 9th and final image selected for the lithographic series. Provenance: Cybis Archive. This very unusual portrait is titled Apache ‘Image Makers’ and depicts the ritual Devil Dancer or Spirit Dancer headdress and fully-swathed face. In Apache culture and legend, the Devil Dancer is a somewhat mischievous although benevolent spirit. This original drawing was created in 1939-40 during an extensive visit to the Southwest US. The artist created 18 portraits and titled the series "Indian Negro Serie". Of the 18 images, only 9 were selected to be included in a limited edition lithographic series some 30 years after creation. 1000 editions were printed. This is the original drawing upon which one of the images is based, and is thus unique. Of the 18 original drawings, 2 are owned by the polish government, 5 are in our collection and the other 11 are whereabouts unknown. The artist and his wife opened a porcelain factory in the 1950's, Cybis Studios. The only non-porcelain retail offering from the Cybis studio was a 1970s art issue called the Folio One. This was a limited edition reproduction series taken from nine conté drawings of Native Americans made by Boleslaw Cybis in 1939. Conté is the name of a type of crayon made of compressed charcoal or graphite mixed with wax or clay. The artist Georges Seurat was particularly fond of using conté for his drawings. Boleslaw Cybis was fascinated by the Native American (then typically referred to as American Indian) culture and peoples. This may seem odd when you consider that much of his ceramic-based works were distinctly Rococo and/or Old World European in style….a pretty stark contrast, I’d say! But Cybis was nothing if not eclectic in his tastes. The originals were reproduced as color lithographs, in an edition of 1000, in 1970. This meant “1000 of each individual print.” At present its original issue pricing is unknown, but a Spring 1972 dealer price list shows the full set of nine at $500. Individual prints could also be purchased at either $50 (for Comanche, Shoshone, or Apache) or $65 (for any of the other six)… representing a $40 savings when buying the entire folio at once versus singly. The Spring 1981 price list is the final one that shows the Folio One set for sale, still at the same price ($500) as it was a decade earlier. Individual prints are not available on that list. According to the 1979 Cybis catalog text “Each of the 12″ x 20″ prints is hand-numbered on heavy Beckett rag-content paper, with a specially designed validating hallmark in the lower right-hand corner, and carries an accompanying page with a brief tribal history.” The hallmark is blind-embossed, not surface printed. However, the Spring 1972 dealer price list cited above described the prints as being 17″ x 23″ in size. Checking past auction listings for the set, the actual prints are indeed 17″ x 23″, which means that the 12″ x 20″ size probably refers to the image area. The overall size of the set’s burlap-covered box is 18.5″ x 24.5″. These nine portraits represent seven different tribes: the Comanche, Shoshone, Taos, Apache, Hopi, Mohave, and Yuma. A bit of trivia is that only two of those tribes (Apache and Shoshone) were featured within the modern studio’s North American Indians porcelain...

Boleslaw Cybis (1895-1957). Comanche (Indomitable Spirit) Indian Negro Series, image #8 of 18 unique image that comprise the drawing series. Conte on paper, sheet measures 18 x 23 inches. Signed by the artist some years after its creation in blue ink, lower left, ca. 1950's. The sheet is hinged at top margin, not glued down to backing board. The sheet has an encircled 1 notation on back signifying that it is the first of 9 images selected for the lithographic series. Provenance: Cybis Archive. This original drawing was created in 1939-40 during an extensive visit to the Southwest US. The artist created 18 portraits and titled the series "Indian Negro Serie". Of the 18 images, only 9 were selected to be included in a limited edition lithographic series some 30 years after creation. 1000 editions were printed. This is the original drawing upon which one of the images is based, and is thus unique. Of the 18 original drawings, 2 are owned by the polish government, 5 are in our collection and the other 11 are whereabouts unknown. The artist and his wife opened a porcelain factory in the 1950's, Cybis Studios. The only non-porcelain retail offering from the Cybis studio was a 1970s art issue called the Folio One. This was a limited edition reproduction series taken from nine conté drawings of Native Americans made by Boleslaw Cybis in 1939. Conté is the name of a type of crayon made of compressed charcoal or graphite mixed with wax or clay. The artist Georges Seurat was particularly fond of using conté for his drawings. Boleslaw Cybis was fascinated by the Native American (then typically referred to as American Indian) culture and peoples. This may seem odd when you consider that much of his ceramic-based works were distinctly Rococo and/or Old World European in style….a pretty stark contrast, I’d say! But Cybis was nothing if not eclectic in his tastes. The originals were reproduced as color lithographs, in an edition of 1000, in 1970. This meant “1000 of each individual print.” At present its original issue pricing is unknown, but a Spring 1972 dealer price list shows the full set of nine at $500. Individual prints could also be purchased at either $50 (for Comanche, Shoshone, or Apache) or $65 (for any of the other six)… representing a $40 savings when buying the entire folio at once versus singly. The Spring 1981 price list is the final one that shows the Folio One set for sale, still at the same price ($500) as it was a decade earlier. Individual prints are not available on that list. According to the 1979 Cybis catalog text “Each of the 12″ x 20″ prints is hand-numbered on heavy Beckett rag-content paper, with a specially designed validating hallmark in the lower right-hand corner, and carries an accompanying page with a brief tribal history.” The hallmark is blind-embossed, not surface printed. However, the Spring 1972 dealer price list cited above described the prints as being 17″ x 23″ in size. Checking past auction listings for the set, the actual prints are indeed 17″ x 23″, which means that the 12″ x 20″ size probably refers to the image area. The overall size of the set’s burlap-covered box is 18.5″ x 24.5″. These nine portraits represent seven different tribes: the Comanche, Shoshone, Taos, Apache, Hopi, Mohave, and Yuma. A bit of trivia is that only two of those tribes (Apache and Shoshone) were featured within the modern studio’s North American Indians porcelain...

Unknown Artist Nixon + Spiro - Zero, 1968 Extremely rare vintage 1960s Offset lithograph poster 28 × 22 inches Publisher Published by Joe A. Kennedy; printed by Provo Press Unframed,...

NAMED ONE OF WATCHPRO MAGAZINE’S “HOT 100” - THE TOP 100 INFLUENCERS OF THE U.S. WATCH INDUSTRY. HOW CAN WE SERVE YOU? We’re new to offering our carefully curated collection on 1stD...

'Barbara Streisand, 1969' by American photographer, Lawrence Schiller. Digital pigment, Ed. 10/35. Image: 13.75 x 19 in. / Paper: 16 x 20 in. This bl...

Boleslaw Cybis (1895-1957). Mother and Baby, Indian Negro Series, image #15 of 18 unique image that comprise the drawing series. Conte on paper, sheet measures 18 x 23 inches. Si...

Original unframed All the President's Men Spanish Movie Poster, 1983 "Todos los Hombres del Presidente" Printed by Grobes S.A, Barcelona Good condition, folded. Many original posters were issued folded or were subsequently folded Some tears and fold marks. Measures: 100 cm H x 70 cm W // 39,37 in H x 27,55 in W. All the President's Men is a 1976 American biographical political drama thriller film about the Watergate scandal that brought down the presidency of Richard Nixon. Directed by Alan J. Pakula with a screenplay by William Goldman, it is based on the 1974 non-fiction book of the same name by Carl Bernstein and Bob Woodward...

Christer Sjögren (1926-2008) for Lindshammar, Sweden. A pair of decagon shaped ruby red tall glass vases, the 1960s. A stunning and very unusual ...

Boundless whimsical creativity defines this Time Magazine Cover proposal. In 1970, famed illustrator/artist Robert Grossman visualized a cover story i...

If you've been looking for a large number of unusual dining chairs, this is it. Set of ten Heart dining chairs designed by Hans Wegner, 1952 for Fritz Han...

'Martin Luther King, Jr., 1965' by American photographer, Lawrence Schiller. Digital pigment, EP 16/35. Image: 12 x 19 in. / Paper: 16 x 20 in. This color photograph features Martin Luther King, Jr. at one of his legendary rallies. Lawrence Schiller is an award-winning photographer, film director, and bestselling author. As a photographer, Schiller photographed important and notorious figures in American history including Marilyn Monroe, Lee Harvey...

Monochromatic black matte photography on paper by well-known Polish artist Czeslaw Czaplinski. The artwork is minimalistic with composition in which...

Artist: Wolf von dem Bussche American (born Germany) 1934-2014 Title: Washington Square with Trade Center Towers II Year: 1976 Medium: Gelatin Sil...