175 results for "1920s Cape"

This is a really interesting cast stone sculpture of a white stork in its nest perched upon a chimney. This is not an unusual scene in europe, but was unexpected to see here in the u...

UNKNOWN - Red velvet cape coat with a lamé lining. Composition and size labels missing, it fits a 36FR. Not signed piece from the 1920s. Condition: Good condition Dimensions: Shoul...

Rare and hard-to-find garment, this fantastic mid 20’s Art-Deco evening cape will go with just about everything ! Made of black tulle and thousands of hand-sewn sparkling silver sequ...

1920S Black Silk Velvet Cape Lined In Champagne Silver Lamé

Torso Creations 1920s Shocking Pink Silk Panne Velvet Cape w Embroidered Collar: Original Art Deco cape made by Taft & Pennoyer. A rrue cape-style--thigh length with armholes and lar...

A breathtaking 1920s silk lamé evening shawl, combining the drama of a fringed cape with the fluid elegance of a traditional wrap. Exceptionally beautiful in person, the metallic tex...

Pale green velvet cape with fur collar. Passementerie hook&eye closure on the middle front + one velvet button and buttonhole on the top middle front...

1920S Gold Lamé Silk & Velvet Embroidered Art Deco Cape

1920S Black, Silver & Gold Metallic Silk Lamé Beaded Fringed Cape Or Belt From Paris

Pink silk velvet cape with padded collar and smocks on the shoulders. Silk lining. Pleated like a sleeve in " trompe l'oeil" ( but there is no sleeve...

In a plush brown silk velvet. Lined with a silk fabric woven with deco designs. Cape is 55" in length and collar has three tiers of fabric. The hem is also in three tiers. There ar...

Full of opulent original details, rendered in the most luxurious fashion, this rare 1920's ensemble is a beauty to behold. The brightly coloured coral pink cotton base of the ensemb...

Art Deco Carl Kauba Automaton Bronze Nude with Mechanical Cape 1920’s Austria A captivating and rare Art Deco automaton bronze sculpture by Carl Kauba (Austrian, 1865–1922), depicti...

1920's evening coat in printed silk and silver lurex damask with feather edge. Snap on the top middle front SIZE M

1920'S Black Silk Fully Beaded Tabard Dress

1920S Pink & Purple Silk Chiffon Floral Back Lace Cape Dress

George Gustav Adomeit (American, 1879-1967) Cape Ann Coast, 1922 Oil on canvas Signed lower left 20 x 24 inches 20.5 x 24.5 inches, framed A major painter of American scene subjects...

1920S Peach Silk Chiffon Lightweight Easy Summer Dress

1920s Yellow and brown floral print silk day dress. Size: 6-8 dress comes with silk belt As is! Fragile

A pretty vintage velvet dress from the 1920s. The dress has a black background with cherry like print. It has pleats on the shoulder and a flap at...

Label reads "Made in Paris exclusively for Stewart & Co 5th Avenue New York" 1920S Art Deco Silk Lamé Cocoon Coat Lined In Velvet

Maria Monaci Gallenga 1920s ice blue silk velvet evening jacket. Overall stencilling with a scrolling medieval foliate motif in silver and gold. Ruched velvet collar with long ties. ...

1920S Black Silk Crepe Jet Beaded Asymmetrical Wrap Flapper Cocktail Dress With Cold Shoulder

Unidentified artist, 'Commedia dell’arte' – four character studies (Arlecchino, Pantalone, Pantalone giovane, Tartaglia), watercolor and pencil, c. 192...

Original 1920s lame dress in gold, sage green, pale blue and dusk pink. Unlined, the fabric is light and airy, and the unusual construction of the gow...

1920s Chinese Traditional Embroidered Side-Closure Silk Summer Coat in Blues and Porcelain White: Asymmetrical closing with decorative Chinese floral and ...

Mesmerizing watercolor of towering rock formations along Cape Fréhel in Brittany, France by S. Lefevre Goux, circa 1920. A peninsula located in the Côtes-d'Armor in northern Brittany...

Vintage circa Fall 1922 Adair Paris - Franklin Simon & Co. Fifth Avenue black silk velvet evening dress. Classically inspired beading. Cap sleeves wit...

This piece was reworked and restored in what looks to have been the 1980s so some design changes may not be 100% 1920s accurate however the piece is clean, strong and wearable thanks to the restoration. Gorgeous luxe feel to the antique silk velvet. 1920S Red Silk Velvet...

1920S Black Silk Chiffon Long Sleeve Day Dress With Pleated Ruffle At The Collar

1920S Black Silk & Lamé Chiffon Evening Wrap Kimono With Crystals

Original Biere Allary vintage French beer poster. Art Deco time frame. Excellent condition and ready to frame. The image features a Viking-style name...

1920S Black & Cream Silk Chiffon Dress Made From Quing Dynasty Japanese Butterfly Kimono Fabric

Signed lower left, 'Nell Walker Warner' (American, 1891-1970) and painted circa 1925. Born in Nebraska, Nell Walker Warner graduated from Lexington, Missouri, Women's College in 191...

1920 silk jacquard printed shawl "Liberty" style with multicolor thread pompom. Size: 102 cm X 250 cm

“View of Villefranche-sur-Mer” Raymond Thibesart (France, 1874-1968) Oil on canvas, circa 1920s 24 x 32 1/2 (29 x 38 1/2 framed) inches Bathed in the soft and steamy light of the S...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (206 ...

Cape Cod catboat half model. Varnished hull with a sweeping form. Mounted to a hardwood backboard. Weight: 4 lbs. Overall Dimensions: 5" H x 22" W x 5" D. Made: America Mat...

In the 1920s in an Art-Nouveau style, Czech costume-jewelry designer Max Neiger created this brass dangle brooch that features three different shapes of ...

"Dodsworth" by Sinclair Lewis, Published: Jonathan Cape, Thirty Bedford Square, London, 1929. Retains its original dust jacket now covered in mylar. This is the first U.K. edition (...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

American Art Deco Nude Female Wrought Iron Sculpture ca. 1920’s DIMENSIONS Height: 13 inches Width: 4 inches Depth: 4 inches ABOUT Designed in...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely vintage circa 1920's hand painted and lacquered Chinese Wedding cupboard...

A beautifully bound first edition copy of A A Milne's noted story collection 'House at Pooh Corner'. A wonderful copy of this beloved work, housed in a custo...

Circa 1920 France Amazing little black dress, probably Haute Couture, with a minimalist graphic representing a drop of water and dating from the 1920s. Straight bag dress, V-neck, lo...

Elegant Art Deco bronze lamp sculpture of a seated lady with vase, combining bronze, glass and marble. Created by Jean Lormier, signed J. Lo...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Sloan, John. SHINE, WASHINGTON SQUARE. Morse 206. Etching, 1923. Signed, titled and inscribed "100 proofs," and further inscribed "Peter Platt imp." Morse says that 80 were print...

Date: 1928 Medium: Etching and aquatint on wove paper Framed Dimensions: 28.00" x 31.50" Signature: Signed in pencil at lower right, with the artist’s blindstamp at lower left. “C...

Born in Hungary in 1899 Joseph Waidinger was educated in fine art before moving to Paris to work in 1924. "Lola" is original oil on canvas, signed, and dated 1929. A true genre painting, as an elegant art deco woman sits in a cafe, perhaps waiting for someone...

UNKNOWN - Large black and white silk stole edged with fringes. There are some stains. Additional information: Condition: Good condition Dimensions: 52 cm x 210 cm Period: 20th Centu...

Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil. Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition." Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...

Great map of South Africa Original color. Good condition / repair to a minor edge tear middle bottom Published by Alexander Gross Unframed. ...

'Joan of Arc' (Jeanne d'Arc) by Jais Nielsen, 1923. Paris, Salon d’Automne, Section d'Or, Group of Thirteen, Benezit ---- Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1...

Coquette Pochoir (silk screen) printed in colors, c. 1923-1925 Signed by the artist in pencil lower right; numbered in ink on the image, (see photo) Edition: 250 (100/250) in pencil in image (see photo) Image size: 10-1/2 x 12-3/4" The artist won a gold medal in Paris in 1925 for his porchoirs Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

Erté (Romain de Tirtoff) (1892-1990) 'Manhattan Mary IV' Serigraph (Silk screen print) (Artist's Proof IL/L) Signed in pencil 70 x 56cm (sheet) 41.5 x 3...

Presented here is one of the finest Meissen porcelain figurines of the Art Deco period by Professor Paul Scheurich (1883-1945), who is acknowledged to be one of the 20th century's gr...

With stylistic confidence, French Artist Georges Lepape created three highly inventive and masterfully imaginative Art Deco figures based on Ancient Greek history. The work was for a...

Very exceptional decorated Goldscheider Art Deco ceramic figure of the 1920's: Depiction of a standing lady in oriental garb, proudly looking to the side, wrapped in a large blue-gre...

This elegant and lovely depiction of a shepherd with his staff, clearly influenced by classic Greek painting and pottery, was made by François-Louis Schmied, one of France's two lead...