1,152 results for "framed abstract art set pink"

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 24 inches "My paintings are about space, form and energy. I generally start ...

'Abstract in Red' by Carmélio' Rodrigues Cruz, 1966. Brasil, São Paulo Bienniale, MoMA Resende, New York, Chicago ---- Signed twice, verso, 'Carmélio' and 'Carmélio Cruz' for Carmélio' Rodrigues Cruz (Brazilian, born 1924) and dated 1966. Carmélio Rodrigues Cruz first studied art with the Brazilian painter, Jacinto de Souza (1935-1940). In 1944, he was invited to participate in the Sociedade Cearense de Artes Plásticas (SCAP), alongside other Latin American Modernists including Antonio Bandeira...

Title The Embrace Abstract Figurative French Modernist Claude Lagouche Oil Key Details Artist: Claude Lagouche (French, 1943–2020) Medium: Oil on thic...

Jessie's intuitive yet decisive artistic process delves into the inherent language of paint, colour and mark-making to elicit emotional resonance in the viewer. Through this explorat...

A Visual Journey: Landscape #10, Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

Chicago-based artist Jan Pieter Fokkens uses his work as a means of processing the incomprehensible. Navigating the relationship between algorithmic abstraction and the tangible qualities of pattern and color, Fokkens meditates on how reality is mediated by digital image. Entitled "NGC-3201," this vibrant drawing offers a representation of the globular cluster NGC-3201. Using an image taken by the NASA/ESA Hubble Space Telescope...

Chicago-based artist Jan Pieter Fokkens uses his work as a means of processing the incomprehensible. Navigating the relationship between algorithmic abstraction and the tangible qualities of pattern and color, Fokkens meditates on how reality is mediated by digital image. Entitled "NGC-6397," this vibrant drawing offers a representation of the globular cluster NGC-6397, also known as Caldwell 87, located 7,800 light-years from Earth. Using an image taken by the NASA/ESA Hubble Space Telescope...

Artist: Josette Cayol (French, circa 2000) Medium: Oil on canvas Size: 20 x 16 inches Frame: Unframed Signature: Signed lower right Condition: Good condition, minor surface scuffs D...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet ...

Expression 10 by M.Y. I am constantly looking for different techniques, colors and materials to experiment with, and always strive to achieve sensual harmony in every composition. I ...

Mixed media painting on the cradled wooden panel. Painting is 10"x10". The sides are 1.5" . The sides are painted black. Bold, Brave, Expressive! :: Mixed Media :: Abstract Expres...

Cities 4 – Brussels’ Theatrical Centrepiece by Susan Brown. Hand signed by the artist “Walking through La Grand Place in Brussels, is taking a journey t...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Titled Early Moring, the painting size is 32"x24", oil on canvas, with framed size is 36.5x26.5". In this enchanting artwork, "Early Morning," Janet Hagopian once again demonstrates...

'Sweet Home' 'When I paint my goal is to take all my impressions, feelings and experiences and create an artwork that will emanate a pure, positive vibrant energy. I want my painting...

This vibrant floral abstract artwork titled "Pink Blooms," created by French artist born in Kazakhstan, beautifully captures the essence of blooming roses through bold and expressive...

This is a unique original acrylic painting on canvas in a lively fantasy abstract style by Serg Graff, titled “Funny Octopuses.” The painting bursts with color and movement, depicti...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Key Details Artist: R. Leroy, French, born 1932 Title: Abstract / Cubist Composition, titled verso to label Medium: Mixed media, material and oil on canvas, framed Size: Painting: 27...

Anita Johnson Untitled (Red Theater), c. late 1960s Oil on canvas Framed dimensions: 21 in. H × 41 in. W Contemporary black floater frame With its cinematic horizontality and comman...

Colorful abstract wall sculpture made from hand-shaped clay candies on panel, presented in a white square frame. "Sottosopra" was created by Elizabeth Art Candy in 2026 as part of he...

This contemporary floral expressionist piece with a touch of impressionism was created by French artist Natalya Mougenot and belongs to her evocative series dedicated to the beauty o...

‘Ocean Bliss’ is inspired by the therapeutic qualities being in or near the ocean has for one’s mental health and it helped with my recovery from losing my mother to heart disease. I...

"Yellow" is an original, handmade mixed media painting, by Jennifer Bobola, that presents colorful abstract expressionism. Artist Statement: Let’s be honest, understanding abstract ...

Danny McCaw's (US based) "Stripes" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous human figure leaning against a bed. Bio/artist statement...

An exceptional original 1964 abstract oil painting by American modernist Beverly Rosen (1924–2006), titled Jacob’s Ladder. This vibrant mid-century work transforms the biblical subje...

Colourful Abstract Painting Collection of 6 paintings Small original paintings in vibrant, uplifting colours to brighten and add energy to your day. Heavily layered with lots of thi...

Richard Andres American, 1927-2013 acrylic and ink on paper mounted on canvas 12 x 10 inches Note: Small dent in canvas. See pictures for details. Richard Andres was born in Buffal...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró VII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations: L...

Richard Andres American, 1927-2013 Mirror, 1984 acrylic and ink on paper mounted on canvas signed lower right, dated and titled verso 12 x 12 inches Richard Andres was born in Buff...

#431 by Jessie Woodward [2018] Original abstract mini Additional information: Original Acrylic and glitter on canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H...

Jessie's intuitive artistic process delves into the inherent language of paint and mark-making to elicit emotional resonance in the viewer. Through this exploration, she aims to conv...

Signed lower right. The composition is a tightly organized geometric abstraction on a deep blue ground. A large, centrally placed triangular form asserts the vertical axis and is an...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British...

Richard Andres American, 1927-2013 Untitled, c. 1980 acrylic and ink on paper mounted on canvas signed lower right 24 x 20 inches 25 x 21 inches, framed Note: Minor abrasion on lowe...

This contemporary colourful abstract painting is by Milly Ristvedt. Early in her artistic career, the ‘magic’ of colour and its potential power to evoke emotion seduced Milly Ristve...

This large colourful acrylic abstract painting is by Milly Ristvedt. Early in her impressive decades-long career, Milly Ristvedt understood the transformational power of colour to ...

This artwork is a vivid explosion of color and movement, capturing a sense of vibrant energy and celebration. Dominating the scene are dynamic brushstrokes in shades of pink, blue, a...

Key Details Artist: French School, late 20th century, signed Title: Titled verso Medium: Oil painting on canvas, framed Size: Painting: 18 x 21.5 inches; framed: 18.5 x 22 inches Pro...

Richard Andres (American, 1927–2013) Sailing, 1973 oil on canvas signed lower right, signed and titled verso 58 x 72 inches Exhibited: Cleveland Museum of Art, May Show 1973 Richard...

Orb (Pink and Blue) (Abstract painting) Acrylic on stretched canvas — Unframed. This work titled Orb (Pink and Blue) are simple geometric square forms showing the interplay between the material and the spiritual, the structured and the fluid. This artwork is inviting us to contemplate the power of form, colour, and symbolism, and connect with its deeper symbolic significance. Brent Hallard is an Australian-born artist and co-organizer of The Shape of Things. His work is deeply rooted in the fundamentals of art history, especially building on the tendencies of abstraction, minimalism, and color field...

This work is MADE TO ORDER: please allow 5- 10 days for the artist to make the artwork. An acrylic on canvas painting exploring the difference between the artist's history with both...

Richard Andres American, 1927-2013 Summer Idyl, c. 1985 acrylic and ink on paper mounted on canvas signed lower right, signed and titled verso 44.75 x 62.75 inches Richard Andres wa...

Frank Sinatra 1915-1998 American Purple Abstract Signed "Sinatra 89" (lower right) Oil on canvas Few artists so thoroughly impacted the American cultural landscape as Frank Sinat...

Painting of Abstract Red, Pink, Yellow & White Wild Flowers on a Natural Earthy Brown Background by British Contemporary Artist, Angel...

"I Can Hear Your Sound" is an original, handmade mixed media painting, by Jennifer Bobola, that presents colorful abstract expressionism. Artist Statement: Let’s be honest, understa...

Artist: Armand Rottenberg (French, 1903–2000) Medium: Oil on board Size: 37.5 x 27 inches (framed) Signature: Signed lower right Condition: Painting in good condition; minor age-rela...

Nick Thomm 'LUMINANCE' (SET) 69cm x 92cm (27"×36″) per print. Blue Limited Edition of 425. Orange Limited Edition of 409. Archival Pigment Print on Hahnemühle 308gsm Fine Art Pape...

Richard Andres (American, 1927-2013) Erie Shore, c. 1975 acrylic on canvas signed lower right, signed and titled verso 50 x 72 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Nick Thomm CHROMATIC - 4 Print Set (XL SIZE 36" x 48" PER PRINT). Limited Edition #43 of 50. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. ...

Vertical, brightly colored abstract painting in various shades of red and pink with accents of light yellow, orange, white, and black "It's Not You It's Me" made by Hudson Valley art...

Static 412 abstract framed minimal painting. Whether you love art or just looking to decorate your home, this vibrant piece will create a new ambiance and impact your da...

In her 2024 series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing the...

"Peace and Power" is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a horizontally oriented rectangular piece and measures 30 inches high by 40 inch...

Colourful Painting of Abstract Flowers on a White Background by Contemporary British Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Art m...

This abstract painting from new Series “Vertical Stripes” is inspired by minimalism, modern art and hard edge. Work is signed, dated and tilted by Art...