272 results for "illuminated manuscripts"

Illuminated Manuscript featuring a group scene of a crowd of men. A few of them dance in the middle of the crowd surrounded by spectators. Two men sitting in a stage structure watch ...

Illuminated manuscript with images of sailboats on the front and writing on the back, visible through the glass frame backing. Image Size: 9.75" x 11.5" Frame Size: 15" x 16.75"

A double-sided illuminated manuscript on parchment hand-written and coloured from the Gothic period (15th century) This is a page from a liturgical book such as the Psalters and cour...

Extraordinary in its beauty and rarity, this early 16th-century German painting of an illuminated manuscript showcases a masterful trompe l’oeil effect. Unequivocally among the finest of only 17 known works of its kind, the oil on panel is both rare and captivating. With illusory pages that appear to leap from the panel, this virtuosic painting of a hand-colored book suspended into space is exceptional. Created more than four centuries ago, the composition evokes a strong sense of realism. Executed by a masterful Northern Renaissance artist of the German school, the illuminated manuscript pictured shows the astonishing splendor of the historical books of the period. Sumptuously decorated with scrolling floral motifs in the margins, the manuscript appears before a deep black background, heightening the trompe l’oeil illusion of depth through its strong contrast and the naturalistic shadows falling across the fluttering pages. It has been said that of the 17 known versions of this composition, ours stands alone in its precision in both perspective and the play of light and shadow. The visible folios feature choral arrangements and other texts, indicating the pictured manuscript likely served a role in the celebration of church services. In fact, other examples of manuscript paintings...

Medieval Floral Ornament – Illuminated Manuscript Motifs, Plate XLVIII, c.1869 This ornate chromolithograph from L'Ornement Polychrome (Plate XLVIII) presents a vivid composition of...

Verse 1 through Verse 60 From: Leyli o Majnun by Nizami Ganjavi (1141-1209CE) This folio comprises the first 60 verses of the epic Persian poem “The masnavi of Leyli va Majnun (4,60...

English School 15th Century The Consecration of a Church Illuminated manuscript on Vellum Image size: 5 ½ x 5 inches (14 x 12.7 cm) 18th century ornate Tabernacle frame

Medieval Floral Borders – Illuminated Manuscript Motifs, Plate L, c.1869 This richly detailed chromolithograph from Plate L of L'Ornement Polychrome by Albert Racinet presents a cap...

This pair of manuscript pages are 18th century and are done it water colour and gauche. The images are of people in landscapes and the colors are still...

A tiny and complete Parisian Book of Hours with a plethora of intricate illuminations. 91 x 65mm (3.6 x 2.6in). 190 leaves on vellum, additional 4 paper leaves after (plus 3 paper e...

A vintage illuminated page manuscript taken from a Thai Buddhist prayer book and set inside custom wooden frame under glass. This vintage illuminated manuscript page, delicately extracted from a Thai Buddhist prayer book, is a captivating piece of cultural history and artistry. Encased in a custom wooden frame under protective glass, it is meticulously preserved, allowing the vibrant colors and intricate details to shine through. The manuscript showcases two stunning painted scenes that flank a central text, written in the traditional Thai script. The paintings depict scenes steeped in spiritual symbolism and rich in color, with careful attention paid to each stroke and detail. The central text carries an aura of sacredness and devotion. It invites onlookers to ponder the teachings and prayers that have been passed down through generations. This framed manuscript...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Illuminated psalter - Psalm 31 Illuminated manuscript on vellum 15 x 11 (sheet), 11 x 9 cm (framed area) A beautifully illuminated psalter page, including the Latin text...

CHANEL Navy Tweed Jacket with Gilded Trim Paris / VENICE Cruise Collection by Karl Lagerfeld ~ An ode to Venetian grandeur, This Chanel navy tweed jacket from the Paris / VENICE...

– An ode to Venetian grandeur, this Chanel black tweed jacket from the Paris / VENICE Cruise Collection stands among the house’s most poetically coveted creations – Each detail wh...

CHANEL · Rare Collectible Lesage Tweed & Leather Highland Jacket — Runway of the Paris / EDINBURGH 2013 Métiers d’Art Collection by Karl Lagerfeld — // Boutique value: over $12,0...

CHANEL – Paris / EDINBURGH Runway Coat — a sovereign relic of the Highlands, forged at the height of Lagerfeld’s narrative genius — a garment that does not simply adorn, but ascends ...

Unknown Russian Artist Russian Orthodox Church, Middle 19th century Unsigned Illuminated in red, yellow blue and green pigments and gold leaf on paper An Illuminated manuscript folio...

Gothic Illumination-Inspired Ornament – Middle Ages Decorative Designs, c.1869 This vibrant chromolithograph, Plate XLII from *L'Ornement Polychrome*, showcases eight exquisite orna...

Anonymous 15th Century Italian, Probably Milan area The Nativity of Christ Pigments, ink and gold leaf on vellum Unsigned as is always the case with illuminated manuscripts The Virgi...

A beautifully preserved medieval illuminated manuscript leaf on vellum (animal skin), dating to circa 1350–1450, originating from Europe. Italy. This striking example of Gothic craftsmanship features elegant textura script meticulously hand-lettered in rich brown ink across both sides, accompanied by vibrant rubrication and finely rendered initials in red and blue. The recto is adorned with a large illuminated initial, intricately decorated with geometric and foliate motifs, while delicate pen flourishes extend into the margins, demonstrating the skill and artistry of a professional scriptorium. The verso continues with carefully structured text and ornamentation, revealing the continuity of the manuscript’s original use. The presence of decoration on both sides highlights its authenticity as a working liturgical page rather than a later decorative fragment. Executed on supple vellum, the surface retains a beautiful natural patina, with subtle tonal variations and signs of age that enhance its historical character. The text is drawn from the Latin Psalms, traditionally used in devotional practice, adding both spiritual and cultural significance. The text translates in English as: “Lord, hear my prayer, and let my cry come to you. Do not hide your face from me; in the day when I am in trouble, incline your ear to me. On whatever day I call upon you, hear me quickly. For my days have vanished like smoke, and my bones have dried up like firewood. I am stricken like grass and my heart has withered, so that I forget to eat my bread. From the voice of my groaning, my bones cling to my flesh. I have become like a pelican in the wilderness; I am like an owl among the ruins. I lie awake, and I am like a solitary sparrow on a rooftop. All the day my enemies reproach me; those who praised me swear against me. For I have eaten ashes like bread and mingled my drink with weeping.” Presented in a custom frame, this rare...

Unknown Russian Artist Russian Orthodox Church, Middle 19th century Unsigned Illuminated in red, yellow blue and green pigments and gold leaf on paper ...

An antique Megillah The Book of Esther, hand written on parchment by an expert Sephardi scribe and richly decorated with hand painted illustrations. The text panels are surrounded by...

53848 Vintage Turkish Angora Wool Blanket Kilim Rug, 04'06 x 05'11. Woven beneath the soft shadows of Anatolia’s mountain light, this handwoven Turkish Angora kilim rug reveals the q...

52337 Vintage Turkish Oushak Rug, 04'00 x 06'03. Evoking the majesty of Anatolian tradition and the refinement of Ottoman artistry, this hand-knotted wool vintage Turkish Oushak rug ...

79232 Late 19th Century Antique Pastel Turkish Oushak Rug, 11'08 x 14'07. Gracefully woven at the twilight of the Ottoman Empire, this hand-knotted wool Oushak rug radiates an aura o...

53775 Late 19th Century Antique French Verdure Tapestry, 05'09 x 07'04. Woven with lyrical precision in the hallowed tapestry ateliers of Aubusson during the late 19th century, this ...

Arts d’Orient et de l’Islam Auction Reference Catalogue by Artcurial. Arts d’Orient et de l’Islam provenant des Collections Xavier Guerrand-Hermès. Illustrated Auction & Reference Catalogue.March 2014 A remarkable and highly collectible reference catalogue dedicated to the renowned Xavier Guerrand-Hermès Collection, one of the most important private collections of Oriental and Islamic art assembled in the modern era. Richly illustrated with exceptional color photography throughout its 204 pages, this scholarly publication offers a comprehensive survey of masterpieces spanning centuries of artistic achievement across the Islamic world. The collection encompasses the arts of the Orient from Antiquity through the great Islamic civilizations, ranging from Al-Andalus (Islamic Spain) to the Mughal Empire, and from the early Umayyad and Abbasid Caliphates to the flourishing Safavid, Ottoman, Mughal, and Qajar periods. Particularly renowned for its depth and quality, the collection is centered around two of the most celebrated forms of Islamic artistic expression: Illuminated manuscripts, calligraphy, miniatures, and rare texts Islamic ceramics, showcasing an extraordinary diversity of techniques, glazes, and decorative traditions Featuring museum-quality objects and detailed documentation, this catalogue is an indispensable reference for collectors, scholars, dealers, and enthusiasts of Islamic, Middle Eastern, Persian, Ottoman, Mughal, and Andalusian art. Details Title: Arts d’Orient et de l’Islam provenant des Collections Xavier Guerrand-Hermès Format: Softcover Pages: 204 Language: French Fully illustrated in color Rich scholarly and historical content Condition Good vintage condition with wear consistent with age and handling. wear on corner front page. Keywords / Metadata Xavier Guerrand Hermès, Islamic art catalogue, Arts d'Orient, Oriental art reference, Islamic manuscript, Persian miniature, Arabic calligraphy, Ottoman art, Safavid art, Mughal art, Andalusian art, Al Andalus, Islamic ceramics, Middle Eastern art, Qajar art...

78092 Rare Antique English Needlepoint Tapestry 02'04 x 03'05. Woven in the quiet hush of late-Victorian England yet echoing the soul of the Middle Ages, this extraordinary handwoven...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Cavalier et l’oiseau (The Horseman and the Bird), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogn...

Jean Pichore workshop, 1500-1541 Crucifixion Metal cut engraving printed on vellum with vintage hand coloring c. 1500-1541 Miniature (image) size: 4 3/4 x 3 1/8" Including decorated ...

Framed late 15th century illuminated Book of Hours manuscript circa 1500, France. Gouache, ink gold wash and gold burnishing on vellum. Framed within large decorative matt. In very g...

Monumental Medieval Antiphonal Book Binding with Illuminated Leaves Austria, 1300s- possible St.Peter Abbey, Salzburg Austria, oldest monastery in the German speaking world (founded ...

74255 Late 19th Century Antique Turkish Hunting Scene Oushak Rug, 14'06 x 17'00. An Ode to the Chase: Where Kings Ride and Elephants Walk Among Shadows. Woven beneath the golden haze...

De Doorluchtige Weereld – S. de Vries, François Halma, Amsterdam, 1700 Magnificent and complete three-volume set of De Doorluchtige Weereld (The Illustrious World), written by S. de...

CHANEL Black Tweed Jacket with Gilded Trim Paris / VENICE Cruise Collection by Karl Lagerfeld – An ode to Venetian grandeur, This Chanel black tweed jacket from the Paris / VENICE C...

50500 Vintage Red Turkish Oushak Rug, 07'02 x 10'00. Drenched in a palette of autumn’s last embers and steeped in the grandeur of Ottoman elegance, this hand-knotted wool vintage Tur...

Celtic Illuminated Ornament – Decorative Motifs from Early Manuscripts, c.1869 This richly colored plate, numbered XXXIX from L'Ornement Polychrome, presents an exquisite compilatio...

A fine and unusual wooden book or manuscript cover with a carved exterior and painted interior, 15th century, Nepal. The exterior of the manuscript cover exuberantly carved with ...

A magnificent French Gothic parcel gilt paint decorated church tabernacle. circa 1810 France, early 19th century, executed in period Gothic Revival ...

IMPORTANT SEDES SAPIENTIAE VIRGIN AND CHILD ALSO CALLED « THRONE OF WISDOM » ORIGIN: FRANCE, BURGUNDY PERIOD: EARLY 13th CENTURY Height : 75 cm Len...

IMPORTANT AND RARE LITURGICAL PSALTER, Spain, 16th Century (1550-1750) Psalterium iuxta Romanum (Liturgical Psalter according to the Roman Rite) Latin (with Spanish additions), illu...

Blue Plates are food safe. Daphne Sweet is a contemporary artist based in Butte, Montana, whose work intertwines personal narrative, mythology, and the landscapes of the American W...

AUTHOR: HABINGTON, William. TITLE: The Historie Of Edward The Fourth, King Of England. PUBLISHER: London: by Tho. Cotes, for William Cooke, 1640. DESCRIPTION: FIRST EDITION. 1 vo...

This circa 1900 original poster by Firmin Bouisset, titled Jeune fille à la tresse dans un décor de feuillages, is a delicate and enchanting example of early Art Nouveau design. It f...

Archibald Knox, made by Carter & Co, at the East Quay Works in Poole in Dorset for Liberty and Co. A rare and completely original pair of Arts and Crafts terracotta 'Olaf' planters ...

Antique 1845 Hand-Colored Print of a Medieval Woman in Pink and Gold Cape This elegant hand-colored engraving from 1845 depicts a medieval woman standing in profile, dressed in a fl...

Vintage Stoneware Bowl with Sun Motif by Jean-Claude Taburet for HB Henriot (circa 1960s-70s). A strong and characteristic piece from Jean-Claude Taburet's long collaboration with the HB Henriot manufactory in Quimper, France, the oldest continuously active faïencerie in the country, tracing its origins to 1690. The coupe is worked in stoneware, its decoration incised into the clay body with a central sun motif, its rays spreading outward in the ancient manner common to Breton traditions, surrounded and framed by a series of stylised flowers. The incised lines have depth to them, shadow, the sense of a hand pressing deliberately into resistant material. It is a modest form in scale, but it carries the weight of a much larger object. The sun is not an incidental choice of motif. For Taburet, working in a region saturated with Celtic legend and ancient symbolic imagery, solar forms carried genuine cultural meaning — a continuity between the prehistoric standing stones of Carnac, the illuminated manuscripts of early Breton Christianity, and the modernist decorative tradition he was simultaneously engaged with. The result is a piece that feels rooted rather than merely decorative. The piece is in very good overall condition. It is signed to the underside with the HB Henriot Quimper...

Framed 15th century illuminated Book of Hours manuscript circa 1450, France. Gouache, ink gold wash and gold burnishing on vellum. Framed within large decorative matt. In very good a...

78516 Vintage Turkish Silk Hereke Rug, 01'04 x 02'00. Woven in the legendary ateliers of Hereke, this hand-knotted vintage Turkish silk rug is a masterstroke of imperial artistry—a r...

Medieval Catholic Rituals – Funeral & Elevation of the Host, 2 Hand-Colored Lithographs This refined pair of hand-colored lithographs presents two complementary scenes from medieval...

1946 Heritage edition of the translation prepared at Cambridge in 1611 for King James I with a preface by Mary Ellen Chase. The story of Job from the Old Testament has fascinated sch...

Wonderful print of St Elizabeth of Hungary Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

The Kerman Vase-Technique Carpet by Ararat Rugs is a distinguished creation inspired by the renowned 17th-century Kerman "Vase" carpets of southeastern Persia. This piece embodies the elegance and sophistication characteristic of Persian court art from that era. A poetic reinterpretation of the famed Rothschild vase...

79323 Vintage Chinese Tabriz Rug, 08'07 x 11'06. Immerse yourself in the grandeur of old-world craftsmanship with this hand-knotted wool vintage Chinese Tabriz rug—a majestic express...

A rare and beautifully illuminated Quran manuscript from the Timurid period, dating back to the 15th century. The manuscript features intricate floral motifs, vibrant colours, and el...

Post Medieval gold fleur-de-lis signet ring. A heavy yellow gold signet ring, the central circular plaque engraved with a prominent fleur-de-lis motif and framed by incised beaded ed...

Persephone Oil on canvas, 1952 Signed lower left (see photo) Titled reverse "Persephone" Signed "V. 52" Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label Condition: two very small flakes of missing paint Canvas size: 20 1/8 x 16" Frame size: 20 7/8 x 16 3/4" Provenance: Estate of the artist Dehn Heirs An important painting by the artist. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn (1922-2005) Virginia Dehn was an American painter and printmaker whose lyrical abstractions drew inspiration from nature, archaeology, ancient civilizations, and the spiritual dimensions of landscape. Born Virginia Engleman in Nevada, Missouri, on October 26, 1922, she studied at Stephens College, the Traphagen School of Design, and the Art Students League in New York. In the 1940s she met the distinguished lithographer and watercolorist Adolf Dehn, whom she married in 1947. Although initially known in connection with her husband's artistic circle, she developed an independent career that spanned more than five decades. Her mature work transformed natural forms, gardens, pottery, geological formations, and symbols from ancient cultures into richly textured, semi-abstract compositions characterized by luminous color and contemplative imagery. Her major series included Gardens and Galaxies, Ancient Landscapes, Earth Memory, The Egyptian Series, The Oriental Series, and The Gold Series. Dehn exhibited widely throughout the United States and was represented during her career by galleries including the Susan Teller Gallery in New York, Harmon-Meek Gallery in Naples, Florida, Cline LewAllen Contemporary Gallery in Santa Fe, New Mexico, and Thomas French Fine Art in Ohio. Her work was featured in numerous solo and group exhibitions and earned recognition for its synthesis of modern abstraction with enduring themes drawn from history and the natural world. Works by Virginia Dehn are held in a number of public collections, including the New Mexico Museum of Art, the Butler Institute of American Art, the Portland Art Museum, the Museum of Fine Arts, Springfield (Massachusetts), the University of California, Berkeley, the Minnesota Historical Society, and the New York State Library. These institutional holdings reflect the broad geographic reach of her career and the continuing appreciation of her contribution to twentieth-century American art. Virginia Dehn died in Santa Fe, New Mexico, on July 28, 2005. Today her paintings, drawings, and prints are represented in museum collections and private collections throughout the United States, and her work remains associated with a distinctive vision that united abstraction, memory, and the enduring forms of the natural world. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Blue Plates are food safe Daphne Sweet is a contemporary artist based in Butte, Montana, whose work intertwines personal narrative, mythology, and the landscapes of the American We...

Blue Plate 02 is food safe Daphne Sweet is a contemporary artist based in Butte, Montana, whose work intertwines personal narrative, mythology, and the landscapes of the American W...