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"Abstraction" Mid 20th Century American Abstract  1960s Color Field

"Abstraction" Mid 20th Century American Abstract 1960s Color Field

By James Daugherty 1

Located in New York, NY

"Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Abstraction 16 x 12 inches Estate stamp verso Oil on panel Provenance: Estate of t...

Category

1960s Abstract Abstract Paintings

Materials

Oil, Panel

Mid 20th Century American Abstract Large. Comprised of Four Canvases Color Field
Mid 20th Century American Abstract Large. Comprised of Four Canvases Color Field

Mid 20th Century American Abstract Large. Comprised of Four Canvases Color Field

By James Daugherty 1

Located in New York, NY

Mid 20th Century American Abstract Large. Comprised of Four Canvases Color Field James Daugherty (1887 - 1974) The Sun is but a Morning Star Acrylic on canvas, c. 1965. 100 x 100 inches Comprised of four canvases measuring 50x50 inches each Each canvas is signed, J. Daugherty, on verso. The upper left canvas is inscribed as titled on verso Provenance: Estate of the Artist. Exhibited: Montclair Art Museum, Montclair, NJ, "James H. Daugherty Retrospective," January 28 - March 25, 1973. BIO Among the early American modernists, James Daugherty was one of the first exponents of abstract color painting. Throughout his career, whether he was working in an abstract or a representational mode, Daugherty felt pure color to be the most effective means of creating powerful and evocative works of art. Daugherty was born in Asheville, North Carolina, near the Great Smoky Mountains. He received his formal training at the Corcoran School of Art in Washington, D.C. and at the Pennsylvania Academy of the Fine Arts in Philadelphia during the early years of the last century. Although he was in Europe from 1905 until 1907, he remained unaffected by avant-garde art until the groundbreaking Armory Show of 1913. Daugherty worked in a futurist manner until late 1914 or early 1915, when he came into contact with Arthur B...

Category

1960s Abstract Abstract Paintings

Materials

Canvas, Acrylic

"Untitled" Mid 20th Century American Abstract  1960s Color Field Abstraction
"Untitled" Mid 20th Century American Abstract  1960s Color Field Abstraction

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction

By James Daugherty 1

Located in New York, NY

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 15 x 21 ½ inches May 15, 1967 Pastel on paper Signed lower left ...

Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Paper, Pastel

SEND THE EAGLE'S ANSWER - MORE SHIPS Original Vintage WWI World War USA Poster
SEND THE EAGLE'S ANSWER - MORE SHIPS Original Vintage WWI World War USA Poster

SEND THE EAGLE'S ANSWER - MORE SHIPS Original Vintage WWI World War USA Poster

By James Daugherty

Located in Chicago, IL

SEND THE EAGLE'S ANSWER - MORE SHIPS - UNITED STATES SHIPPING BOARD Rare authentic original antique vintage World War I poster Artist: Sidney Riesenberg Artist: James Daugherty Condi...

Category

Vintage 1910s Posters

Materials

Paper

MAGIC CASEMENT, Abstract Non-Objective Mid-Century Pastel Color Field Drawing

MAGIC CASEMENT, Abstract Non-Objective Mid-Century Pastel Color Field Drawing

By James Daugherty 1

Located in New York, NY

MAGIC CASEMENT, Abstract Non-Objective Mid-Century Pastel Color Field Drawing "Magic Casement" 16 x 20 ¾ inches Pastel on paper Initialed JD and dated February 22, 1967 lower left, Titled lower right The framed work measure 18 x 23 inches. Provenance: James Daugherty...

Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Paper, Pastel

"Untitled" Mid 20th Century American Abstract  1960s Color Field Abstraction

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction

By James Daugherty 1

Located in New York, NY

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 12 ¼ x 15 ¼ inches Initialed and dated February 21, 1966 lower ri...

Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Paper, Pastel

"Untitled" Mid 20th Century American Abstract  1960s Color Field Abstraction

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction

By James Daugherty 1

Located in New York, NY

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 9 x 16 inches Initialed lower right Dated November 1, 1966 lower ...

Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Paper, Pastel

"Lascaux" Mid-20th Century American Abstract  1960s Color Field Modernist

"Lascaux" Mid-20th Century American Abstract 1960s Color Field Modernist

By James Daugherty 1

Located in New York, NY

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887-1974) "Lascaux" 5 ¼ x 8 ¼ inches Pastel on paper Initialed lower left, titled lo...

Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Paper, Pastel

"Abstraction" Mid 20th Century American Abstract  1960s Color Field

"Abstraction" Mid 20th Century American Abstract 1960s Color Field

By James Daugherty 1

Located in New York, NY

"Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Abstraction 6 3/4 x 8 3/4 inches Estate stamp verso Oil on panel Provenance: Estat...

Category

1960s Abstract Abstract Paintings

Materials

Oil, Panel

"Road to Damascus" Mid 20th Century American Abstract  1960s Color Field

"Road to Damascus" Mid 20th Century American Abstract 1960s Color Field

By James Daugherty 1

Located in New York, NY

"Road to Damascus" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) "The Road to Damascus" 16 x 20 inches Oil on panel Initialed and dated 63 lowe...

Category

1960s Abstract Abstract Paintings

Materials

Oil, Panel

"Harlequin’s Birthday" Mid 20th Century American Abstract  1960s Color Field
"Harlequin’s Birthday" Mid 20th Century American Abstract  1960s Color Field

"Harlequin’s Birthday" Mid 20th Century American Abstract 1960s Color Field

By James Daugherty 1

Located in New York, NY

"Harlequin’s Birthday" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Harlequin’s Birthday 17 1/4 x 11 inches Pastel on paper, c. 1965 Titled lo...

Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Paper, Pastel

Synchromist Abstraction watercolor by Jay Van Everen
Synchromist Abstraction watercolor by Jay Van Everen

Synchromist Abstraction watercolor by Jay Van Everen

Located in Hudson, NY

Jay Van Everen was a pioneering early American abstractionist known for his affiliation with the Synchromists. His abstract color studies would take him to the forefront of the Ameri...

Category

1920s Modern Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor

"Black Man with Banjo, " Rare Example of Social Realist Sculpture by Shearwater
"Black Man with Banjo, " Rare Example of Social Realist Sculpture by Shearwater

"Black Man with Banjo, " Rare Example of Social Realist Sculpture by Shearwater

By Walter Anderson

Located in Philadelphia, PA

Clearly influenced by the affectionate depictions of working Americans in the Midwest and the South by Social Realists such as Thomas Hart Benton and James Daugherty, this rare sculpture of a Black male figure with banjo was produced by the Shearwater Pottery...

Category

Vintage 1930s North American Art Deco Figurative Sculptures

Materials

Ceramic

Washington Assumes Command - Etching on Paper
Washington Assumes Command - Etching on Paper

Washington Assumes Command - Etching on Paper

Located in Soquel, CA

Washington Assumes Command - Etching in Ink on Paper Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...

Category

1930s Impressionist Figurative Prints

Materials

Paper, Drypoint, Lithograph

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Located in New York, NY

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By James Daugherty

Located in Philadelphia, PA

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Vintage 1920s American Art Deco Paintings

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Located in New York, NY

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Original "The Ships Are Coming" vintage American poster with an Eagle.
Original "The Ships Are Coming" vintage American poster with an Eagle.

Original "The Ships Are Coming" vintage American poster with an Eagle.

By James Henry Daugherty

Located in Spokane, WA

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1910s American Modern Animal Prints

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1920s Modernist Mountain Landscape, Framed Colorado Oil Painting, 25 x 30 inches

1920s Modernist Mountain Landscape, Framed Colorado Oil Painting, 25 x 30 inches

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Located in Denver, CO

A modernist mountain landscape (likely of Colorado) vintage 1930s oil painting by Jan Matulka (1890-1972). Sogmed nu tje artist in the lower right, estate stamped verso. Custom hand-carved frame measuring 30 x 35 inches, canvas size is 25 x 30 inches. Expedited and International shipping is available - please contact us for a quote. Provenance: Estate of the artist, Jan Matulka About the Artist: By maintaining his Czech birthright and European ties, Jan Matulka played a distinctive role in the development of American modernism. Participating in significant artistic circles in this country and France, he was an enthusiastic emissary of Cubism and Surrealism to both colleagues and students. His independent spirit worked against a successful art career, and personal misfortune and deafness increasingly cut him off from the emerging avant-garde scene. While Matulka experienced a renewed interest in his work before his death, his legacy as an inexhaustible creative force is only now appreciated. Born on a dairy farm in South Bohemia in 1890, Matulka first pursued his artistic ambitions in Prague, an advanced cultural center that quickly embraced Cubist art and architecture. The intellectual vanguard supported a national revival, which included an interest in folk tales and traditions. For the young Czech artist, the simplified yet dynamic forms of Cubism and folk arts would become a liberating vocabulary, one he could apply to the sturdy underpinnings of traditional education. Throughout the many turns of his artwork, Matulka always brought a firm sense of design and command of drawing to his imaginative musings. Arriving in the Bronx with his family in 1907, he began studies the following year at the conservative National Academy of Design, winning the $1500 Joseph Pulitzer Traveling Scholarship upon graduation. Because of the war, his artistic pilgrimage to Picasso’s Spain was stymied. So he traveled to those areas of the US that were settled by the Spanish, such as Florida, Arizona and New Mexico. While in the Southwest, he found a contemporary equivalent of the “primitive” in pueblo, living for a time with the Hopi. Along with naturalistic watercolors, his work stemming from this period is considered among the first modernist interpretations of Southwestern Indian customs. Some of these works were finished from sketches upon his return to New York, where he started to fully express the formalist experimentation of Cubism. In the summer of 1920, Matulka exhibited abstract paintings at Katherine Dreier’s Societe Anonyme along with Patrick Bruce, James Daugherty and Jay Van Everen. Through her largesse, he would have a one-man show in 1926 at the Art Center, 65 East 56th Street, but his thoughtless behavior led to her losing interest in his fortunes. Also upon his return to New York, he married Lida Jirouskova, a librarian whose literary connections led to illustration projects for Matulka. Studying lithography at the Art Students League in the mid-twenties solidified his understanding of graphic principles, and about half of his prints date from between 1925 and 1928. Working in black and white, Matulka developed an understanding of compositions based in shifting relationships of tonality – of contrast of dimension and design. This balance of the linear and the roughhewn characterize even the most colorful of his paintings. Matulka and his wife traveled to Paris in late 1919 or early 1920, and he established a studio in Paris that he kept until 1934. Meeting with the likes of Gertrude Stein, he stayed current with the tastes of the aesthetic elite, such as Diaghilev’s Ballet Russe. Many of his works from this time are reminiscent of Picasso’s mix of neo-classical monumental nudes...

Category

1930s American Modern Landscape Paintings

Materials

Canvas, Oil

Washington Assumes Command - Hand Colored Engraving
Washington Assumes Command - Hand Colored Engraving

Washington Assumes Command - Hand Colored Engraving

Located in Soquel, CA

Hand-colored by the artist, an engraving by Ralph Ludwig Boyer (American, 1879-1952). Signed "R L Boyer" in the lower right corner in pencil. Numbered "8" in the lower right, which w...

Category

1930s American Realist Figurative Prints

Materials

Paper, Ink, Watercolor, Drypoint, Lithograph

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