13 results for "oswaldo guayasamín"

Fantastic solid brass rooster sculpture by Ecuadorian artist Oswaldo Guayasamín (1919-1999). This piece has multiple attachments that make a lovely dinging noise similar to a wind ch...

A striking vintage brass bird sculpture designed by renowned Ecuadorian artist Oswaldo Guayasamín (1919–1999) and produced by Taller Guayasamín, the artist’s studio workshop. This sc...

For your consideration, a vintage modernist kinetic pendant or brooch designed by the renowned Ecuadorian artist Oswaldo Guayasamín (1919–1999). Guayasamín, primarily known as a mast...

Spanish name: Mascara de Niño, Translation: Child's Head Handmade polished brass sculpture based off of Oswaldo Guayasamín's "Niño" sculpture created for the artists museum in Quito, Ecuador. Stamped with makers mark, Taller Tinta...

Oswaldo Guayasamín creates a soulful and insightful portrait of a young black girl. The artist is known for his sensitive depictions of the raw human condition, systemic injustice, a...

Owaldo Guayasamin bronze sculpture Bronze sculpture of a woman's head The sculpture is in excellent condition, as seen in the photo. A single piece of bronze brass work It has its or...

Oswaldo Guayasamín (July 6, 1919 – March 10, 1999) was an Ecuadorian painter and sculptor of Kichwa and Mestizo heritage. Biography Early life Guayasamín was born in Quito, Ecuador,to a native father and a Mestiza mother, both of Kichwa descent. His family was poor and his father worked as a carpenter for most of his life. Oswaldo Guayasamín later worked as a taxi and truck driver. He was the eldest of ten children in his family. When he was young, he enjoyed drawing caricatures of his teachers and the children that he played with. He showed an early love for art. He created a Pan-American art of human and social inequalities which achieved international recognition. He graduated from the School of Fine Arts in Quito as a painter and sculptor. He also studied architecture there. He held his first exhibition when he was 23, in 1942. While he was attending college, his best friend died during a demonstration in Quito. This incident would later inspire one of his paintings, Los Niños Muertos (The Dead Children). This event also helped him to form his vision about the people and the society that he lived in. Career Guayasamín started painting from the time he was six years old. He loved to draw from that age. Starting from watercolors and transforming all the way through to his signature humanity pieces, his art career had many highlights. Although tragedy molded Guayasamín's work, it was his friend's death that inspired him to paint powerful symbols of truth in society and injustices around him. While his interest was seldom with his school work, he began selling his art before the time that he could even read. After his attendance at the School of Fine Arts in Quito, his career took off. La Galería Caspicara, an art gallery opened by Eduardo Kingman...

Pair of birds with some denting, and heavy patinations, normal tarnishing to dark tarnishing and black staining. Joaquin Humberto Tinta Figueroa (1934- ) The original taller was ...

Rufino Tamayo was born in Oaxaca, Mexico. He studied at the Academia de Bellas Artes in Mexico City and worked there until 1936 when he moved to New York, where he taught at the Dalt...

A bold, graphic painting on canvas by listed New York artist Margarita Gibbons (1906-1976). Hand signed lower right Oil painting on canvas. Abstract geometrical composition in blue, red, and black colors. Titled 'Dual Principle'. Gibbons studied at the Art Students League of New York and Pratt Institute of Art. Exhibitions included National Association of Women Artists and Society of Independent Artists. Margarita Gibbons (1906-1976) was a painter from New York City. Gibbons originally performed as a ballerina for the Metropolitan Opera House Corps de Ballet, as a dancer, before pursuing a career as a fine artist. (She was there with Martha Graham). Margarita studied with Bolm and Fokine and performed in the 1924 music box revue for Irving Berlin. Her close friends were dancers Ruth Page and Helen Tamiris Becker. She studied at the Art Students League, Pratt institute and later in Paris and Amsterdam. Her work has been shown in a number of galleries and museums including the Argent gallery, the Brooklyn Museum, and the Whitney Museum of American Art. Gibbons first husband was Ecuadorian painter Camilo Egas (friends with Jose Clemente Orozco, Willem De Kooning, Pablo Picasso and Oswaldo Guayasamin) whom she brought to the United States. They lived in Greenwich Village, New York City. In the 1940s and 1950s, his work moved away from Indigenismo and social realism toward Surrealism, neo-Cubism, and eventually Abstract expressionism. Her second husband was American illustrator and painter Arthur Getz...

A bold, graphic painting on canvas by listed New York artist Margarita Gibbons (1906-1976). Hand signed lower right and signed again on verso M. Gibbons. Address of 222 W. 23rd Street (Hotel Chelsea) also noted on verso as well as the title of the work, Gibbons studied at the Art Students League of New York and Pratt Institute of Art. Exhibitions included National Association of Women Artists and Society of Independent Artists. Margarita Gibbons (1906-1976) was a painter from New York City. Gibbons originally performed as a ballerina for the Metropolitan Opera House Corps de Ballet, as a dancer, before pursuing a career as a fine artist. (She was there with Martha Graham). Margarita studied with Bolm and Fokine and performed in the 1924 music box revue for Irving Berlin. Her close friends were dancers Ruth Page and Helen Tamiris Becker. She studied at the Art Students League, Pratt institute and later in Paris and Amsterdam. Her work has been shown in a number of galleries and museums including the Argent gallery, the Brooklyn Museum, and the Whitney Museum of American Art. Gibbons first husband was Ecuadorian painter Camilo Egas (friends with Jose Clemente Orozco, Willem De Kooning, Pablo Picasso and Oswaldo Guayasamin) whom she brought to the United States. They lived in Greenwich Village, New York City. In the 1940s and 1950s, his work moved away from Indigenismo and social realism toward Surrealism, neo-Cubism, and eventually Abstract expressionism. Her second husband was American illustrator and painter Arthur Getz...

El grabado va firmado a mano y con justificante, que en este caso es una prueba de artista P/A También va titulado y fechado del año 1983 Se presenta enmarcado (se enviará sin cris...

Redondela, Agustín (Madrid, 1922). "Hermitage". Watercolor. Signed and titled in the lower area. A mainly self-taught painter by training, Agustín González Alonso was trained together with his father, the painter and set designer José González...