24 results for "solingen blades"

"Officer's Sword – France Or Austrian Netherlands – Circa 1770–1790 – Length 99 Cm" An elegant officer's sword, late 18th century (circa 1770–1790), probably French or Austrian Nethe...

Art Deco Bakelite fruit knife set from the 1930s. Solingen made in Germany Original condition.

What do you get the person that has everything? If they are a cigar afficionado, I would recommend this handsome cigar cutter. Crafted in 14K gold, it has a Solingen steel blade, and...

Vintage set of scissors and letter opener features brass plated handles with engraved Arts and Crafts style decor, done in black matte enamel. The pieces are stored in navy leather ...

This curved sword has a blued steel German blade with an ivory cross-hatched grip bearing silver and gilt mounts in the form of a lion’s head and mane. ...

The blades are marked "J.A. HENCKELS SOLINGEN ZWILLINGSWERK". A pattern with an antique flair & classic simplicity.

This is a vintage/antique German Anton Wingen Jr. Solingen cutlery and carving set. This unique meat carving set is made of stainless steel and stag a...

A handsome boxed set of six early 20th-century German steak knives by Anton Wingen Jr., renowned Solingen cutlers celebrated for their fine craftsmanship and decorative blade etching...

German Solingen J.A. Henckels cutlery set in box, ca 1900 A 12 person table cutlery with handles of deer antlers. This set is marked with the Henckels logo used from 1900-1969. This set is from the early 1900s. The set has signs of wear and can be seen in the photos. The measurement of the knife is 25 cm long, the metal blade is 2.5 cm wide and the handle approx. 3 cm. The box measures 9 cm high, 48.5 cm wide and 28.5 cm deep. The weight is approx. 3.5 kilos J. A. Henckels is a German knife...

A refined and characterful antique cigar cutter by Pfeilring, Soliingen, discovered at an estate sale in Nuremberg, Germany. Crafted with the quality and design sensibility, this pie...

A finely crafted mid-century set of six decorative knives by Wingen Solingen, made in West Germany. Each stainless-steel blade is richly etched and gilded with ornate scrolling motif...

This charming fish shaped stainless steel and cognac brown leather bottle opener has been designed by Carl Auböck, Modell Nr. 4687. Produved by Solingen Germany...

Vintage Letter Opener, So beautiful, very nice condition!

An elegant early 20th-century English fish service for six, featuring engraved silver-plated blades and tines paired with smooth, polished bone handles. Each piece is finely detaile...

A finely crafted vintage desk set from Solingen, Germany, comprising a pair of precision steel scissors and a matching letter opener, housed in its original red leather sleeve. Known...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Introducing a rare set of serving knives by the renowned German knife makers Rostfrei Solingen. Featuring handles and a holder carved from solid Brazilian rosewood with out-of-this-w...

A beautifully preserved three-piece German carving set, likely dating to the mid-20th century, presented in its original green faux snakeskin case lined with ruched emerald satin. Th...

This wonderfully eclectic cutlery set in a luxurious case serves 12 persons. The design is a gem on every dining table. The sleek straight lines of the stainless steel form a great contrast with the gilded decorations on the blades. SBS cutlery with the addition “Made in Solingen” is worldwide synonymous with cutlery and knives of the highest level. Since the 16th century, the most talented knife and cutlery manufacturers have been based in Solingen with craftsmanship from experienced masters. One of these companies is SBS which is best known for its gilded cutlery...

A stylish gentlemans pocket knife featuring a hammered silver frame in hall-marked sterling. The two knives are made by G. Felix in Solingen Germany. Suitable for pipe cleaning or fr...

A fine stainless steel German carving set with mother of pearl handles, from Carl Wolfertz & Sohne, circa 20th century, Solingen, Germany. Set includes carving knife, fork, and sharpening steel...

A stunning art déco cake serving set. It is a 7 piece set consisting of a cake lifter and 6 cake forks with 2-tone amber and brown bakelite handles. The metal parts are made of stain...

Classic leather desk set with chrome and gold letter opener and scissors with ribbon engraving. Brown leather holding case with felted bottom. Marked Lerche Solingen Germany...

Antique Set of 19th Century Rustic Cutlery with Carved Horn Handles A rare antique cutlery set of knife and fork. The handles are made of deer horn with handcarved heads of a bear a...