Showing results for "ding ware"

A captivating Song Dynasty style ceramic pillow, inspired by the renowned Ding kiln. This kiln is celebrated for its exquisite milky white or beige glaz...

The vessel is of well-proportioned elegance, its ovoid body crisply divided into lobed segments that rise from a neatly cut, short ring foot to a tall, slender trumpet neck. A gracef...

Dingyao porcelain, often called Ding ware, is famous for its creamy-white coloring, refined forms, and low-relief surface patterning. Ding ware was produced ...

This dish is covered in a rich green glaze, with a central medallion depicting a sinuous dragon in high relief, surrounded by a continuous band of floral scrolls. The dragon’s scales...

Chinese Qingbai lobed foliate-rim bowl, Song Dynasty, porcelain shallow bowl resting upon tapered footed base. Peony flower decoration incised upon interior of bowl. Known colloquial...

The body is articulated with clearly defined segmented ridges, creating a strong sense of structure. A tall, straight neck flares gently at the rim, balanced by a smoothly curved spo...

This bowl stands out for its detailed depiction of two fish amid soft spiral waves, bordered by two cranes within the bowl. The design's depth and clarity, from the lifelike portraya...

A Chinese Song Dynasty carved lotus ding bowl, of gently rounded conical profile, resting on a short narrow foot and sweeping to an elegantly everted rim, glazed overall with a rich ...

A fine antique 19th century Chinese cloisonne ding shaped lidded censer/incense burner on stand, circa 1870. The twin handled censer having a gilded foo dog finial to the lid, the li...

Chinese Bronze Archaistic Warring States Period Ding Pot. Circa 500 BCE A beautifully shaped medium size bronze ritual vessel with three elegant feet and a l...

Pair of Earths Spirits "Zhenmushou" from the China Tang Dynasty 618-907 AD. A beautiful and rare pair of "Earths Spirits guardians" from the Yunnan province region in the ancient China. This was created in clay earthenware pottery during the Tang Dynasty period between 618 and 907 AD. Featuring the molded figures of two seated guardians with decorations with polychrome pigmentations. The figures are seated on their haunches with cloven hooves planted firmly on the base looking forward with their front legs in a straight position. Both with face and body alert expressions on a rectangular base. Earth spirits usually appear in pairs, one with a human head and the other with a lion head. Their supernatural powers, indicated by antlers, spiky flanges and flames, enable them to confront evil spirits and protect any precincts within their gaze. Have been believed to protect the living by keeping the spirits of the dead from inappropriately roaming the world outside the tomb. Zhenmushou or guardian deities, developed from a line of protective spirits found normally in pairs at the front of Tang dynasty tombs. They served both to protect the figure from untoward spirits, and the outside world from the roving spirit of the dead. Combining features from a number of animals to form the perfect mythic beast, these mythical creatures were perceived to be the ideal guardians of the dead The semi human faced figure has a measures of 11.25 by 4.5 by 5.75 inches (28.57 x 11.43 x 14.60 Cm). The mythological lion animal figure has a measures of 10 by 5 by 5.8 inches (24.5 x 12.7 x 14.73 Cm). Tang dynasty or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Tend Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a the golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The Li family founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty...

A fine mid-19th century Russian tea strainer. In 84 Zolotnik silver. By Carl Gustav Ekqvist of St. Petersburg. The figural bowl in the form of a pear supported by an intertwined '...

Finely potted with incurved facetted sides divided by raised ribs and set with two short lugs to the shoulder, the body rising to a short octagonal neck, the domed cover of conforming section, surrounded by an upturned rim and surmounted by a bud finial, applied overall with a celadon glaze of the period. A related vase of this rare and charming form, in the Zhenjiang Museum, Zhenjiang, is illustrated in the Complete Collection of Chinese Ceramics. Song, vol. 8, Shanghai, 1999, pl. 52. Vases of related octagonal shape were produced at the Ding kilns, in Hebei province, and the qingbai kilns in Jiangxi province; see a Ding vase in the Palace Museum, Beijing, illustrated in Selection of Ding Ware. The Palace Museum’s Collection and Archaeological Excavation, Beijing, 2002, pl. 37; and a qingbai example, from the Meiyintang collection, illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 3 (II), London, 2006, pl. 1590; and another carved with a floral scroll, included in the exhibition Song Ceramics from the Kwan Collection, Hong Kong Museum of Art, Hong Kong, 1994, cat. no. 105. Period : Western Jin Dynasty (266 - 316 AD) Type : Octagonal Vase Medium : Yue celadon...

Chinese Export Silver Card Case, circa 1890, embossed and chased with a dragon among clouds on one side, featuring a single vacant shield-shaped cartouche; the reverse decorated with...

This platter is a traditional rustic style from Jingdezhen, a town long distinguished by imperial patronage. From the loose handpainted and slightly abstract design we can deduce tha...