5,194 results for "cubism"

Artist: After Pablo Picasso (1881-1973) Title: Flûtiste et Jeune Fille au Tambourin (after Bloch 213) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype...

Still Life by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 24 x 29 inches Provenance: all the paintings we have by this artist have come...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Dr Mens III, 1918-1919 oil on board 70 x 50 cm stamp signed painted c. 1918-1919 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Composition is a screen print realized after Fernand Léger in the mid-20th Century. Monogrammed in plate and hand numbered in pencil lower right. The composition is part of a colle...

The Hill Topped Perched Village, Provence French mid 20th century signed Manoël Pillard oil on canvas, unframed canvas: 25.5 x 20 inches inscribed verso Provenance: private collectio...

Paper Size: 25.5 x 27.25 inches ( 64.77 x 69.215 cm ) Image Size: 21.75 x 26 inches ( 55.245 x 66.04 cm ) Framed: No Condition: A: Mint Additional Details: From an exhibition h...

The Tobacco Package is an original bonding realized by Juan Gris (d'après M. Beaufuret) in 1933. Good condition on a watermarked paper by the Editor Bucher-Becker. No signed. On th...

Colorful dots, lines and squares in bright blue, pink, green, lilac and yellow in wood grain form a totem against a lavender purple background. This jubilant take on Cubism features ...

Lithograph realized after Fernand Léger in 1959, on Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and published by...

Cubist Lady Posed French Modernist Portrait Drawing Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal and pencil on artist paper, unframed. Artist paper:...

Mariano ANDREU Cubist Nude, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition

Beautiful poster from 1967 for an exhibition of Paul Klee at the Cantini Museum in Marseille. Paul Klee was a Swiss-born German artist. His highly individual style was influenced by ...

Bearded Man and Woman French Modernist Cubist Figurative Gouache Painting Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal and gouache on artist paper, ...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green stu...

Théière et Citron by Georges Braque (1882-1963) Oil on panel 22.5 x 25 cm (8 ⅞ x 9 ⅞ inches) Signed lower left, G. Braque Executed in 1947 Provenance: Perls Galleries, New York Fuji...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...

Composition is a lithograph, realized by Ossip Zadkine Stamped on the lower right. Numbered, edition 43/65 prints. Not signed. Good conditions. The artwork represents an abstract composition through strong strokes in a well-balanced composition. Ossip Zadkine (Vitebsk, 1890 – Neuilly-sur-Seine 1967) , was a Russian-born French naturalized artist. He is primarily known as a sculptor, but also produced paintings and lithographs. He was born in present-day Belarus, to a Jewish father and mother of Scottish descent. After attending the London art school, Zadkine settled in Paris around 1910. There he joined the Cubist movement (1914-1925), later he developed his own style, strongly influenced by African art. His best-known work is The Destroyed City (1951-1953), a statue commemorating the destruction of the Dutch city...

Artist: Fernand Leger (1881–1955) Title: Untitled (Sans titre) Year: October 5, 1950 Medium: Lithograph on velin d'Arches paper Paper Size: 16.63 x 12.69 inches (42.24 x 32.23 cm) Co...

Picasso Exhibition Poster in Paris - 1964 is a rare and precious print of Pablo Picasso's exhibition held at Galerie Louise Leiris, Paris, 1964. Offset and photolithographed poster ...

Gallery service: Complimentary worldwide shipping is offered, with Signet Contemporary Art covering all tariffs, customs duties and import taxes, making international collecting simp...

A beautiful poster promoting an exhibition with artworks by the French painter, sculptor and filmmaker, Fernand Léger (1881-1955). Léger was highly influenced by the movements in ar...

In his abstract figurative work, internationally collected artist Alessandro Siviglia deconstructs everyday objects, landscapes, and human subjects into colorful geometric shapes in ...

At the Bar by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 25 x 21 inches Provenance: all the paintings we have by this artist have come...

Concert dans l'Atelier (Concert in the Studio) Acrylic on Canvas 55.5 x 46 cm A layered cubist scene by Greg Mathias, Concert dans l’Atelier captures the energy of a musical moment ...

Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...

Artist: After Pablo Picasso (1881-1973) Title: Sculpteur au Repos avec Modèle démasqué et sa Représentation sculptée (after Bloch 159) Year: 1992 Medium: Reproduced from the original...

Les Dormeuses (The Sleepers) Acrylic on Canvas 46 x 61 cm Les Dormeuses by Grégoire Mathias captures the serene stillness of rest through the fragmented yet harmonious lens of Diach...

French contemporary artist Sophie Dumont creates richly textured paintings that move between abstraction, architecture and fragmented interior space. Working in oil through successiv...

Georges Terzian House on the Hill (Cubist Composition) Oil on canvas Signed bottom right Signed and titled on the back On Canvas 55 x 46 cm (c. 22 x 1...

Nude Abstract by Therese Hummel (French, 1911-1999) oil on canvas, unframed canvas : 10.75 x 14 inches Provenance: private collection of this artists work, Paris Condition: sound and...

Mattais Cartier (French, circa 1910–1960) Cubist Figure with Raised Arm, 1947 Oil on canvas, signed and dated lower right Executed in 1947, this bold and architectonic composition ...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

A beautiful 1950's French cubist oil on canvas depicting a studio still life with artist's palette, brushes and bowl of cherries by Béatrice Appia. Rar...

Belgian artist Miette Braive(1916-2000), was classically trained in Belgium, before moving to Paris to pursue her art career as first a student and then a contemporary of the French ...

Composition is an original lithograph on paper realized by Fernand Léger (1881-1955). Very good conditions except for some little foxings. Sheet dimension: 23.5 x 26 On both sides...

This artwork titled " Etoile de Mer Rouge (Red Star Fish)" From the suite "Si je Mourais la Bas" is a rare original color woodcut on L.B hand made paper ...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green ...

Cubist composition by Andre Guillo (French 1925-2017) oil on canvas, framed framed: 11 x 9.25 inches canvas: 10 x 8 inches provenance: the artists estate, France condition: very good...

Femme Couchée et Homme à la Guitare is a beautiful contemporary artwork realized after Pablo Picasso (1881-1973). Color linocut realized in smaller size after a linocut by Pablo Pic...

Portrait of a Cubist Figure in Grey.Black and Blue colors by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 25.5 x 19.5 inches Provenance:...

Portrait by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 16 x 13 inches Provenance: all the paintings we have by this artist have come f...

Abstract composition French cubist artist, circa 1950's oil on canvas, unframed canvas: 20 x 26 inches provenance: private collection, France condition: ...

Sylvie by Paul-Louis Bolot (French 1918-2003) signed & dated 1981 signed oil on canvas canvas: 22 x 15 inches original oil painting condition: very good an...

Louis Marcoussis (1883-1941) Rue Caulaincourt (Ty, ja i ten biały królik / You, Me, and That White Rabbit) 1931 Etching and engraving Initialed with the artist’s engraved monogram (s...

Flowering Bulbs by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 16 x 13 inches Provenance: all the paintings we have by this artist have...

Still Life of Coffee Pot and Cup by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 18 x 15 inches Provenance: all the paintings we have by...

This artwork titled "Lettera Amorosa" 1963, is an original color lithograph on Japan nacre paper by renown French artist Georges Braque, 1882-1963. It is hand signed and numbered 42/...

Title: Musicians Artist: Bernat Sanjuán i Tarré (Barcelona, 1915 – Deià, Mallorca, 1979) Technique: Oil on canvas Dimensions: 36.2 x 25.6 in Support: Canvas Framing: Unframed Period:...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

La obra va firmada por el artista en la parte inferior y fechada del año 1976 En la parte trasera, va nuevamente firmada, fechada y titulada El estado de conservación es bueno Se ...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure blesse VI (Bloch 196) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone screen process by Druck- und Verlag GmbH, 4200 Oberhausen, Germany; lithographically printed by Druck- und Verlag GmbH on japon handmade 200 g/sqm paper by created by Richard de Bas in Ambert, France and imported by Japico Drissler Feinpapiere, Frankfurt, Germany. Paper Size: 18 x 12.75 inches; a size slightly reduced from the original Vollard edition for differentiation Condition: Excellent Inscription: Artist’s signature posthumously lithographically reproduced from the original Vollard edition, and numbered in pencil by the curators of the Municipal Museum Mülheim an der Ruhr, Germany. 168/300. Notes: Published by Municipal Museum Mülheim an der Ruhr, Germany in cooperation with the Society for the Promotion of the museum in 1992 and the Fundación Picasso; printed by Plitt Druck- und Verlag GmbH, 4200 Oberhausen, Germany. The following is a German to English translation of the original text issued by the Municipal Museum Mülheim an der Ruhr, Germany in the following from which this graphic is a part, “In order to give a broad public access to this unique print work by Pablo Picasso in its entirety and at the highest quality level, the support group for the city. Museum Mülheim an der Ruhr initiated and significantly supported the new edition of the “Suite Vollard.” The reprint of the "Suite Vollard" includes a limited edition of 300 copies of 100 loose sheets each in a linen cassette. The copies were numbered from 1 to 300 on the leader sheet. The reproductions were produced in grain screen mode, a process in which which eliminates the traditional line grid and achieves maximum originality. The paper was hand-made specifically for this work by Richard de Bas in Ambert, France, one of the most traditional paper mills in Europe. The paper for the original edition also comes from this factory. The quality Blane narcisse, belin, 200 g/sqm was selected and imported from Japico Drissler Feinpapiere, Frankfurt. Reproduction and paper format has been slightly reduced compared to the original edition. The technical development and overall production was carried out by Plitt Druck- und Verlag GmbH, 4200 Oberhausen.” PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism...

Jean Maurice Lasnier (French, 1922 – 2006) Les pecheurs Oil on board With studio stamp (on the reverse) 36 x 25.5/8 in. (91.5 x 65 cm.) Provenance: The studio of Jean Maurice Lasnie...

Paysage de la Cote d'Azur 65 x 54 cm Oil and Acrylic on Canvas Paysage de la Côte d'Azur captures a Mediterranean port town from an elevated, shifting viewpoint — rooftops, facades,...

This refined oil painting was realized by Samuel Joel "Zero" Mostel- the three time Tony Award winning American actor, comedian, and singer- who was equally talented as a painter in ...

A Formal Introduction For this graphite pencil drawing ‘Neo Deco – 08-06-23’ I used the same model as in the previous one. It’s time to introduce her to you. Online she li...

Inima de Paula, Brazilian (1918 - 1999) - Caupolican, Year: 1990, Medium: Oil on canvas, signed lower right, titled, signed and dated on verso, Size: 39.5 x 31.5 in. (100.33 x 8...

The waitress. Oil on canvas, three quarter portrait of a beautiful waitress. Cubist style Measurements in centimeters: 122 x 48 x 2 cm / Framed: 152 x 78 x 4 cm. In Inches: 48.03 x 18.9 x 0.79 " Framed: 59.84 x 30.71 x 1.57 " Original three-quarter close-up of the surprised model at work, with the carefree and seductive air of young and happy waitresses at work. The painting is harmonious in its rich shades of blue, white, grey and violet, combined with muted, earthy tones and tints of ocher flesh. The flattened perspectives, the fractured surfaces and the graphic stylizations refer to the cubism of Picasso and Juan Gris. There are echoes of Modigliani in the treatment of his female models and we can detect an homage to Gauguin and Matisse, in his playful and sensual manipulation of color. ABOUT THE ARTIST Alfredo Roldán (Madrid- Spain, 1965) is a self-taught artist who, at the age of 22, began selling his works at street markets. In 1994 he won the award granted by the City Council of Madrid with the painting “El Baño Azul”, which now hangs in The Museum of Modern Art of Madrid. That year he began to work with the renowned British dealer...

The Lobsterman NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fi...

Cheval 361 Acrylic on Canvas 73 x 93 cm Cheval 361 is the inaugural piece in Grégoire Mathias’s celebrated series inspired by the Lascaux Horses, the prehistoric cave paintings of P...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...