1,343 results for "joan mitchell"

Painting Description — What I Meant to Say Acrylic on canvas, 36 x 36 x 1.75 inches, 2026, TG648 The debut piece of the Things I Meant to Say collection. Flowing script is carved dir...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

America's Daughter Lithograph, 2016 Signed in pencil lower right Edition: Edition: 40 (15/40) From: America's Family (Five Images) Published by: Valley House Gallery and Sculpture ...

Flowers [2021] Original Flowers Acrylic Complete Size of Unframed Work: H:46 cm x W:74 cm x D:2cm Frame Size: H:49 cm x W:77 cm x D:3.5cm Sold Framed Please note that insitu images a...

Gary Komarin The First Green Rushing #7, 2012 Signed titled and dated on overlap Mixed media on canvas. 121.9 x 114.3 x 5.1 cm Eschewing traditional materials in favor of tarps and ...

"The Deepest Of Blue" Gestural, bold, colourful, uninhibited strokes by this artist brings you into her world of imagination. A Joan Mitchell inspired large original by this internat...

Gary Komarin Carla Parla Italiano, 2023 Mixed media on canvas 127 x 127 cm 50 x 50 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint,...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Dick McEvoy is an oil and pastel painter who traces his routes back to the influences of two of his favorite art movements – Abstract Expressionism and Impressionism. ...

Gary Komarin Goodly Drawn in Ochre & Crème, 2012 Signed and dated on overlap Mixed media (water based enamel paint, spackle, charcoal, pencil, oil crayon) on canvas. 121.9 x 121.9 cm...

This textured abstract diptych by Teodora Guererra features a light blue-green palette with warm yellow accents throughout. The artist layers thick strokes of paint using a palette k...

Gary Komarin A Suite of Blue Sea, Majorca, 2024 Signed by the artist Mixed media on canvas 152 x 122 cm 60 x 48 inches Eschewing traditional materials in favor of tarps and drop clo...

Gary Komarin Big Pink, Luxor, 2020 Signed dated and titled on the overlap Mixed Media on canvas 203.2 x 167.7 cm 80 x 66 inches Eschewing traditional materials in favor of tarps and...

Jesus Christ Superstar Abstract Expressionist Oil Painting Vertical Canvas Artist: Nerea Caos (Ferrol, 1993) Title: Jesus Christ Superstar Tech...

Abstract With Yellow, 1987, by Norman Bluhm (1921-1999) Watercolor on paper 22 ¼ x 30 inches unframed (56.515 x 76.2 cm) 23 ¾ x 31 ½ inches framed (60.325 x 80.01 cm) Signed and date...

Painting Description — Read Between the Lines Acrylic on canvas, 24 x 24 x 1.75 inches, 2026, TG649 From the Things I Meant to Say collection. Fine, flowing script is carved into a l...

Angela Lane’s three-dimensional abstract canvases are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit ...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Abstract Expressionist Oil Painting Emotional Contemporary Spanish Canvas Artist: Nerea Caos (b. 1993) Title: El ojo que todo lo ve Medium: Oil on canvas D...

Contemporary Abstract Expressionist painting by American artist Karen Silve, an original acrylic on canvas. Standing over five and a half feet tall, "Rapture Surrender" is a large sc...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"Fruity Ramen Alchemy: BUTTER" is a one-of-a-kind 36 x 48 inch abstract painting by Jason DeMeo, layering soft pastel buttery yellow acrylic with gold leaf on canvas for a soft, lumi...

Gary Komarin Rue Madame in Red, Rico Tati, 2023 Mixed media on canvas 24 x 36 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gar...

Berndt Haussmann (German / American, b. 1957) Das Lied von der Erde, mixed media painting on canvas signed, titled and numbered on verso unframed 32 1/4 x 48 inches. BERND HAUSSMAN...

Robert Longo, Men in the Cities (Rick) , 1984 - unique artist-certified photographic document, 1992 Vintage photographic print on Kodak paper, with unique artist inscription and cert...

Walasse Ting 丁雄泉 Untitled, (Limited Edition, hand signed Carnegie Museum Trustee Edition), 1972 Abstract Expressionist Lithograph. Hand signed and numbered. Hand signed and numbered...

Gary Komarin Swimming Pink, St Etienne, 2023 Mixed media on canvas 36 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary K...

Gary Komarin Farmer's Logic, 2022 Mixed media on canvas 182.9 x 152.4 cm 72 x 60 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, G...

Gary Komarin Big Pink, Roma, 2020 Signed on overlap Mixed media on canvas 201 x 184 cm 79.13 x 72.44 inches Eschewing traditional materials in favor of tarps and drop cloths, spackl...

Artist: Joan Miro (1893–1983) Title: Overweavings (Sobreteixims) Year: April 1973 Medium: Lithograph on velin paper Paper Size: 15 x 22 inches (38.1 x 55.88 cm), with centerfold, as issued Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Maeght Editeur, Paris Printer: Imprimerie Arte, Paris Catalogue raisonne reference: Miro, Joan, et al. Joan Miro Lithographe. Maeght, 1972–1992, illustration 889-891; Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 167 Notes: This exquisite lithograph by Joan Miro (1893–1983), titled Sobreteixims (Overweavings), originates from the April 1973 folio Derriere le Miroir, No. 203, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Arte, Paris, 1973. The composition reflects Miro’s late exploration of materiality, sign, and gesture, where dense textures and symbolic forms converge into a powerful synthesis of abstraction, surface, and poetic invention. Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the twentieth century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned simultaneously as an exhibition catalogue and as an autonomous work of art, featuring original lithographs printed directly from the artists stones or plates alongside essays, poems, and critical texts. Over more than three decades, Derriere le Miroir produced over 250 issues and presented an extraordinary range of artists including Henri Matisse, Marc Chagall, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Antoni Tapies, Pierre Alechinsky, Pol Bury, Bram van Velde, and many others. Printed by master ateliers such as Mourlot and Arte, the series established new standards of excellence in modern lithography and graphic design. Closely linked to exhibitions at Galerie Maeght, each issue served as a lasting document of postwar modernism, uniting image, text, and philosophy into a uniquely influential publication that remains among the most important and collectible achievements in twentieth century art publishing. JOAN MIRO (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the twentieth century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for approximately 37 million USD at Sothebys London on June 19, 2012. Joan Miro Sobreteixims...

This textured abstract painting features yellow, purple, green and blue. This painting has a thin silver floater frame. Khalilah is inspired by the works of Jack Whitten, Alfred Les...

MAGENTA HORSE, TWO GEISHAS is an original lithograph printed using hand drawn lithography techniques on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese b...

Jane Freilicher Untitled I, 1958-59 Signed lower right Charcoal on paper 11 1/2 x 8 3/4 inches Provenance: Tibor de Nagy Gallery, New York Private Collection, New York Jane Freilic...

Albert Kotin (American, 1907-1980) Modernist Composition (Biomorphic Figure), c. 1950s Oil and gouache on paper Sight: 12.5 x 9.5 in (31.8 x 24.1 cm) Framed: 18.5 x 15.5 in (47.0 x 3...

Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...

This abstract painting by Teodora Guererra features a deep teal and pink palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping strokes...

Gary Komarin Rue Madame in Red, 2018, 2018 Signed titled and dated on overlap Mixed media on canvas. 182.9 x 152.4 cm Eschewing traditional materials in favor of tarps and drop clot...

Gary Komarin The Ballad of Leandro and Luz, 2022 Mixed media on canvas 152.4 x 182.88 cm 60 x 72 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle an...

Amaranth Ehrenhalt (1928–2021) Column, 1978 Gouache and watercolor on thick paper Painting: 15 x 11 in. (38 x 28 cm) Frame: 20 1/2 x 16 1/2 in. (52 x 42 cm) Signed, titled and dated ...

This abstract painting by Teodora Guererra features a teal, pink, and white palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping stro...

Becca is an oil on wood panel painting by native Texas artist Connie Connally who now lives in Santa Barbara,CA. The painting is on a 1.17" deep panel ...

The Palms #5 (Abstract painting) Charcoal on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

Stem in Black #1 (Abstract painting) Charcoal & Oil stick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, im...

Gary Komarin Small Canvas , 2024 Oil on canvas 35.6 x 27.9 cm 14 x 11 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin...

Oil on board, 1978. It depicts an abstracted portrait of a military man in an army uniform with medals. It is signed by the artist verso. Dimensions: sight size-22 inches tall X 19...

First Place, 2013 Archival pigment inks 28 x 28 inches Edition of 100 Carlos Rolón/Dzine (b. 1970, Chicago, IL) attended Columbia College Chicago wi...

Amaranth Ehrenhalt (1928–2021) Punk, 1992 Watercolor and felt pen on thick paper 28 x 25.5 cm l 11 x 10 in. 41 x 39 cm l 16 1/8 x 15 1/3 in. (Frame included) Signed, titled and dated...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Anastasia Pelias was born in New Orleans, LA to a Greek immigrant mother and a first generation Greek-American father. She received her BFA from the Newcomb College of Tulane Univers...

Gary Komarin A suite of Blue Sea, Salina, 2023 Mixed media on canvas 152.4 x 121.9 cm 60 x 48 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and h...

Gary Komarin Blue River Running, Antibes, 2022 Mixed media on canvas 152 x 122 cm 60 x 48 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and hous...

Gary Komarin Small canvas, 2024 Oil on canvas 35.6 x 27.9 cm 14 x 11 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin ...

Berry Bliss (Abstract painting) Acrylic / mixed media on canvas - Unframed. This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This me...

Gary Komarin The Magician's Assistant, 2020 Signed titled and dated on overlap Mixed media on canvas. 152 x 122 cm 60 x 48 inches Eschewing traditional materials in favor of tarps a...

Gary Komarin The Geometry of Love, 2023 Mixed media on canvas 182.9 x 152.4 cm 72 × 60 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house pa...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

RED HORSE on HOT PINK THREE GEISHAS is an original lithograph on archival Somerset printmaking paper, 100% acid free by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN,...

Anastasia Pelias was born in New Orleans, LA to a Greek immigrant mother and a first generation Greek-American father. She received her BFA from the Newcomb College of Tulane Univers...

Aaron Collier’s abstract paintings are both suggestive and silent, exploring the possibility of paint to simultaneously reveal and conceal. Since 2017 he has been interested in paral...

Gary Komarin Small Canvas , 2025 Oil on canvas 35.6 x 27.9 cm 14 x 11 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin...