1,106 results for "roy lichtenstein"

This exhibition poster featuring Roy Lichtenstein's "Forest Scene with Figurines, 1989," commemorates the inauguration of the Musee Temporaire in Frejus, France, making it a unique a...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

From the Nudes promotional portfolio published by Tyler Graphics in 1994, this authorized offset lithograph was issued as part of an informational set that included a title sheet lis...

Hand signed, numbered and dated on verso. Landscape 8, from Ten Landscapes (C. 58). Iridescent silver Mylar collage on opaque black Rowlux and gray moire Rowlux. The full sheet, moun...

This vintage greeting card features Roy Lichtenstein’s “We Rose Up Slowly”, published in 1994 by Achenbach Art Edition, Düsseldorf. Comes with its original envelope and is profession...

This authentic poster, published by PLAIZIER, Brussels, and printed by Carto, Brussels, on KNP-Leykam paper, commemorates Roy Lichtenstein's last exh...

Paper Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Image Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Framed: No Condition: C: Several Signs of use and handling, some visibl...

Vintage postcard from Roy Lichtenstein’s 1993 Guggenheim Museum retrospective, capturing a tender and emotionally charged moment. The image depicts a soft, intimate embrace—him holdi...

This vibrant exhibition poster features the iconic image "Aloha, 1962," designed for an exhibition held in January-February 1993. Printed in Israel by Sha Ul Zayg Studio, this poster...

Mountain Village is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 inch and a si...

Screenprint on off-white wove paper Signed and numbered in pencil: 44 from 300 plus an unknown number of AP (inscribed A/P).

Vintage postcard published by the Guggenheim Museum. Presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profile, the artwork is mounted behind a 4-inch m...

Reclining Nude, from Expressionist Woodcut Series (C. 172). Woodcut in colors with embossing, 1980, on Arches Cover. Hand signed, numbered and dated in ...

This is a lithographically printed reproduction of a sensationally fun Lichtenstein triptych he painted in 1964, produced by the Stedelijk Museum...

This Lichtenstein plate, commissioned by Rosenthal/Germany, is hand-colored porcelain, stamp signed and inscribed  “Kunstlerplatzteller" / "Rosentha...

From the Entablature series. Screenprint, lithograph, and collage with embossing on Rives BFK paper. Hand signed and dated in pencil, lower right by Roy Lichtenstein. Numbered 17/1...

Artist: Roy Lichtenstein Title: Rose, Cover from 1 Cent Life (Rose) Screenprint in green over yellow linen and (1 Cent Life) Screenprint in pink over blue lettering on board of unbou...

Lithograph in colors on Rives BFK paper Image: 47 5/8 x 38 1⁄8 in. Sheet: 50 x 40 in. Numbered, signed, and dated lower right Publishers blindstamp lower right Edition 20 of 36 Edit...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Paper Size: 30.25 x 20 inches ( 76.835 x 50.8 cm ) Image Size: 22 x 16 inches ( 55.88 x 40.64 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additi...

Roy Lichtenstein (1923-1997) was one of the most successful and influential artists of the 20th century, helping pioneer and define Pop Art in the 1960s. Lichtenstein's signature st...

Rare postcard published by the Guggenheim Museum in 1985, featuring Roy Lichtenstein’s Pop Art reinterpretation of Pablo Picasso’s iconic Women of Algiers series. In this piece, Lich...

Medium: lithograph (after Lichtenstein). This smaller-size copy was printed in 1969 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original L...

Artist: Roy Lichtenstein Title: The Oval Office (C. 277) Year: 1992 Medium: Screenprint on Rives, signed, dated and numbered in pencil Edition: 17/175 Image: 30 x 39.25 inches ...

Created by Roy Lichtenstein in 1984 as a color woodcut and lithograph on Arches 88 paper, Painting on Blue and Yellow Wall is hand-signed, dated, and numbe...

From Roy Lichtenstein's Still Life series, Still Life with Lobster is a lithograph and screenprint in colors on Rives BFK paper. Hand-signed, dated, and numbered from the edition of ...

This is an important early painting by Lichtenstein. It will be included in forthcoming Catalogue Raisonne by the Lichtenstein Association. Artist: Roy Lic...

Hand-Signed and dated Lower Right Original screenprint poster in yellow, red, blue an black on white wove paper. Designed by the artist for a traveling exhibition for the Saint Lou...

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Frame in...

Ceravolo was introduced to Roy Lichtenstein at a museum show in 1995, at that show, Lichtenstein and Ceravolo discussed the fact that Andy Warhol had painted portraits of Roy in the ...

In this vivid exploration of color and movement, I blend elements of cubism and pop art to challenge the conventional perspectives. The swirling red and yellow lines dance across a ...

Pop Art painting of a blond woman. Oil on canvas - 140 x 140 cm. Based on Roy Lichtenstein 'Nurse' painting made in 1964.

Richard Pettibone The Appropriation Print: Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 (Andy Warhol's Electric Chair, Frank Stella's Empress of India and Roy Lichtenstein's Spray) Silkscreen in colors on smooth wove paper Pencil signed and dated 1971 on the front Frame included: Elegantly floated and framed in a white wood frame under UV plexiglass in accordance with museum conservation standards Measurements: frame: 15 7/8 x 19 3/4 x 1 3/4 inches sheet: 12 1/4 x 16 inches This is one of Richard Pettibone's most iconic, popular and desirable prints done in 1970 - during the most influential era of the Pop Art movement. This homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. Pencil signed and dated recto. It was created in limited edition - though the exact number is not known. More about RIchard Pettibone: As a young painter, Richard Pettibone began replicating on a miniature scale works by newly famous artists, and later also modernist masters, signing the original artist’s name as well as his own. His versions of Andy Warhol’s soup...

Artist: Curtis Knapp, American Title: Roy Lichtenstein Year: 1990 (printed 1991) Medium: Silver Print on Fiber Paper, signed and numbered in ink Edition: 35 Size: 20 in. x 16 in. (5...

In 1964, Heyman was invited by Basic Books Publishing to collaborate on the subject of Pop art. In the fall of 1964, Heyman spent three days photographing such artists as Andy Warhol...

This black and white photograph by Bob Adelman is offered by CLAMP in New York City.

Pop artist Roy Lichtenstein photographed in his New York studio with new work in 1968. One of Mitchell's most beautiful color photographs. This exhibition print is 17 x 22". Comes di...

11 x 14" vintage silver gelatin photograph of pop artist Roy Lichtenstein and his wife Dorothy photographed in his Manhattan loft, 1968. Signed by Jack Mitchell on the print verso. C...

In 1964, Heyman was invited by Basic Books Publishing to collaborate on the subject of Pop art. In the fall of 1964, Heyman spent three days photographing such artists as Andy Warhol...

Roy Lichtenstein's works were often inspired by comic characters. They were angsty women, often appearing to be in distress. In this particular work, a beautiful, fraught woman with a furrowed brow grasps a telephone in both hands as she says "Ohh ... Alright ..." Lichtenstein lets us imagine the back story - and what might happen next. Kaplan's sculpture is a direct reference to this Lictenstein's iconic pop art painting of 1964. Sandy Kaplan Lichtenstein's OHHH...ALRIGHT ceramic 16h x 12w x 13d in 40.64h x 30.48w x 33.02d cm SAK012 Sandy Kaplan b. 1943, St. Louis, MO 2021 Maturity and Its Muse, Art Saint Louis 2020 Storytellers Exhibit, Art Saint Louis 2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Honors Exhibit, Art Saint Louis Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO Current Profiles, Craft Alliance Center, St. Louis, MO 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Maturity and Its Muse, Art Saint Louis Works from the Studios, Craft Alliance, St. Louis, MO Drawn From Life: Artful Aging, Washington University, St. Louis, MO 2017 3-D, Gallery Victor Armendariz, Chicago, IL SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2016 Works from the Studio, Craft Alliance, St. Louis, MO A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL Maturity and Its Muse, Art Saint Louis 2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO 2014 Save the Last Dance for Me, Art Saint Louis XXX...

"Lichtenstein's Woman: Sunlight" is a direct reference to the iconic Roy Lichtenstein's 1996 painted and patinated bronze sculpture simply entitled "Sunlight". Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's sculpture. Sandy Kaplan Lichtenstein's Woman: Sunlight ceramic, glaze 17h x 11w x 7d in 43.18h x 27.94w x 17.78d cm SAK013 Sandy Kaplan b. 1943, St. Louis, MO 2021 Maturity and Its Muse, Art Saint Louis 2020 Storytellers Exhibit, Art Saint Louis 2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Honors Exhibit, Art Saint Louis Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO Current Profiles, Craft Alliance Center, St. Louis, MO 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Maturity and Its Muse, Art Saint Louis Works from the Studios, Craft Alliance, St. Louis, MO Drawn From Life: Artful Aging, Washington University, St. Louis, MO 2017 3-D, Gallery Victor Armendariz, Chicago, IL SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2016 Works from the Studio, Craft Alliance, St. Louis, MO A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL Maturity and Its Muse, Art Saint Louis 2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO 2014 Save the Last Dance for Me, Art Saint Louis XXX...

11 x 14" vintage silver gelatin photograph of Pop artist Roy Lichtenstein and his wife Dorothy in his New York studio in 1968. Signed by Jack Mitchell on the print verso. Comes direc...

8 x 10" vintage silver gelatin photograph of artist Roy Lichtenstein posing in his studio with new work in the background, extremely unusual image standing next to a mirror. This is ...

11 x 14" vintage silver gelatin photograph of Pop artist Roy Lichtenstein in his New York studio in 1968. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mit...

11 x 14" vintage silver gelatin photograph of pop artist Roy Lichtenstein in his NYC studio with his recent work, signed By Jack Mitchell on the verso. Comes directly from the Jack ...

"Lichtenstein's Portrait of a Woman " is a direct reference to the iconic Roy Lichtenstein's 1979 painting of the same name. Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's painting. Sandy Kaplan Lichtenstein's Portrait of a Woman ceramic, glaze 13h x 9w x 6d in 33.02h x 22.86w x 15.24d cm SAK014 Sandy Kaplan b. 1943, St. Louis, MO 2021 Maturity and Its Muse, Art Saint Louis 2020 Storytellers Exhibit, Art Saint Louis 2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Honors Exhibit, Art Saint Louis Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO Current Profiles, Craft Alliance Center, St. Louis, MO 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Maturity and Its Muse, Art Saint Louis Works from the Studios, Craft Alliance, St. Louis, MO Drawn From Life: Artful Aging, Washington University, St. Louis, MO 2017 3-D, Gallery Victor Armendariz, Chicago, IL SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2016 Works from the Studio, Craft Alliance, St. Louis, MO A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL Maturity and Its Muse, Art Saint Louis 2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO 2014 Save the Last Dance for Me, Art Saint Louis XXX...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Hand Signed by Thomas Hoepker

Richard Huntington (b. 1936) is an american painter, printmaker, and writer, is Critic Emeritus at The Buffalo News and has written for High Performance magazine, ARTnews, and Art Ne...

Christo and Jeanne-Claude Project for documenta IV, Kassel, 5600 Cubicmeter Package, 1968 Gelatin silver print. Boldly signed, dated, numbered 12/50 and inscribed in black marker by...

Gelatin-silver print Portrait taken at the first retrospective of his work at the Guggenheim Museum in 1969. Available Sizes: 12" x 16” Edition of 25 16” x 20” Edition of 25 20" x ...

Patrick Hughes "Popsicle" 3D Multiple. A hand painted pop culture inspired, three dimensional, reverspective print. Depicting works by Keith Haring, Andy Warhol, Damien Hirst, David ...

Original pop art poster: American Music Festival, New York City Ballet – 1988 by Keith Haring This New York City Ballet serigraph poster from 1988 / Keith Haring features the Ameri...

In creating this work, I turned to the abstract world, conveying the lively spontaneity of a summer flood. With my acrylic paints, I captured the dynamic interplay of warmth and cool...

Subway Drawing / Chalk on Paper Framed: 49 x 34 inch Unframed 44 x 29 inch About the Collection In January 2020, we were privileged to have our entire collection of Keith Haring sub...

Offset lithograph promotional card Hand signed in black marker on the front Provenance: Estate of artist Joseph O'Sickey This elegantly scaled promotional card, which is, exceptional...

Murakami Flowers Skate Deck A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats Its Own Leg, MC...

Subway Drawing / Chalk on Paper Framed: 49 x 34 inch Unframed 44 x 29 inch About the Collection In January 2020, we were privileged to have our entire collection of Keith Haring sub...

This artwork titled "Iris" 1998 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 109/200 in pencil by the artist. The image size is 10 x 9.75 inches, sheet size is 14.75 x 13.5 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist. Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity. Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles. In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide. Selected Museums Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum Brooks Museum of Art, Memphis The Butler Institute of American Art, Youngstown Dallas Museum of Art Fine Arts Museums of San Francisco Frye Art Museum, Seattle Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh Hunterian Art Gallery, University of Glasgow Library of Congress, Washington, DC The Metropolitan Museum of Art, New York The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston The Museum of Modern Art, New York The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library Oakland Museum of California Philadelphia Museum of Art Phoenix Art Museum Portland Art Museum, Oregon Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum Selected public collections ALZA Corporation, Mountain View ART In Embassies Program, U.S. Department of State AT&T, New York Atlantic Richfield, Los Angeles BankAmerica Corporation, Charlotte Citigroup, New York Cleveland Institute of Music Clorox Company, Oakland Comerica Bank, Costa Mesa & San Jose H.J. Heinz Company, Pittsburgh Illinois Bell Telephone...

In this original acrylic paint on canvas, Jose Palacios depicts a woman in a neo-cubist and pop art style climbing a winding white staircase. Her body is composed of geometrical shapes filled with patterns and colors in yellow, greens, blues, pinks, and purples and she is framed by purple and pink walls. She is carrying a red high heel...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...