1,342 results for "joan mitchell"

Gary Komarin Small Canvas , 2025 Oil on canvas 35.6 x 27.9 cm 14 x 11 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin...

Berry Bliss (Abstract painting) Acrylic / mixed media on canvas - Unframed. This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This me...

Gary Komarin Vessel, 2024 Acrylic on canvas/wood panel 76.2 x 61 cm 30 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary K...

Gary Komarin Small canvas , 2024 Oil on canvas 35.6 x 27.9 cm 14 x 11 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin...

In lushly-colored paintings, Mark Messersmith creates dense narratives packed with animals, birds, plants, and insects that express his concern for the shrinking world they inhabit. ...

Gary Komarin Vessel, 2024 Acrylic on canvas/wood panel 76.2 x 61 cm 30 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary K...

Gary Komarin Cake Painting (Yellow, Blue), 2019 Mixed media on paper 129 x 60 cm 51 x 24 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house ...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

Gary Komarin Small Canvas, 2024 Oil on canvas 35.6 x 27.9 cm 14 x 11 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin ...

Octavia Art Gallery is pleased to present Aaron Collier: Of Rocks and Ruins. The “Everything You Need to Know” website that intends to prepare visitors for the breezy summit and sce...

Gary Komarin Dirty White, Borgo Ognassanti,, 2012 Signed on Overlap Mixed media on canvas. 121.9 x 106.7 x 5.1 cm Eschewing traditional materials in favor of tarps and drop cloths, ...

Joan Miro (1893–1983), titled Empreinte de main sur fond jaune (Handprint on Yellow Background), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. Mounted to cardboard backing. Empreinte de main sur fond jaune exemplifies Miro’s fascination with gesture, spontaneity, and the primal act of mark-making, where the vivid yellow field becomes both a stage for and a symbol of creative energy. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Empreinte de main sur fond jaune (Handprint on Yellow Background), from the folio Derriere le miroir, No. 87–89 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 34. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 87–89, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1956 Notes: Excerpted from the folio (translated from French), Miroir Miro and Oasis Miro are extracted from the album by Jacques Prevert and Georges Ribemont-Dessaignes devoted to Miro. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Empreinte de main sur fond jaune 1956, Miro Handprint on Yellow Background, Miro Derriere le miroir No. 87–89, Miro Mourlot...

From the rare, fully signed edition of One Cent Life - only 100 examples were hand signed by the artists. Exceptional provenance from Robert Indiana's estate. Sam Francis, Karel App...

Mitchell Gaudet is a glass artist who uses the hot cast process to create multiples often assembled in conjunction with vintage found objects and relics. In his new series entitled I...

Signed in pencil lower right Edition: 40 From: America’s Family (Five Images) Published by Valley House Gallery and Sculpture Garden, Dallas, Texas and Thomas French Fine Art, LLC...

Gary Komarin Small Canvas , 2024 Oil on canvas 35.6 x 27.9 cm 14 x 11 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin...

Painting Description — Wish You Were Here / Write Back Soon (pair) Acrylic on canvas, 10 x 10 x 0.75 inches each; sold as a pair, 2026, TG645 Blush pink over turquoise — this palett...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...

FIVE GEISHA WITH FANS is an original hand drawn lithograph printed on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XION...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping costs a...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Pink Is The New Black IV (Abstract painting) Acrylic / mixed media on canvas - Unframed. This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant ...

Amaranth Ehrenhalt (1928–2021) Pink, 1992 Watercolor and felt pen on thick paper 25.5 x 28 cm l 10 x 11 in. 39 x 41 cm l 15 1/3 x 16 1/8 in. (Frame included) Signed, titled and dated...

"Singing Stones," is a complex composition, abstract painting by Laurie Barmore. Laurie Barmore is a master of color and composition, her colors just jump off the canvas with the mov...

This artwork is a diptych and will be shipped rolled in a protective tube at no additional cost. Shipping the canvases unstretched is the safest method for international transport an...

Pink Noise (Abstract Expressionism painting) Acrylic/mixed media on linen - Unframed. This work is exclusive to IdeelArt. Daniela Schweinsberg is a German abstract artist whose ly...

Amaranth Ehrenhalt (1928–2021) Quintazi, 1986 Oil on canvas Without frame: 21 5/8 x 18 1/8 in. (55 x 46 cm) Signed lower right Amaranth Ehrenhalt (1928–2021) was part of the Abs...

Painting Description — Pillow Talk I & II (pair) Acrylic on canvas, 18 x 18 x 1 inches each; sold as a pair, 2026, TG642 From the Things I Meant to Say collection. Flowing scrip...

Painting Description — Little Notes I & II (pair) Acrylic on canvas, 10 x 10 x 1 inches each; sold as a pair, 2026, TG643 From the Things I Meant to Say collection. These small work...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the ...

Inspiration was drawn from Summer garden spaces and Joan Mitchell's brushstrokes. This artist's first quadtych and hopefully the first of many more gives the illusion of being ri...

Pink Is The New Black IV (Abstract painting) Acrylic / mixed media on canvas - Unframed. This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant ...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Untitled Color lithograph, 1972 Unsigned Edition: From: Fresh Air School, Exhibition of Paintings Large Edition (2000?) Published by the Carnegie Institute Museum of Art, 1973 Printe...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Hand signed and dated 1980 verso. Tom Lieber (b. 1949) Abstract Expressionist Painter Abstract Painting Monotype Color Field Calligraphic Abstraction Guggenheim Museum Tate Modern Metropolitan Museum of Art California Hawaii Tom Lieber (born 1949, St. Louis, Missouri) is one of the most celebrated and internationally collected American abstract painters of his generation — a large-scale oil painter, monotypist, and printmaker whose luminous, gesture-driven canvases are held in the permanent collections of the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art, the San Francisco Museum of Modern Art (SFMOMA), the Museum of Contemporary Art Los Angeles (MOCA), the Tate Gallery in London, Stanford University Museum of Art, the Oakland Museum of California, the Krannert Art Museum, and the St. Louis Art Museum. With a career spanning more than five decades, Lieber has established a distinctive visual language rooted in Abstract Expressionism, Color Field painting, calligraphic mark-making, and a deep attunement to the natural landscapes of California and Hawaii — producing paintings that are simultaneously monumental and meditative, physically powerful and spiritually resonant. Early Life and Education Born and raised in St. Louis, Missouri, Lieber pursued his fine art education at the University of Illinois, Champaign-Urbana, earning a BFA in 1971 and an MFA in 1974 — one of the most respected graduate painting programs in the Midwest, with a tradition of rigorous engagement with modernist painting and printmaking. Following graduation, he relocated to San Francisco, immersing himself in the Bay Area's vibrant artistic community and beginning the sustained painting practice that would define his career. Early Recognition: NEA Fellowship and the Guggenheim In 1975, just one year after completing his MFA, Lieber was awarded a National Endowment for the Arts (NEA) Artists' Grant — one of the most prestigious recognitions available to an emerging American artist. In 1982, he was selected for the landmark Emerging American Artists' Exhibition at the Solomon R. Guggenheim Museum in New York, curated by Diane Waldman — a career-defining moment that placed him alongside the most significant young painters in the country and brought his work to national attention. The following year, 1983, he was included in the New Perspectives in American Art: Exxon National Exhibition at the Guggenheim — further cementing his standing as a major figure in contemporary American abstraction. Garner Tullis and the Circle of Abstract Masters In 1983, Lieber began a transformative collaboration with master printer and artist Garner Tullis at Experimental Press in Santa Barbara — one of the most significant printmaking studios in American art, whose collaborators have included some of the greatest names in postwar abstraction. Through Tullis, Lieber entered into close working relationships with artists including Sam Francis, Helen Frankenthaler, Sean Scully, John Walker, Friedel Dzubas, and William T. Wiley — placing him in direct creative dialogue with the leading figures of American and international abstract painting. These connections deepened Lieber's engagement with Color Field painting, lyrical abstraction, and the expressive potential of large-scale monotype — a medium he has continued to pursue throughout his career, later producing monotypes with master printer Phil Sanders at Trillium Graphics in San Francisco. His monotypes have been exhibited in The Art of Collaboration: Monotypes from the Studios of Garner Tullis at California State University, San Bernardino. Artistic Style: Abstract Expressionism, Color Field, and Calligraphic Mark-Making Lieber's paintings occupy a unique position at the intersection of several of the most significant movements in postwar American art. His gestural approach connects him directly to the Abstract Expressionist tradition of Jackson Pollock, Franz Kline, and Willem de Kooning, while his sensitivity to color, tonal modulation, and the behavior of paint on large surfaces places him in dialogue with the Color Field painters Helen Frankenthaler, Morris Louis, Jules Olitski, and Friedel Dzubas. His monumental oil-laden canvases have been compared to the work of Joan Mitchell — whose large-scale gestural abstractions similarly engage with nature, energy, and the physical act of painting — while his subtle use of color and atmospheric luminosity evoke the painting of Mark Rothko and Brice Marden. What distinguishes Lieber is his calligraphic mark-making — a single bold brushstroke or gestural line that anchors the composition, allowing underlying color fields and tonal variations to recede and advance across the picture plane. This approach is informed by his practice of Aikido, his engagement with jazz, and his sustained interest in meditation and Eastern philosophy — influences he absorbed during his years in Berkeley, California in the 1970s and 1980s. The result is a body of work that is simultaneously physically commanding and spiritually contemplative, rooted in the body as an instrument of painting and in nature as the ultimate source of form, color, and energy. Hawaii and the Natural Landscape In 2000, Lieber relocated to Kauai, Hawaii, where he continues to divide his time between the islands and Los Angeles. The volcanic landscape, lush vegetation, tropical light, and oceanic environment of Hawaii have profoundly deepened his engagement with nature as a primary subject and source — giving rise to a body of work in which landscape and abstraction merge seamlessly. Paintings such as Hot Water, Lava, and Black Drop bear the imprint of the Hawaiian environment directly, with colors and gestures drawn from the specific visual experience of living on the island. Gallery Representation and Solo Exhibition History Lieber's gallery career spans the most respected fine art venues in the United States and internationally. His long-term representation has included John Berggruen Gallery, San Francisco (1996) — one of the most prestigious galleries on the West Coast; Hackett-Freedman Gallery, San Francisco (2003, 2004, 2005); Craig Krull Gallery, Los Angeles (2006, 2008, 2009); Dolby Chadwick Gallery, San Francisco (2010, 2012, 2014, 2017, 2020) — his primary long-term San Francisco gallery; and FP Contemporary, Culver City (2020). Additional solo venues include LewAllen Gallery, Santa Fe (1998); Margulies Taplin Gallery, Coral Gables and Boca Raton, Florida (1994, 1995); Bentley Gallery, Phoenix, Arizona (2016); Robischon Gallery, Denver, Colorado (2018); J. Cacciola Gallery, New York (2014); Galerie 103, Kauai, Hawaii (2009, 2011, 2013, 2015); Friesen+Lantz Fine Art (2021, 2022); Samuelis Baumgarte Galerie, Bielefeld, Germany; N.E. Galerie, Darmstadt, Germany (1997, 2000); Galerie Edeling, Copenhagen, Denmark (1998); Maui Arts and Cultural Center, Maui, Hawaii (2020); and HybridART, Budapest, Hungary (2019). Group Exhibitions Lieber's group exhibition record includes: Emerging American Artists, Solomon R. Guggenheim Museum, New York (1982); New Perspectives in American Art: 1983 Exxon National Exhibition, Solomon R. Guggenheim Museum, New York (1983); Mid-America IV, St. Louis Art Museum; Highlights: Selections from the Bank of America Corporation Art Collection, Plaza Gallery, Bank of America, San Francisco (1984); and The Art of Collaboration: Monotypes from the Studios of Garner Tullis, California State University, San Bernardino. Museum Collections Tom Lieber's paintings and prints are held in the permanent collections of the Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art (SFMOMA); the Museum of Contemporary Art, Los Angeles (MOCA); the Tate Gallery, London; Stanford University Museum of Art, Palo Alto, California; the Oakland Museum of California; the Krannert Art Museum, University of Illinois; the Huntington Gallery at the University of Texas, Austin; the Washington University Gallery of Fine Arts, St. Louis; and the Bank of America Art Collection, among others. Awards and Recognition National Endowment for the Arts (NEA) Fellowship (1975); selected for Emerging American Artists' Exhibition, Solomon R. Guggenheim Museum (1982); United States Artists Fellowship. His work has been the subject of a monograph by critic Carter Ratcliff, Utopian Contingencies: The Paintings of Tom Lieber (Hackett-Freedman Gallery, 2003). Legacy Tom Lieber remains one of the most actively exhibited and internationally collected American abstract painters working today. His large-scale oils, pastels, and monotypes — with their bold calligraphic gestures, luminous color fields, and deep rootedness in the natural world — represent a sustained and fully realized vision of what abstract painting can be: physically immediate, emotionally resonant, and spiritually expansive. Collectors and institutions seeking original Tom Lieber paintings, monotypes, and works on paper will find a body of work that stands confidently alongside the greatest achievements of postwar American abstraction. Keywords: Tom Lieber, Tom Lieber painting, Tom Lieber abstract, Tom Lieber monotype...

"The Castellan" is an original ink drawing realized by Florisa Cordova. In very good condition. Hand-signed on the right side. Florisa Cordova was born in 1922 and was primarily i...

Large "Field Mouse II (1969) Lithograph Robert Natkin (1930-2010) was a New York artist known for his abstract expressionist paintings. Born in 1930 in Chicago, Robert Natkin grew up in an extended Russian-Jewish immigrant family. In 1948 he began studies at the Art School of the Art Institute of Chicago. He was strongly influenced by the Post-Impressionists and Abstract Expressionism, the latter through an article in Life magazine. In 1952 he lived, briefly, in New York where he came under the influence of Willem de Kooning. In 1953, Natkin returned to Chicago and began exhibiting, occasionally, in shows and exhibitions. He became closely associated with other Chicago artists, such as Stanley Sourelis, Ronald Slowinski, Richard Bogart and Judith Dolnick...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Original Lithograph on white ...

Patricia Crotty’s abstract painting “Around the Bend” combines drawn and painted lines and shapes to reference a journey through time and space. Blue, green, yellow, and red shapes a...

Gary Komarin Small Canvas, 2024 Oil on canvas 35.6 x 27.9 cm 14 x 11 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint, Gary Komarin ...

Pink Noise (Abstract Expressionism painting) Acrylic/mixed media on linen - Unframed. This work is exclusive to IdeelArt. Daniela Schweinsberg is a German abstract artist whose ly...

Pink Noise (Abstract Expressionism painting) Acrylic/mixed media on linen - Unframed. This work is exclusive to IdeelArt. Daniela Schweinsberg is a German abstract artist whose ly...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Virginia Candler says of her work… I make paintings, collages and sculptures that explore my immediate surroundings and materiality. Often, it’s observations of the natural world th...

Gary Komarin Rue Madame in Red, Roma Mixed Media on canvas 182.9 × 152.4 cm 72 x 60 inches Eschewing traditional materials in favor of tarps and drop cloths, spackle and house paint...

Elephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over thi...

Ron Stonier (1933-2001) was a dedicated Vancouver artist who was celebrated for his exploration of abstract painting. He was influenced by his mentors Gordon Smith and Jack Shadbolt ...

Anna Kunz was born in Chicago, Illinois, where she continues to live and work. After receiving her BFA from the Art Institute of Chicago, Kunz went on to complete her MFA at Northwes...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Virginia Candler says of her work… I make paintings, collages and sculptures that explore my immediate surroundings and materiality. Often, it’s observations of the natural world th...

Amaranth Ehrenhalt (1928–2021) Appi 13, 2003 Gouache and watercolor on thick paper Painting: 20 x 20 cm l 8 x 8 in. Frame: 33 x 33 cm l 13 x 13 in. Signed, titled and dated Amarant...

11 x 14" vintage silver gelatin photograph of Hollywood Film Star Joan Blondell, 1971. Signed on the print verso by Jack Mitchell. Comes directly from th...

"Hatch A Week's Worth" features hues of red, green, brown, purple and yellow. Atlanta based artist, Cynthia Knapp was born in the Northeast United State...

This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping costs a...