1,213 results for "punk"

This artwork titled "Peace and Justice, Haiti" 2013, is an original screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is hand sig...

Shepard Fairey's "Target Exceptions" print offers a poignant reflection on the challenges faced by individuals aspiring to visit or immigrate to the United States. Through this thought-provoking artwork, Fairey delves into the complexities of the immigration process, shedding light on the various target criteria that determine the eligibility of potential candidates. In a world where the "American Dream" beckons as a symbol of hope and opportunity, Fairey's piece reminds us that many deserving individuals are deemed exceptions to the established qualifications, particularly in the context of prevailing attitudes and policies of the current administration. The artwork presents a striking visual featuring Fairey's iconic style, using a blend of powerful imagery and symbolic elements to convey its message. By drawing attention to the dichotomy between the desired dream and the restrictive reality, "Target Exceptions" calls for empathy and understanding towards those affected by such immigration hurdles. Shepard Fairey's reputation as a contemporary artist and graphic designer precedes him. Born on February 15, 1970, in Charleston, South Carolina, Fairey has gained global recognition for his profound influence on modern art and activism. His commitment to addressing political and social issues through his work has earned him a prominent position within the art world. Fairey's artistic journey began with street art and has evolved into a diverse body of work that seamlessly blends political messaging, pop culture references, and iconic symbolism. As a co-founder of Studio Number One and the art collective BLK/MRKT Inc., Shepard Fairey continues to push the boundaries of artistic expression and its capacity to inspire change. His work has been exhibited worldwide, making a lasting impact on both art enthusiasts and social activists alike. Shepard Fairey's art is rooted in a blend of influences that shape its distinctive character. His early experiences with street art and punk culture have left an indelible mark on his style, infusing it with a rebellious spirit and DIY ethos. Additionally, Fairey draws inspiration from the world of propaganda and political messaging, referencing historical movements like Soviet Constructivism and Chinese Cultural Revolution art...

Basquiat spray paint c.2017: Limited Edition Jean-Michel Basquiat spray paint can published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. A unique Basquiat colle...

Pussy Riot - $50 bill Giclée Print on Hahnemühle Photo Rag Pearl 21 x 29.7 cm - paper size 26 x 34.5 - Framed with 3mm ArtGlass Lifetime Museum Acrylic Edition 2 of 150 comes with ha...

Rare early Iggy Pop photograph by Leni Sinclair: A stand out, early photograph of punk pioneer Iggy Pop, shot by legendary Detroit photographer Leni Sinclair, Kresge Foundation's Em...

Marilyn Minter Nail Biter, 2010 Color photograph 20 x 24 inches (50.8 x 61 cm) Edition 12/20

Trees North, 2025 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition 46 of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician,...

Futura NYC 1988: A rare 1980s Futura 2000 illustrated & designed announcement card published on the occasion of: "Observations of an Underground Civilization" at 51X Gallery from Ma...

Robert Longo, Eric, NYC Contemporary, 21st Century, C-Print, Limited Edition, Portrait, Man C-Print Edition of 100, plus 20 APs 25,5 x 18,5 cm (10 x 7.2 in.) Signed and numbered, a...

'Maggie with Helmet' 2012 Oil on canvas Verso: Hand signed and dated on canvas. Dimensions: 24" h x 20" w. Frame: 25.5" h 21.5" w Provenance: Property of a Southampton, NY collection Richard Butler (Post-war and Contemporary artist) studied painting at the Epsom School of Art and Design (now University for the Creative Arts). In school he was exposed to radical developments taking hold in the artworld including Andy Warhol, Jasper Johns, David Hockney and Francis Bacon and the emerging British pop art of Richard Hamilton and Peter Blake. He later turning to silkscreen printmaking. But like many famous rockers, from Keith Richards and Roger Waters to Tupac Shakur and Lady Gaga, Butler began making music in art school, and art was a passion that never went away. Shortly after graduating from the art school, in 1977, Richard Butler became a founder and singer/songwriter for the British post-punk / new wave rock and roll band "The Psychedelic Furs". Quickly gaining commercial success, his musical career kept him away from painting throughout the 80s and the 90s. In early 2000s, Richard Butler returned to painting and started exhibiting his art in the U.S. and Europe. He prefers to call himself a painter who sings, rather than a singer who paints. He was influenced by Anselm Kiefer and Francesco Clemente and became friends with Julian Schnabel. With his daughter, Maggie Mozart Butler, as his muse, he produces expressionistic portraits of pensive female subjects, who serve as ciphers for himself. As he describes, “In a way I think all of my paintings are self-portraits in that, though the face I am painting may not be my own, the feeling I get back from the painting is certainly an important element of my own psyche.” His work is a sort of dark moody expressionism with nods towards Lucien Freud. He lives and works in Connecticut. He has had solo exhibitions in New York City, Miami and Florence, Italy. One of his works, Girl with a Map, has been used as a CD's cover art. Selected Solo Exhibitions 2020 Richard Butler: Amnesiac Hostess, Waltman Ortega Fine Art, Miami, Florida, USA 2017 101/EXHIBIT, La Peer Drive, West Hollywood, Los Angeles, California, USA 2015 naturalhistory ,Freight+Volume (Allen St.) ,Lower East Side, New York, USA Selected Group Exhibitions 2025 Summer Sale, Galerie Olivier Waltman, Paris Saint-Germain, 6e, Paris, France The Rhythm. Vibratory Shock of Being, Galerie Olivier Waltman, Paris Marais...

Keith Haring New York City 1989: RARE original 1989 Keith Haring designed Sound Factory Halloween invite featuring a dazzling array of Keith Haring Skeletons: “Keith Haring & Sound...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Sony Walkman Radio. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

Artist: Michael Paraskevas Title: Locomotive Medium: Oil on Canvas Size: 48 x 96 in. (121.92 x 243.84 cm)

Raymond Pettibon Off! Off! band poster illustrated by Raymond Pettibon for the famed 2009 punk band co-founded by Pettibon’s friend, Black Flag’s, Keith ...

Contemporary abstract expressionist pastel on paper of a Provençal landscape 'Cancan b' by Dutch artist Bernadette Van Baarsen. Signed an...

Everything is Fine By David Shrigley David Shrigley is a British visual artist known for his distinctive, darkly humorous drawings, animations, and sculptures. With a style charact...

Vipers Tongue By Billy Childish Billy Childish is a British artist, musician, and poet known for his prolific work across various mediums, including painting, punk rock music, and...

"Lisa Ann Stand Color Solarised" Photograph 40 x 30 in Ed. of 50 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with ...

Formalism collides with a punk rock, folk art sensibility in his pop culture mash-ups that explore the liminal space between the natural and built environment. The animal kingdom act...

"Guardians" Contemporary Oil Monkey Eyes Post-Cubist Abstract Whimsical Animal Hunt Slonem (American, b. 1951) "Guardians" 24 x 19 inches Oil on Canvas Signed, dated 1995, titled, and numbered "JEM0668" to verso. A Certificate of Authenticity from Hunt Slonem Studio attached. Unframed Provenance: From a New York City Collection. BIO Hunt Slonem was born in Kittery, Maine in 1951. His fascination with exotica imprinted during his childhood in Hawaii and experience as a foreign exchange student in Managua, Nicaragua. Slonem received his Bachelor of Arts degree from Tulane University of Louisiana and studied painting at Skowhegan School of Painting and Sculpture. Since 1977, Slonem soloed in over one hundred fifty exhibitions at prestigious galleries. His work is exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. Over fifty museums internationally include his work in their collections, among them The Metropolitan Museum of Art, New York, New York. His work has been shown in thirty-one different museums. Corporate collections include American Telephone and Telegraph, Chase Manhattan Bank, Citibank, Continental Airlines, Goldman Sachs Co., IBM Corporation, Marriot Corporation, Paine Webber, Inc., Port Authority, and Readers Digest Inc. He won the 1991 National Endowment for the Arts Grant in Painting, and McDowell Fellowships in 1986, 1984 and 1983. Since 1973, Slonem has lived and worked in New York City in his legendary loft with his seventy pet birds. The birds are his models. So enmeshed and unique are his aviary, studio, lifestyle and painting, that Slonem has been featured on television a dozen times and in numerous articles. In his 1993 essay, the late Henry Geldzahler describes, "The visual field of Hunt Slonem's paintings is a continuum accented by ovals of varying shape and colors that it turns out are birds." The birds evolved from Slonem's early paintings of saints as well as inspiration from the pioneers of bird imagery in painting, including Fabritsius, Heade and Audubon. Audubon shot one hundred birds...

Limited Edition Jean-Michel Basquiat spray paint published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. a unique Basquiat collectible that makes for a fantastic...

Archival pigment print Signed and numbered, verso 30 x 22.5 inches, image (Edition of 5 + 2 APs) 45 x 33.75 inches, image (Edition of 3 + 1 AP) From the series, "The Silence of Sp...

Williamsburg Brooklyn New York Photograph: The historic Domino Sugar Factory in Williamsburg, Brooklyn photographed by celebrated New York street photographer Fernando Natalici. This work was shot just prior to this Williamsburg, Brooklyn landmark...

Archival pigment print Signed and numbered, verso 20 x 30 inches, image (Edition of 5 + 2 APs) 30 x 45 inches, image (Edition of 3 + 1 AP) This photograph is offered by ClampArt, ...

Keith Haring Tony Shafrazi Gallery New York circa 1983: Rare original Keith Haring artist biography sheet & timeline produced by...

Jean-Michel Basquiat 1982: RARE original 1982 Jean-Michel Basquiat illustrated poster for “Ikonoklast Panzerism versus Tricnology” lecture with Rammellzee, Squat Theater, New York, ...

Fernando Natalici Patti Astor The Foreigner New York 1977: Actress and legendary downtown NY scenester Patti Astor, photographed during the filming of "The Foreigner" by celebrated N...

Artist: Miller, Harland Title: BOSS Series: 3 Wishes Forever Date: 2022 Medium: screen print on Somerset Radiant White 410gsm paper with hand torn edges Unframed Dimensions: 59...

Covert to Overt, Gold, Triptych, Shepard Fairey, Jon Furlong. 3 prints, each with dimensions 18 inches x 24 inches. Screen Prints on cream Speckle Tone paper. Signed by Shepard Faire...

Obey Holiday 2016. 18 x 24 inches. Screen Print. Signed by Shepard Fairey. Edition of 575. 380/575 "I make a holiday print every year as a gift for friends and supporters, which is...

Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine): This visually enticing 1992 Raymond Pettibon artist book/zine includes 20+ evocative drawings. Pettibon’s subjects are...

"DIVINE LOVE GENIUS WORLD" Painting 59" x 51" inch by Vera Kochubey Medium: Wall paint on canvas ATTENTION: please contact us if you want this painting to be shipped rolled to low...

Limited edition Jean-Michel Basquiat Spray Paint Can 2017: Highly collectible limited edition Jean-Michel Basquiat spray paint can by published ci...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion ...

David Bowie, Iggy Pop & Lou Reed, London's Dorchester Hotel, 1972 by Mick Rock Edition: 29/50 Signed and numbered by Mick Rock. Medium: Silver gelatin limited edition photographic print on paper Size framed: 27" x 33" inch "It was a press conference at the Dorchester Hotel in London. RCA Records had flown a bunch of American journalists to London in July 1972 to promote David’s upcoming US tour and the release of his Ziggy Stardust album. Iggy and Lou were both working on their new albums, Raw Power and Transformer and were hanging out at the conference. Even though Iggy and Lou were still basically “underground” artists, and David’s ascent was still in its early days, it was a photo that I really wanted to take. Only later did it become one of the classic rock images. So I hustled them together. The only thing I remember was Lou saying: “This will be a pretty picture!” When Mick Rock first met David Bowie, he had previously met and photographed both Iggy Pop and Lou Reed, so there was an immediate bond formed...

Henry Rollins Black Flag photograph NYC 1987 (printed later): Archival Ink Jet Print. 16x20 inches including borders. Excellent overall condition. Hand signed from a limited edition...

Raymond Pettibon Short Teats Bloody Milk 1985 (Raymond Pettibon zine): This visually enticing 1985 Raymond Pettibon artist book/zine titled, Short Teats,...

Limited edition Jean-Michel Basquiat and Keith Haring Foundation Spray Paint Cans: set of 2 works published circa 2017 featuring the Estate trademark's of Jean-Michel Basquiat & ...

In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd Club, spent four hours shooting the seedy scenery of Tim...

Andy Warhol Hammer & Sickle, 1976 Acetate negative acquired directly from Chromacomp, inc. Andy Warhol's printer in the 1970s. accompanied by a signed letter of provenance from t...

Painted cast vinyl sculpture. Hand numbered 7/100 on the base. Produced by APPortfolio, Japan. Certificate of Authenticity is included. Artwork is in excellent condition. About t...

PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived a...

"Girl With A Gun": Actress and legendary downtown NY scenester Patti Astor, photographed on the set of "The Foreigner" by celebrated New York underground p...

Burn Baby Burn, inspired by the aesthetics of “live fast – die young” rock ’n’ roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning ...

Technique : Acrylic mixed technique, aluminium box Edition : unique edition  Size : 100 x 100 cm  Information: Born in France in 1960 into a family of artists, Masaya na...

Mike BRODIE (*1985, USA) #0924, from the series A Period of Juvenile Prosperity, 2006-2009 C-Print Sheet 43,18 x 60,96 cm (17 x 24 in.) Edition of 7, plus 3 AP; Ed. no. 3/7 Signed by the artist About Mike Brodie: Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew...

The Who, Giant 3D Vintage Button with the artwork taken from their first album - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed o...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Bird (in flight). This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Baby Doll. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

Pussy Riot - $100 bill Giclée Print on Hahnemühle Photo Rag Pearl 21 x 29.7 cm - paper size 26 x 34.5 - Framed with 3mm ArtGlass Lifetime Museum Acrylic Edition 2 of 150 comes with h...

Futura 2000 NYC 1984: A rare 1980s Futura announcement card published on the occasion of: FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY. Offset printed annou...

'Kate Moss Supreme' photographed in New York's historic Soho area in 2012 by celebrated downtown photographer Fernando Natalici. In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasdair McLellan’s lens, while wearing Supreme's signature box logo tee, a leopard fur coat and cigarette burning down to the filter, makes for a chic New York City...

This artwork titled "Windmill" 2009, is an original colors screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is hand signed, date...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Flowers. This one is not hand signed although the rest in the portfolio were. ...

There’s A Cat In The Sky (Abstract painting) Oil, acrylic and pencil on canvas — Unframed. This artwork will be shipped flat within the US. If shipped outside of the US this work wi...

Bruce Springsteen Photograph by Fernando Natalici A rare, striking photo of Bruce Springsteen at the age of 25 captured at The Bottom Line New York, 1975, by celebrated underground photographer, Fernando Natalici. Bruce and The East Street Band's 1975 shows at The Bottom Line were cited by Rolling Stone in 2004 as among the “50 Moments That Changed the History of Rock & Roll." Dimensions: 13 x 19 inches Medium: Archival Inkjet Print Hand signed & titled in ink from a limited edition of 25 Excellent condition Seller is a primary dealer rep of Fernando Natalici As Rolling Stone wrote... In August 1975, Bruce Springsteen and the E Street Band were booked to play ten shows at the tiny New York club the Bottom Line, near Washington Square Park in Greenwich Village. Springsteen was weeks away from releasing his third album, Born to Run, and his label, Columbia, invited more than 1,000 industry insiders to see what fans of the E Street Band's live shows had long known. As guitarist Steven Van...

Eric Mitchell on the set of the seminal 70's Manhattan art scene film, "The Foreigner," by celebrated downtown photographer, Fernando Natalici. Silver ...

"Milla in the Grass" Black & White Photograph 24x20 in Ed. of 100 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the artis...

Cooler than cool... Debbie Harry, New York, 1978, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (directo...

Cleon Peterson Sirens of the Night (gold), 2022 Hand-pulled screen print on 290gsm Coventry Rag paper with deckled edges 61 x 45.7 cm Edition of 100 hand-signed and numbered by the a...