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Artist: Vahe Yeremyan Title: Sail Boats Medium: Oil on Linen Year: 2025 Style: Contemporary Art Dimensions: 44" x 63" x 1" inch (112 x 160 x 3cm) Presentation: Unframed, Gallery Wrap...

Moonlight Shimmer oil/canvas panel Image is 10 x 12 unframed 14.88 x 13.50 framed signed LL Moonlight Shimmer is a nocturne seascape oil painting on panel by Award Winning Chesterfi...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur. Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. 2000 Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany. 2001 Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. Exhibition devoted to nudes. Gallery on Peschanaya. Moscow. 2002 Personal exhibition “Yuriy Larin. The works of different years”. Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow. 2004 Personal exhibition “YURIY LARIN. Harmony and plasticity”. Radischev Saratov State Art Museum. 2006 Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow. 2011 Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow. 2013 Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013 Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23 2015 Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11. Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13 2016 Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016 2016 Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016 Museum Collections: The State Russian Museum Saint Petersburg The State Tretyakov Gallery Moscow The State Museum of Oriental Art Moscow Radischev Art Museum in Saratov Saratov Historical-Architectural and Art Museum “New Jerusalem” Istra (Moscow Region) Branch of the State Museum of People’s Art in Armenia Dilijan The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya Ijevsk Volgograd Museum of Fine Arts Volgograd Tomsk Regional Art Museum Tomsk Eastern-Kazakhstan Art Museum Semey Moscow State Museum of Vadim Sidur Moscow Andrey Sakharov Museum Moscow State Literature Museum Moscow The collection of the magazine “Nashe Nasledie” Moscow The collection of the Heinrich Boell Foundation Berlin Chronology: May, 8, 1936 Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina; 1938–1946 years After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman 1946 After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd); Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur). 1949 Sent to the camp. 1956 At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin; 1958 Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman. 1958-60 Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations; Underwent tuberculosis 1960 With his mother A.M.Larina got permission to come back to Moscow; Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov) 1970 Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965; Starts his career of a professional artist; from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov. Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist. 1970-1974 Worked from life on landscapes (watercolor and oil). Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions) 1972 Welcomes his son Nikolay from 1972 Takes part in Moscow, Russian and All-Union exhibitions; the second half of the 1970s Works on portraits, still-lifes, nude, continuing working on landscapes 1974 Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”; Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada) 1975 First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle. 1976 The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life. Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes. 1977 Became part of Moscow Union of Artists in USSR. “Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) “Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) 1977 Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature. 1980 In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state. The end of the 1970s - the beginning of the 1980s Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin. Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century. Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor); Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1980 The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum; V.Volkov indicated in the works “a new approach to the light” Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1982 First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin. He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time. 1979-1985 Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles. Fall, 1983 Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle. 1985 In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya. December, 1985 Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand. 1987 Death of his wife Inga Ballod  First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions. 1988 N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich” 1989 Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko. Personal exhibition in Central House of Artists in Krymskiy Val. Displayed over two hundred of watercolor and oil paintings...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. With Suk Ja Kang...

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Once upon a time, this was the only way to communicate over long distances if you weren’t at home. Next to it sits a phone book, the Yellow Pages, inviting ...

Summer Bloom II captures the essence of wildflowers and delicate grasses, blending vibrant hues of pinks, purples, and soft blues. The flowers are painted in loose, expressive stroke...

Charles Collins hails from a family of New Orleans artists. His late mother was a noted painter as his sister currently is, and he has a son who is a glassblower. His work has not be...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

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Four cupcakes with different frostings and toppings form a luscious, eye-catching display. Bold colors and confident brushstrokes give the treats a lively prese...

Mimi Gross (American 1940-) Jewish Orthodox Scholar 1983 Aluminum and Paint Assemblage Hand signed, numbered 130/135 Dimensions: 24 X 12 X 9 inches From a great art collection of ...

* No US duty or taxes to pay on this item * A beautiful 1920's French impressionist oil on board depicting the outskirts of Paris, with the Eiffel Tower in the distance. Excellent...

Contemporary Art, Abstract Painting Acrylic on canvas 152 x 122 cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultur...

A whimsical oil painting depicting a Courtyard Scene in Lombardy, Italy by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in the first hal...

The process of creating a painting leaves behind a series of elements that become the starting point for a new piece. A mark, a line, color and shape become elements of a new paintin...

Magical Ecstasy presents a composition in which birds, animals, and human figures coexist within a single pictorial space. The image is organized through fields of color, symbols, an...

On a tranquil blue background, raspberry roses, resembling peonies, are painted with textured brushstrokes in oil paint. The harmonious, calm, and refined combination of the blue bac...

19th Century Scottish Landscape Scottish School - Ben Lomond overlooking Loch Lomond oil on canvas, framed signed with initials and dated 1867 inscribed ve...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and subtlety—in exquisite tension. Working with oil and mixed media on canvas, he paints in color fields of soft shapes and delicate lines. Grids of diaphanous faces and blocks of illegible text emerge in rich washes of color. Like reliefs, his compositions are built up from numerous layers of material and mark-making. Their surfaces shift with the light and the changing position of the viewer. Full of strength and fragility, Zimmer’s works reward patient viewing, revealing their rich visual nuances to those who take time to delve into their layers. This 43 inch high by 35 inch wide original artwork is created with many layers of mixed media and oil on canvas. This painting is wired and ready to hang. The sides of the artwork are painted as a continuation of the front. It does not require framing. It is signed by the artist on the back of the artwork. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Whether figurative or abstract, Zimmer’s artworks inherently alter the feeling of a space. One is absorbed in contemplation as perfectly layered colors and etched hieroglyphic text vibrate from within. Zimmer’s work oscillates between the Geometric Abstraction of Josef Albers and the sublimely layered color fields of Mark Rothko; with added figures that seem to be composed of shadows. This tension between form, color, and text creates canvases with glowing compositions that reverberate with emotion. Bernhard Zimmer was born in 1957 in Stuttgart, Germany. From 1978 to 1984, he completed his education in Cultural Studies at Hildesheim. Zimmer continues to live and work in Cologne. He has exhibited in Hanover, Munich, Dusseldorf, Basel, Gent, Hong Kong, and Singapore to name a few. Zimmer has created a positive stir at major international art fairs such as Art Basel and Kunst Köln. His mysterious compositions pique the taste of the serious art collector. Artspace Warehouse has been representing and exhibiting Bernhard Zimmer's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESNTATION Artspace Warehouse, Los Angeles, CA EXHIBTIONS 2021–2026 Artspace Warehouse, Los Angeles, USA 2018 Artspace Warehouse, Los Angeles, USA 2017 Galerie Manoel Nunes, Köln, Germany; Kunstwarenhaus, Zürich, Switzerland 2016 Galerie J. Huber, Rapperswil, Switzerland; “New Figuration and Neo-Expressionism,” Galerie Henze & Ketterer, Switzerland 2015 Art-co. Galerie, Aachen, Germany; Galerie Reitz, Köln, Germany; Artspace Warehouse, Los Angeles, USA 2014 Kunstwarenhaus, Zürich, Switzerland 2013 Galerie Biesenbach, Köln, Germany; “Suspended Moments,” Artspace Warehouse, Los Angeles, CA; HLP Galerie, Wesseling, Germany; Galerie Wilmsen, Hergatz, Germany 2012 Galerie Artco, Aachen, Germany; Artspace Warehouse, Los Angeles, USA 2011 Galerie Reitz, Köln, Germany 2010 Galerie Artco, Aachen, Germany; Galerie Reitz, Köln, Germany 2008 Galerie Reitz, Köln, Germany; Galerie Muenchow, Zürich, Switzerland 2006 Galerie Reitz, Köln, Germany; Wolkenburg, Köln, Germany; Galeria Sineu Estacio, Mallorca, Spain 2005 Galerie Muenchow, Zürich, Switzerland; Art Forum Riehen, Basel/Köln 2004 Fesser, Trier, Germany 2003 Hesse, Hannover; Hiscox, München, Germany; Döres, Köln, Germany 2002 CBH, Köln, Germany 2001 Galerie Depelmann, Hannover, Germany; Galerie Glanz, Erftstadt, Austria; Credit Suisse, Switzerland; Art Forum Riehen/Basel, Switzerland 1988–2001 Inter Art Galerie, Köln, Germany 1998 A. Hansrod, Singapore 1997 Museum Langes Tannen, Hamburg, Germany 1995 Alte Feuerwache, Köln, Germany 1993 Stollwerck-Museum, Köln, Germany 1992 EP Galerie, Düsseldorf, Germany 1990 Galerie Pului, Praterinsel München, Germany 1984 Kunstverein Holzminden, Germany; Kunstverein Hildesheim, Germany 1982 Galerie Berger, Bochum, Germany PUBLIC COLLECTIONS LB Bank Baden-Württemberg, Germany Stadtsparkasse, Köln, Germany R+V Versicherung, Köln, Germany Oberpostdirektion, Köln, Germany ART FAIRS 2017 AAF Hong Kong 2015 AAF New York, USA 2014 Houston Fine Art...

Jamie Mills (b. 1983,West Cornwall, England) is an artist whose multifaceted practice encompasses music, sound, and visual arts. His work is deeply rooted in the exploration of the i...

A charming Impressionist summer pastoral scene depicting homes in in Bucks County, Pennsylvania,. This piece is executed in an intimate yet energetic manner. Christopher is known for...

This painting is in excellent condition and has only been shown in a gallery setting. Size listed does not include the frame. Frame adds around 3 inches to each side to the posted ...

Artist about his work: BLOBS. THE CHARM OF DRIPPING PAINT Flowing peacefully in the slow current of a narrow trickle between the feeling of senselessness and some deeply hidden ho...

Figures in Park French School, circa 1980's oil painting on board, unframed 7.5 x 9.5 inches Signed lower corner Conditon: very good

This gorgeous large Scottish Victorian Impressionist oil painting is by noted artist Robert McGowan Coventry RSA, also known as Robert Coventry. Painted circa 1890 the composition is...

Artist/ School: The work is signed and dates to the 1970's period. Title: Portrait of an Africa Woman, believed to be from Tanzania (according to previous owner). Medium: oil paint...

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Artist Onelio Marrero depicts a mother and her child dropping coins into a fountain for good luck. The quiet moment is painted in brilliant morning light with dappled shadows in the foreground. Behind them lies a verdant backdrop of foliage around a stone church and a view of the distant city beyond. Onelio's rich textures and detailed brushwork greatly enhances the piece. "The separating line between the church and the fountain reminds us of the demarcation between faith and luck," says Onelio.

About the Artist
Onelio Marrero paints city scenes of everyday life. In an impressionistic style he captures the romanticism of New York City, the picturesque fountains in Central Park and the wet city streets after a rainy afternoon. His use of warm tones creates a sense of nostalgia and the feeling that you have visited or seen this particular scene before. Onelio will often paint from direct observation, or he will work from a combination of photographs and combine numerous sources into one piece. In this way his work combines reality with fantasy, creating a new story with each painting. His work captures an appreciation for beauty in all of its greatest forms; nature, art, and people.

Words that describe this painting: fountain, church, plaza, spring, stonework, architecture...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Pocket Very Ochre Blush Pear 223 (canvas size 7x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintin...

Happy Blossom and a Silver Sky by Nicky Chubb [2020] Happy Blossom and a Silver Sky is an original painting by artist Nicky Chubb. Featuring her signature tree iconography alongside...

Landscape oil Painting Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Contemporary Art, Subject: Vibra...

Evening, Cud Hill [2022] original Oil on canvas Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:30 cm x W:40 cm x D:2cm Frame Size: H:33 cm x W:43 cm x D:3cm Sold Fr...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Rachel Taggart’s abstract paintings explore the way light passes through color and creates a sense of depth. Diluted acrylic washes settle into the raw canvas in translucent layers, ...

Eugène BEGARAT Post-Impressionist Signed Oil Painting Picture Size 18 x 15", 46 x 38 cm Frame Size 25 x 22", 64 x 56 cm Bergerat was born in 1943 in Nice. In 1960, he started to st...

The children of Robert Williams with their go-cart in the grounds of Bridehead, Dorset *see historical notes below. ATTRIBUTED TO RAMSAY RICHARD REINAGLE (1775-1862, unsigned). oi...

Golden Fields French Impressionist Landscape Oil Painting on Canvas Jacqueline Boisselot, French, late 20th century oil on canvas, unframed Canvas: 5.5 x 7 inches Provenance: from a ...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2012 Title: On the Psel Size: 16.5...

An impressionistic depiction of a Saint-Cloud factory porcelain vase ca. 1695–1710 with a burst of flowers exploding with color and bold marks. Alfaro bridges the Baroque cultural mo...

Joseph Kardonne (1911-1985). Tugboat, 1939, 9 x 11.25 inches. Ink on paper. Signed, dated and titled lower right. Excellent condition. Born in Newark, New Jersey in 1911, Joe Kardo...

Kelly Birkenruth’s "Jules" (2024) is a masterfully executed oil painting on panel, measuring 12 x 8 inches (framed dimensions: 13.5 x 9.5 inches). This contemporary figurative work c...

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A single-car garage in a charming neighborhood stands untouched, its doors unopened for years. Once home to a shiny '32 Oldsmobile, it now hides unknown treas...

"In my oil painting, I was inspired by the vibrant splendor and calming beauty of the Rhine Valley." said Anna Shesterikova about this landscape painting. "My goal was to capture the...

Acrylic painting. Painted on 400gsm Professional Paper. The Painting will need framing. ARTIST : Alex Senchenko Title : '' Abstract 2628 '' . Technique: Acrylic & structure on Pa...

Daymer bay beach, wet sand and soft light Oil Paint on Canvas 28 H x 33 W x 3 D cm (11.02 x 12.99 x 1.18 in) Sold framed Image size: Height: 25cm (9.84 in) Width: 30cm (11.81 in) ...

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Rustic grasses and a tranquil lakeside, set against distant skies, inspire this painting. Earthy browns, deep greens, and soft blues blend with warm golds to ...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2012 Title: Golden Autumn Size: 17.5" x 29.5" x 0.''8 inch, (44x76x2 cm) Unframed, "Golden Autumn" is a captivating oil painting that transports viewers into a tranquil and picturesque landscape. The artwork depicts a scene bathed in the warm, glowing hues of fall. In the foreground, an expansive orange field stretches out, its surface covered in a thick carpet of fallen leaves. The vibrant orange foliage adorns the surrounding trees, creating a captivating contrast against the serene backdrop. The path, composed of well-trodden earth, winds its way through the field, inviting the viewer to explore and discover the secrets of this natural wonder. As the eye moves deeper into the painting, the path guides us towards a meandering river that gracefully winds its way through the landscape. The river glistens under the soft sunlight, reflecting the surrounding beauty with a gentle shimmer. Its tranquil waters capture the essence of peace and serenity, offering a serene respite amidst the colorful autumn spectacle. Above, a brilliant blue sky dominates the canvas, providing a vast expanse against which the splendor of the scene unfolds. The clear sky serves as a backdrop to the kaleidoscope of warm colors, accentuating the vibrancy and richness of the landscape. "Golden Autumn" captures the essence of the season, where nature's colors transform into a symphony of gold and orange. The painting immerses viewers in a captivating world of tranquility and beauty, inviting them to wander along the path and lose themselves in the enchantment of nature's autumnal splendor. About Artist: Place of Birth: September 10, 1939, Dniprodzerzhynsk, Ukraine Graduated from Dnipropetrovsk Art School (1967) Graduated from Kharkiv Art Industry Higher School (1973) Field of Activity: Easel painting Teachers: H. Cherniavskly, V. Konstantynopilsky, O. Martynets Ivan Shapoval...

Stephen Day's (US based) "Spring Aspen" is an original, handmade oil painting that depicts a forest of Pine and Aspen trees coming to life with new green buds of leaves and the thicket of the forest floor beginning to grow. Stephen Day was born in Sheridan, Wyoming, and, while growing up he lived in Santa Fe, New Mexico, Aspen Colorado, and Durango, Colorado. He always felt the wonderfully unique beauty of the west but until he became an artist he really didn't know how to fully respond to that beauty. Day is now a full-time artist living in Taos, New Mexico. Working mainly in oil he paints various subjects from life but the landscape is his first love. He says of his working philosophy, "I paint almost exclusively from life trying to capture the feeling and the mood of the subject before me. This work philosophy forces me to paint quickly to get a spontaneous and fresh response, because everything around us (including ourselves) is in a constant state of change." Day frequently paints on location and uses these smaller paintings to create larger studio paintings. Artist's Background: 1976 - Bachelor of Arts Degree, McMurry College, Abilene, Texas 1980 - Master's Degree, Southern Methodist University, Dallas, Texas Studied at the Art Students League of Denver with Bruce Cody...

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"You may encounter heart-touching moments, including beautiful distant poetry, colorful, surreal dreams, exquisitely carved shape...

The Old Mas, Provence by Gabriel Deschamps ( 1919 - 2011) *see notes below signed oil on canvas, framed framed: 22.5 x 26 inches canvas: 18 x 22 inches Provenance: private collection...

A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; ava...

The Island St. Ives , sits between Porthmeor and Porthwidden beach and is the inspiration behind this work. The fourth part of the pirates of the Caribbean was filmed here. In winter...

Female Figure is an original artwork realized in the 1930s by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corne...

Desert Companions Two Camels with their Keeper in the Desert French Orientalist School, late 20th century oil on canvas, unframed Canvas : 39 x 32 inches Provenance: private collecti...

Bleeding Sky is an acrylic on canvas by artist Rene Gonzalez, depicting a group of foxes huddled beneath a tree, taking refuge from a celestial downpour of shooting stars. Dimensions...

Small painting done at Caumset Park on Long Island. I wanted to show the breezy day using simple direct brush strokes :: Painting :: Impressionist :: This piece comes with an officia...

Charles Henry Miller (American, 1842-1922) Untitled (New York Landscape), c. 1900 Oil on canvas laid on foam 6 1/8 x 10 5/8 in. Signed lower left: C.H.M. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier. After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions. The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas. In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family). His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883. Legacy and honors • In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society. • A New York City public school, Queens P.S. 33, was once named for him. • 1878, gold medal awarded by the Massachusetts Charitable Association • 1885, gold medal at the World's Exposition in New Orleans. Following is a list, which includes many of his known exhibitions: • National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921 • Brooklyn Art Association, Brooklyn, NY, 1872-84, 1891-92 • Artist's Fund Society, New York, NY, 1874 (exhibition & sale), 1886 (exhibition & sale) • Century Association, New York, NY, (1874-1917) • Philadelphia Centennial Exhibition, Philadelphia, PA, 1876 (prize) • Society of American Artists, New York, NY, (1878-1882) • Massachusetts Charitable Mechanic Association, Boston, MA, 1878 (prize) • Paris International Exposition, Paris, France, 1878, 1889 • American Water Color Society Exhibition, New York, NY, 1879 • Pennsylvania Academy of Fine Arts, Philadelphia , PA, 1879-99 • Boston Art Club, Boston, MA, 1880-1907 (prize) • Union League Club, New York, NY, 1880 • Lotos Club, New York, NY, 1880, 1896, 1899-1900, 1906 • Salons of Paris, Paris, France, 1882 • International Exhibition, Munich, Germany, 1883 (president & exhibitor) • New Orleans Exposition, New Orleans, LA, 1885 (prize) • Art Institute of Chicago, Chicago, IL, 1888-89, 1891, 1894-98, 1904 • Fifth Avenue Art Gallery, New York, NY, 1889 (exhibition & sale) • World's Columbian Exposition, Chicago, IL, 1892 • Frederick A. Chapman Gallery, New York, NY, 1898 (solo) • Miller Studio...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Paper Year: 2025 Style: Figurative art Title: Nude Size: 16" x 12" x 0.1'' inch...

The Artists Model, Nude Lady posing for the artist circa 1930's Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 22 x 18.5 inches Provenanc...

Amazing early American surrealist nude male portrait landscape. Painted by Charles W St Clair. Oil on board. Framed. Image size, 24L x 30H. Super detailed and rare!