1,061 results for "ed ruscha"

Locker Room (Suburbia) 2004, 40x40cm, Edition of 1/5, analog C-Print based, hand-printed by the artist on Fuji Crystal Archive papter, matte surface in her own Color lab in Berlin ba...

'Hide Out (California Badlands) - 2016 20x24cm, Edition of 10. Archival Print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 19348. Not mounted. ...

'Marlboro' (Stranger than Paradise) - 1997 sold out Edition of 5, This is the last Artist Proof 2/2, 50x60cm analog C-Print, hand-printed by the artist not mounted signature Label...

Tropics Motor Motel I (Memories of Green) - 1999 58x56cm, Edition 1/10, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inven...

Oxana's 30th Birthday (29 Palms, CA) - 2007 Edition of 5 plus 2 Artist Proofs, 78x76cm, analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archival Paper with a m...

The Edge of Suburbia (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid, not mounted. Signature label and Certificate. Artist Inventory No. 422.01....

Midnight Cowboy (Back in the 80's) - 2001 48x46cm, Edition of 10. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #576. Not mounted....

Musing (Till Death do us Part) - 2005 24x20cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Invento...

Plane touch down - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4660. Not moun...

'There is no Forever' (Till Death do us Part) - 2005 40x48cm, Edition of 10. Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. ...

'There is no Forever' (Till Death do us Part) - 2005 20x24cm, Edition of 10, Archival C-Print print, based on the Polaroid Certificate and Signature label artist Inventory No. 9080...

Today's Heros - close-up (Suburbia) - 2004, 28x37cm, Edition of 10, digital C-Print based on an expired Polaroid. Artist Inventory #20959. Signature label with Certificate, unmount...

Making out in Car (Till Death do us Part) - 2005 49x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label....

Untitled (Oxana's 30th Birthday) - 2007 20x24cm, Edition of 10. Archival C-Print print, based on the Polaroid, Certificate and Signature label. Artist Inventory # 4860. Not mou...

Nothing to Lose (Sidewinder) - 2005 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 3142...

Untitled 05 (Oxana's 30th Birthday) - 2007 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on a Polaroid. Certificate and Signature label. Artist Inv...

Untitled (Fairytales) - 2006 98x96cm, Edition 3/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the Polaroid. Certificate an...

Aliens, triptych - 1998 Edition of 5, 48x59cm each, 48x190 installed including the gaps. analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, ba...

Hallway I (Suburbia) - 2004 40x40cm, Edition of 5, analog C-Print based, hand-printed by the artist on Fuji Crystal Archive papter, matte surface, based on the Polaroid. Signature...

Gasoline I (Stranger than Paradise) - 1999 3 pieces, each 120x120cm plus 10 cm in between each print together 120x380cm, Edition 1/5 (only Edition 1 and 2 are still available) Anal...

Making out in Car (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label arti...

Sunset - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4630. Not mounted. The...

Jean (Suburbia) 2004, 20x24cm, Edition of 1/10, digital C-Print based on a Polaroid, not mounted, Signed on verso with Certificate, unmounted. This project "Suburbia" was shot on th...

Memories of Green I, triptych, - 2003 Edition of 5, each 58x56cm, installed with gaps 58x178cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on ...

In the Range of Light II (Wastelands) - 2003 Edition of 5, 57x56cm analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. Artist Inve...

Untitled 02 (Immaculate Springs) - 1998 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature Label and Certificate. Not moun...

Ben Schonzeit Yankee Flame, from the portfolio: America: the Third Century, 1975 Collotype on wove paper Pencil signed and numbered 50/200 on the front Publisher: APC Editions, Chermayeff & Geismar Associates, Inc Printer: Triton Press 27 × 19 3/10 inches Unframed Note: this is the original hand signed and numbered collotype; not to be confused with the separate (unsigned) poster edition. This hand-signed, numbered and dated collotype in colors by photorealist pioneer artist Ben Schonzeit was created in 1975 for the portfolio America: the Third Century, commissioned by Mobil Oil Corporation in which 13 American artists, including Roy Lichtenstein, Ed Ruscha, Robert Rauschenberg, James Rosenquist and others created works celebrating America's bicentennial. Yankee Flame combines the iconic images of George Washington, Coca-Cola and the Statue of Liberty into a collaged interpretation of contemporary American life and the meaning of freedom. "Yankee Flame" is in excellent condition and never framed. It was acquired as part of the America: The Third Century full portfolio. Ben Schonzeit (b. 1942, Brooklyn, New York) is one of the original Photorealist painters and is considered to have pioneered the airbrush technique. His works often depict still life arrangements that are intentionally out of focus. He received his B.F.A. from The Cooper Union in 1964 and has since had over 50 solo exhibitions both in the United States and abroad. His paintings are held in numerous museum collections including the Solomon R. Guggenheim Museum in New York, Virginia Museum of Fine Arts in Richmond, Virginia, and the Metropolitan Museum of Art in New York. In 1973 Nancy Hoffman introduced me to Ben Schonzeit in the backroom of her gallery on West Broadway. She had been open less than a year, and Ben was one of the artists in her original stable. His large Crab Blue It had arrived from his studio a few days earlier and was leaning against the wall. I thought at the time it was one of the most impressive, virtuosic Photorealist works I had seen. That first encounter was more than a quarter of a century ago and I have always considered it to be one of the quintessential, tour de force paintings of American Photorealism. In the early seventies one could stand on West Broadway on any pleasant, sunny weekday and see less than a dozen people on the street between the Nancy Hoffman Gallery and OK Harris Works of Art. Almost all of the SoHo galleries, such as Leo Castelli, Paula Cooper, Ward-Nasse, and Ivan Karp’s Hundred Acres, could be visited in an afternoon. At night the streets were almost deserted. With the exception of Andy Warhol, there were no art world superstars. More importantly, none of the artists expected to achieve celebrity status. That was a phenomenon of the eighties and nineties. There were a only a handful of restaurants and watering holes, such Elephant and Castle, Fanelli’s, the Spring Street Bar and Prince Street Bar. Fanelli’s closed on weekends, which was a holdover from their sweatshop clientele during lunch and ragtag group of artists in the evenings. In those early days of SoHo, the drafty, raw sweatshop spaces with their large windows, rough floors, and service elevators provided large, inexpensive living quarters and studios for many artists. Unlike today, there were no boutiques. The area was not chic and with the exception of Lowell Nesbett’s showplace, the lofts were not glamorous. Schonzeit was in the same living and working space the he now occupies when I first visited him, but SoHo was a very different time and place. When the National Endowment of the Arts recommended me to curate America 1976, which turned into one of the major visual arts projects for the Bicentennial, Ben Schonzeit was on the first list of participants I made up for the U.S. Department of the Interior. His large diptych, Continental Divide, was one of the most memorable works produced for the exhibit. I stopped by his studio four or five times while it was in progress and have visited him many times over the years. We have maintained a very cordial working relationship and friendship over the past three decades. I saw The Music Room exhibit in 1978 and realized at the time that the vigorously rendered mural sized canvases and mirror and related works represented a major catharsis in his painting. In many ways, it and the other paintings and drawings based on the same image represented a sharp, decisive break with the tenets of Photorealism, or at least the photo-replicative aspects that had been so widely heralded in America and abroad in the mid-seventies. Over the years we have continued to work together. He has been in almost all of the major exhibitions I have curated here and abroad and in almost all of the books I have written. I am familiar with his studio habits, his quiet, internalized restlessness that manifests itself in the hundreds of small, unknown drawings and watercolors, doodles on napkins during lunch, and imaginary landscapes. I also know that he would rather do a painting than think or talk about it. Over the years I have followed the shifts in his studio procedure from the monumental airbrushed fruit and vegetable paintings to the most recent bouquets of flowers and decorative paintings. Our discussions of these matters tends to lapse into a verbal shorthand at this point. The following essay is based on both my longstanding familiarity and admiration for his work and involvement with contemporary realism and figurative painting. A booklet of color xeroxes with notes made up by Schonzeit was extremely helpful. In addition to several interviews, much of the information unfolded through a lengthy series of Emails. Due to our different working habits these were composed and sent out very late at night and answered by Ben the following morning. They dealt with the specifics of many of the paintings, generalities, his background and childhood in Brooklyn, and occasional bits of art world gossip. And there were odd discoveries. Prior to discussing his witty, tongue in cheek painting of Buffalo Bill, I did not know or had long forgotten that William Cody...

Green Pool (Suburbia) 2004, 60x80cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Pol...

Full of Dreams (The Girl behind the White Picket Fence) - 2013 98x96cm, Edition of 5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature...

Exercise (Suburbia) - 2004, 38x36cm, Edition of 10, digital C-Print based on an expired Polaroid. Artist Inventory #20953. Signature label with Certificate, unmounted. The project...

Lone Pine Motel II (The last Picture Show) 2005, Edition 1/5, 40x40cm each, installed with gaps 40x125cm, Edition of 1/5, analog C-Print, hand-printed by the artist on Fuji Crystal A...

Mindscreen 12 - 1999 126x126cm with white frame, Edition of 5. Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature label and Certificate. artist Inventory N...

Jonas Wood, Bball Studio from 2019 depicts the studio that Wood rented from Ed Ruscha from 2007-2017. This limited edition encompasses an etching in a cardboard case, a hardback edit...

Howard Kanovitz Paris Review, 1968 Lithograph on wove paper 33 × 26 inches Pencil signed and numbered 9/200 Published by The Paris Review, New Y...

Cups III (Suburbia) - 2004 50x60cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 2913. Not mounted. Stefa...

Radha Mind Screen (29 Palms, CA) - 1999 128x125cm, Edition 5/5, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper Based on the Polaroid, Certificate and Si...

'Salt'n Sea' (California Badlands), 2010 70x90cm, Edition of 5, analog C-Print, printed on Fuji Crystal Archive paper, hand-printed by the artist, based on the Polaroid. Certifi...

Breathing I (Deconstructing) - 2015 - about the narrative potential of images. 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid, Artist Inventory 15835. Signature...

Kirsten smokes (29 Palms, CA) - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. Artist invento...

A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...

Plane ghost - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4638. Not mounted. ...

Summer Day (Zuma Beach, Malibu) - 2004 Edition of 5, 39x37cm, Analog C-Print, hand-printed and enlarged by the artist, on Fuji Crystal Archive Paper. mounted on Aluminum with matt...

Desert Living (California Dreaming) - 2017 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Clackers (Sidewinder) - 2005, Edition of 1/10, 20x24cm, digital C-Print based on the Polaroid Signature label and Certificate. Artist Inventory No. 3020.01. not mounted. Stefan...

Zipper (Back in the 80's) - 1999 48x46cm, Edition of 10. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #355. Not mounted. Stefan...

Airstream (29 Palms, CA) - 1999 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 280. Not mounted. A Germ...

Rodeo Grounds (Till Death do us Part) - 2010, diptych Edition 1/5. 128x150cm and 128x126cm together 126x286cm including a 10 cm space in between both pieces, Analog C-Print print,...

Lone Pine Motel (The last Picture Show) - 2005 128x125cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, Mounted on...

Hand in the Sky (Malibu) - 2004 Edition 4/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist inventory Number 664.04. Mounted on Aluminum with...

Jacinda (Stranger than Paradise) - 1999 featuring Jacinda Barrett 44x56cm, Edition 1/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Artist inventory Number...

Dancer on the Beach II (Stranger than Paradise) - 1997 44x56cm, Edition 5/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Artist inventory Number 102.05. Sig...

Hacienda Mobile Park (Oxana's 30th Birthday) - 2007 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label. ...

In Hiding (29 Palms, CA) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #5723. Not...

Cinderella (29 Palms, CA) - 2008 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #5721. No...

Dreamgirl (29 Palms, CA) 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory number: 924. N...

Monday Morning (29 Palms, CA) 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory number: 88...

Wallflower (29 Palms, CA) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate,...

Unpredictable (29 Palms, CA) 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory number: 883...

Waiting (29 Palms, CA) - 1999 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory number: 99...

Room With A View (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory n...