What is art that looks 3D called?

Bridget Riley - magazine page (broadside) of "Final Study for Halcyon", 1972 (Hand signed by Bridget Riley), ca. 1988 Magazine page on paper (Hand Signed by Bridget Riley) Provenance...

This limited edition giclée print by Cyd Fontaine explores the language of geometric modernism through a precise arrangement of concentric color fields. Gradual tonal transitions mov...

Josef Albers (German/American, 1888-1976), "The Interaction of Color Plate XVIII-13", Screenprint in Colors on Paper, 1973, published by Josef Keller Verlag Starnberg, black frame. ...

Geometric Abstract Original Oil on Canvas 1980s This unknown artist expertly explores the tension between bold physical presence and quiet, open space. Dominated by deep, matte black...

Victor Vasarely Leopard (Blue), 1988 screenprint in colours on Frank Gallo Cast paper 80 x 98 cm - sheet 106 x 124 cm - framed Edition 91 of 100 hand-signed and numbered by the arti...

Artist: Victor Vasarely Title: Profound Works VIII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...