Why was Eero Saarinen a modern architect?

Eero Saarinen is considered a modern architect for a number of reasons. An innovative merging of the International Style and the influence of Frank Lloyd Wright can be found in his acclaimed building projects and monuments. He worked with steel and concrete, just as his modernist peers had, and the neo-futuristic forms that characterize his architecture are those commonly associated with modernism.

Through his work as an architect and designer, Saarinen was a prime mover in the introduction of modernism into the American mainstream. Particularly affecting were the organic, curvilinear forms seen in Saarinen’s furniture and his best known structures: the gull-winged TWA Flight Center at John F. Kennedy Airport in New York, Dulles International Airport in Virginia and the Gateway Arch in St. Louis, Missouri.

Saarinen had a peerless modernist pedigree. His father, Eliel Saarinen, was an eminent Finnish architect who in 1932 became the first head of the Cranbrook Academy of Art in suburban Detroit. The school became synonymous with progressive design and decorative arts in the United States, and while studying there the younger Saarinen met and befriended several luminaries of mid-century modernism, among them Harry Bertoia and Charles and Ray Eames.

Like all modernist designers of the mid-century era, Saarinen was interested in the new technology and new and venturesome applications for materials that became widely available for the production of domestic goods in the postwar era. Thanks to Florence Knoll, a pioneering designer in her own right, his famous designs for seating and tables, created during the 1940s and 1950s, were manufactured by Knoll, which was a prominent influence in the rise of modern design in the United States.

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