Horizontal Art

Pastel Landscape by Irina Hale (British 1932-2022) pastel sketch on brown artist tracing paper , unframed painting: 3.75 x 4.5 inches provenance: private collection, Cotswolds condit...

This artwork titled "Spring Rain" 1981, Is a colors lithograph on Fabriano paper by noted Brazilian/Japanese artist Manabu Mabe, 1924-1997. It is hand signed, titled in Japanese and ...

390 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2024 Style: Classic Art Title: Hoopoe Size: 12 x 16 inch, ...

Dimensions with frame: 37 x 63 x 4,5 cm. Monogrammed "G.S." in the lower right corner. The painting has been relined. A serene and contemplative landscape depicting the Roman countr...

Artist Comments
A small wooded island rests in calm water. A colorful rock formation rises from the surface and reflects below. Warm yellows and oranges on the left shift to co...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 48 inches "My paintings are about space, form and energy. I generally start ...

Mid Century Floral Still Life - Autumn Chrysanthemums with Red Cloth and Teapot by Eugene Dunlap Vibrant painting by Californian artist Eugene Dunlap (1916-1999.) A green vase full ...

Evening Light 8 x 10 unframed, 13.13 x 15 framed Evening Light is a beautiful impressionistic winter landscape snow scene that shows the view behind my studio. The painting is on a ...

Title: Impressionist Terrace Scene with Figures and Parasols in a Summer Setting by Fanch Lel Signed: Yes Size: 8.75 inches (height) x 10.75 inches (width) Medium: Oil on board, unfr...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Title: Original Oil Painting of Olive Trees in a Serene Landscape with Distant Hills Artist: Roland Pichard Signed: Bottom right Medium: Oil on oil paper, mounted on card Size: 1...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

A black and white photograph of a perfect woman's buttocks and her handcuffed hands giving a finger. Museum-quality archival pigment print on archival paper, personally signed by th...

Provence Landscape by Huguette Ginet-Lasnier (French, 1927–2020) This stunning oil on canvas diptych presents an expansive and vibrant Provence landscape by renowned French artist H...

Barking Dog YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 50 x 30 cm Condition: Brand ...

Office Party, New York City, 1966 by Leonard Freed is a gelatin silver photograph, 16 x 20in, signed verso (on back) by the photographer. Photographer F...

A wonderful Impressionist winter pastoral scene of colorful quaint homes by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much feel...

Gabriella Rainer-Istvanffy (Austrian, 1886–1963) Cats at Play Oil on canvas, circa 1950 26 x 30 inches (framed) signed lower right This charming composition by Gabriella Rainer-Istv...

Fugitives (Till Death do us Part) - 2005, 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

'Oranges and Apples', oil on canvas, still life by Guillaume Dulac (circa 1920s). A magnificent study of fruit and light painted with a deft touch and a delicate brushstroke. The evi...

“Scattered” is a woodland landscape study by Judd Mercer. The painting captures a grove of aspen and birch trees with warm seasonal light filtering through the foliage. This piece wa...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2022 Style: Impressionism, Subject: Nude Wo...

Mystical Moonlight oil/panel 8 x 10 unframed 13.25 x 15.25 framed. An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful moonlit ...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Martin Rosenthal "House with Yellow Windows" c. 1960s Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosenthal 1899-1974 Artist Mart...

This charming original painting on canvas by Joyce Roybal features a whimsical group of musicians joyfully playing instruments in Roybal’s signature naïve style. With bold colors, pl...

Title: Imprint Medium: Oil on canvas Size: 24.25 x 35 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Still Life of Fruit by George Clare (1830-1900) *see notes below signed oil on canvas, framed framed: 12 x 14 inches canvas : 7 x 9 inches Provenance: private collection, UK Conditio...

Hendrick Corneliszoon van Vliet (Delft, 1612 – Delft, 1675) Interior of a Flemish Church Oil on canvas 75 x 89 cm. - In frame 103 x 89 cm. This gem of Flemish painting immer...

In this contemporary painting in oil on linen, a fair-haired figure with a ponytail wearing green waders and a baseball cap stands knee-deep in inviting, light blue green water while...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Charming Harbor Scene with Boats French School, mid 20th century signed oil on board, framed Framed: 13 x 15 inches Board : 8.5 x 10.5 inches Provenance: private collection Condition: very good condition Description: This delightful oil painting captures a vibrant harbor scene, filled with colorful fishing boats gently bobbing in the water. The composition brings to life the tranquility of a quiet coastal town, with reflections of the boats mirrored...

This work is framed. Unframed size: 90x120 cm, framed 95x125 cm Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicol...

The Old French Town by Claude Marin (French 1914-2001) signed and dated 84 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, ...

Title: Flowers IV Medium: Oil on canvas Size: 24 x 31.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Autumn Parisian Street Scene signed oil on canvas, framed Framed: 13.5 x 15.75 inches Canvas: 9 x 11 inches Provenance: private collection, UK Condition: very good condition Descr...

Hawaii, tropical flowers, Plumbago, blue flower painting, floral art, garden still life, plein air, American art Painted from life in Hawaii, th...

4062 Modern beach bathers gouache figural painting on artist board. Set in a vintage carved walnut frame Image size 14x21.5"

This 1973 Galerie André Emmerich exhibition poster, featuring Morris Louis’s iconic “Delta Epsilon” imagery, is an important historical document from the height of postwar American a...

52 gran favela 200 x 150 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Co...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 25.4.64., from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchboo...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Daffodils look incredibly beautiful against the dark green velvet background. The bouquet looks festive in a glass vase. The painting is done in the artist's unique style.

The great art historian Federico Zeri said that painting snow-covered landscapes was one of the most complicated things for an artist. Well, in this landscape of the Piedmont country...

Sailing headfirst into the heart of a storm, this powerful vintage oil painting captures a lone clipper ship slicing through towering waves beneath turbulent skies. The sails billow ...

A striking, 1950s Mid-Century Modern Surrealist architectural scene / set design by notable French stage, costume and fashion designer, Andre Delfau (1914-2000). Titled "Britannicus...

Capture the fleeting, incandescent glow of the day’s end with "Sundown," an evocative 14" x 11" original painting on paper. This intimate work serves as a masterclass in atmospheric ...

Chase - 2018 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2018-1097. Not mounte...

"End of Innocence" Part of "Blue Nude" series, inspired by Matisse, works on paper. Female nude seen by a female artist - female gaze. Original large...

CHAUNCEY FOSTER RYDER (American, 1868-1949), Pasture Lands oil/canvas signed LR 31.5 x 39.5 image, 40.5 x 48.5 framed A wonderfully subtle Tonalist painting by Ryder incorporating ...

James McQueen, We Like To Party, 2025 Mixed Media, Hand Finished 68.6 x 94 cm - 27 x 37 in Hand Signed and Hand Finished by the Artwork. This work is complete with handwritten q...

Capture the romance of Paris with this elegant original oil painting on canvas signed by artist K. Basset. Featuring a beautifully impressionistic view of the Eiffel Tower, the piece...

The Angelic Visitation Italian School, 17th Century oil on canvas, framed Framed: 30 x 36 inches Canvas: 24 x 29 inches Provenance: private collection, Europe Condition: the antique...

The Sportsman and his Dogs Scottish School, early 19th century, unsigned oil on canvas, framed in antique gilt frame framed: 20 x 24.5 inches canvas : 16.5 x 20.5 inches Provenance: ...

large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...

This painting is created with acrylic on canvas and depicts a realistic peony on a golden background. The flower is rendered in deep burgundy and crimson tones, its velvety petals u...

Luminescent Horizon was inspired from my love of the coast, spending time in Cornwall. The gold leaf capturing the light and sands, bringing warmth and glow. Texturing and layering t...

In Sonoma Superbloom, Natalia Roman constructs a lyrical “Bauhaus landscape,” where geometry becomes terrain and color functions as atmosphere. Arched forms and modular divisions evo...

ABOUT THE ARTIST: Marc Dennis is an American artist renowned for his paintings of subtly staged and slightly voyeuristic images of contemporary American culture. Interested in the tr...

Title: Sitges Artist: Rafael Durancamps i Folguera (1891–1979) Technique: Oil on canvas Dimensions: 38 x 61 cm (14.96 x 24.01 in) Support: Canvas stretched over wooden stretcher Framing: Unframed Signature: Signed lower left: Durancamps Period: 1960s (estimated based on style, technique, and materials) Work Description The painting Sitges depicts an evocative scene of the iconic Catalan coastal town. At the center stands the unmistakable silhouette of the Church of Sant Bartomeu i Santa Tecla, surrounded by cascading white houses that descend toward the shore. A solitary fisherman in the foreground casts his rod from the sand, adding a human and melancholic dimension to the landscape. The composition reflects Rafael Durancamps’s mastery in atmospheric construction: the balance between sky, architecture, and figure is achieved through loose yet controlled brushstrokes, and a sober palette dominated by earthy tones, ochres, blues, and greys. The scene conveys stillness, everyday life, and a sense of belonging to the landscape—recurring qualities in the artist’s work. Artist Biography: Rafael Durancamps i Folguera (1891–1979) Born in Sabadell, Rafael Durancamps was one of the leading Catalan figurative painters of the 20th century. Initially trained under Joan Vila Cinca and a friend of Joaquim Mir, he chose a personal path that distanced him from avant-garde movements. In 1926, he moved to Paris, where he founded La Fenêtre Ouverte gallery, bringing together artists such as Salvador Dalí, André Derain, Joan Miró, and Pablo Picasso. After permanently returning to Barcelona in 1939, he exhibited regularly at Sala Parés and established a distinctive style rooted in lyrical light, intimate observation of everyday life, and a refined technique—particularly in still lifes, landscapes, and solitary figures. His work is held in major collections, including the Museu Nacional d’Art de Catalunya (MNAC), the Montserrat Museum, the Sabadell Art Museum, and the BBVA Collection. Comparable Artists Rafael Durancamps can be linked stylistically or spiritually to several major names in modern figurative art: Joaquim Mir – for his lyrical treatment of the Catalan landscape and vibrant light Santiago Rusiñol – for his poetic approach to architecture and the Mediterranean environment Maurice Utrillo – in his sober and nostalgic depictions of towns and vernacular architecture Edward Hopper – for the silent presence of solitary figures in open spaces Darío de Regoyos...