Square Art

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

Donald Sultan's 'Seven Blues Jan. 24, 2024' is a masterful color silkscreen featuring enamel inks, flocking, and tar-like textures, limited to an edition of 30. Donald Sułtan Seven...

Andy Warhol (After) Vintage Large Rosenthal Bowl (Blue Horse), ca. 1991 Large Silkscreen Glass bowl (authorized signature fired onto plate) Warhol's signature is printed on the plate...

This work is a part of the "Geometric Abstraction" series. Within the "Geometric Abstraction" series, the image happens in a moment - I create geometric forms, combining them in ecc...

This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Pop Flower 008 is a predominately light blue...

Drifter - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1055. Not mount...

The night still life with a bouquet of lilacs will become a remarkable and modern home decoration, blooming lilacs branches always decorates any house interior, the impressionistic a...

Lithograph in four colours on Japon nacré paper 31 x 31 cm - framed Edition of 75 Hand-signed and numbered by the artist Henry Moore’s prints are a vital aspect of his artistic lega...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Diasec-mounted Giclée print on aluminium composite panel, based on the eponymous painting from Richter’s ‘Cage Paintings’ (2006) series Edition of 200 Num...

Oil Painting on canvas Hand signed to lower right Lauro. Provenance: Eleonore Austerer Gallery, San Francisco, CA Work Size: 39.5 x 39.5 in. framed 44 X 44 inches. Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932. Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret. In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer glassworks, Hergiswil (Switzerland). In 1992 has a retrospective exhibition in the Tan Gallery, Zurich, and the Eleonore Austerer Gallery, San Francisco. They Publish a catalogue raisonne, Eine Retrospektive, covering a 45 year career. In 1993 he creates A Retrospective, a unique sculpture in a table top form that contains his catalogue raisonne and an original lithograph. 1993–1995 he begins work on a number of large scale public outdoor commissions, including Light Columns for a Bank building, and a commission of a sculpture-fountain in Oetwil am See. In 2001 he creates a wall sculpture entitled "Color Poems of the Yearly Cycle. A linen bound book enclosed in a unique plexi display with a one - of a - kind metal and glass sculpture,containing 12 linocuts each printed in colors and signed. Roberto Lauro's sculptural work work is spontaneous and loaded with energy. The furrows, rifts, cracks and scars in the metal allow light to enter; it is then reflected back by the glass. His work is a clear statement of our times, uniting the intellect and the heart in search of the spiritual. Like the interplay of light and shadow, his sculpture combines fragile, transparent glass with solid, heavy iron. These colorful and luminous sculptures convey a powerful presence and emit vibrant positive energy. With their jagged exteriors and translucent cores, the spectacular sculptures created by the synergy of metal and glass are powerful - yet fragile. Lauro has created and mastered his own idiom and proven that through the artist sheer will and vision, seemingly incompatible materials such as iron and glass can indeed be combined. In 2004 he has an anniversary exhibition Light and Color, Love of Life on the island of birth, Jersey. Ceramic works (raku with glass inclusions). Eleonore Austerer Gallery, Abstraction and Surrealism, 565 Sutter Street, San Francisco, CA. Group exhibition with Joan Davis, Francesca Genoves. Vladimir Cora. Lauro's works have been shown in numerous exhibitions in Europe and the USA around the world, and he has also realized projects such as "KUNST AM BAU" in public spaces and for industry. He lives and works in Switzerland. Select Exhibitions Eleonore Austerer Gallery, Palm Desert ART IN THE FRAME FOUNDATION: The Harbour Gallery, Isle of Jersey Galerie fur Gegenwartskunst,, Bonstetten, Switzerland Galerie Annamarie Anderson, Zurich, Switzerland “Color and Light,” Austerer-Crider Gallery, Palm Springs, CA, USA “Color and Light: the art of Roberto Lauro,” Eleonore Austerer Gallery, San Francisco, CA, USA “Flower Power,” with Ed Baynard, Roberto Azank, Siegward Sprotte, and Daniel Phil...

Exposure, 2018, Edition 1/7 plus 2 Artist Proof Based on a Polaroid, digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2018-210 Kirsten Thys...

This poster for the Nasher Sculpture Center in Dallas, published with the approval of the Artists Rights Society, is a unique and valuable piece. Though unsigned and not numbered, it...

Black and White Fine Art landscape - minimalist photography art print. Detached avenue of trees in the snow, Waldviertel, Austria. Archival pigment ink print, edition of 9. Signed, t...

Black and white fine art cityscape photography. Fifth Ave, East 39th St, New York City with a view of the Empire State Building. Archival pigment ink print, edition of 9. Signed, tit...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Paper Size: 18.5 x 18.5 inches ( 46.99 x 46.99 cm ) Image Size: 17.5 x 17.5 inches ( 44.45 x 44.45 cm ) Framed: Yes Condition: A: Mint Additional Details: Published and printed by t...

George Earl was a painter, primarily of sporting dogs and other animals. He was also the father of Maud Earl and Percy Earl, and the brother of Thomas Earl,...

Roses have long been a favourite subject for artists and this modern expressionist painting by English painter Francesca Owen is a beautiful piece. This work is built up through the ...

Yayoi Kusama Offset lithograph poster, 2017 Published by David Zwirner Unframed, with original folds as issued (see photo) Gorgeous Yayoi Kusama offset lithograph poster published b...

Pocket Ladybird 7 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still lif...

Backstage Faithfull (1974) - Silver Gelatin Fibre Print (Photo by Hoare/Express/Getty Images) 15th February 1974: English singer and actress Marianne Faithfull sitting in a dressi...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Edition 15 More sizes on request For several days I went out with these baby elephants of the David Sheldrick Wildlife Trust to the bush in Tsavo East, Kenya. Together with their ke...

Black and white fine art long exposure waterscape - landscape photography. Trees on a small island in the flooding meadow in Scotland. Archival pigment ink print, edition of 9. Signe...

"The River Cottage" British School, 19th century follower of John Constable oil painting on board, framed painting: 12.5 x 12.5 inches fram...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of auth...

Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s artwork. In his Fils I...

As I connect with life's rhythm, I see my small but important role in the big picture of life. Time keeps moving, reminding me to enjoy each moment and think carefully. Like plants t...

A fluid wash of bubblegum pink fills the surface of this painting. Ricard has written in bright yellow, blue, and vivid silver the following: So how do you be friends w/a whore? Business being business/Ethically, a ho can’t rat on its tricks; so if the ho is hohoing yr husband Damned if you’ll ever find out. March 26. Whore sharply contrasts the beauty of silver, yellow, and pink with Rene’s pithy, obscene pronouncement. The pink ground is applied in a sheer wash, like Male Cinderella’s background, and the artist’s cursive shimmers in the same silver as One Shoe One You / True Love, Size 3?, and This is not a thanksgiving pumpkin. While Whore shares enticing formal qualities with other works in this group, the text snaps us to cold reality, down into the gutter with a bump. Ricard is happy to visit a fairy tale, but doesn’t stays in the fantasy for long. There’s an intimacy to this work’s smaller scale which compels the viewer to lean in and decode Ricard’s poetry. The artist’s outsized signature is with initials in dark blue, which pop out against that beautiful saturated pink. Canvas floater frame, in maple with .25 inch moulding. Whore is part of a group of works dating from 1989-1990 as Rene Ricard prepared for Mal de Fin at the Petersburg Gallery, New York, in 1990, his very first one-man exhibition. Born Albert Napoleon Ricard, he moved to New York in the 1960s at the age of 18. With that relocation, Albert died, and Rene was born. Instantly adopted into Andy Warhol’s glittering orbit, Ricard thrived in the city, with its heady concentration of art, culture, and debauchery. In New York Ricard found the milieu where he would shine. He acted in underground films, playing Warhol in the artist’s own Andy Warhol Story. He became a renowned poet and writer, published in the Paris Review and Artforum. In typically wry fashion he explained how he became a painter: “I began adding images [to my poetry] because I’ve always liked to draw and paint. And it was hard to find junk-store paintings of the right quality, things that could support some writing, so I just started making the images myself. Unfortunately, people really like that, even though I far prefer just the writing.” Ricard drew on his vast knowledge of literature and art history, weaving these references together with bursts of autobiographical poetry: what the New York Times termed his “seething verbal finesse.” Ricard, having spent years in the Factory’s milieu, learned from Warhol’s creative strategies. Warhol created images quickly with screen printing, with no regard for perfection. Duplication was the method and the ideology. Ricard, too, worked quickly: urgency was part of his visual language of looped cursive and scribbled colors. He often borrowed a lithographic plate or silkscreen from already-completed works, printing the matrix on canvas or paper to create backgrounds for new works (Size 3’s red printed background may be an example of this). He appropriated thrifted paintings and discarded items such as a pinboard or a piece of insulation, so long as the object in question had a flat surface upon which to work. The two artists were both outsiders to the art world in a sense—Warhol coming from the world of design and Ricard, a bona fide author, but both intuitively understanding how to compel the viewer. As Warhol anthologized consumerism, Ricard catalogued desire. For example, Size 3 and One Shoe One You feature Ricard’s take on Warhol’s famous shoe drawings...

This contemporary abstract piece of a woman holding green apples titled " My green apple bowl".was created by French artist Natalya Mougenot. French conte...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art photography Gerald Berghammer. Gelatin Silver Print on Baryta, Printed 2018. Limited Edition 1/9. Signed, numbered, dated by Artis. Handmade wood frame, blac...

Tessellate - 2023, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2024-007. ...

Andy Warhol (after) Flowers, Galerie Sonnabend announcement invitation card, 1970 Offset lithograph on smooth card, addressed with postmark 7 1/5 × 7 1/5 inches Unframed Instead of observing flowers in nature, Andy Warhol found his botanical inspiration in a 1964 issue of Modern Photography. He transformed a photograph of hibiscus blossoms into a technicolor series of silkscreens, each simply titled Flowers and debuted at the influential Leo Castelli Gallery later that same year. Silkscreens from that exhibition have since sold for over $2 million at auction. While they evoke the Flower Power movement of the 1960s, Warhol’s Flowers have also be interpreted as a symbol of mourning, as the artist created these works just after President John F. Kennedy’s assassination...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

"Yin Yang" by Hadley Rampton (United States) is a handmade landscape painting that is unframed, but ready to hang. Hadley Rampton’s paintings are an amalgamation of her love of comp...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

The Games we played (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on a Polaroid. Certificate and Signature label, art...

Capital letter for the Antiquities of Herculaneum Exposed,  etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some stains alo...

Tranquility - 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid, not mounted. Signed on the back and with certificate. Artist in...

Sometimes just a colour will inspire a painting and the colour mocha did just that with this one. Its a warm muted brown with undertones of chocolate, soft pinks and creamy orange - ...

Artist Ger Stallenberg likes to get lost in his landscapes. The artist born in Maastricht (1959) studied at the Academy of Visual Education in Tilburg. Ger Stallenberg is inspired b...

Portrait in bright colors and shapes

A beautiful lavender bouquet painting, crafted with bold, textured brushstrokes. The vibrant colors and rich layers give it a lifelike feel, bringing a touch of natural elegance to y...

"Nude with Red Glass", acrylic on canvas, 3x20in

Please note - we do not post with glass. Glass is removed carefully before packaging and sending. It's a simple process to slide a new piece in on arrival and saves the potential for the work to get damaged in the post. ARTIST: Richard Thorn R.I.. SWAC (1952-) British TITLE: "Forces Of Nature" SIGNED: lower right MEDIUM: watercolour on paper SIZE: 72cm x 68cm inc frame CONDITION: excellent DETAIL: Born in Devon, the countryside continues to have an influence on his work, particularly coastal scenes, the moors, and rivers. Richard is an intuitive and spontaneous artist whose work retains the atmosphere of a deep love of the seasons and the locations.Since those early days his paintings have been sold and exhibited in many leading galleries throughout the UK, as well as America, Taiwan, and South Korea, and are held in many private collections. His work has been accepted at the Royal Institute’s (for painters in watercolour) open exhibitions, where he has won awards for best watercolour. He was also invited to participate in the Quingdao International Watercolour Exhibition 2019 where he won an excellent work award. Art Promoters in China exhibit his work and in 2020 he returned to demonstrate and exhibit. Light, texture, and distance are his principal concerns. These elements predominate his subject matter. There is a constant search for new techniques toward those goals. “...For me, painting is a continuum – an exploration. But watercolour is a medium that seems to be always one step ahead” History: 1952 Born Torquay, Devon 1957 Started to paint during a hospital stay, aged 5 Continued to draw and paint throughout his childhood Frequent family visits to Dartmoor and the Devon coast encouraged the pursuit On leaving school attended Newton Abbot School of Art Early influences centred around the French Impressionists, especially Cézanne, Monet, Pissarro & Gauguin 1971 Started Rock/blues/jazz career Still plays in a Bossanova jazz quartet called “Ragged Fish” 1985 Returned to painting to establish a professional career working in watercolour Added influences include Winslow Homer, Edward Hopper and Andrew Wyeth 1986 Princess Michael of Kent took a liking to one of Richard’s paintings exhibited at the Torbay Arts Society, with which she was presented Exhibitions 1992 First solo show in Godalming Many subsequent mixed and solo exhibitions at nearby locations including Fowey River Gallery, Fowey; Triton Gallery, Torquay; Sharon Davies Gallery, Totnes; Rosemoor Gallery, North Devon, and further field with the Bourne Gallery, Reigate: Panter & Hall, London and The Portuguese Embassy, London. 2008 Included in a book of contemporary Devon artists published by Hallsgrove 2009/10 Solo exhibitions at John Davies Gallery, Moreton-in-Marsh 2010 Solo exhibition at Torre Abbey, Torquay: Solo exhibition Alexander Gallery 2011 Group exhibition Davidson Fine Art Gallery, Totnes 2013 Salthouse Gallery, St Ives, Cornwall: John Davies Gallery, Moreton-in-Marsh: Spring Exhibition, Joan Gillespie...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited ed...

Black and white fine art landscape photography Gerald Berghammer. Archival Pigment Ink Print, Edition 1/7, signed, numbered, dated. Aluminum frame, matt black, natural white archival...

6-Colour Screen Print on Archival Paper hand-signed and numbered by the artist 57.2 cm x 57.2 cm Edition 108 of 150 Artwork by Mr. Brainwash, (the pseudonym of French-born artist ...

Leigh Ann Van Fossan's "Dream of Isles" (2023) is an original, handmade oil and acrylic abstract painting with bright colors. Van Fossan was born in Vail, Colorado, and began oil ...