Oversized Art

FLORENCE is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 170 × 240 cm (66.9 × 94.5 in). The artwork is signed, sold unframed and comes wi...

"Porto Moniz, Madeira" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts a view of the coastline of Madeira, an island close to Portugal. A...

Ruz. original abstract acrylic painting Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are incl...

“Shattered” wall mirror IV is a unique mirror-polished stainless steel sculpture by contemporary artist Franck K, dimensions are 200 × 200 × 5 cm (78.7 × 78.7...

Infinite Diversity Aqua Geometric Wall Sculpture Features A Bold Three Dimensional Design With Interlocking Circular Forms That Evoke The Movement Of Ocean Waves And Marine Life. Cre...

Joseph Idowu’s Persistence Of Expectations is a striking original acrylic on canvas measuring 60 x 48 x 1.50 inches (152.40 x 121.92 x 3.81 cm). Born in Nigeria, Idowu explores theme...

Flemish or South German, c. 1700-1720 Hunting trophy with a deer and game, adorned with the accoutrements of the chase Oil on canvas In a period style moulded pine and ebony veneer...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

Artsist: Damien Hirst Title: 'H13-1 Deadman's Cove" Year: 2023 Medium: Laminated Giclee print on aluminium composite panel Size: 47.2 x 35.4 Inches Edition: 131/346 Numbered and hand...

Artist: Suren Sokhakyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 1978 Style: Social Realism, Title: Intersection Size: 40" x 54" x ...

Arthur Clifton Goodwin Boston Square Signed lower left Oil on canvas 30 x 36 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin di...

Giuseppe Zais (Canale d'Agordo, Belluno 1709 - Treviso 1781) Pendant of paintings - The assault of the brigands / After the assault Oil on canvas, 108 x 42 cm. each In the frame 128...

'Figure No. 8, 2012' by John Goodman. The artwork is 52 x 32 inches. Artist signed and dated in ink verso. Condition is excelllent. Goodman’s signature restrained palette and impast...

"Landscape" – 160x140 cm Original artwork, unique and non-reproducible. This large-format work expresses the essence of the landscape through an evocative and essential language. Cr...

Silkscreen in colours on wallpaper. Inscription: printed, “Andy Warhol Whitney Museum,” in margin, as issued. Excellent condition. Notes: Published by Factory Additions, New York; pr...

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in red, white, tan, and black set against a light background. Curr...

This remarkable early 17th-century three-quarter length English School portrait depicts Alderman Edward Hill of The Charterhouse, Coventry, holding a pair of leather gloves. The orig...

Hadley Rampton's (US based) "Halcyon Hues" is an original, handmade oil painting that depicts a forest of trees casting long shadows. Born in Salt Lake City, UT in 1975, Hadley Ram...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

This contemporary glass wall sculpture in deep blue is by John Paul Robinson. A single elegantly curved tube of hand-blown glass makes a dynamic statement as light plays off its tran...

James Franco (American, b. 1978), "Coloring Book", Oil on Digital Printed Canvas, 2015, depicting a portrait of Ryan Gosling (Canadian, b. 1980) with vegetables and lizards, text rea...

La obra va firmada en la parte inferior (Sanvicens) La obra se presenta enmarcada con su marco original El estado de la obra es bueno Medidas de la obra: 72 cm. De altura x 91 cm....

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

'Beach At St. Tropez' 1977 Slim Aarons Limited Estate Edition Sunbathers on the beach at St. Tropez, France, 1977. Produced from the original transparency Certificate of authentici...

This piece, "Fishin' Solo" is a 36x48 oil painting on canvas by artist Trip Park featuring a man in orange shorts, blue shirt and cowboy hat fishing on the edge of the water. The wat...

Brian Blood (American, born 1962) County Farmhouse Provence, 2002 Oil on canvas Initial signed lower right Titled, dated, and signed inscribed on stretcher bar verso Canvas: 20in H...

"Apriel" captures a serene underwater moment in striking black and white. This fine art underwater photograph showcases delicate interplay between light, shadow, and movement as hair...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Contemporary abstract painting by Houston, TX artist Tra' Slaughter. The painting features a neutral toned background accented with expressive swatches of color in yellow and black. ...

"The dream that came true" is the first painting born in my new studio in the Colorado mountains... A song to the craggy spires and valleys of the mind. To the water that runs throu...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165cm x 112cm) 2017 Edition 1/15 *Should you wish the photograph to be printed ...

Oil on linen Fu Zenan always known as Da Han is a Chinese artist born in 1953 who lives & works in Songzhuang, Beijing, China. He is graduated from the Suzhou University. In 1985, F...

Stephen Pace Untitled, 57-10, 1957 Signed and dated lower right Oil on canvas 47 x 38 inches Born in Charleston, Missouri, Stephen Pace grew up in Indiana, where his parents operat...

Artist: Laurie Anderson, American (1947 - ) Title: Fabric 5 Date: 2012 Medium: Oil on fabric, unsigned Image Size: 55 x 58 inches Frame Size: 56 x 59 inches Provenance: Vito Schnab...

Original 1918 YMCA, One of the Thousands of YMCA Girls in France. United War Work Campaign vintage poster. Archival linen backed and ready to frame. Some touch up in the lower b...

Rue Bootay’s "Juju’s Beach" is a captivating abstract composition that blends organic forms and fluid lines in a harmonious dance of movement and energy. Measuring 30 x 66 inches, th...

In this expressive and colourful large abstract painting by Rick Rivet, a whale swims In icy turquoise Arctic waters. The pristine, crisp bright colour palette of this piece—blues, g...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

François Charles Cachoud (born in 1866 in Chambéry, Savoy and died in 1943) is a painter known today for his night effects and his chiaroscuro...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

This large figurative oil painting is a reinterpretation of a painting by Francisco de Goya, Retrato ecuestre de Fernando VII, 1808. A unique oil painting on the finest quality Belgi...

Vibrant coastal village scene by Ramoz (Ramos) (20th Century). The setting sun casts an orange glow across a coastal village. Two people carry baskets on their heads as they unload a...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Toy Soldier #5 (Prone Position) by Yoram Wolberger Additional information: Medium: 3D digital scanning, CNC digital sculpting, Reinforced Fiberglass Composite, Urethane Dimensions: ...

Beautiful figurative limited edition lithograph by Robert Baxter (American, b. 1933). Signed and numbered "R. Baxter 20/75" lower left. Displayed with wh...

Signed lower right, 'Krause' for Franz Emil Krause (German, 1836-1900) and painted circa 1865. Framed in a finely finished, hand-carved, gilt-wood and gesso frame. Framed Size 42.5 ...

Monumental Red Abstract Milburn Smith March 1969 Acrylic paint on canvas 65 x 64 x 1.25 Signed and dated lower right in ink Very Good Condition: Consistent with age and history. Fro...

Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...

"Cars, Buildings People" Contemporary Outsider Folk Art African American Urban The painting measures 65 x 48 inches. We love that in the middle of ...

An original oil on canvas by Ernest Burnett Hood which depicts a Glasgow industrial seascape marine with boats under a bridge. Very atmospheric this stunning work was exhibited at The Glasgow Art Club. The oil is signed lower right and dates to 1970. Provenance. The Glasgow Art Club, label verso. Condition. Large oil on canvas, image size is 36 inches by 30 inches and in fine gallery condition. Housed in a gallery frame in excellent condition. Framed size is 42 inches by 36 inches. Ernest Burnett Hood (1932-1988) - born Edinburgh. Painter in oil and watercolour of industrial landscapes and topographical scenes, occasional portraits, still life and scenes from opera: also aquatintist and lithographer. Educated in Glasgow. After being apprenticed to a lithographer studied Glasgow School of Art where he was befriended by William and Mary Armour...

Unidentified Artist, 20th Century – "View of Samarkand" Medium: Oil on canvas Dimensions: 106 x 73 cm (unframed), 130 x 92 cm (framed) Signature: Lower left corner (illegible) Pro...

large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Carcavelos Pier Paddle (2016) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

This Palomino Ain’t No Pal of Mine 1982 Giant Size, Special Limited Edition Archival Pigment Print Original Pencil Signature, Signed Lower Right Made in collaboration with Ed Mell ...

Boldly colored portrait of a woman on a sofa by Nealon A. Mundt (American, 1939-2015). A woman is reclining on a dark blue sofa, with a pink wall in the background. The woman is wearing a white top and a pink skirt, with a red bandana on her hear. Her skin is rendered in a fauvist style, mixing bold yellows and greens with skin tones. There are paintings hanging on the wall behind the sofa. Signed and dated in the lower right corner. Titled, signed, and dated on verso. Presented in a wood frame with a linen fillet. Canvas size: 24"H x 36"W Nealon Mundt...

Bolognese school of the seventeenth century Circle Giovanni Battista Ramenghi, known as Bagnacavallo (Bologna, 1521 - 1601) Oil painting on canvas (86 x 72 cm. - With antique frame ...