Small Art

As the girl grasps for the ends of her hair, they come alive and refuse to be entwined. With swift fingers, she tames the rebellious strands. Braid III features an innovative asymme...

Selected from the Derujinsky: Around The World Portfolio, shot in Fragrant Harbor, Hong Kong for Harper's Bazaar Artist: Gleb Derujinsky Title: Fragrant Harbor Year: 1957 Estate ...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Steel Stress Sculpture #3, 1982, Hand signed and dated Oleg Sohanievich '82 Dimensions: 17" h., 23" w., 16" d. Very heavy Th...

Part of Zoe's 'Jew-ish' series, a limited edition print of my original oil and acrylic painting, bringing pop art and my Jewish culture together Fine art pigment print 50cm x 60cm...

Painting size without frame: 17 1/4" x21 1/4" Painting size with frame: 23" x 26" Painting is signed lower left corner. An elegant interior figure painting by Charles P. Gruppe dep...

Artist/ School: French School, 19th century Title: still life of fruit and flowers (and vegetables) within an ornamental, classical setting. Medium: oil painting on canvas, frame...

Marc Quinn Green Herbarium, 2024 Hand-pulled 4-Layer Screen Print on Mohawk Superfine 352gsm paper Embossed, signed and numbered on the front 60 x 45 cm Edition of 150 Marc Quinn is...

This highly detailed Miniature Room of a Retired Whaling Captain's Study in Nantucket is an excellent example of the true talent of Eugene Kupjack. Tiny scrimshaw and knick-knacks fill the shelves while the perfectly proportioned furniture adorns the center of the room. A mariners wheel and captain's chest are set off to the side with a small sea shell set atop. All painstakingly researched to the exact time period in a one inch to one foot scale. Kupjack Miniatures Eugene Kupjack "Retired Whaling Captain's Study, Nantucket, circa 1860," 1983 mix media 11.50h x 19.50w x 11d in 29.21h x 49.53w x 27.94d cm KJK010 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Frank Moss Bennett Cardinal at table oil painting A fine oil painting of a Cardinal seated at a table before a stained-glass window signed and dated lower left 'FM Bennett 1917'T...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

Very finely painted American modernist flower still life oil painting. Framed. Oil on board. Signed lower right. Image size, 12H by 17L.

Robin Hextrum's "Hecate's Moon" is an original oil painting on cradled wooden panel. This piece is framed at 23.5" by 29.5". Artist Statement: This painting is part of my "Magical R...

Three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a tray, the second man carring a wine in an ice bucket and the third carrying a menu, Stowe, Ve...

The Virgins, no. 2 from the fifth installment of Das Werk Gustav Klimts The Virgins speaks to a new chapter of Klimt’s artistic development. That it was sel...

Artist: Norman Rockwell, American (1894 - 1978) Title: The Four Seasons: SPRING, SUMMER, AUTUMN, WINTER Medium: Lithograph on Arches paper, 100% acid free Paper Size: 20.5 x 19.25 in...

VIEWS ACROSS THE LAKE Size: 53.5 x 48.5 cm (including frame) Oil on canvas A serene and contemplative modernist style painting that captures the tranquil beauty of a lake as seen th...

Lake of Tal-y-llyn, Wales British, 19th century by M. Sinclair, dated 1880 signed oil on canvas, framed framed: 13 x 21 inches canvas: 10 x 18 inches Provenance: private collection,...

Georgy Skripnichenko, born on November 12, 1940, in Mykolaiv, Ukrainian SSR, and passing in Minsk on August 12, 2015, was a Belarusian surrealist painter who also created realist wor...

Oscar Dominguez, Spanish (1906 - 1957) - Tauromachie, Year: 1950, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 99/200, Image Size: 19 x 12.75 inches, Size:...

H. Gaulties French, circa 1900 Fishing Boats at Sea Oil on board Signed lower right A lively French Impressionist harbour scene depicting fishing vessels at anchor, their masts an...

Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...

Color Lithograph on wove paper, 1896. Artist's orange-red and black signature stamps, numbered in pencil (#12), from edition of 100 published by A. Vollard in the 2nd "Album des esta...

Antique American landscape oil painting by . Oil on board. Signed. Framed. Measuring 16 by 19 inches overall and 10 by 13.5 painting alone.

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

Artist: Donald Sultan Title: Visual Poetics Portfolio: Visual Poetics Medium: Screenprint Date: 1998 Edition: 170/395 Frame Size: 23" x 23" Sheet Size: 16 1/4" x 16 1/4" Signature: H...

Signed lower right, 'J. P. Serrier' for Jean Pierre Serrier (French, 1934-1989) and dated 1966 Jean-Pierre Serrier was born in Montparnasse and attended the Académie des Beaux-Arts ...

Erté's Triumph celebrates victory and achievement through Art Deco sculptural design with elegant bronze craftsmanship. This striking metal sculpture features the artist’s signature...

"Cherry Trees in Bloom on the Seine (Cerisiers en Fleurs sur la Seine)" Raymond Thibesart (France, 1874-1968) Pastel on paper, circa 1920s Signed lower right Circa 15 1/2 x 12 1/2 ( ...

This is a one of a kind original painting by southern California artist, Leslie Winokur. Its dimensions are 20" x 10" x 1" (HxWxD). It is oil on linen. ...

Clyde Steadman's "On the Arkansas" is an original, handmade oil painting that depicts an impasto painting of cows gathered along a river with a pasture behind them.

'Picking Poppies' is a beautiful example of Calabuig's work capturing the stunning field of red poppies and two young girls picking the posies. The be...

17th century French School circle of Nicolas Poussin (French 1594-1665) "Figures in Arcadia" oil on canvas, unframed canvas: 16 x 20 inches provenance: private collection, England condition: very good and sound condition Nicolas Poussin was a renowned French painter of the 17th century. He is considered one of the greatest figures of classical French Baroque art...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

David Hockney at Castelli Graphics, 1981 Offset Lithograph poster 20 × 16 inches Unsigned Unframed 1981 poster published on the occasion of the release of ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

The Red Lobster signed by Georges Bordonave (French contemporary) dated 1978 oil painting on canvas, unframed canvas: 18 x 21.5 inches condition: very good provenance: from a large p...

This captivating oil painting on canvas, signed Ronald, depicts a majestic tall ship sailing under full wind across a deep blue ocean. The artist’s controlled brushwork and attention...

Artist: Hans Figura (Austrian, 1898-1978) Title: Les Quais with Notre Dame de Paris Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Plate mark ...

Courtyard at Noon Oil on canvas 20 x 24 inches 50.8 x 61 cm Framed dimensions 31 3/8 x 35 3/8 inches Signed lower right: Robert Spencer Provenance Private collection, Michigan; Free...

Banksy "CUT AND RUN" Technique: Offset Lithograph Paper: Thick Stock Glossy Size: 16.5 X 23.4 Materials Thick glossy paper Size 23 2/5 × 16 1/2 in 59.4 × 41.9 cm Rarity Open editi...

An elegant pair of oil paintings on panel depicting traditional and rustic scenes, titled “Basque Customs,” created by the Spanish painter C. Vidaime around the beginning of the 20th...

Field Study is a group of four mixed-media works on archival cold-press watercolor paper by Toronto artist Murray Duncan, each measuring 18 × 24 inches. Part of his ongoing Untitled ...

Original oil on canvas painting of a young woman with child in a garden in the moon light. The artist is the well known American painter, Edward Percy Moran. Signed by the artist low...

In the manner of Francis Hodgkins 1869 - 1947, was a New Zealand born painter and teacher of art. She was a strong colorist of art and painted in a somewhat abstract simple manner th...

Vintage American oil painting. Framed. Measuring: 16 by 20 inches overall and 12 by 16 inches image alone. Excellent condition, ready to hang and enjoy.

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21253 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Yayoi Kusama’s My Heart That Blooms in the Darkness of the Night (2012) is a striking example of her ability to merge visual art with emotional depth and symbolic resonance. Crafted ...

Max Bill Composition with white center Color silkscreen Year: 1972 Edition: Edition for "Look at" Size: 23.3 × 23.3 inches Unsigned, unknown edition size (pres. ~2,000) - sometimes a...

Transfixing and vivid watercolor of abstract striated colors, rolling together like leaves in the wind or waves of sand dunes. Signed lower right by Kejima, 1980. Original artwork o...

Cornish Beach was painted in North Cornwall and is based on coastal locations such as Daymer Bay, Polzeath and Padstow. It looks beautiful in a home with bright uplifting colours and...

Steve McCurry Sharbat Gula, Afghan Girl, Pakistan (Hand Signed), 1984 Offset Lithograph poster Hand signed by the photographer in black felt pen on the front 24 × 20 inches Unframed...

French Impressionist landscape, oil on canvas by Lucien Mignon a close friend and pupil of Renoir. The painting is signed and dated (1935) bottom left. Presented in carved wood, patinated and gilt Montparnasse frame. A charming view of a wooded glade in a park. Mignon has used his characteristic style, very reminiscent of his master and tutor Renoir, to create a wonderful atmospheric scene. the shade of the majestic trees, the lush green of the grass, the bright pops of red colour of the flowers and the indistinct figures walking along the path. He has created a very successful perspective that draws us in to the scene. A jewel of a painting that would grace any collection or interior. Lucien Mignon (13 September 1865 – 13 March 1944) was a French painter, illustrator, lithographer and pastellist. He was one of the first pupils and disciples of Pierre-Auguste Renoir. Born on September 13, 1865 in Château-Gontier, Lucien René Mignon attended the School of Fine Arts in Angers. He went to Paris and became a pupil of Jean-Léon Gérôme at the École des Beaux-Arts in Paris, where he was admitted in 1886. He exhibited at the Salon des artistes Français in 1889, a painting entitled Une Flânerie Sentimentale. He then exhibited with the National Society of Fine Arts (SNBA) from 1895 drawings and paintings of landscapes inspired by Angers. In 1898, at the same Salon, he exhibited three paintings, including landscapes inspired by Fontainebleau. In 1902, he divided his time between the rue du Cardinal Lemoine in Paris and Montigny-sur-Loing, which inspired the landscapes he exhibited at the SNBA, of which he was a member. In 1908, he presented La Liseuse for his last exhibition at this Salon before the First World War. He worked for the publisher Édouard Pelletan, who exhibited his work (February 1896). Around 1909, he left the 5th arrondissement of Paris and settled in Cagnes-sur-Mer, producing Provençal landscapes and motifs; he became close to Auguste Renoir, whose portrait he painted in 1913. Mignon's style is very close to that of Renoir, and his so-called "Ingresque" period. Peaches and Green Almonds, a painting exhibited in Paris at the Musée d'Orsay, dates from this period. In the 1920s, he continued to exhibit at the SNBA. He also carried out commissioned work for the Ministry of Public Works in connection with historic buildings. Works in public collections: Commentry, mairie : Les Quatre Saisons, 1925, quatre dessus de porte, huiles sur toile. Laval, musée du Vieux-Château : Le Repas du nourrisson, 1879, dessin12 ; L'Enfant endormi, 1899, aquarelle13 ; Nature morte, vers 1900, huile sur toile14 ; Travaux d'aiguille, 1913, sanguine15. Le Puy-en-Velay, hôtel de préfecture de la Haute-Loire : Nu, avant 1935, huile sur toile. Paris : Bibliothèque Nationale de France : site Richelieu : Vases, Fleurs etFruits, 1926, trois dessus de porte ; département des Monnaies, médailles et antiques...

Abstract Expressionist Portrait of Nude Lady by Gilbert Pelissier (French born 1924) signed, circa 1960's-1970 period oil painting on canvas, unframed canvas size: 20 x 24 inches con...

This piece titled "Milan Lounge" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This piec...

A vibrant still life painting of mixed flowers by French artist Jean Millien (1918-1998). The painting expresses similarities to the floral works of Henri Matisse. Signed to the lowe...

Mesmerizing one-of-a-kind watercolor of an old town French street scene by artist Alphonse Soumers, circa 1920. Original one-of-a-kind vintage work of art on paper displayed on a w...

Title: Summer Lotus Medium: Oil on canvas Size: 19.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2014 ...

Painted and dated 16 September 1913, this intimate fjord landscape shows Hans Dahl’s long engagement with western Norwegian scenery into a concentrated meditation on light at day’s e...

This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...