Small Art

Bull IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 60 × 52 × 32 cm (23.6 × 20.5 × 12.6 in). The sculpture is signed and numbered, it is part o...

Transfixing and vivid watercolor of abstract striated colors, rolling together like leaves in the wind or waves of sand dunes. Signed lower right by Kejima, 1980. Original artwork o...

Author: Bernard Leemker (Groningen, 1899 – 1990) Title: Portrait of a Boy with Teddy Bear Date: 1984 Technique: Oil on canvas Dimensions: 55 × 45 cm — 21.7 × 17.7 in Support / Mounti...

This textured abstract acrylic painting on canvas, titled "Cool Monsters," is a vibrant and imaginative composition filled with dynamic forms, bold colors, and intricate details. The...

Sunlight floods through a small window to illuminate the interior of a humble Dutch cottage. The scene is filled with homely details, such as a pot cooking over the fire, decorative ...

A beautiful and evocative oil painting on wood by the great Italian artist who lived between the late nineteenth and early twentieth centuries. It depicts with rare effectiveness a...

In the manner of Francis Hodgkins 1869 - 1947, was a New Zealand born painter and teacher of art. She was a strong colorist of art and painted in a somewhat abstract simple manner th...

Artist: Jack Beal, American (1931 - 2013) Title: Blue Crab Year: circa 1975 Medium: Screenprint, Signed and numbered in pencil Edition: 52 Image Size: 9 x 12...

Victor Arimondi (1942-2001). Portrait of Senegalese Model, ca. 1975. Period print measures 8.5 x 11.5 inches; 17 x 20 inches frames. Artist studio stam...

Signed "G. Goldberg" This atmospheric seascape captures a tranquil coastal scene at sunset, where the fading light reflects delicately across the surface of the water. The compositi...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

This special large drawing on wood board (ready to hang) created by Shizico in early autumn where her Cat and the garden take centre stage. The pictorial language in this series pays...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Steel Stress Sculpture #3, 1982, Hand signed and dated Oleg Sohanievich '82 Dimensions: 17" h., 23" w., 16" d. Very heavy Th...

This original oil painting captures a still life scene viewed from above, inviting you to explore its intimate details. At the center, a wooden board showcases a variety of cheeses, ...

A refined 17th-century Italian painting. Oil on canvas artwork depicting the condemnation and martyrdom of the four crowned saints: Claudius, Nicostratus, Castorius, and Symphorian. ...

Blue Lagoon of Miyako Island lies 300 km west of Okinawa and is known for its beaches, which are considered the best in Japan. The blue water shines like a polished emerald. The...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to Contempora...

Title: Summer Tents and Stormy Sky Over Yellow Fields British Campsite Watercolour by John Steane (b.1931) Size: 16 inches (height) x 19.75 inches (width) watercolor painting on pape...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Lobster signed by Georges Bordonave (French contemporary) oil painting on board, unframed dated 1979 board: 18 x 22 inches condition: very good provenance: from a large private colle...

"Chihuahuas" by Keystone A small dog's eye-view of two chihuahuas and their owners waiting for judges at Cruft's all-champion dog show. Unframed Paper Size: 20" x 24'' (inches) Pri...

ABOUT THIS ARTIST: Photographer Dewey Nicks was born in St. Louis, Missouri. Nicks studied photography at the Art Center College of Design in Pasadena. He has been a professional fas...

Landscape mixed media on canvas 50x50 cm original Art her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, through the strip...

Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...

This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...

Traces Mixed media on Canvas 50x40 cm 2017 Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at the Academy of Fine Arts in Bologna in 20...

Signed lower right, 'Eleida Ashcraft' for Eleida Bosler Ashcraft (American, 1875-1940) and dated 1931/2. Framed dimensions: 23.5 H x 2.5 D x 25.25 H inches Displayed in a carved 22kt...

A vibrant still life painting of mixed flowers by French artist Jean Millien (1918-1998). The painting expresses similarities to the floral works of Henri Matisse. Signed to the lowe...

"It's A Long Way" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. 51 x 49 cm framed in a silver-go...

Edition of 50. Pete Townsend is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photography was as a 15-year-old scho...

Texas Longhorn and Sheep Realism 20" x 16" oil Bovine Landscape Animals The Duo is an 20 X 16 oil on canvas painting of a sheep and a longhorn who look as if they are in searc...

Available sizes: 18" x 22.33" Edition of 8 Pigment Print 28" x 34.73" Edition of 8 Pigment Print 38" x 47.14" Edition of 6 Silver Gelatin 48" x 59.55" Edition of 6 Si...

This vibrant “LOVE” poster by Yves Saint Laurent belongs to a joyful and highly recognizable series created by the couturier from the 1980s through the 1990s. Conceived not as a fash...

Maurice Milliere (1871-1946) An artist in his studio, signed lower right oil on canvas 46 x 27 cm framed : 52 x 33 cm It is particularly interesting to find Maurice Millière working in a genre very different from that for which he is best known: depictions of young Parisian women. This unique portrait shows Millière in a more original and intriguing light. It captures a painter in his studio, creating a scene with various details: canvases on the floor to the right, a stretcher frame on trestles and even shoes that must have been quite striking at the time. The painter appears to be taking a break to smoke and pose for Millière. There is a real sense of complicity between the two artists. At the same time, however, everything in this painting is carefully chosen and composed, such as the admirable red background against which the model stands out. Combining elements of both a portrait and a studio scene, the painter's intention was to create a unique piece that pays homage to the bond between the two artists. Maurice Georges Louis Millière was born in Le Havre in 187. He came from a working-class family in Le Havre; his father was a salesman for a merchant. Millière began by studying painting at the École des Beaux-Arts in Le Havre. He moved to Paris in 1889 and enrolled at the École des Arts Décoratifs, also attending certain workshops at the École des Beaux-Arts. His first notable graphic works were posters and sheet music for companies such as Le Boulch and Le Divan Japonais (1899). From 1917 onwards, he published large numbers of depictions of scantily clad women: first in Fantasio (1917), then in Bagatelles, La Vie parisienne, Le Frou-frou, Le Sourire, Le Gai-Paris, etc. At the end of 1920, he joined the République de Montmartre, a charitable association. Contemporary with those of Louis Icart, his “little women” were to enjoy great success outside France: during the 1920s, American periodicals reprinted his creations, as well as those of Suzanne Meunier and Georges Léonnec...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, Nos. 60–61, 1953 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1953 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1953 edition, Kandinsky lithograph...

Walter Elmer Schofield Sketch, circa 1880s Oil on panel 12 x 14 inches Walter Elmer Schofield is regarded as a leader of the Philadelphia Impressionists and central to the broader ...

A vibrant original lithographic plate from Toros y Toreros, the celebrated 1961 monograph dedicated to Pablo Picasso’s exploration of the Spanish bullfight. Published by Éditions Cer...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Artist: Damien Hirst Title: Norcamphor from “40 Woodcut Spots" Year: 2011 Medium: Woodcut on 410gsm Somerset White Paper Edition: 43/55; signed (recto) and numbered (verso) in penci...

Artist Comments
A linear pattern of rectangles overlaps with circles and wavy lines that connect each section vertically. The colorful arrangement of geometric shapes and linea...

Antique American landscape oil painting by . Oil on board. Signed. Framed. Measuring 16 by 19 inches overall and 10 by 13.5 painting alone.

Title: French Impressionist Harbour Scene with Fishing Boats and Coastal Cottages by Fanch Lel Signed: Bottom left corner Size: 14.5 x 18.5 inches (height x width) Oil painting on b...

Steve McCurry Afghan Girl 1984 (printed later C-print on Fuji Crystal archival paper 24 x 20 inches Signed and dated Steve McCurry has been one of the most iconic voices in contempo...

Artist: Scott Swezy Title: Southwestern Landscape Year: 1989 Medium: Oil on Board, signed l.r. Size: 24 x 24 inches

The Scottish Landscape By J.Green (19th Century) oil on canvas, framed framed: 14 x 24 inches canvas : 12 x 18 inches provenance: private collection, England ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...

This artwork titled "Some of the 48 Tulips" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbe...

A Finely Drawn, Modern 1940s Figure Study Drawing (Seated Young Female Model) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, Mid-Century M...

Artist/ School: French School, 19th century Title: still life of fruit and flowers (and vegetables) within an ornamental, classical setting. Medium: oil painting on canvas, frame...

This artwork depicts the town of Hirschhorn, a resort town in Germany on the River Neckar near Heidelberg. It is an original color etching by Austrian/American artist Tana Kasimir Ho...

water lily pond Water lily - a colorful and charming flower on the lake. Flowers are the smile of the sun that gives joy. When you think of flowers, in your imagination, as in a fu...

The love affair between the Emperor Hadrian and his Greek companion Antinous is perhaps the most famous and tragic romance in Ancient Rome. So great that it inspired the final great...

H. Gaulties French, circa 1900 Fishing Boats at Sea Oil on board Signed lower right A lively French Impressionist harbour scene depicting fishing vessels at anchor, their masts an...

'Balloon Dog' (Blue), 2021 Jeff Koons Limoges porcelain with chromatic coating 5.7 x 18.9 x 6.5 in. / 40 x 48 x 16 cm. Edition of 799, Signed and numbered on the inside of front leg ...

Ice Cream Truck, vibrant street photography from the seaside town of Wildwood, from Richard Heeps Jersey Shore series. This artwork is a limited edition of 25 gloss photographic pri...

Nicely painted American impressionist oil painting by Richard W. Baldwin (1920 - 2012). Oil on canvas. Framed. Signed.

This exceptional original 1890s watercolor by celebrated American Western landscape artist Charles Partridge Adams captures the raw beauty of a Colorado mountain river scene. Painted...