Unframed Art

Asiatic Elephants Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

This elegantly framed artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. A quiet yet poignant study of nature’s simple beauty, Wil...

A peaceful image by Britian's first official war artist. Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...

Original art by Daria Kusto. acrIcrylic on wotercolor paper. The magic flow reality... Shipped free well protected unframed.

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Artist: Sir Peter Thomas Blake Title: Penny Black Year: 1972 Print: Lithograph on Heavy Paper Dimensions: Paper: 18’’ x 11 3/4’’ Image: 8 1/4’’ x 4 1/4’’ Edition: Signed and Numbere...

Medium: linocut re-creation (after the original Picasso linocut). Picasso started making linoleum cuts during the late 1950's and the originals were issued by Galerie Louise Leiris i...

This artwork was created by the Italian artist Piero Perin. Piero Perin was born in 1924, in Cervarese , near Padua Italy. He lived and worked in Padova where he teached at the Schoo...

Bright French Landscape signed by Georges Bordonave (French contemporary) dated 1998 oil painting on canvas, unframed canvas: 24 x 29 inches condition: very good provenance: from a l...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

Lot of 2 original works by TUSET (A Coruña, 1997) made with ink and seawater on paper. The works can be framed on request or sent to you in a protected envelope for you to place, onc...

This artwork "When the blue sky meets the blue sea" is a captivating example of abstract expressionism, where vibrant color and dynamic brushwork coalesce to evoke an emotive landsc...

The colour offset lithograph on Parsons Diploma Parchment wove paper. Published in 1982 for the LA Olympic Games in 1984, David Hockney was one of the fifteen artists invited to create a poster for the Games. Hand signed by the artist in pencil lower right, un-numbered from the limited edition of 750, although there are said to be less than 200 prints in existence. Not to be confused with the unsigned LA Olympics poster...

Carbon Void Jade is a sculpture by contemporary artist Tom Price. This sculpture is made of coal, polyurethane resin, steel, dimensions are 46 × 155 × 71 cm (18.1 × 61 × 28 in). Thi...

"Air Jordan" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundre...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting sin...

Seals Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

Lilly Muth's architectural paintings transport viewers on a visual journey to a different world, where imagination knows no bounds and the boundaries between reality and fantasy blur...

Jean Dubuffet painted his New Orleans Jazz Band series in 1944, but there is no specific record of him having visited New Orleans. Instead, Dubuffet was inspired by American jazz mus...

The 2000 Roland Garros poster by Antoni Tàpies is a compelling fusion of sport and abstract art. Its textured, abstract composition and philosophical undertones make it a standout pi...

Sonia DELAUNAY Flamenco : Spanish Dancer, 1972 Original lithograph (Printed in Mourlot workshop) Unsigned On heavy paper 31 x 24 cm (c. 12 x 10 inch) Edited by San Lazzaro in 1972 ...

This lithograph is a part of my private collection from the early 1970's. It is artist pencil signed in the lower right corner, and numbered in the lower left. Published : Guild de l...

⭐Luminous beautiful landscape. ⭐ It's a landscape from Barbizon school. Probably inspired by Caspar David Friedrich, known for his landscapes seeking to tend towards the magnificen...

This unique piece from Natasha Lelenco’s Currencies series is painted in acrylic on a 26 cm diameter circular pine wood panel, carefully treated for longevity. The artwork presents a...

Village Market Scene Signed by Fanch Lel (French b. 1930) Inscribed verso Size: 15 x 18 inches Oil painting on board, unframed Condition: The painting is in good condition, with mino...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

In this contemporary abstract painting in flashe on canvas, thin, carefully ordered stripes of color in gradient shades of soft hues, starting with a pale peachy shade of ivory beige...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 60-61, 1953. Published by A...

This 15th century bishop - sculpted ca AD1460 - has a smile on his lips and a benevolent presence. He is also something of an Adonis - one tends to forget that in the medieval churc...

LADIES WITH PARROTS is an original hand drawn lithograph printed using hand lithography techniques on archival Somerset printmaking paper, 100% acid free by the renowned Chinese born...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (3...

Vishnu in the form of Krishna being serenaded with his beloved Radha. An illuminated page from the epic of Mahabharata circa 1690. Gouache and ink with gold heightening on cream lai...

Emperor Jahangir and Empress Nur Jahan exchanging lotus blossoms; a symbol of beauty, purity, honesty, rebirth, self-regeneration, and enlightenment....

In this abstract vertical painting in colored pencil and acrylic on canvas by Elizabeth Gourlay, a thick, vertical stripe in a coral shade of red orange is...

Green, white, gray original botanical painting.

This vibrant floral abstract artwork titled "Pink Blooms," created by French artist born in Kazakhstan, beautifully captures the essence of blooming roses through bold and expressive...

Sailing Ships at Sea English School, late 20th century oil on board, unframed board : 12 x 16 inches provenance: private collection, UK condition: very good and sound condition

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas Dimensions: 16.1 x 13 inches (unframed) Date: c. 1950-1960 Condition: Good Provenance:...

5028 French Patisserie wood panel with a wedding cake Signed on verso

A powerful abstract oil painting on canvas (57.5 x 44.9 inches) by contemporary artist Jean Soyer. This dynamic composition features bold strokes of deep blue and black, created with...

Naguy Claude mixes popular culture icons and street art with comic and cartoon characters, as well as famous superheroes, in his original layered mixed media paintings. His artworks ...

Kristine DeBell is a vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

Tennis In The Bahamas 1957 by Slim Aarons Slim Aarons Limited Estate Edition Two women stand talking to a man on the edge of a tennis court in the Bahamas, circa 1957. Behind the ...

Impermanence Series n7 and n6, Diptych, 2025 by Rosario Briones From the Impermanence series Inks, natural pigments and bitumen on canvas Overall size: 165 H x 208 W cm. Individual s...

Hand signed, dated and numbered by artist with pencil. Etching and watercolour Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs.

Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of ...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Original Mid Century San Francisco Oil Abstract Expressionist Painting of Coffee House Musician by Jean Hyson Vivid abstract expressionist painting by Jean...

"Wild Mushrooms IV" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

Title: French Impressionist Oil Painting of Figures Walking Through a Sunlit Park By Fanch Lel (French b. 1930) Size: 7 x 8.75 inches (height x width) Signed: Yes Oil painting on boa...

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Winter Coat Oil on canvas, 18 x 24.5 inches. Signed lower left. Excellent condition. Would beneifit from a cleaning. Origina...

This 1950 portrait photograph, captured by society photographer Slim Aarons, features model turned fashion editor turned society hostess, Florence Pritchett Smith, covers her sleevel...

Mary Kiisel Greenwood (b.1924) Studied: PAFA Exhibited: Gross McCLeaf Gallery, Philadelphia Portrait of a Beatnik, ca. 1955-60. Oil on canvas measuring 12 x 16 inches. Some w...

Cafe Chats by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the artists estate ...

Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...

Black and White Fine Art Long Exposure Seascape - Landscape Photograph. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of authent...

"Inky" - Small Glass Pac-Man Ghost Sculpture by Dylan Martinez. Size: 4.5" h x 4.25" w. Signed on the base by the artist. Each sculpture is unique. These whimsical Pac-Man Ghost s...