Art by Medium: Archival Paper

Original screen printing after Dolona Roberts numbered IIII / C . 45 in X 40 . Custom framed Born in 1936 in Santa Fe, New Mexico, Roberts has had a life-long fascination with t...

The image is an original animation drawing of Bugs Bunny and Yosemite Sam by Virgil Ross, a legendary animator from the "Golden Years of Animation" at Warner Bros. Graphite, colored ...

Patty deGrandpre’s “Sighting (Tarantula Season)” is a unique abstract mixed media print represented on 11 x 14 inch Yupo utilizing concepts of both printmaking and creative photograp...

large scale abstract photograph of mesmerizing monochromatic color space and tactile marble stone and velvet textures captured in Roman palazzo Untiltled (Amber) by Frank Schott 72...

Leaving (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist inv...

Acrylic on paper page size: 16.5 x 11.25 in. frame size: 25 x 19 in. Signed, bottom right. In this intimate work, Tom Reno presents an energetic exploration of movement and color se...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

from a series of works observing the intricate details of the iconic star's stage wardrobe, an epic scale photograph of mesmerizing texture details Liberace III by Christian Stoll ...

If you love me then why can’t it work? (The Girl behind the White Picket Fence) - 2013 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Sign...

Contemporary aerial photograph of Iceland landscape archival digital print, edition of 25 Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanica...

large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle paintings by artist Henri Rousseau Edition EKTAlux - Cloud Forest...

Original large format botanical still life photograph from Linda Rosewall's botany study series "Flora Italiana", an intensively beautiful body of works...

'Cherry Lane' ('Mono No Aware' Series) Limited edition archival photograph. Hand signed and numbered. Unframed _________________ Woven together into richly textured, poetic photograp...

The atwork “Dutch Interior”, signed by W. Kay Blacklock, portrays a warm, intimate domestic scene set inside a rustic European cottage. William Kay Blacklock was active between the late Victorian era and the early 20th century, with most of his mature work produced between 1890 and 1920. This piece likely dates from the Edwardian period (early 1900s), when he created many interiors in a romanticized Dutch style. At the center, a woman—likely a mother—sits quietly beside a wicker cradle...

The Man (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22884. Signature label and Cer...

Aquarius (Californication) - 2019 50x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory Number...

In this contemporary, hyper-detailed archival pigment print on watercolor paper, a yellow moth with light brown and reddish coral markings is dramatic against a clean, solid white ba...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

'Black rose' 2023 It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle photo rag Baryta 308 Gsm fine art pap...

an homage to the photo realism + pop art color palette of artist David Hockney Beach Goals by Erik Pawassar 29 x 40 inches (74 x 102cm) signed edition of 25 48 x 67 inches (122 x...

dramatic wide angle view of California desert airport runway tarmac Runway by Frank Schott 48 x 87 inches (122 x 221cm) signed edition of 7 22 x 40 inches (56 x 102cm) signed e...

This striking underwater fine art photograph captures a figure draped in flowing white fabric, suspended between worlds with vibrant red blossoms and yellow spherical elements. The r...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash. The charc...

Colorful watercolor landscape of a lake surrounded by mountains by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey,...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...

a series of images capturing the epic scale of the iconic landscapes of the American West Desert Daze by Frank Schott 30 x 40 inches / 76cm x 102cm signed edition of 25 48 x 72...

Vortex is a contemporary figurative charcoal and conté drawing on watercolour paper that explores motion, gravity, and the expressive potential of the human form. Rendered in rich mo...

Wonder Valley (Sidewinder) - 2005 Edition of 5, 156x125cm. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 3094. Not mounted. "...

Untitled (Paradise) - 1999 20x20cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 19888. N...

Here for your consideration is a wonderful original etching on archival paper by the well known American artist, Ralph Fabri. Strong impression; signed in pencil by the artist lower right margin. Titled and dated bottom left of the sheet “1947-Americana”. Condition of the etching is excellent. Top corner of sheet and bottom right corner of sheet have tiny creases. Not visible, under the mat. Sheet size is 12 by 15 inches. Image size is 8 by 9.75 inches. Matted but not framed. Provenance: A Long Island, New York collector. Painter and printmaker, commercial artist, writer, and teacher, Ralph Fabri was born Fabri Reszo in Hungary in 1894. He was educated in Budapest, first studying architecture at the Royal Institute of Technology from 1912 to 1914. He then enrolled in the Royal Academy of Fine Arts, from which he graduated in 1918 with a Professor's Diploma (M.A.) "for teaching drawing, painting and geometry – including descriptive and projective geometry – in schools of higher education." Fabri arrived in New York City in 1921 and soon adopted the anglicized version of his name, Ralph Fabri. He began doing commercial design work and during the academic year of 1923/24 was enrolled as an evening student at the National Academy of Design. After becoming an American citizen in 1927, he traveled extensively in Europe. Upon returning to New York that same year, Fabri decided his financial situation was stable enough to allow him to focus his attention on fine art. During the Great Depression, Fabri's already inadequate portrait commissions and art sales further declined and he returned to commercial work. He established a workshop known as the Ralph Fabri Studios, that designed theatrical and movie sets, window displays, and retail interiors. But Fabri found the workshop dirty and distasteful, and eventually was able to concentrate on advertising work which could be done from home. The largest clients for his pen and ink drawings were The Stamp and Album Co. of America, Inc. (for which he designed covers for stamp albums and produced illustrations for envelopes housing sets of stamps sold to collectors), Geographica Map Co., and Joseph H. Cohen & Sons (for whom he designed and illustrated mail order catalogs). Another source of income during this period was the design and construction of an addition to "Iroki," Theodore Dreiser...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash. The charc...

In Machina Mundi / New York, Claudio Edinger offers an aerial vision of the city that oscillates between photographic representation and pictorial abstraction. Captured with a large-...

Big Sur by Frank Schott 26 x 40 inches / 66cm x 102cm signed edition of 25 48 x 72 inches / 122cm x 183cm signed edition of 7 archival quality fine art pigment print limit...

Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat. Rick Sindt The Body is a History graphite on archival paper 12h x 9w in 30.48h x 22.86w cm RIS026 Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

Abstract geometric drawing on paper in bright sunflower yellow and red, with a custom light wood frame 'Yellow and Red Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches...

Untitled 2019, 20x20cm, Edition of 1/10. Digital C-Print based a Polaroid Collage Mixed Media. Hand-signed and numbered by the artist on the back with Certificate. Not mounted. Jos...

Original artist proof engraving, aquatint, intaglio on archival paper by the Russian/American artist, Nahum Tschacbasov. Signed in pencil lower right and dated 1947. Condition: good...

Plate 62 from Johanna Goodman's Catalogue of Imaginary Beings Giclée print on Archival Matte Paper with Archival Pigment Ink In 2017 Goodman was awarded the New York State Council ...

a mesmerizing sea of abstract grey blue and aqua water color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's un...

'Lily No.2' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fr...

Original large format still life photograph from Linda Rosewall's botany study series "Flora Italiana", an intensively beautiful body of works exploring the botanical splendor of the natural world and vibrant color palette of Italian origin flowers with highly detailed captures. Flora Italiana ( Papavero Arancio Piene ) bright orange poppy flower petals 40 x 30 inches (102 x 76cm) signed edition of 25 64 x 48 inches (162 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis Manarchy...

Tranquility - 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid, not mounted. Signed on the back and with certificate. Artist in...

large-scale framed original art photography from a series of mesmerizing cloud atlas observations and abstract skyscapes above the horizon line of the Medi...

This piece titled "Like a Pen VE 13/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...

"Tulips Grey" is a vibrant floral painting where emotion takes center stage through swirling colors. Acrylic, oil pastel, and colored pencil dance across the paper, creating a dynam...

Roommates (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist inventory ...

This piece titled "Like a Pen VE 16/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...

Palm Springs Palm Trees XI (Californication) - 2019 40x40cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory Number 22...

"Service Berry" by Deirdre Murphy is a framed, one-of-a-kind monoprint with collage (chine collé - applied Japanese colored Gampi papers) in salmon pink with tangerine undertones on ...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Untitled 2019, 20x24cm, Edition of 1/10. Digital C-Print based a Polaroid Collage. Hand-signed and numbered by the artist on the back with Certificate. Not mounted. Josey Cary Pol...

Louise Marler Carnation Wormhole Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1696 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

This piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

Agent X Never Duck Family Fortune (Pop Art, Street Art, Urban Art, Disney, Donald Duck) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed C...

WALLSCAPE V by Frank Schott from a series of photographic observances capturing urban textures and wallscape color palettes 60 x 48 inches / 122cm x 182cm edition of 7 signed 3...

Jean-Michel’s photograph L’Arc de Triomphe Wrapped, 2021 is a contemporary experimental color work of the Arc de Triomphe in Paris, France, wrapped in fabric by Christo. The art du...

"Horseman" by Washington DC artist Jeanne Cosimano. Painting in gouache on paper and dated 2021. Artist is known for her dynamic compositions and skillful ...