Art by Medium: Birch

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

Artwork made by Suede Venetian paint , latex, birch, MDF & wax Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Ar...

"I’ve turned a decidedly nontraditional eye to the world of flowers––those forms which constitute one of the most traditional and ubiquitous subjects in the history of art. Combining...

Artist: Hall, Stev’nn Title: Daydream No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 42" x 42" Signatur...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Artist: Hall, Stev’nn Title: Distant Thunder No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 36" x 36" S...

Artist: Hall, Stev’nn Title: Premonition No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 42" x 42" Signa...

Zephyr II is a mixed media wall sculpture. Made from oils on birch, wax, MDF and copper spray enamel. Finished with a hand waxed process. Zephyr II is a complex and sophisticated mo...

"Blue Dream" is a striking exploration of abstract expressionism that immerses the viewer in a dynamic interplay of colour and texture. The painting, composed on a Baltic Birch panel...

"I’ve turned a decidedly nontraditional eye to the world of flowers––those forms which constitute one of the most traditional and ubiquitous subjects in the history of art. Combining...

Katherine Bello Title: When the Night Medium: mixed media on canvas Year: 2020 Size: 12" x 12" Birch panel in black floater frame Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing. This monoprint was made using tall grass from my own garden during the ...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

This is egg-oil on Birch panel. A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking de...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Artist: Hall, Stev’nn Title: Pilgrimage No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 40" x 60" Signat...

Artist: Hall, Stev’nn Title: Golden Hour No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 48" x 48" Signa...

Artist: Hall, Stev’nn Title: Elysium No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 40" x 60" Signature...

“Illuminated Branches Diptych” by Catherine Picard-Gibbs is a dynamic textural oil painting on board that depicts dappled sunlight filtered through the forest. A heightened palette o...

Pink, indigo, purple, red, blue, yellow, green, brown, white and black painting on layered hand cut birch plywood panels that are stacked crea...

This 21.125" x 21.125" oil on birch panel painting by April Dawes focuses on the human figure, rendered in muted, earthy tones—primarily umber, beige, and hints of pale pink. The fig...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Sargent Walker's "First Fall" is a soft black, white and gray painting in oil, acrylic, birch bark and graphite. Softly falling snowflakes are collaged in birch bark. An upright hand in graphite summons, or sends, a small chickadee bird...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

This mini collage on wood panel were made using hand-printed botanical cyanotypes in blue and yellow. Their sides are painted gold. Quite small, it measures just 8 x 8 inches x 3/4...

The different darker and lighter layers of this painting are thin and sheer, each showing through the next, which gives a softness and glow. You can see the dark pencil lines outlini...

Andrzej Karwacki likes to create warmth within his work by using dark colours. Within this work, Andrzej has used: Black, Orange, Yellow and Red to create a very warm and comforting ...

Parthelion By Angela Lane 2022 Oil on birch plywood Signed and dated, reverse

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: In Bloom measures 36" x 36" x 1.5" and is oil on birch panel . Ready to hang with wire on the back. Artist d...

These yellow monotypes look like block prints or screen prints but are actually lensless photographs. They began as blue cyanotypes and were turned yellow through a process called "t...

These are two miniature 12 x 6 inch hand-printed abstract cyanotypes mounted on wood. They are sealed with a satin finish varnish on the face and all sides.The sides are natural wood...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

Back to Me, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 30" Square. She is a Blonde with Blue Eyes. The i...

This striped collage in all shades of indigo calls to mind Indonesian or Guatemalan woven textiles. The pattern mounted on wood panel was made by hand-printing, then then slicing int...

Oil on birch panel.

Anne Sargent Walker’s “Refuge” is a 16 x 16 inch mixed media painting in oil, acrylic, graphite and birchbark in dramatic tones of red, orange, soft black and green. Hands of birchb...

"Unforgotten Series No 3" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract landscape piece. Spanish...

"Unforgotten Series No 1" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. Colorful and misty, this is a wonderful urban abstract piece. Span...

"Pagoda" is a modern rustic wall sculpture. It was made in a similar fashion to an abstract expressionist painting, where the process of creating the piece is not predetermined, but ...

Pinwheel is a modern and refined minimalist wall sculpture made from washed birch panels and mounted on a metallic backer. It is finished with semi-gloss lacquer. Pinwheel is a monoc...

This figurative animal painting titled "Rain Dove" is an original artwork by Brin Levinson made of oil on birch panel. This piece measures 12"h x 12"w. "At the heart of it, my image...

This dog painting titled "Afghan Hound II (Somewhere in PA)" is an original artwork by Emily White made of acrylic paint on birch panel. This piece measures 13"h x 13"w. Emily White...

Painted on birch wood panel and framed in a 1.5 " deep white solid wood floater frame. The same frame is now on the other tree paintings this size by the artist, Afternoon Bay Laurel...

Please Note: This Listing is for a commission. This piece will be made specifically for you. (Colors and palette changes can be arranged). Terebellum is a large modern wall sculp...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. ARTIST EXPLANATION OF THE PAINTINGS: Vintage Motorcycle: oil on cradled birch panel. Ready to hang with wire on the back They are blurred. So I paint them with a regular brush, let the paint get partially dry, and then I use a brush to go over it many times to blur the paint. Sometime if it gets too blurred I go back in and do some more painting to define an area, and then use a big special brush to blur the image again. Also seen in this listing are other available paintings by the artist which can be found in a separate listings. Joan Breckwoldt...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. ARTIST EXPLANATION OF THE PAINTINGS: "Mona's Sister": oil on cradled birch panel. Ready to hang wit...

Andrey and Alexey Kulibin are self-taught artists who established their studio in 2020. The advertising industry seemed too bureaucratic and regulated to us, so one day in 2019 we si...

Abra Johnson's "Saucy Strawberry" is a vibrant celebration of nature's sweetness, rendered with breathtaking realism on a custom-cut Birchwood panel. This bright 20" x 23" oil painti...

Last One to Know, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 30" Round. She is Blonde with Blue Eyes. Th...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Contemporary gold toned abstract painting by Houston based artist Joseph Cohen. The work features a solid gold field that ends in drips off of the bottom edge of the piece. Signed an...

Artist: Hall, Stev’nn Title: Arcadia No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 42" x 42" Signature...

"Skylark" is a striking mid century modernist inspired wall sculpture made from birch wood and acrylic washes. Inspired by the futuristic designs of the Mid Century Modern era, Thrus...

Breakthrough by Elaine Ford [2021] original Acrylic and Mixed Media on Birch Panel Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes. Allow 3-4 weeks plus shipping. Solar Trees is a modern abstract three piece wall...