Sailing at Sunset By Kate Heiss
By Kate Heiss
Located in Deddington, GB
limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...
Bromoil
The Party
Located in MADRID, ES
Hand signed by artist on the reverse
Canvas, Bromoil
Ribbons
Located in San Francisco, CA
This photographic triptych Titled "Ribbons" 1998 is a gelatin silver print on paper by noted American/Canadian artist Carol Marino, born 1943. It is hand signed, dated 1998 and titled in dark red ink by the artist. The size of each photograph is 16 x 11 inches, sheet size is 16. 5 x 11.5 inches. The three together is 34.65 x 11.5 inches, framed is 29.25 x 43 inches. Framed in a silver and maple frame. The photographs are in excellent condition, the frame has some minor scratches and will be replaced by a similar or better new frame before shipping, which will make the overall condition excellent. About the artist: CAROL MARINO (Canadian, b. United States, 1943) In reaction to the industrial landscape of Pittsburgh, where she grew up, Carol Marino responds to her present, comparatively untouched environment with a certain instinctive attachment to it. Photographing near and around her home in northern Ontario, she focuses on flora and fauna in their natural habitats. For her, photography is a vehicle to express her concern for and engagement with her natural surroundings and her work often shows the influence of artists such as Edward Weston or Imogen Cunningham, particularly in its sensuality. Marino generally makes only a single print from each negative, often grouping three or four images together to create assemblages. The occasional addition of patterned colour-pigmented Select Solo Exhibitions 2006 Newfoundland, Corkin Shopland Gallery, Toronto 2001 New Work, Jane Corkin Gallery, Toronto 1999 Recent Work, Jane Corkin Gallery, Toronto 1996 Jane Corkin Gallery, Toronto 1993 Jane Corkin Gallery, Toronto 1991 The Koffler Gallery, Toronto New Work, Jane Corkin Gallery 1988 Works in Colour, Jane Corkin Gallery 1986 Recent Work, Jane Corkin Gallery 1984 Jane Corkin Gallery, Toronto 1983 Kodak Gallery, Rochester, New York 1982 Jane Corkin Gallery Kensington Fine Art Gallery, Calgary 1981 Marcuse Pfeifer Gallery, New York 1980 Jane Corkin Gallery 1978 The David Mirvish Gallery, Toronto 1976 The David Mirvish Gallery, Toronto 1973 The Baldwin Street Gallery, Toronto Select Group Exhibitions 2002 Four Canadian Photographers, Samuel P. Harn Museum of Art, University of Florida 1997 Hot Art for Hot Days, Jane Corkin Gallery 1996 Gallery Artists, Jane Corkin Gallery 1995 Contemporary Animals, Jane Corkin Gallery 1994 15th Anniversary Exhibition, Jane Corkin Gallery 1992 Women on Women, Jane Corkin Gallery 1991 Four Canadians, Vision Gallery, San Francisco 1990 Is There Still Life in Still Life or is Nature Morte?, Watson de Nagy, Houston, Texas 1989 Contemporary Canadian Photography, Hotel La Citadelle, Montreal, PQ 1988 Figurative Force, The Gallery / Stratford, Ontario 1987 An Exhibition of Works in Colour, Jane Corkin Gallery Summer Gardens – Summer Flowers, Jane Corkin Gallery 1986 Masterpieces from the Gallery Collection, Jane Corkin Gallery Canadian Contemporary Photography, Watson de Nagy, Houston, Texas 1985-6 Retrospective, Jane Corkin Gallery 1985 Jane Corkin Gallery 1984 Santa Claus Exhibition, Jane Corkin Gallery Summer Salon ’84, Jane Corkin Gallery 1983 Galerie Zur Stockeregg, Zurich, Switzerland 1981 Le Troisième Salon, Jane Corkin Gallery 1979 Canadian Images Conference, Trent University, Peterborough, ON Opening Exhibition, Jane Corkin Gallery 1978 The Baldwin Street Gallery, Toronto 1975 National Film Board - International Women’s Year Exhibition Select Solo Museum Exhibitions 1987 Life Forces, Agnes Etherington Art Centre, with Catalogue, Queen’s University, Kingston, ON Select Group Museum Exhibitions 2009 Dancing While Driving, Corkin Gallery, Toronto 2000 From the Collection: Flowerpieces, Canadian Museum of Contemporary Photography 1995 The Hat My Father Wore, Agnes Etherington Art Centre, Kingston 1992-4 Flora Photographica: The Flower in Photography...
Bromoil
Joe Jackson Look Sharp, 1979 Vintage Gelatin Silver Print, Framed
Located in London, GB
Brian Griffin Joe Jackson - Look Sharp, 1979 Vintage Gelatin Silver Print, Framed; museum mount board, antireflective art glass, oak frame Image size; 11 4/5 × 15 7/10 in 30 × 40 cm...
Glass, Oak, Photographic Film, Photographic Paper, Black and White, Brom...
Hoopoe by Kate Heiss
By Kate Heiss
Located in Deddington, GB
limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...
Handmade Paper, Bromoil
$573Sale Price|85% Off
Abstract IV., Photography, Fine Art Print, Limited
Located in Slovak Republic, SK
Photography, printed as fine art print, limited edition of 15, signed by the author.
Black and White, Color, Bromoil
Decorative Frieze of Nude at Beach
Located in New York, NY
This marvelous photograph taken by Eleanor Park Custis is an iconic nude reflecting trends in the late 1920's and 1930's with the female form in art. In dance and the applied arts -...
Photographic Paper, Bromoil
Fog, Gloucester vintage photography
Located in New York, NY
A haunting and unusual photograph by one of America's earlier female photographers - First Lady of Pictorialism - Eleanor Parke Custis. Probably taken in the Gloucester, Mass environ...
Bromoil
Lights at Terezin
By Jill Skupin Burkholder
Located in New York, NY
Bromoil print (Edition of 25) Signed and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City. Jill Skupin Burkholder is a photographer and artis...
Bromoil
$20,000
Tokyo International Forum (photography: bromoil silver print, edition of 75)
Located in Hong Kong, HK
Hiroshi SUGIMOTO (Japanese, Born in 1948) TOKYO INTERNATIONAL FORUM Executed in 1999 Edition 42/75. Signed stamp Bromoil Gelatin Silver Print 60.3 x 49.4 cm. (23 3/4 x 19 7/16 in.) ...
Bromoil
ATO>MIC #3 Unique Silver Luminogram Print, Abstract, Framed, 2020
Located in London, GB
ATO>MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
"Waterfall, Spray, Clouds" Small landscape/waterscape dusk clouds sky blue pink
Located in Wellesley, MA
"Waterfall and Spray #3" Oil on Panel, 12 x 12 x 3/4 Inches, is a meticulously painted rendition of the spray from a waterfall at dusk against a brilliant blue sky with bursts of...
Oil, Bromoil
Rio de Janeiro
Located in Fairfield, CT
Born in Bagé, Rio Grande do Sul, Brazil, Sylvia Martins graduated in Visual Communications in Rio de Janeiro. In 1979 she moved to New York to study at ...
Linen, Pencil, Bromoil
Wine
Located in Manchester, GB
David Shrigley, Wine, 2021 Hand-signed and dated on the reverse Edition 29 of 125 75 x 56 cm Screenprint in colours Private Collection UK
Screen
$411
H 15.75 in W 19.69 in
Paris : Tribute to Louvre Museum with Orange Scratch - Original etching
Located in Paris, IDF
Arnulf Rainer (1929) Paris : Tribute to Louvre Museum with Orange Scratch Original etching On vellum 40 x 50 cm (c. 16 x 20 in) Authenticated with the blind stamp of the editor Cha...
Etching
$750
H 25.5 in W 19 in D 0.05 in
Original Italian Emidio di Nola Italian Macaroni original vintage food poster
Located in Spokane, WA
Emidio di Nola, original Italian pasta poster. Size 19" x 25.5". Professional acid-free archival linen-backed; in excellent condition; ready to frame....
Lithograph
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...
Mezzotint
$6,500
H 19 in W 18 in
Max Eisler Eine Nachlese folio “Malcesine on Lake Garda" collotype print
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas. The original was destroyed by fire ...
Paper
$6,500
H 19 in W 18 in
Max Eisler Eine Nachlese folio “House in a Garden” collotype print
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #9, Haus Im Garten; aka Forester’s House in Weissenbach II; multi-color collotype after 1914 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GU...
Paper
$36,000
H 18 in W 18.5 in
H.O. Miethke Das Werk folio "Sunflower" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Palm Beach, FL
Sunflower, no. 10 from the third installment of Das Werk Gustav Klimts Created during his residency in Litzlberg on Attersee, where Klimt and the Floge family summered from 1900-1907, Klimt explores nature’s transcendental qualities. His single sunflower is human-like, it’s golden halo is like a ring of sun-kissed hair surrounding a bald pate. It’s known that at the same time Klimt was creating this image, he was also at work on a photo essay about the Floge sisters’ clothing from their fashion salon. Their fashion house was best known for its “reform dresses” which featured loose-fitting long robes which billowed at the arms and torso. Viewed with this in mind, it is not a hard leap to imagine the lone sunflower as a self-portrait from reverse. Klimt’s balding head crowned in a golden corona forms the apex of a pyramidal flowing gown of foliage and flowers. By orienting the anthropomorphic flower at the garden’s central foreground and adorning it with repetitive motifs of round flowers of varying sizes, Klimt’s sunflower...
Paper
$1,838
H 27 in W 22 in
Apache Chief Geronimo, Screen Print, Enamel on Somerset Paper, Signed, 2018
Located in Aventura, FL
Enamel screen print on Somerset paper. Hand signed, dated and numbered on front by Russell Young. Image size 19.5 x 16 inches. Sheet size 27 x 22 inches. Edition of 27/30. Art...
Enamel
$25,000
H 34 in W 28 in D 2 in
"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism
By Kyra Markham
Located in New York, NY
"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...
Canvas, Oil
$125,000
H 29.5 in W 36 in
Bridgetown Barbados, Oil Monotype by Romare Bearden
Located in Long Island City, NY
A unique oil print by Romare Bearden circa 1980. A bright city scene illustrated in a modern expressionist style. Artist: Romare Bearden, American (1911 - 1988) Title: Bridgetown, ...
Monoprint, Oil
$3,500
H 40.5 in W 50.5 in D 1.25 in
A Large, Fabulous Mid-Century Modern Painting of a Chicago Night Club, Burlesque
Located in Chicago, IL
A Fabulous, Large and Dynamic Mid-Century Modern Painting of a Chicago Night Club by Notable Chicago Artist, Rudolph T. Pen (Am. 1918 - 1989). Painted circa 1948, this is a large, a...
Canvas, Oil
Ai Weiwei - Cats (Black)
By Ai Weiwei
Located in London, GB
Screen print on Saunders Waterford 300gsm paper Hand-signed, dated, and numbered by the artist 28 × 32.8 cm Edition of 150 Framed The print was editioned by master printer, Kip Gres...
Screen
Sold
H 14.97 in W 13.98 in D 1.19 in
ATO>MIC #8, unique warmed toned, Silver Gelatin Abstract Luminogram Print
Located in London, GB
ATO>MIC #8, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: Custom made frame with antireflective UV protective art glass 23 x 18 cm approx. image size 38 x 35.5 cm (Framed) Unique Series: ATO>MIC Signed on verso Provided with the Certificate of Authenticity “The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike Jackson The images may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
South of France
Located in Los Angeles, CA
Evelyn Metzger 1911-2007 Biography from an exhibit catalog published by Frank Partridge Inc in 1964. As a child, Evelyn Metzger attended the drawing classes of George Bridg...
Panel, Bromoil
Diving Boats
Located in New York, NY
The American artist, Eleanor Parke Custis had an amazingly prolific and productive career as a watercolorist and a pictorial photographer of international renown. Custis’ photographi...
Bromoil
Sold
H 10.24 in W 24.02 in
Surf - 21st Century Contemporary Seascape Oil Painting of Waves
Located in Nuenen, Noord Brabant
New in our collection is the work of Gelos Michailidis. This artist is inspired by the Dutch masters such as J. van Ruysdael and B.C. Koekkoek. In the 1980s Gelos made a lot of graffiti, after which drawing disappeared into the background. Nowadays he paints the Dutch sea...
Wood Panel, Bromoil
Dry Vines Impressionist Landscape
By Joseph Davoli
Located in Lake Worth Beach, FL
Impressive large blue-green landscape by Joseph Davoli contemporary South Florida artist. Studied Art Syracuse University, South Florida Art Institute. T...
Canvas, Bromoil
Adversity Makes Strange Bedfellows
Located in Santa Monica, CA
Adversity Makes Strange Bedfellows 2005 / Printed 2014 Bromoil print Edition of 15 Signed, titled, dated and numbered in Russian on verso. 19 x 19 inches.
Bromoil
In Time a Bear May Even Be Taught to Dance
Located in Santa Monica, CA
In Time a Bear May Even Be Taught to Dance 2008 / Printed 2013 Bromoil Transfer Print Edition of 15 Signed, dated, numbered and titled in pencil on verso. 18 x 16 inches.
Bromoil