Art by Medium: Bronze

This sculpture is a multiple 1 piece of 500 realized in 1980 by the well known Italian artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by t...

Artist: Roberto Estevez, Argentinian Title: Baboons Year: 1998 Medium: A Pair of Patinated Bronze Sculpture, Signature and number inscribed Edition: 24 Size: 15 in. x 11 in. x ...

Ary Bitter (1883 Marseille - 1973 Paris), Girl with Kid, around 1930. Green patinated bronze with cast plinth loosely mounted on a white-veined dark green marble base. Dimensions of the plinth: 5 cm (height) x 80 cm (length) x 24 (width), dimensions of the bronze 28 cm (height) x 72 cm (length) x 18 cm (width). Weight of the bronze 18.2 kg, total weight 39.2 kg. Signed “Ary Bitter.” on the plinth and stamped “L N Paris J L” by the foundry Les Neveux de Jacques Lehmann...

Georges Charpentier, French (1937 - 2024) - Female Bust, Year: circa 1980, Medium: Bronze Sculpture, signature and numbering inscribed, Edition: EA, Image Size: 7, Size: 24 x 12...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life which are full of emotions and feelings along the life journey. Her metal artw...

La Mattina The Morning Bronze Sculpture Female Figure Lying Down KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, B...

A bronze hand, modelled after the artist’s own, balances on its index finger atop a sphere in this imaginative pop art sculpture by Dave Sheridan. Called...

"Slinky" by Kevin Barrett Bronze indoor/outdoor sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze Metal...

"Flare" by Kevin Barrett Unique bronze, abstract tabletop sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze M...

Signed/etched by the Artist in to bronze base of the sculpture with the edition number. 15/30

The exquisite detail of antique hand-carved wood has been re-imagined as a mask in this intriguing sculpture by Dale Dunning. The Canadian artist often re-purposes found objects—this...

"Sitting Girl on Panel" is a bronze sculpture of a nude sitting female on a rustic panel. Edition 30, signed, numbered and dated on the back. The rustic panel can be hung on a wall ...

Dale Dunning’s contemporary sculptures often use the generic image of the human head as a metaphor for our collective experience. With this table top piece in bronze, the Canadian ar...

"Ada" Bronze Sculpture 11" x 6" x 7" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He st...

Volodymyr Mykytenko - Guardian of Time (2015) Guardian of Time-The ram symbolizes fire, solar energy, passionate passion, courage, impulsiveness, stubbor...

A sculpture by Carlos Luna. "Elefante" is a bronze sculpture depicting an detailed yet abstracted elephant by Latin American artist Carlos Luna. Edition 8 of 8. Signed lower left. C...

Auguste Moreau (French, 1834-1917) Swan Baby, 19th Century Bronze with reddish gold patination mounted on verdigris marble base Signed on base 6 x 9.5 x 5 inches Auguste Moreau was...

Self Confidence Bronze Sculpture Head Portrait State of Mind Classic In Stock The sculptures of Margot Homan (1956, Oss) show a perfect comman...

Volodymyr Mykytenko - To be or not to be (2015) To be or not to be-life and death, money and knowledge, my smart toad thinks about all this Additional information: Medium: Bronze D...

HARMEN BRETHOUWER (1960-) E-Flat (bell bronze serie), 2016 Ed. 4/5 pcs Bronze, steel and bronze hammer H. 50 cm Mongram and edition number engraved at the base : HB 4/5 Harmen Bret...

John Hallett is a Wisconsin-based veterinarian-turned-artist. Edition 3/50 Signed left side

Émile-Edmond Peynot, (French, 1850 -1932) An exceptional, exquisite and rare orientalist bronze sculpture titled Albaya' El Tunsi / The Tunisian Merchant / The Arab rifleman. Dep...

For sale is the great looking large male nude bronze sculpture of Orpheus by German Artist Professor George Mattes (1874-1945). Orpheus is seen along ...

Richard MacDonald’s sculpture Duality, Atelier, originally introduced to collectors under the working title of Yin and Yang II, represents a principle that is fundamental to art from...

Nichola Theakston (1967) has established herself as one of the UK’s foremost contemporary sculptors working within the animal genre. With the ''Resting with Ancients' Nichola shows...

Peacock Vase by Léopold SAVINE (1861-1934) A rare vase made in gilded bronze in form of two peacocks with their raised plumage. Signed on the base " L....

Alfred Van Loen signed 32 piece chess set. In heavy solid bronze. Rare Chess Game: Liberty versus Slavery Dimensions: a) Joy-Tenderness H. 6 3/16 in. a...

Artist: Anthony Quinn, American (1915 - 2001) Title: Spirit of Zorba Year: 1984 Medium: Bronze Sculpture, signature, date and edition inscribed Edition: 49, AP Size: 16.5 x 9.5 x 8....

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

Volodymyr Mykytenko - Gold trophy hunter (2005) In a playful way, I created a hunting dog that hunts for his dream. And this is the dream of a golden trophy that weighs on his bag. ...

Ian Edwards - Leap Within Faith - Original Signed Bronze Sculpure Dimensions: 170 x 55 x 40 cm Edition of 12 Edwards’ practice expresses the power and determination of human endea...

Artist: Erte Title: Top Hats Size: 16 x 12 Inches (26 x 22 Inches Framed) Medium: 3D Bronze Wall Relief Sculpture Edition: of 375 Year...

This is an intense bronze abstract sculpture created by the well known Italian artist Carmelo Cappello. This is a multiple of 250 specimens. It is made in bronze with a wooden black...

"Sojourner" by Bill Barrett Fabricated bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his a...

Takioaka Must is a sculpture by French contemporary artist Jacques Owczarek. This sculpture is available in format 6.5 cm x 13 cm x 9 cm (2.5 x 5.1 x 3.5 in). The artwork is signed ...

Eternal Moment Bronze Sculpture With Two Nude Figures Man and woman embracing, indoor or outdoor large bronze sculpture signed V. Salmones edition 6/10, 1979. Included in the Victor Salmones book published in 1991 "A Sense of Human". This large sculpture 76" almost two meters tall 196cm. Victor Salmones (1937-1989) was the most widely known sculptor living and working in Mexico during his lifetime. His sculptures won him universal acclaim and are held in the collections of museums, corporations, cities, universities and private collectors in some 30 countries. During his career, he was highly sought after and increasingly involved in the execution of commissions for major public works around the world. Salmones developed his love and talent for creating sculptures by working with clay in high school. He attended the Instituto de Bellas Artes where he was an apprentice to the Bauhaus master, Hoffman. He was trained to use the exacting, age-old lost wax method of casting and worked principally in bronze. His work explores styles that are both abstract and figurative and the grace and spirit inherent in his work endow his bronzes with a transcendent vitality. The international acceptance of Salmones sculpture...

As an artist and writer, Philip Pavia was a committed member of the Abstract Art community throughout his long, distinguished career. Pavia was active in the art world until his death in 2005 and received immense critical praise for his artistic and literary contributions. Recognized for his signature work The Ides of March, he produced monumental pieces that alternated between figurative and abstract styles. While he was a dedicated sculptor, Pavia extended that passion into writing and published It is: A Magazine for Abstract Art. Born in 1911 of Provencal-Italian descent, the Stratford, Connecticut native received early inspiration from his father, a professional stone cutter. Pavia's sculptures are characterized by rough, chiseled bronze and marble, his father's trade was no doubt a significant influence. In fact, by 1934, his father was so enthusiastic about his son's passion that he encouraged young Philip to study at the Academia delle Belle Arti in Florence, Italy. Before his studies in Europe, Pavia was briefly a student at Yale University but quickly dropped out and enrolled at New York's Art Student League. While attending school, he befriended artists Jackson Pollock and Arshile Gorky. All three were to become major players of the vibrant new Abstract Art movement. At his father's advice, Pavia embarked on his European experience and was introduced to other influential artists of his time. Traveling between Italy and Paris, Pavia met John Ferren...

"Float" by Kevin Barrett Sculptural wall piece in bronze metal Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoor display. ...

Indulge in the beauty of divine creation with Adam by Frederick Hart. This masterpiece, number 2 out of 8, is up for sale and waiting to be cherished by its new owner. This piece is ...

"Bronze Bull" is an exquisite example of Morris Brose's abstract/figurative sculpture. No soft edges on this piece and no invitation to caress, the power, strength and beauty of the bronze are front and center and create awe. "Bronze Bull" is a free-standing piece signed on the base. Morris Brose, Polish/American was born in Wyszkow, Poland. He became a sculptor and instructor of sculpture at the Detroit Institute of Arts, Wayne State University and Cranbrook Academy of Art, Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski...

This joyous in the round bronze can turn on its base, making for dramatic presentation and enjoyment that is interactive. It is based on the idea of the Three Graces which is often an allegorical subject in sculpture. Wein has done a contemporary feeling interpretation of this classic theme. Piece itself measure 12 1/2 inches and sits on a 3 1/4 inch base and is attached to its base at two points and it is a revolving or rather turning base. The two points on which the toes touch and are secured are striking for how little of the bronze touches the base. It is Fourth in an edition of 13. Albert Wein...

It is a striking piece. Canadian artist Dale Dunning is known for his intriguing sculptural metal ‘masks’ that use the image of a human head as a metaphor for our collective experien...

Signed Edition #1 of 6 Provenance Acquired by the gallery directly from the artist Description Feeling the sun’s warmth enveloping her body, Peter Brooke’s bronze “Goddess” express...

Bruno Zach (1891 Zhitomir - 1945 Vienna), Gladiator ready for battle, c. 1930. Blackish patinated bronze with silver-plated helmet, shield rim and shield pommel mounted on a fluted m...

Ian Edwards - Born of Fire - Original Signed Bronze Sculpure Dimensions: 30 x 32 x 32 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeavour. He draws inspiration from natural forces, with his powerful masculine figures often bearing the surface texture of time enduring landscapes. Edwards uses this external inspiration to explore very internal themes of fortitude and self-discovery. Edwards’ sensitive hand as a sculptor incorporates classical ideas about the sculpting process. In both Self Made Man and Creation of Self...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Feel like Flying B&W" by Henk Jan Sanderman is a captivating w...

Using small hand carved wooden escutcheons created by rural furniture makers early in the last century as the basis for the molds, Dunning has created the wax elements and sculpted a...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Feel like Flying" by Henk Jan Sanderman is a captivating wall ...

Standing Bull, head bowed by Isidore BONHEUR (1827-1901) A bronze sculpture with a nuanced dark brown patina Signed on the base " I. Bonheur " A period cast by " Peyrol " (with the...

Contemporary figurative bronze sculpture by Polish artist Michal Bajsarowicz. This piece has green patina that is more visible on the back than on t...

Mark Hopkins' work reveals his total fascination with nearly every conceivable aspect of life: from history, children, sports, music and religion to wildlife of the land, sea and air. He intends his work to be flowing and alive, a passionate and expressive of the artist himself. For as long as he can remember, Mark has been captivated by form and design. From the time he was young boy, with the encouragement of family and teachers, he worked to develop his innate talent, and explore the various techniques and mediums of sculpture. In addition to sculpting, Mark has made himself a technical expert in the art of "lost wax" bronze casting. At the Mark Hopkins Sculpture...

“O-Flier” is one of the more dynamic works to spring from the inspiration Richard MacDonald has found in the creative choreography and the artistic physicality of the extraordinary p...

Life-size sculpture of a bare-footed boy balancing himself atop a ball.

Petite Cuirasse Bronze Torso Sculpture Igot Mitoraj (Polish, 1944-2014) signed in the mold, from an unnumbered edition of 1500 bronze with gilt patina on lucite base. Dimensions of...

"Naomi" Mid 20th Century American Bronze Sculpture Female Portrait Figurative Albert W. Wein (1915-1991) "Naomi" Bronze, c. 1960s Signed Figure: 19 1/2 x 5 1/2 x 5 inches Overall he...

Edition of 12 + APs

Auguste Rodin Eve 6/24 1883, Cast later 68 cm. Round Base Signed Masters Limited Foundry Edition Gruppo Mondiale Est Certificate from Master Limited Edition, Gruppo Mondiale Proven...

Bronze sculpture signed/etched by the Artist on bronze base with an edition number. 10/30

Antique Bronze Dog Portrait of a Cavalier King Charles "Thigley" French School (possibly Franck Burty Haviland) Lost wax bronze casting Circa 1910 5 7/8 x 9 x 3 1/4 A sophisticated bronze casting of a Cavalier King Charles spaniel made in lost wax casting (cire perdue) from the beginning of the 20th century by Valsuani Foundry. This an unusual bronze approached in its aesthetic that’s reminiscent of the work of great animal sculptors of the second half of the 19th century except in this presentation which is more avant-garde for the time with a much looser, more impressionistic execution. The patina is a superb bronze color, brown and slightly greenish, going in places towards a more antique green. The attitude of the dog is extremely well and sensitively rendered with the placement of material unlike the renderings of a bronze by Barye...

Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also ...