Art by Medium: C Print

Victorian Falcon (Chicks and Chicks - 29 Palms, CA - last Chapter) 20x24 cm, Edition of 10 Archival C-print, based on the Polaroid Artist inventory 19509.13, Not mounted. Stefan...

It Rains on Our Love (Till Death Do Us Part) - 2008 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective,...

William Klein 1928-2022 Anne St. Marie + Cruiser, New York (Vogue), 1958 Signed in ink with artist's sticker on verso; Mounted to aluminum Chromogenic Print Paper 19 5/8 x 15 3/4 inc...

Caleta Beach, Acapulco, Mexico 1968 - Couple Walking on Sand by Turquoise Sea 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Caleta Beach, Ac...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Neon Flamingo, photograph from Richard Heeps' Norfolk series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is presented in a muse...

'Morning Rose' (The Girl behind the White Picket Fence) - 2013 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid, Certificate and Signature label, artist Inventory ...

Pas de deux (Chicks and Chicks and sometimes Cocks) - 2017 Edition of 10, 20x20cm, Archival C-Print, based on the Polaroid Artist inventory 20056. Signature label and Certificate...

Edition of 3 More sizes on request. 6 ladies dancing in baroque costumes. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

Delilah Right Red Hand, Richard Heeps photograph taken at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he spent 2...

Girls (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. ...

Radha doing her Nails by the Pool (29 Palms, CA) - 1999 126x125cm, Edition of 5, analog C-Print, hand-printed by the artist, based on a Polaroid, Certificate and Signature label,...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows a desert palm tree located in the majestic mediterranean city of Cairo, Egypt. Details: + Title: C...

An India sunrise over the foothills of the Himalayas. The lush landscape tickled by the sun, adorned by Tibetan Prayer Flags. This artwork is a l...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Minnie and Dru Montagu - Couple Poses for Photograph on Sandy Beach under Palms by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 1...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Ancient Roman Amphitheater + Year: 2022 + Edition Size: 50 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints...

Jurassic Park - 2017 30x30cm, Edition 1/10. Archival C-Print on Pearl photo paper, based on the original Polaroid, not mounted, Signed on the back. Whether in color and black ...

Richard Heeps photography captured in the iconic home of speed, Bonneville Salt Flats. This listing is for 2 x Richard Heeps artworks. 1. Ferguson Racing Streamliner 2. LSR Streamli...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Lemon Yellow, Cornflower Blue, Pink Lemonade, Satsuma Orange. Get in touch to request other sizes or color c...

Bill Costa Untitled (Rollerena Fairy Godmother) n.d./2022 Accompanied by a Certificate of Authenticity Chromogenic print (Edition of 5 + 2 APs) 10 x 8 inches (25.4 x 20.32 cm), sheet 9.25 x 6.5 inches (23.5 x 15.875 cm), image From The Center (New York City’s Lesbian, Gay, Bisexual & Transgender Community Center): “Rollerena Fairy Godmother came into being on the evening of Saturday, September 16, 1972 by a young man from Kentucky who put on a gown, a 1950s hat, and a straw basket and skated up and down Christopher Street in Greenwich Village, New York City. Over time, Rollerena added to her outfit: rhinestone glasses...

Rowing off Sicily - Mediterranean Vacations Sicily Italian Destination by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Rowing ...

INSTANTDREAMS - Monograph - signed Hardcover Edition, 62 pages. published by Avanso, Berlin, 2014 ISBN 978-3-935971-69-0 This book comes with "Her Last Call II" a 20x20cm Edition o...

Mascot, photograph from Richard Heeps' series, Man's Ruin. Captured at the Hot Rod Hayride this Jesus on a Cross, was meant to protect the Hot Rodders in their cars. There is somethi...

Sunscreen I (Beachshoot) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1390 Not mounted. Stefanie...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Giacomo Montegazza, 1983 - Italian Lakes Photograph Italian Garden Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "G...

Wabi-Sabi (Sidewinder) - 2007 40x40cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label, Not mounted. Artist Inventory No. 11165 Stefanie...

Jersey Girls Magenta, photograph from Richard Heeps Jersey Shore series. Vintage matchbooks from New York's Chelsea Flea Market featuring nudes from the 1940's are reimagined by Rich...

Radha Mind Screen (29 Palms, CA) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Unknown Girl 01 - Street Portraits (Stranger than Paradise) - 1999 Edition of 10, 40x40cm. Archival Print, based on the Polaroid. Signature label and Certificate. Artist Invento...

La Belle Femme in the Sun, Atlantic City photograph from Richard Heeps', 'Jersey Shore' series. This is one of Richard's photographic signature styles where he uses surreal twists, m...

Atlas Shrugged 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not mounted.

Brooklyn Bridge - Henry's Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 249...

A large scale Cibachrome photograph. An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was ...

A Vision you can't Capture (29 Palms, CA) - 2007 20x24cm each, 20x80cm installed. 3 Archival C-Prints, based on the 3 original Polaroids. Signature label and certificate. Artist I...

Series: Dirty Side of Glamour Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Art...

Melancholy (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Chromogenic Print – Unframed Free Shipping – Ask us foar custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My p...

'Homestead III', from a sequence of photographs of abandoned buildings in the Californian High Desert, Wonder Valley The three part series is part of Richard Heeps' larger series 'Dr...

White Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999 128x125cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based o...

Mirror, vintage interior photograph from Richard Heeps' series, Ordinary Places. The layered green hues of this artwork draws you into the details. Ordinary Places was Richard's fir...

Radha Shooting II (Long Way Home) - 1999 published in 'Stranger than Paradise' 128x126cm Sold out edition of 5, Artist proof 2/2, Analog C-Print, hand-printed by the artist, based...

Gasoline II (Stranger than Paradise) 1999 - 3 pieces, each 50x50cm, installed 50x170cm including gaps. sold out Edition of 150, Artist Proof 4/5. Archival C-Prints, based on the ...

Hell's Gate, American landscape photograph from Richard Heeps' series, Dream in Colour. This beautiful bright capture of the desert flower was taken at the gateway to Death Valley sh...

Fishing Boats - Sicilian Landscape Harbour Photograph by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Fishing Boats' is a Limi...

Heidler & Heeps Vinyl Collection 'LTD. ED. Vinyl Ochre Pink'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

'Water Babe' 1989 Slim Aarons Limited Estate Edition Print 'Town & Country' writer Meg O'Neil relaxes by the pool on the island of Mustique, in the Grenadines, February 1989. (Photo...

What I think she sees - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid, not mounted. Signature label and certificate. Artist inventory -...

Blue Martini and Grey Martini, Milan. Italian architecture photographs by Richard Heeps from his series A Short History of Milan. A Short History of Milan' began in November 2018 fo...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------------------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveller through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations , but which lend themselves to his own work. In a similar way he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypcal and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylised, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing, and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modelled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys; and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights and soldiers. In the case of monsters, mythical creatures and robots, it is more about creating visions of the future and parallel worlds. Certainly since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This of course can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

'Telephone VI' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous colours of...

Sunscreen II (Beachshoot) - 2005 48x46cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1394. ...

Radha Shooting I (Stranger than Paradise), 1999, 48x46cm, Edition of 10. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory #254. Not ...

Daisy's Mantelpiece, domestic vintage interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 a...

One Day I'll Fly (Stage of Consciousness) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6481 Not mo...

Richard Heeps' eye caught this unique moment at the Welney Wetlands Trust when photographing his series 'A View of the Fens from the Car with Wings', 'wings' being a theme of the pro...

Untitled (Beachshoot) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 1456. Not ...

Boccia (Beachshoot) - 2005 70x135cm installed, including gaps - 8 pieces, 30x30cm each, almost sold out Edition of 100 plus 3 Artist Proofs. Available 100/100, AP 1/3, AP 3/3. Arc...