Art by Medium: C Print

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. American actress Faye Dunaway takes breakfast by the pool with the day's newspapers at the Beverley Hills...

Signed limited edition print of Muhammad Ali by Michael Brennan, taken in 1977. A copy of this Iconic photograph is held in the permanent collection of the National Portrait Gallery...

I love you (Till Death do us Part) - 2007 - 20x24cm, Edition of 10, digital C-Print print, based on a Polaroid. Certificate and Signature label, artist Inventory No. 8661, not ...

Little Darlings (Till Death do us Part) - 2005 38x37cm, Edition of 10, plus 2 artist proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

Best Choice in Downtown, captured by Richard Heeps in Kowloon in 2016, this piece perfectly captures the layers of Hong Kong. As a photographer Richard is always looking at what trul...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Lemon Yellow, Cornflower Blue, Pink Lemonade, Satsuma Orange. Get in touch to request other sizes or color c...

Available Sizes: 30" x 37.5" Edition of 15 40" x 50" Edition of 10 48" x 60" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, man...

Signed limited edition print of American professional boxer and activist Muhammad Ali during a training session at his training camp on 58 Sculps Hill Road, Deer Lake, Pennsylvania, ...

3 Stefanie Schneider Polaroid-sized unlimited Minis 'Radha Mind Screen' - 1999 - triptych signed in front, not mounted. 3 Digital Color Photographs based on the 3 Polaroids. 10.7...

Untitled (Sidewinder) 2005 - Edition 2/5, 57x56 cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid. Artist Inventory ...

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

Il Pellicano Pool by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Il Pellicano Pool' is a Limited Edition Estate Stamped Digita...

Waterskiing at the Hotel du Cap, Eden Roc by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Waterskiing at the Hotel du Cap, Eden...

Ruby (California Blue Screen) - 1999 Edition of 3/10, 44x59 cm Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventor...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Alejandra: Alejandra made us take our hats off, Mother Nature never fails to impress, an...

Chromogenic Print by David Drebin Price for UNFRAMED limited edition print Certificate of Authenticity signed by the artist Ask us for framing options Print size: 30 x 45 inches (76...

Chromogenic Print by David Drebin Price for UNFRAMED limited edition print Certificate of Authenticity signed by the artist Ask us for framing options Print size: 30 x 45 inches (76...

Chromogenic print (Edition of 50) Stamped in black ink, verso Also Blindstamped, l.r. 16 x 16 inches, sheet size This artwork is offered by ClampArt, located in New York City. Me...

Psycho 1960 Unframed Original Vintage Cinema Lobby Card Extra Large 10x14" inches / 25x36 cm paper size Unframed (framing options available - please enquire) Condition: Excellent ...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Heidler & Heeps B Side Vinyl Set of Four. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A...

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...

Donna Domitilla Ruspoli by Slim Aarons 16" x 16" print on 16 x 20 paper. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Donna Domitilla Ruspoli" is a Limited...

Porto Ercole Boats by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Porto Ercole Boats' is a Limited Edition Estate Stamped Dig...

Motel Desert Shores, photograph from Richard Heeps Salton Sea series. This picture has the a vibe of a Southern California American road trip, the colours are so seductive, the palm ...

Wanderlust Goes South, vintage book spines photograph from Richard Heeps' Norfolk series. Browsing second hand book shops on holidays by the seaside is always a joy, you never know w...

Artist: Bert Stern, American (1929 - 2013) Title: Marilyn Monroe: The Last Sitting Year: 1962 Medium: Chromogenic C-Print Photograph, signed and numbered in marker Edition: 209/250 ...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Nevertheless 2012 Digital C-print (Edition of 5 + 2 APs) 40 x 30 inches $3,000 This work is offered by ClampArt in New York City.

Sonny and Cher, taken in the pool in 1966 by Art Kane Photographed at Sonny and Cher’s Beverly Hills residence in 1966 for the McCall’s magazine photo essay ‘Teen Idols’, Art Kane s...

48 × 60 in. (120 × 150 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing options are available upon request. Other available size...

Heidler & Heeps Vinyl Collection Fifteen Piece Rainbow Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifull...

Signed limited edition 16x20" print of Debbie Harry, lead singer of US band Blondie, photographed in London in 1977 by Brian Aris. Limited edition number 10...

Jersey Views (Stay) - 2006 Edition of 10, 10 pieces 98x96cm each, installed 210x555cm. 10 archival C-Prints, based on the 10 Polaroids. Certificate and Signature label. Artist I...

Skate, New York, 2013 by Franck Bohbot is a 30" x 40" C-Type Matte print from a Limited Edition of 5. As part of Franck Bohbot's nightlife series on New York's iconic Coney Island,...

Austrian GP John Watson's Penske PC4 Ford. Championship: Formula 1 1976 (Formula 1, 1976) Event: Austrian GP Date taken: Sunday, August 15, 1976 Location: Red Bull Ring...

Sea Drive, 1967 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Please note that as part of the Estate's Premium Collection, th...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 23" x 30" 45" x 60" 54" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs...

Bavarian Forest 013 is a limited-edition photograph by contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 4 dimensions: *60 × 6...

Barbados Bliss by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Barbados Bliss is a Limited Edition Estate Stamped Digital C-Ty...

African Mines 001 is a limited-edition photograph by contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 dimensions: *90 × 72 ...

Lord Of All I Survey 1957 Slim Aarons Limited Edition Estate Stamped Print The youngest peer in England, seven year old Thomas Alexander Fermor-Hes...

Riccardo Bolliger on Capri, 1989 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Riccardo Bolliger on Capri, 1989 is a Limited...

Henry watching Athena Dance (128x126cm) & Sam, Interior Hospital (37x36cm) (Stay), diptych, 2006, Artist Proof 1/2, analog C-Print, hand-printed by the artist, based on the Polaroid...

Heidler & Heeps Dice Series Sixteen Piece Multicolor 'Twos' Square Installation. The number Two Dice, a symbol of balance and harmony, is repeated creating ...

News Stand, photograph from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project at the Affordable Art Fair Milan 2019 and the series i...

Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...

Basketball, Clapham I is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is in an Edition of 25 in this size, and sold unframed. A singular basketball player ...

Streets of Kowloon Gold, part of Richard Heeps series photographing on the streets of Hong Kong in Kowloon in 2016 this stunning abstract piece is so striking in a room. The whole 20...

A Cowboy silhouette, captured in Kanab, the home of many Western Movies. This artwork is typical of one of Richard's signatures, a surreal twist using composition to play with realit...

'Capri Hotel' 1989 Slim Aarons Limited Estate Edition Print Richard Bolliger, the owner of Bolliger Transport Worldwide, holidaying on Capri, September 1989. Paper size 30 x 40 inc...

Jules and Jim XI (Days of Heaven) - 2009 Part of the 29 Palms, CA project. Edition of 10, 50x50cm, Digital C-Print, based on the Polaroid. Signature label and certificate. Arti...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

Untitled (9/11) - 2001 Edition of 5, 38x37cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 1539. Signature label and certifi...

Blue abstract photograph from Richard Heeps' series Trading Paint. Richard Heeps has a history of photographing Drag Racing in the UK, America and Europe. Trading Paint is a term tha...

Pool Slide, photograph from Richard Heeps Dream in Color series. This fun original artwork really shows Richard's unique eye as a photographer, creating this kitsch pop-art picture f...

Foyer VIII, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has becom...