Art by Medium: C Print

Heidler & Heeps Dice Series - Two Dice Green. Hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Hee...

Edition of 3 More sizes on request. A portrait of a mal lion. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

The imagery created by photographer Mark Bartkiw is often profound and powerful. The Toronto photographer manipulates multiple images using different techniques to create surreal lan...

Slim Aarons Esther Williams by the Pool, 1955 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Swimmer and movie star Esther Williams by the poo...

Bob and Liz (Chicks and Chicks and Sometimes Cocks) - 2016 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. ...

This work is offered by CLAMP in New York City. The Voyage of Life/Homage to Thomas Cole 1984 Signed and numbered Vintage Cibachrome print 30 x 38 i...

C-print photograph of a thrift store during the holiday season with a white vintage car parked out front by Houston, TX artist Amy Blakemore. The composition is expertly balanced bet...

Down Stream is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in only one dimension. There are...

Pine Sunset is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *50.8 × 76.2 cm...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006 50x50cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatur...

Embark on a visual journey into the heart of Italian architectural grandeur with Reinhard Görner's 2022 photograph, Sala dei Fiumi I. This breathtaking image captures the impressive "Hall of the Rivers" within the Ducal Palace of Mantua, a historic complex recognized as the sixth largest palace in Europe. Built between the 14th and the 17th century by the noble Gonzaga family, the Ducal Palace of Mantua serves as a testament to Italy's rich architectural heritage and royal history. The palace complex, featuring an impressive assortment of more than 500 rooms, corridors, galleries, inner courts, and extensive gardens, spans an area of approximately 34,000 m2. While the palace is widely recognized for Mantegna's frescos in the Camera degli Sposi (Wedding Room), the Sala dei Fiumi offers its unique allure. Created during the Habsburg rule in Mantua, this hall showcases distinctive wall paintings where the rivers of the Mantuan territory are anthropomorphized as giants. Reinhard Görner's photograph is more than a visual delight; it's a historical journey into Italy's cultural past. Ideal for art enthusiasts, history lovers, and those with a keen eye for architectural beauty, this piece promises to enhance any collection. Allow the grandeur of the Palazzo Ducale di Mantova and the majesty of the Sala dei Fiumi to resonate within your space with this stunning image. signed and numbered on label, verso Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library II, Baltimore (2017) and Riggs Library I, Washington DC (2017)—Görner captures the atmosphere of absolute silence and concentration the spaces embody while also revealing their almost cathedral-like sense of grandeur. Görner’s images have a vivid sense of depth and dimension that convey an impression of intimacy, as in Isaac Newton, Cambridge (2017), or monumentality via his precise and skilful use of framing and perspective. Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

Slim Aarons - Walking Up Cortina d'Ampezzo - Estate Stamped Edition Limited to 150 only Skiers walk up a mountain in Cortina d’Ampezzo, a ski resort in northern Italy, 1962 (Photo...

Engulfed is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 × 50.8 cm (3...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The viridian gre...

Steps, minimalist California summer vibes in this blue cinematic photograph from Richard Heeps 'Dream in Colour' Series. This artwork is a limited edition of 25, gloss photographic ...

Chromogenic print, framed to c. 30.5 x 43.25 inches Signed, titled, dated and editioned on label verso One of two artist proofs from a sold-out edition of eight. French photographer Denis Darzacq was born and raised in Paris, the city in which he still lives and works today. He graduated from the ENSAD, the French National School for Decorative Arts, in 1986, and started his photography career following the French rock music scene. In 1994, he began a series exploring the nocturnal life of Parisians entitled Only Heaven, which he exhibited at various photo festivals. In 1999, the French Ministry of Culture commissioned him to produce a body of work on French youth. In more recent work, Darzacq has focused on portraying young adults using their bodies to express an exuberant sense of freedom from the limitations life has placed upon them. In his two series La Chute...

Crystalised - 2021 25x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2021-1091. No...

'Blonde Beauties' by George Freston From left to right, actresses Julie Christie, Ursula Andress and Catherine Deneuve attend a Royal Film Performance of 'Born Free' at the Odeon, L...

Palm Tree, Salton Sea and Joshua Tree, Mojave Desert, two Californian landscape photographic artworks by Richard Heeps. Each artwork framed dimension measures 27.6" x 23.5" Each art...

DINNER AT EIGHT, Jean Harlow, 1933/ Everett Collection. stunning and vivid photograph of the first sex symbol, Jean Harlow. 12x16 inches Archival Pigment...

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) 22 x 22 inches, image (Edition of 15) 31 x 31 inches, image (Edition of 15) This artwork ...

Atmosphere - 2022 20x205cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back with certificate. Artist inventory PL2022-20431. Not mou...

29 Palms, CA - Self Portrait (29 Palms, CA) - 1997 Edition of 1/3. 126x164cm with white border. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate an...

Series: Hydrangea Collection C Print Mounted on Dibond Perspex Face Edition of 6 + 2 AP "In my work I am fascinated to reshape existing forms, to reinvent new shapes. Underneath the...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Chromogenic print (Edition of 10) Signed and numbered, verso This artwork is offered by ClampArt, located in Hew York City.

"CAMOUFLAGED BEAUTY COLLECTION Van Zeijl's love for nature and metamorphosis is also identifiable in the rebellious way she reshapes the dresses of well-known fashion designer Claes ...

After the Accident (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 1668. Not mounte...

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

'A Room with a View' (Strange Love) - 2010 20x20cm, Edition of 5, Archival C-Print, based on the Polaroid, signature label and certificate, arti...

Mirror, vintage interior photograph from Richard Heeps' series, Ordinary Places. The layered green hues of this artwork draws you into the details. Ordinary Places was Richard's fir...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

Blink - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2020-891. Not mou...

Triple Exposure of Jack Frost with Orchid Filter early 1960s Signed, dated, and numbered, verso Digital C-print 31 x 31 inches, image (Edition of 15) $4,...

Type-C print Signed, titled, dated, and numbered, verso 20 x 20 inches (Edition of 10) 30 x 30 inches (Edition of 5) 40 x 40 inches (Edition of 5) This artwork is offered by Clam...

Palm Springs Palm Trees II (Californication) - 2016 100x100cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artis...

A chair sits in an otherwise derelict factory in a blue painted room, the depth perspective creates a colour blocking effect. from Richard Heeps 'Ordinary Places', a series capturin...

Cosmic Love - 2020 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-1002. Not ...

Four pieces celebrating youth in Africa. 3 pieces 90 x 60cm with acrylic face mount 1 piece 135 x 90cm print only, with 5cm white border all round

Serpentine - 2018 40x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2018-1095. Not...

Morning Glory, 2016, Edition of 7 plus 2 Artist Proofs. Based on an original Polaroid, Digital C-print, not mounted. Signed on the back and with cert...

Taken in one of Richard's favourite buildings in Cambridge. Cambridge is blessed with many architectural marvels but this former cinema had a particularly unique wooden auditorium, a...

Miranda - Shot 2017 on 600 Film Influenced directly by Australian New Wave Cinema and the films of Peter Weir where the protagonists are profoundly affected...

DEJAVU Trailer, captured on a sunny spring day, on one of Richard Heeps' many visits, capturing the trailer in the fen landscape as it changes with the seasons. Taken in 2018 is was...

There is something beautiful about the decay. Something ironic about the contrast of the shiny RV life. The RV is this thing which is mobile, here it's been frozen in salt, it has be...

Slim Aarons View From Il Pellicano, 1991 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Aerial view with sunbathers and parasols and, dotted w...

My Girl (Till Death do us Part) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #92...

Museo Archeologico III, Napoli 2018 C print 39.5 x 47.5 inches - edition of 5 47.5 x 59 inches - edition of 5 71 x 88.5 inches - edition of 5 Massimo Listri is a Florence-based phot...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Pink Lemonade, Cornflower Blue, Blue Curacao and Red. Get in touch to request other sizes or color combinat...

Robert Longo, Eric, NYC Contemporary, 21st Century, C-Print, Limited Edition, Portrait, Man C-Print Edition of 100, plus 20 APs 25,5 x 18,5 cm (10 x 7.2 in.) Signed and numbered, a...

C-Print on argentic paper Edition of 7 Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box...

Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, 1979. Slim Aarons Positano Beach 1979 (printed later) C print Estate st...

Untitled #63 (Abstract Photography) C-print — Unframed. Edition: 2/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to breathe life in...

In the Range of Light (Wastelands) - 2003, (published in the monographs 'Stranger than Paradise', and 'Wastelands') 20x20cm, Edition 5/5, Archival C-Print, based on the Polaroid....

Womb #02 - 2006, 56x55cm, Edition 2/5, Analog C-Print, printed by hand by the artist on Fuji Archive Crystal Paper. Based on a Polaroid Certificate and Signature label artist In...

'California Badlands III' (California Badlands), 2016, 20x24cm, Edition 9/10, Digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 19333.16 not...

Thursday I (Wonder Valley) - 2005 20x24cm, Edition of 10, archival Print, based on a Polaroid. Certificate and Signature label. Artist Inventory #3640. Not mounted. published ...

Holidaymakers relax beside the swimming pool of Il Pellicano Hotel in Porto Ercole, Tuscany, August 1980 Hotel Il Pellicano 1980 (printed later) C print Estate stamped and numbered...

'Melody', Edition 2/10, 20x30cm, 2017, digital C-Print, Signature label and Certificate. About Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photographer, and...