Art by Medium: C Print

Temporal Perception 109 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30...

Bitter Campari, Italian architecture street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project ...

Fresh Squeezed, seaside boardwalk kitchen typography photography by Richard Heeps. This artwork is a limited edition of 25 gloss photographic print from negative accompanied by a si...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Somali-American fashion model and actress Iman at King Peter’s Bay, Tobago wearing a Shuji Tojo swimsuit. British Vogue magazine, May 1976. Iman at King P...

Saint-Tropez Seafront, 1970 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The seafront in Saint-Tropez, on the French Riviera, Se...

Massimo Listri Unframed Chromogenic Print Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Editi...

Temporal Perception 365 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Thomas Ruff (b. 1958) is a contemporary German photographer and one of the most prominent members of the Düsseldorf School. While Ruff is not considered an appropriation artist, his...

Untitled #58 (Abstract Photography) C print - Unframed. "Edition of 5 + 2AP, next 1/5 Richard Caldicott is most well known for this earlier work series which used Tupperware contain...

Deck Dwellers, 1967 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. General view looking down on sunbat...

Amalfi Coast 1978 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: Windsurfing on the waters off the Amalfi Coast, Ita...

This is a new series of photography of landscapes depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lan...

Bleed # 202481 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas — Unframed. Work can be hung with either the WallCleat system (support bar supplied) or the ...

'At The Linsk House' 1970 Slim Aarons Limited Estate Edition Print Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard...

Her Majesty Queen Elizabeth II, 1990 C print Estate signature stamped and numbered edition of 50 "I knew months in advance that I was g...

This is a photograph of John F. Kennedy’s 1960 electoral campaign and the early days of his presidency by one of the foremost humanist photographers of his generation. Capa began pho...

Ed. of 21, unframed print. Estate-stamped. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990. Born in 1913, Parki...

Raquel Welch stands surrounded by a group of Greek-Cypriot seamstresses on the set of the film The Beloved (aka Sin and Restless), written and directed by George P. Cosmatos, in Cypr...

Untitled, 1985 Chromogenic print Framed Dimensions: 22 1/2 x 22 1/2 inches (57.2 x 57.2 cm) Edition of 125

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty in its natural, diver...

Venaria Reale XIV Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how hi...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Civilized Snooze, Self Portrait on Holiday in Athens, Greece 1955 C-print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. circa...

'Kate Moss Supreme' photographed in New York's historic Soho area in 2012 by celebrated downtown photographer Fernando Natalici. In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasdair McLellan’s lens, while wearing Supreme's signature box logo tee, a leopard fur coat and cigarette burning down to the filter, makes for a chic New York City...

Massimo Listri Unframed Chromogenic Print Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Editi...

Massimo Listri Palazzo Vecchio Sala del Mappamondo, 2019 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label Mounted on aluminum, framed 39.5 x 47.5 inches ...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Stamped by Elliott Erwitt's Estate

Enid Boulting wearing Charles Creed’s “Florentine” black and bronze brocade plunge neck dress and Tabu perfume by Dana. Photograph taken at Barry Craig’s...

Palazzo Martelli 2009 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label Mounted on aluminum Framing options available 39.5 x 47.5 inches edition of 5 4...

'Honduran Girl' Oversize Limited Edition C type by Alain Le Garsmeur Village in Mosquito Coast, Honduras, Central America c 1980 A gorgeously observed scene by prolific documentar...

Bleed # 202181 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas — Unframed. Edition: 1/3. Work can be hung with either the WallCleat system (support bar supp...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Hand Signed by Elliot Erwitt

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Limited edition Fuji Chrystal Archival paper (archival "C" print) emanating from the original photographic transparency, which was taken by Bert Stern of Marilyn Monroe wig in June 1...

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...

Photograph taken in Shiraz, Iran. The artwork/photo is sold unframed, and will be carefully rolled in a hard tube with many layers of protection for safe international shipping. I wo...

Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch image i...

Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco on a terrace overlooking the wat...

Palm Springs Palm Trees (Californication) - 2021 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

The Godfather Part II 1974 Unframed Original Vintage Cinema Lobby Card 8x10" inches / 20x25 cm paper size Unframed (framing options available - please enquire) Condition: Very Good...

Chromogenic Print – Unframed Free Shipping – Ask us foar custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My p...

Bruce Springsteen Photograph: Bruce at The Bottom Line NYC, 1975 by Fernando Natalici: A rare, historic photo of Bruce Springsteen at the tender age of 25 captured at The Bottom Line New York, 1975, by celebrated underground photographer, Fernando Natalici. Bruce and The East Street Band's 1975 shows at The Bottom Line were cited by Rolling Stone in 2004 as among the “50 Moments That Changed the History of Rock & Roll". Medium: Digital C print. Sharp black colors; nice overall print quality. Dimensions: 11 x 14 inches (may contain a small white border at the edges). Hand signed on the verso from a limited edition of 45. Excellent condition. Looks fantastic in a white frame. Obtained directly from artist. Lot 180 is a primary dealer rep of Fernando Natalici. Further Background: As Rolling Stone wrote... In August 1975, Bruce Springsteen and the E Street Band were booked to play ten shows at the tiny New York club the Bottom Line, near Washington Square Park in Greenwich Village. Springsteen was weeks away from releasing his third album, Born to Run, and his label, Columbia, invited more than 1,000 industry insiders to see what fans of the E Street Band's live shows had long known. As guitarist Steven Van...

Skiing Waitress 1955 (printed later) C-print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Ski 'bum' Alice Clement, a waitress a...

Norman Parkinson Antonio Lopez draws Jerry Hall 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Antonio Lopez draws model Jerry Hall as she poses with a lif...

Palazzo d'Avalos I, Napoli, 2016 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Framing o...

Williamsburg Brooklyn New York Photograph: The historic Domino Sugar Factory in Williamsburg, Brooklyn photographed by celebrated New York street photographer Fernando Natalici. This work was shot just prior to this Williamsburg, Brooklyn landmark...

Guests by the pool at the home of Wayne Beal in Scottsdale, Arizona, January 1973. Slim Aarons Poolside in Arizona 1973. (printed later) C print Estate stamped and numbered edition...

Norman Parkinson Jerry Hall in Feathered Dior 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Jerry Hall is photographed wearing a one-shouldered satin colu...

Actors In Antibes 1969 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: August - Actors Kirk Douglas (left), Louis Jourd...

Her Majesty Queen Elizabeth II, 1990 C print Estate signature stamped and numbered edition of 50 "I knew months in advance that I was going to take her portrait. And for months, I'd...

Contessa Consuelo Crespi using a lip liner and compact mirror, Sicily, 1954. Consuelo Crespi 1954 C print (Printed later) Estate signature stamped and hand numbered edition of 150 w...

Our gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging t...

Some Kind of Green Air (Journey to the Center of the Earth) - 2020 Edition 1/5. 70x57cm. Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Fil...

Holidaymakers relax beside the swimming pool of Il Pellicano Hotel in Porto Ercole, Tuscany, August 1980 Hotel Il Pellicano 1980 (printed later) C print Estate stamped and numbered...