Art by Medium: C Print

Series: The Ocean C Print Mounted on Dibond Perspex Face Available sizes and editions: 40" x 62", Edition of 6 + 2 AP Ancient and primal, the Ocean, our mother of mothers. The ori...

Untitled #58 (Abstract Photography) C print - Unframed. "Edition of 5 + 2AP, next 1/5 Richard Caldicott is most well known for this earlier work series which used Tupperware contain...

Heartbeats - 2021 - 20x25cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1054. Not m...

David Bowie, "See No Evil", 1977 by Masayoshi Sukita during the photoshoot that produced the album cover shot tor Bowie's Heroes album cover - Signed limit...

Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the waters off the coast of the island of Capri, Italy, in August 1980. I...

Old Woman Spring Road (29 Palms, CA) - 1999 44x59cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Diasec-mounted chromogenic print on aluminium, 2014, numbered from an edition of 500 in black ink on the reverse, a facsimile object after the painting of 2010, published by Heni Pro...

Sandcastles (Bobby Kendall and Jay Garvin), early 1960s [049] Signed, verso Vintage C-print 3.5 x 3.5 inches This work is offered by CLAMP in New York City.

'Habitation Leclerc' 1975 Slim Aarons Estate Stamped Edition Limited to 150 only Bathers walking down steps to the swimming pool at Habitation Leclerc, Haiti, January 1975. They...

Synchronicity - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-934. Not m...

Strata III is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 cm × 76.2 ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Frank Sinatra and entourage on Miami Beach 1968 (printed later) C print 48 x 72 inches Estate signature stamped numbered edition of 50 with certificate of authenticity from the Terry...

Series: Submerged Garden C Print Limited Edition of 12 Available Sizes: 24" x 36" 30" x 45" 36" x 54" 40" x 60" 48" x 72" This photograph will be printed once payment has been re...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on a Polaroid. Signature ...

Sunset (Oxana's 30th Birthday) - 2007, from the 29 Palms, CA project - 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label with ...

Slim Aarons Estate Stamped Edition Limited to 150 only Skiers at the Cranmore Mountain Resort, North Conway, New Hampshire, USA, 1955 (Photo by Slim Aarons) This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C Type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Very large print...

Series: Deep Blue C Print Mounted on Dibond Perspex Face Edition of 8 plus 2 artist's proofs Blue is linked with eternity, the beyond, the supernatural beauty and often associated w...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on a Polaroid. Signature ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Close Encounter of the Third Kind - 2014, 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Man walking in Distance (Zuma Beach) - 1999 43x59cm, Edition of 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signed on back and Certificate. Artist Inve...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Radha Shooting II (Long Way Home) - 1999 published in 'Stranger than Paradise' 128x126cm Sold out edition of 5, Artist proof 2/2, Analog C-Print, hand-printed by the artist, based...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety procedures on a small craft that happens to be indoors. Another pair have a psychological game of tug of war...

Homecoming - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-935. Not mo...

Slim Aarons - Palm Beach Idyll- Estate Stamped Edition Limited to 150 only A couple sunbathe by the sea at Palm Beach Florida 1955 USA (Photo by Slim Aarons). This photograph epi...

Untitled #61 (Abstract Photography) C-print — Unframed. Edition: 3/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to breathe life in...

Series: Deep Blue C Print Mounted on Dibond Perspex Face Edition of 8 plus 2 artist's proofs Blue is linked with eternity, the beyond, the supernatural beauty and often associated w...

Candida Höfer (German, b. 1944) Teatro Degollado Guadalajara III, 2015 Medium: C-Print Dimensions: 30 × 39.2 cm (38 x 47 cm) Edition of 100: Hand signed on label, verso Condition: Ex...

Apathy (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory # ...

Curtain Billowing over Bobby Kendall 1960s/2022 Estate stamped and numbered on label, verso Digital C-print 31 x 31 inches, image (Edition of 15) $4,500 22 x 22 inches, image (Ed...

'Celebrity Cruise' (Slim Aarons Estate Edition) British comedian Peter Sellers (1925 - 1980) holidays with Princess Margaret (1930 - 2002, right) on the Aga Khan's yacht on the Cos...

Norman Parkinson 'Audrey Hepburn, Vogue' 1952 Silver gelatin print 36 x 36 inches Estate stamped and numbered on verso “The camera can be the most deadly weapon since the assassi...

Planes IX - 2008 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4634. Not mounted. ...

40 x 60 inches ed. of 10 $6,000 50 x 75 inches ed. of 7 $9,000 60 x 90 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogra...

Slim Aarons Estate Edition - Life In The Bahamas A woman sitting in a hanging chair while having a drink in a bar in the Bahamas, in April 1967. A group of drinkers stand and sit at the bar in the background. Photo by Slim Aarons Paper size 40 x 60" inches / 101 x 152 cm Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Edition size 150 only Certificate of authenticity supplied Numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. Printed 2022 Caribbean Sea luxury island Bahamas yacht club yachts boating in the Caribbean vivid colors red yellow blue white emerald green light green blue sky light blue clouds palm trees wonderful life people having fun relaxing time summer weather hot and sunny day white sand beach bikinis...

Knit One, Pearl One 8 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size only from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been workin...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

Fires 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forests o...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) 22 x 22 inches, image (Edition of 15) 31 x 31 inches, image (Edition of 15) This photograph is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

RISAKU SUZUKI (*1963, Japan) Water Mirror 14, WM-77, 79 (Diptych), 2014 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Frame 124 x 159 x 5 cm (48 7/8 x 62 5/8 x 2 in.) D...

Sundays (Heavenly Falls) - 2016 20x20cm, Edition of 10, Digital C-Print based on a Polaroid. Certificate and signature label, artist inventory number: 19502. Not mounted. Stefani...

North Shore Mirage I (California Badlands) - 2016 28x38cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist In...

Dreamscape (Wastelands), 2003 128x125cm Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper. Artist inventory No. 1152. Not mounted. The secon...

Original color photograph, from the original transparency, by Bert Stern taken six weeks before Marilyn Monroe’s death in 1962. The sitting took p...

Nothing to Lose (Sidewinder) - 2005 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 3142...

Emser - Mindscreen 6 (Stranger than Paradise) - 1999 58x57cm, Edition 5/10. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Sign...

Slim Aarons Estate Print - Cortina D'Ampezzo Skiers at Cortina D’Ampezzo in Italy, 1962. (Photo by Slim Aarons) Chromogenic print paper size 12 x 12" inches / 30 x 30 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. 1960s 60s fashion...

Blurred - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2021-1027. No...

'Tennis In The Bahamas' by Slim Aarons It really doesn't get much more fabulous than this. A realtively new discovery in the Archive -two fashionably dressed women in tennis outfit...