Art by Medium: C Print

Youth II is a C-Type Print by contemporary photographer Ben Thomas in a Limited Edition of 10 in this size. In Youth II by Ben Thomas one lone beachgoer st...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Hanabi' 2001 C–type print Sheet 101.6 x 101.6 cm (40 x 40 in.) Edition of 6; Ed. no. 5/6 print only Reminiscent of Japanese...

This is a chromogenic print by Ralph Gibson. This work is offered by CLAMP in New York City. Red Poppy Field, Bourgogne 1992 Signed, l.r.; Also datel, l.l. Chromogenic print (Edi...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Italian GP Richie Ginther waits beside his Honda RA273 as mechanics work on the engine. Image details Championship: Formula 1 1966 (Formula 1, 1966) Event: Italian GP Date taken: Sunday, September 04, 1966 Location: Autodromo Nazionale Monza, Italy Photographer: Rainer Schlegelmilch Rainer W. Schlegelmilch the German born widely regarded "Master of Motorsports Photography" delighted in this series of works Glamour, kitsch, sex and fast cars - this extraordinary body of work encapsulates the excitement of this era. Limited edition to 150 only - Archive stamped and numbered - with certificate of authenticity Oversize 24 x 24" inches / 61 x 61 cm paper size C type print unframed. Beautiful. About Richie Ginther & Honda BRM and Honda In 1962, Ginther switched to the British-based BRM team to race alongside Graham Hill. The highlight of his time at BRM was finishing equal-second (with Hill) in the 1963 World Championship. Ginther scored more points than his British teammate over the whole season, but only a driver's six best scores were counted towards the championship. His reputation as a solid "team player" and excellent test and development driver earned him an invitation to join the works Honda F1 team for 1965, for whom he scored his one and only GP win, at the 1965 Mexican Grand Prix. The win was also Honda's first in Formula 1. Ginther averaged 151.7 kilometres per hour (94.3 mph) over the curving 5 kilometres (3.1 mi) track in the 65 lap Mexico City event. His speed eclipsed the previous course record of 150.185 km/h (93.321 mph) established by Dan Gurney in 1964. It was the first time Honda had entered the Mexican Grand Prix.[22] Honda reentered international competition in the 1966 Italian Grand Prix. The team was three years old and had encountered difficulty in the preparation of a larger engine. Ginther led in Italy before his car crashed into a retaining wall and he broke his collarbone.[23] He signed with the Eagle F1 team in 1967 and raced in the Race of Champions. At Monaco after practice, his place on the grid was given to an F2 car weighted to bring it up to minimum F1 specifications, and Ginther left F1 in disgust. Ginther won one race, achieved 14 podiums, and scored a total of 107 championship points. He appeared in an uncredited role in the 1966 film Grand Prix as John Hogarth, a driver in the Japanese funded "Yamura" team. He also acted as one of the technical racing advisors for the movie. While making an attempt to qualify for the 1967 Indy 500, Ginther broke a fuel line in his American Eagle Indy Car...

Snowmass Picnic by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Snowmass Picnic" is a beautiful Limited Edition Estate Stamped Digital C-Type print by 20th Century photographer Slim Aarons. A stand-up fondue picnic for the skiers at Snowmass-at-Aspen, in Colorado. The picnic was organized by Holiday magazine, with the helicopter in the background being used to bring up hot food. The guest list included one Olympic skier, the president of IBM, an American restaurateur, and the CEO of Head Ski...

RISAKU SUZUKI (*1963, Japan) Between the Sea and the Mountain – Kumano 14,DK-335 2014 Chromogenic print Sheet 95.2 x 119 cm ( 37 1/2 x 46 7/8 in.) Edition of 5; Ed. no. 1/5 Framed T...

Heidler & Heeps Vinyl Collection Eight Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautiful...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Brigitte LUSTENBERGER (*1969, Switzerland) Flowers Unknown 007, 2019 From the series 'An Apparition Of Memory' C-print 100 x 100 cm (39 3/8 x 39 3/8 in.) Edition of 5, plus 2 AP; Ed...

British fashion model Wenda Parkinson wearing a grey gabardine dress by Dorville at George Airfield in Nairobi, Kenya, South Africa, next to a Hermes airplane for British Vogue, May ...

Heidler & Heeps B Side Vinyl Collection Six Piece Set. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmeris...

Wild Things (Till Death Do Us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invent...

Two individually framed artworks each measuring 23.5" x 27.6" Yellow Napkin and Pepper, Vinegar and Salt, are still life photographs from Richard Heeps' series, On-Sea. The modest ...

Baltic Ice, Peipsi Jaerv 014 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 4 dim...

Harriet, black and white photographs by Richard Heeps, taken on day one of his project in Fleetwood while working on the Ordinary Places series. The negatives have been in Richard's ...

Two individually framed artworks each measuring 27.6" x 23.5" 'Milkshake' and 'alt, Pepper and Vinegar' make up these still life photographs, taken in a Clacton-on-Sea cafe. It ha...

Four pieces celebrating youth in Africa. 3 pieces 90 x 60cm with acrylic face mount 1 piece 135 x 90cm print only, with 5cm white border all round

Apartments Nice is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith This is the oversize print. It is available in this size as a 40" x 53" C-Type Matt...

TECHNICAL INFORMATION: John Baldessari Intersection Series - Person On Horse And Person Falling From Horse, (With Audience) 2002 Chromogenic print on a...

A ferry crosses an expanse of sea towards distant mountains in this photo based artwork by Mark Bartkiw. The high viewpoint, as though flying over the water, adds to the dream-like ...

Roommates (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist inventory ...

Mustang, El Mirage, California is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is available in this size in an Edition of 25, and is sold unframed. A Mus...

The Bog Islands 001 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available print sizes: - 19.7 x 14.7 inches (50 × 37.5 cm): edition of 8 - 27.5 x 19...

Salat at Blue Mosque in Mazar-E-Sharif, 1992 - Steve McCurry(Colour Photography) Signed, affixed with artist's edition label and numbered on reverse Digital c-type print 20 x 24 inc...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

A set of four framed artworks, Ghost Rider Cowboy Blue, Purple Cyan and Mauve, pop art photograph by Natasha Heidler. Natasha Heidler’s seductive images are a playful collection of ...

The large circular earplugs worn by this stunning Rendille warrior are made of plastic and sometimes bone. In past times, and very occasionally today, you might see the same plugs ma...

This isolated giant great roadside sign set against a vast blue sky is a remnant of The Sundowner Bar and Restaurant of the Motel which is unfortunately no more. This photograph, par...

David Drebin Love over Central Park, 2018 Unframed Ask us for custom framing options Available sizes: 30 x 45 inches 76 x 115 cm Edition of 10 48 x 72 inc...

My own private Travel Diary - Bishop, CA - Walking Lulu - triptych - 2001, 20x80cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Slide. Signatur...

Fires 9, 2018 - Autumnal Seasonal Landscape in Ancient English Woodland by Ellie Davies Fires 9 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availa...

Cosmos 16 by Karine Laval is a Limited Edition Chromogenic Print Cosmos 16 is available in this size of 16" x 20" from a Limited Edition of 9 prints Cosmos represents a new chapte...

Christ Light, a modest church interior illuminated by the bold geometric multi-colour stained glass, photograph from Richard Heeps' series, On-Sea. This artwork is a limited edition...

Morning Glory (Till Death do us Part) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Ar...

Boneyard 001 is a limited-edition photograph by contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 dimensions: *72 × 90 cm (2...

Assile was photographed at a weekly market in Key Afar in the Omo valley. Key Afar is on a hillside near the mountains, and attracts hundreds of Hamer, Banna and Tsemai in an immense...

This piece is unframed.

Go Lucky, vintage book spines photograph from Richard Heeps' Norfolk series. Browsing second hand book shops on holidays by the seaside is always a joy, you never know what you might...

Type-C print Signed, titled, dated, and numbered, verso 24 x 20 inches (Edition of 10) 36 x 30 inches (Edition of 5) 48 x 40 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. “Film Noir...

Girl, Thailand, 1987 - 20x30cm, Edition of 10. Archival C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted. The photograph captures a quiet, intimat...

Untitled (Beachshoot) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 1456. Not ...

Homeward Bound, 2017, Edition 2/7 plus 2 Artist Proof Based on an original Instant Film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017...

Joshua Tree National Park (29 Palms, CA) - 1999 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label....

The Games we played (Till Death do us Part) - 2005 50x50cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, a...

'Nomad, New York', artwork by Richard Heeps featuring a time-lapse of the iconic art deco Empire State building in the mist. Photographed in New York City in 2017, he executed this i...

Chromo Thriller #3, 2012 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print 55 ½ × 75 inches Edition of 6 + 2 AP Also available: 15 ½ × 21 inche...

Roys (Amboy), 2018, 20x24cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inventory Number PL201...

School Fun, photograph from Richard Heeps' series, In The Treasure Trove, featuring the multicolour spines of the iconic children's Annuals, captured in a vintage bookshop in Burnham...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Darth Bot and Cyclops, Natasha Heidler brings childhood favorite toys to life in her conceptual pop art photography. This listing is for two individually framed artworks each measur...

Massimo Listri Scalone Lorenese, Galleria degli Uffizi, Firenze, Italy, 2009 Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Editi...

An abandoned cinema in Caibarien, Cuba. This pre-Revolutionary edifice was built when Cuba was a playground for tourists and mobsters alike, and America was still revered as somewhe...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Mus...

This stylish artwork, 'Red Polka Dot Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a ...

Untitled 2019, 20x24cm, Edition of 1/10. Digital C-Print based a Polaroid Film and Fire. Hand-signed and numbered by the artist on the back with Certificate. Not mounted. Josey Car...

3 Stefanie Schneider Polaroid-sized unlimited Minis 'Radha Mind Screen' - 1999 - triptych signed in front, not mounted. 3 Digital Color Photographs based on the 3 Polaroids. 10.7...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on a Polaroid. Signature ...

From Richard Heeps series, 36 Minutes in Cambridgeshire. This project was born from an idea to produce a set of photographs that followed a straigh...

Aerial Views, Tulip Fields 05 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions: - 60 x 75 cm: edition of 10 - 96 x 120 ...