Art by Medium: Cardboard

"The Joy Series: A Journey to Inner Happiness." In this series of artworks, I delve into the theme of happiness and joy in unusual times when it seems that the whole world is in a st...

Berto Lardera (1911-1989). Collage, 1958. Paper, cardboard, paint. 29 x 40.5 inches; 31.5 x 42 inches framed. Signed and dated lower right. Bears origina...

original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The active notion of rhythm a...

A monochrome minimalist portrait in a restrained palette. The white face, resembling a mask, is immersed in music, dissolving into time. Simple yet expressive brushstrokes create a s...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2008 Title: Tokari Village Size: 1...

In this oil painting, I attempted to capture the vivid textures and luminous vibrancy of strawberries. Using a blend of expressionism and impressionism, I focused on the interplay of...

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

Beautiful monochromatic seascape in blue featuring a dramatic crashing wave by an unknown Northern California artist named Fenton. Signed in the...

Artist : Kory Twaddle Title : Basement Systems Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back Date : 2019 Dimensions : 18 x 12 x .2 in. Kory ...

In this piece, I embraced the gentle hues of dusk to capture the serene beauty of a Russian field under a fading sky. The soft brushstrokes and muted palette evoke a peaceful stillne...

French Academic Study of a Hand Circa 1900 Oil on Cardboard 13 3/8 x 8 3/8 (19 1/8 x 14 1/8 frame) inches Signed lower left "M. Granet" A very finely...

"White Washed Too" by Joan Giordano Mixed media, archival newspapers, photographs, corrugated cardboard Museum shown and collected artist Joan Giordano is known for her unique hand ...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2012 Title: Golden Autumn Size: 17.5" x 29.5" x 0.''8 inch, (44x76x2 cm) Unframed, "Golden Autumn" is a captivating oil painting that transports viewers into a tranquil and picturesque landscape. The artwork depicts a scene bathed in the warm, glowing hues of fall. In the foreground, an expansive orange field stretches out, its surface covered in a thick carpet of fallen leaves. The vibrant orange foliage adorns the surrounding trees, creating a captivating contrast against the serene backdrop. The path, composed of well-trodden earth, winds its way through the field, inviting the viewer to explore and discover the secrets of this natural wonder. As the eye moves deeper into the painting, the path guides us towards a meandering river that gracefully winds its way through the landscape. The river glistens under the soft sunlight, reflecting the surrounding beauty with a gentle shimmer. Its tranquil waters capture the essence of peace and serenity, offering a serene respite amidst the colorful autumn spectacle. Above, a brilliant blue sky dominates the canvas, providing a vast expanse against which the splendor of the scene unfolds. The clear sky serves as a backdrop to the kaleidoscope of warm colors, accentuating the vibrancy and richness of the landscape. "Golden Autumn" captures the essence of the season, where nature's colors transform into a symphony of gold and orange. The painting immerses viewers in a captivating world of tranquility and beauty, inviting them to wander along the path and lose themselves in the enchantment of nature's autumnal splendor. About Artist: Place of Birth: September 10, 1939, Dniprodzerzhynsk, Ukraine Graduated from Dnipropetrovsk Art School (1967) Graduated from Kharkiv Art Industry Higher School (1973) Field of Activity: Easel painting Teachers: H. Cherniavskly, V. Konstantynopilsky, O. Martynets Ivan Shapoval...

The evening painting with the Moon over the water is an unordinary wall decor of any interior. The artwork is full of different difficult colors. The artist masterfully captured the ...

Figurative 1930's illustration of a just married couple in a classic car by Charles Kinghan (American, 1895-1984). Signed "Kinghan" in the lower left c...

“Sea on Fire” is a moment when the sky bursts into flame above the horizon, and the sea catches its light as if holding a secret. The waves whisper in the language of sunset, rolling...

Birds. 2003. Cardboard, author's technique, 19x27 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an ar...

Tribute to Artists 18 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, acrylic, charcoal, pastel and engraving on gray cardboard mounte...

Oil on cardboard Gia Khutsishvili was born in Tbilisi, Georgia, on July 18, 1966, into a family of artists. He graduated from the Tbilisi State Academy of Fine Arts in 1989. Since 1...

Within this full blossom rests a soft, understated grace — an expression of refined tenderness conveyed through calm light and gentle form. It reflects the clarity of a pure, heartfe...

original acrylic paper painting. virtual framed Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana School. T...

series "Shells", 70x50 cm, acrylic on cardboard The work is sold without a frame and mat

Beautiful, historic painting of the California desert in bloom by listed Santa Cruz artist Charles O. Fuson (American, 1898-1981). Signed "C.O. Fuson" lower left. Titled, signed on v...

Series "THE ADVENTURES OF THE RED CAT RAMSES" paper on cardboard, acrylic,ink, pencils, mixed media.2024 Sold and sent unframed This artwork portrays a whimsical anthropomorphic c...

Abstract Floral painting with geometric vase by Stephanie Marrott (American, 20th Century). Original acrylic on artists board. Signed lower right "Stephanie Workman Marrott" in pen. ...

G_41, 2021 white ink on black cardboard (signed on reverse) 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm Alina Aldea's drawings project all the possible forms which appear to disappear ...

This mid-20th-century oil on canvas by Swedish artist C. Landin is an expressive hand-painted recreation of the famous work "Grazing Horses IV" (also known as "The Red Horses" or "Di...

Vintage 1920's California landscape of a path through tall evergreen trees with the grand Sierra mountains in the background by listed female artist Willamean Soderberg Tufts (Americ...

Alice Kent Stoddard 1885-1976 Sledders (circa 1950-1960) Black chalk on card Image Dimensions: 19.75 x 16 inches (50.2 x 40.6 cm) Framed Dimensions: 26.5 x 22.3 inches Signed lower right: Alice Kent Stoddard Alice Kent Stoddard was born in Connecticut, but spent much of her career as an artist in Philadelphia and on Monhegan Island in Maine. She studied with Thomas Eakins, William Merritt Chase and Thomas Anshutz at the Pennsylvania Academy of Fine Arts, as well as at the Philadelphia School of Design for Women. While serving with the YMCA in France during World War I, Stoddard executed many drawings and paintings of the battlefield. However, she is most widely recognized for her bold landscapes and marine paintings of Maine...

The Portrait of a Bearded Man is an early work by Swedish artist Rune Kurt Haries Lagerbrink, who occasionally signed his works as "R. Lager." Painted in oil on cardboard. The old fr...

Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...

Signed lower right 'E. M. Heath' for Edda Maxwell Heath (American, 1874-1972) and painted circa 1930. A lyrical and romantic view of this early California mission and picturesque la...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in ...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Winnie the Pooh And Tiger Too - Original 1974 Lobby Card Vintage 1974 Lobby Card: Rabbit is tired of Tigger always bouncing him, so he gets Pooh and Piglet together to come up wit...

In this piece, I poured my soul into capturing the vibrant energy and delicate beauty of tulips. Through bold brushstrokes and rich oil hues, I aimed to evoke warmth and resilience. ...

Monogrammed "A.B." in the lower right corner. Dimension with frame : 44.5 x 39.5 x 5 cm. This oil on board depicts an Orientalist scene featuring a figure in traditional dress ridin...

Oil on cardboard realized by Paolo La Motta (1972) in the early 2000s. It includes a contemporary wooden frame cm. 43.5x43.5. Very good condition.

Oil on cardboard Ilia Menabde is a Georgian painter born in 2003 who lives and works in Tbilisi, Georgia. His practice explores the relationship between memory, time, place, and con...

G_XI, 2019 White ink on black cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm Alina Aldea's drawings, project all the possible forms which appear to rapidly disappear, w...

PLEASE NOTE: The painting will be shipped without frame. The framing option is available on request with additional shipping costs. Spring awakens life very quickly and the floweri...

Winter in the village. oil on canvas and cardboard, 34x45 cm Winter landscape with old barn Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2008 Title: Church in Sumy Size: 1...

This plain air painting perfectly conveys a quiet rural landscape, immersing viewers in its calm atmosphere of a rural garden in the Tver region. He was prompted to write by an incid...

Original work of the artist RUZ Acrylic on paper. Perfect state VirtualFrame While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same...

Flowers in a vase Cardboard, oil, 30.5x22 cm

Pygmalion - Sculptor Studio I, 2015 Collage on cardboard 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The artist's reference to fundamental myths of humanity and their analysis from the...

Cell 01, 2019 Black ink on white cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm The drawings signed by Alina Aldea reveal the meticulousness and perfection of microscopi...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Classic Figurative Year: 20...

In this piece, I poured my love for Venice into every brushstroke, blending expressionism and realism. The oil medium brings the shimmering water to life, while the gondolas gently f...

Beautiful and vivid California mountain lake landscape. Circa 1970. Signed lower right "C. Sokolovsky." Displayed in rustic giltwood frame. Image, 20"H x 24"W.

Owl, Circa 1970 - Op Art-Inspired Geometric Composition Date: Approximately 1970 Medium: Gouache on cardboard with embossed stamp Dimensions: H 64 cm x W 49 cm approx. A stylized o...

In this oil painting, I infused the vibrant spirit of the macaw with a lively blend of expressionism and impressionism. The thick, textured strokes capture the dynamic essence of the...

plein air Kerch

André Petroff, Russian painter from Saint Petersburg - Village in the hinterland of the French Riviera, 1920s-30s Oil on cardboard, 46 × 44 cm Signed lower right Painted by André ...

In this painting, I've melded acrylic and oil to evoke morning's transcendent vibrancy. With every expressive stroke and bold hue, I sought to capture the essence of a new dawn. It's...

"The Joy Series: A Journey to Inner Happiness." In this series of artworks, I delve into the theme of happiness and joy in unusual times when it seems that the whole world is in a st...

1940s Tromp L'oeil Still Life Rose and Amaranth in Alcove Wonderful rose and amaranth still life in an alcove by Riverda Kapunas (American/Greek, 20t...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2013 Title: A Snowy Day Size: 15.5...