Art by Medium: Cardboard

Arturs Nikitins (born 1936) - painter, graphic artist. 1962 – graduated from the Latvian Art Academy, Graphic Department with the diploma work “The workers of Novorosijsk” under th...

Spring landscape with house and trees A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by y...

Purvis Young (1943 - 2010) People Out, 1995 Mixed Media house paint and carpet on plastic & cardboard 17 x 41 in

Painted sculpted cardboard Unique work Coming from the artist's studio Jacques ROUBY, the aesthetics of mystery "Experimental dreamer, passionate about graphic adventures, delibera...

Day and Night II is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink, colour pigments, gold and silver leaf on Japanese cardboard...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Daisies 1997, oil on cardboard, 85x75 cm The focal point of the painting is the bouquet of daisies, which stands out against the lush greenery of the tree alley. The sunset illumin...

Christmas. 1997, cardboard, mixed media, 18.5x25 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the ti...

Spring sunny day. Cardboard, oil, 29.5 x 36 cm Janis Pupols (1886 – 1956) Graduated Landscape studio of V. Purvitis in Latvia Art academy (1927). He took part in exhibitions since 1...

The evening painting with the Moon over the water is an unordinary wall decor of any interior. The artwork is full of different difficult colors. The artist masterfully captured the ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Early autumn mood. 1990. Cardboard, oil, 24x32 cm This painting depicts an early autumn landscape with lively, textured brushstrokes that capture the transition between summer and f...

Oil, charcoal & ink on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relati...

Signed in Cyrillic "F. Zakharov" (lower right) and signed again and inscribed "Fedor Zakharov/Football" (on reverse) Oil on card laid down on panel Undoubtedly, football, or socc...

March 24x32 cm, oil/cardboard, 1990

The last ray. 2023. Canvas, cardboard, oil, 17x23 cm Warm summer evening landscape with stork in small town in Latvia, Erberge. Small size plein air painting Alyona Prokofyeva (198...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

This beautiful painting depicts a crowded scene of a watering hole at a well in the midst of a sunny, hot day, located on the street of a provincial village supposedly located somewh...

Bright flowers in the garden Cardboard, oil, 44x58.5 cm

Cheerful bouquet Oil on cardboard, 31.5x22 cm

Egypt plein air

Boulders near the field. 1983, cardboard, oil, 68x94 cm

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

A. Rio .Original gouache paper painting . AGUSTIN RIO ( Barceona 1923 – Barcelona 1997) Formed in Llotja i al Cercle Artístic de Sant Lluc He appeared individually in 1953 in the ...

Composition in a marble vase 2024., cardboard, mixed media, 31.5x22 cm

Florentine school of the mid-19th century, pair of oil on cardboard portraits depicting painters Peter Paul Rubens and Anthon Van Dyck in their magnificent original carved and gilded...

Oil on cardboard realized by Sirio Pellegrini in 1969. Hand signed. Includes a wooden frame realized by the Artist. cm. 39x34. Sirio Pellegrini, born in Rome on March 1, 1922, of ...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Wijnand Driessen (Dutch artist) Zoo, Station 15 x 9 x 11 cm Cardboard Artist Wijnand Driessen lives and works in Eindhoven but was born and raised in Nuenen, just a stone’s throw f...

Original artwork, acrylic on cardboard canvas. Unique figurative art with lots of character With a mixture of street, abstract and fine art influences, most of Joe's work is create...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Oil, charcoal & ink on cardboard I am Keta Jikia, born in 2002 and based in Tbilisi, Georgia. I will graduate in 2025 with a degree in International Relations from Caucasus Universi...

Composition with lemon Cardboard, oil, 31.5x23 cm

Work on canvas board Dimension with frame : 34 x 42 x 5 cm This atmospheric oil painting on cardboard unsigned and dating from the late 19th to early 20th century, depicts a tranqu...

Lielupe. 1980. Cardboard, oil. 51x66 cm

Light composition 2024., cardboard, mixed media, 32x23 cm

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable hand can be sometime mistaken to a work of a machine, a printer. But if you look close enough you are able to see that it is a work of a line master!! This piece comes framed in a white wooden frame. The measurements of the work with the frame is 24/24". Op art masters from the 20's century that are inspiration to Lucchetta's pieces are Victor Vasarely, Brigit Riley...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

WPA Post Office Mural Study Native American Scene Regionalism Social Realism Louise Emerson Ronnebeck (1901 - 1980) Proposal Sketch for Worland Wyoming Post Office WPA Mural Project Image: 7 x 15 inches Board 14 x 22 inches Watercolor on paper, attached to black/gray cardboard/thick paper c. 1937 Signed lower right Written in Louise's hand on mounting paper in white chalk/pencil: "Sketch for Mural...

Ship repair. 1956, oil on canvas, cardboard, 43,5x61,5 cm landscape with boats Dontsov German (1916. Saratow, Russia – 2001. Riga, Latvia) His professional carrier began...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

"The Joy Series: A Journey to Inner Happiness." In this series of artworks, I delve into the theme of happiness and joy in unusual times when it seems that the whole world is in a st...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

River in autumn. 1984, cardboard, oil, 40x50 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different se...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Janis Pupols (1886 – 1956) Graduated Landscape studio of V. Purvitis in Latvia Art academy (1927). He took part in exhibitions since 1925. Artist painted landscapes in different t...

Abella. Original acrylic painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the ocher and reddish c...

Roses. 2008, cardboard, oil, 87x67 cm

Scream. 1971, cardboard, oil crayons, 15.5x13 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time ...

"It's Never Really Black and White" by Joan Giordano Mixed media, archival newspapers, corrugated cardboard Museum shown and collected artist Joan Giordano is known for her unique h...

Port. 1975. Oil on cardboard, 48,5x67,5 cm Nikolaj Petraskevics (1909 - 1976) Born in a working class family. Wife Ejzhenija Henisha - graphic artist, sons Juris Petrashkevich - gr...

Windy day. 1981, oil on cardboard, 40x62 cm

Flowers in a glass vase Cardboard, author's technique, 31.5x22.5 cm

Bouquet with poppies Cardboard, oil, 29.3x23.5 cm

series "Non-standard configurations", 70x50 cm, acrylic on cardboard The work is sold without a frame and mat

Interesting piece. it is painted on this cardboard that has been laid down onto foamboard for support. bright vibrant colors. signed illegibly.

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Dog Portrait of a Great Dane Jules Chardigny (1842-1892) Circa 1870 Oil on cardboard Signed upper left 9 1/2 x 12 3/4 (17 1/2 x 20 1/2 frame) inches Jules Chardigny was born in L...