Art by Medium: Chalk

ROBERT SARGENT AUSTIN, RA, PRWS, RE (1895-1973) Going to Mass, Spain Black, brown and white chalks on grey paper Framed 49 by 38 cm., 19 ¼ by 15 in. (frame size 73 by 60.5 cm., 2...

French School, dated 1907 Portrait of a Young Girl with a White Headscarf Charcoal on laid paper with watermark "CF" in a shield with caduceus (Canson Frères) 45 × 35 cm Signed and d...

CAROLYN SERGEANT (1937-2018) Girl in Sari Signed on the reverse and inscribed: Set of six Drawings of a Figure from the Life - Finals Pencil and...

CAROLYN SERGEANT (1937-2018) Seated Man in a Pullover Signed beneath the mount Chalk and grisaille wash over traces of pencil, heightened with white Unframed in mount only 53 by ...

This drawing (pencil, ink and white lead on brown paper, 23 x 19, 5 cm) extremely accurately depicts an image taken from or inspired by antiquity, specifically an acanthus girale in ...

Ink, chalk & mica on sculpted paper Framed 25 x 29 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and works in Hollist...

Ink, chalk & mica on sculpted paper Framed 47 x 41 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and works in Hollister, Northern California, USA. Her work is known for its exploration of environmental topics, with a focus on our human understanding of centuries-old forests, particularly concerned with articulating the energy, memories, and stories that vibrate through the ancient trees and woodland landscapes. Filice's artistic development has been shaped by a blend of traditional art education and invaluable guidance from artists, critics, and educators through various critique programs. She has also garnered over 100 design awards for her commercial work. In addition, Filice holds a BS degree from the University of San Francisco. Her extensive education and professional experience have greatly influenced her exploration of human relationships and their reflection within our environment. Katherine has exhibited her work in solo and group exhibitions throughout the United States, Europe, and Asia. Her paintings and drawings are held in private and corporate collections worldwide. Her most recent solo exhibitions include “Lost & Found” at 1202 Contemporary and "Lost in the Woods" at the Pacific Art...

Ink, chalk & mica on sculpted reclaimed paper Framed 26 x 17.75 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and wor...

Ink, chalk & mica on sculpted reclaimed paper Framed 26 x 17.5 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and work...

In this conte drawing on paper, "Art Deco Abstract," Sylvia Spicuzza presents the viewer with abstracted biomorphic forms in her elegant modernist style. Dominant in the image are tw...

Michel CORNEILLE the Younger (Paris, 1642 – 1708) Roman Charity (Cimon and Pero) Black chalk with white highlights on beige paper Height: 28 cm – Width: 20 cm Unsigned France, cir...

Chalk pastel on paper Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imagery by col...

Chalk pastel and acrylic on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways o...

this plastic group, depicting "the Annunciation," is a sketch for a bronze that the artist would exhibit between 1957 and 1960 at his solo shows at the Strozzina in Florence, the Coc...

Farmhands by Yvon Pissarro (b. 1937) Conté chalk on paper 76 x 56.5 cm (30 x 22 ½ inches) Signed lower middle Yvon Vey Executed in 1983 Provenance Studio of the artist, Montpellier ...

Pencil, black & brown chalk on paper Francine Ledieu is a French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. In the ’80s, Francine was a student of Jean Bertholle from the Saint Roch Academy. The artist had personal exhibitions at Maison Mansart from 1989 to 1993 and at Étienne de Causans Gallery in 1997. In 1998 & 2009 she exhibited at La Petite Galerie...

West Hills Race Meeting November 13, 1926 Drawn on stone 4/35 signed Paul Brown lower right Art Sz: 13"H x 22"W

Harold Town (1924-1990) remains one of the most accomplished and fascinating characters from the "Painters Eleven" group. While Town coined the group's name (based on the number of...

Questo ritratto femminile in gesso, h. 44 cm, è segnato con il numero di inventario 237 e corrisponde a "Ritratto di Albertina, 1959". nonostante non compaia la firma, la sua presenz...

Evasion by Yvon Pissarro (b. 1937) Conté chalk, crayon, pastel pencil on paper 65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches) Signed twice y. vey Provenance: Studio of the artist, Montpellier ...

Voisinage by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 48.8 x 64 cm (19 ¹/₄ x 25 ¹/₄ inches) Signed lower right, y. vey Provenance: Studio of the artist, Montpe...

Circle of Johann Martin Metz (Bonn 1717–1790 Cologne) – Decorative Scene with a Rooster, a Hen and a Cockatoo This charming Rococo drawing in black...

Sz: 13" x 17" INSCRIBED LR: Webb Takes Care of Atkinson SIGNED LR: Paul Brown James Watson Webb II (known as James Sr.) (July 1, 1884 – March 4, 1960) was an American polo champion and insurance executive. He was a grandson of William Henry Vanderbilt and James Watson Webb. In 1921, and, again in 1924 and 1927, he played on the American polo team that won the International Polo Cup...

Provenance: Ivan E. Phillips, Montreal and New York, until 2023. The brothers Bartolomé Carducho and Vicente Carducho, both born and trained in Florence, settled in Spain where they made their careers. Vicente worked on numerous commissions for both the church and the Spanish court...

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22 Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine. Education Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. New Woman As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...

Charcoal, chalk and red chalk on paper Signed (lower right) and titled (upper right) 42cm × 31cm (57cm × 46cm framed) A painter, engraver and illustrator, who trained at the Beaux-A...

Waves by Yvon Pissarro (b. 1937) Conté chalk on paper 70 x 100 (27 ¹/₂ x 39 ³/₈ inches) Signed and dated Yvon Pissarro 1986 Provenance Studio of the ar...

Harold Town (1924-1990) is the ultimate chameleon of Canadian art. One of the founders of Painters Eleven, he remains one of the most fascinating characters from this important colle...

Red chalk on paper Image size: 21 x 14 1/2 inches (54 x 37 cm) Gilt frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...

As Florence Ingersoll-Smouse wrote in 1921 in her book devoted to Jean-Baptiste Pater, "a painter of the Fête galante, Pater is interesting both by his intimacy with Watteau, to whom many of his works are still attributed, and by his own value as an artist.” This sanguine, full of life and spontaneity, is typical of the preparatory studies made by the painter to be used later in the composition of his paintings. 1. Jean-Baptiste Pater, pupil and disciple of Antoine Watteau Antoine Pater, Jean-Baptiste's father, belonged to the petty bourgeoisie of Valenciennes where he worked as a merchant-sculptor. His brother Jacques was a local painter who was probably involved in his nephew's training. Born on December 29, 1695, Jean-Baptiste Pater was first trained with Jean-Baptiste Guider, a local painter whose death in 1711 was probably the reason for Jean-Baptiste’s departure alongside Watteau, who was visiting Valenciennes. Watteau's difficult character led to their separation in 1713. Back in Valenciennes, Jean-Baptiste Pater encountered difficulties with the powerful Corporation of Saint-Luke (to which he refused to belong) which forced him to return to Paris in 1718. He reconciled with Watteau shortly before his death (on July 18th 1721), inherited the commissions that Watteau had been unable to fulfil and completed some of his paintings. Pater was accepted by the Académie Royale in 1725 but did not produce his reception painting The soldier’s revels until three years later. Throughout his brief career (he died at the age of forty on July 25th 1736), he mainly had a clientele of amateurs and received only one royal commission, shortly before his death. 2. Description of the drawing and related artworks Pater had adopted his master Watteau's method of composition. His study drawings were carefully glued in a notebook and were used to animate his compositions. His paintings sometimes suffer from a somewhat artificial composition, since the figures seem to be pasted one next to the other. This point has also been made about Watteau’s. The theme of military scenes (which was at the time included in the genre of Fêtes galantes!) was one of Pater’s favourite subjects. Together with the Bathing Women...

Original drawing by Patricia Traub

This unusual work by Jacques Schultz-Dal presents a rare and highly appealing subject : a portfolio for drawings, one of the most intimate objects of the artist’s studio and of the w...

Sir William Rothenstein 1872 - 1945 Portrait of Cecil Day Lewis Black and white chalk on paper Image size: 13 ½ x 9 inches Period gilt frame

After the restoration of the Saint-John chapel’s frescoes at the Saint-Severin church in Paris in 2022, the drawing presented here is a moving testimony to their creative process. It...

Medium: Conte Crayon, Pen and Ink on Paper Dimensions: 16.00" x 10.50 Signature: Signed Lower Right

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Red Chalk and Brown Ink

Suzanne Chamlin’s paintings are records of her observations and imagination. Painting on site Chamlin explores her expressions of light and color. Suzanne’s process centers on exper...

“With Only The Moonlight To Guide Me (No. 2)” Sculpted Paper and Ink on Canvas by Katherine Filice is a 40 x 34-inch mixed media work featuring layers of hand-drawn marks sculpted in...

Something More, Original Abstract Painting, 2020 Abstract Painting on Paper Artist Commentary: The long name for this one is 'Tearing Through the Sky in Wonder'. This one is very ...

Sara Shields works in chalk pastels, coloured pencil, and ink to create large-scale drawings that evoke an otherworldly quality. She graduated from Centennial College’s Fine Arts Stu...

Sea Salt, by Alejandra España -Acrylic on linen -70 x 60 cm - Contemporary landscape painting, c. 2026 España’s intuitive processes and open engagement with materials allow images...

Le Sofa (The Couch) Black and white chalk on grey board 23.9 x 33 cm This expressive drawing by Grégoire Mathias features a sequence of intertwined nude forms flowing in and out of ...

Yachtsman Painting by Keith Purser B. 1944, 2009 Additional information: Medium: Chalk pastel, woodcut and sand Dimensions: 31 x 38.5 cm 12 1/4 x 15 1/8 in Signed, titled and dated....

When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The line itself can act as a tool used to di...

When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The line itself can act as a tool used to di...

> chalk on sandpaper > signed and dated lower right Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Unger at the University of ...

> wax-chalk drawing on Ingres with gold paint > signed and dated lower right Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Un...

Inconscience by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches) Signed lower left, y. vey Provenance: Studio of the artist, Montpe...

Abandon by Yvon Pissarro (b. 1937) Conté chalk on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches) Signed centre right, y. vey Provenance: Studio of the artist, Montpellier Artist biogr...

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...

"Ritratto di fanciullo" in gesso di h. 44 cm, risalente al 1959. Viene riportato nell'Inventario dell'artista al n. 69 ed è accompagnato dall'autentica del professor Marco Fagioli.

Classic fox-hunt drawing in conté crayon with charcoal highlights by Paul Desmond Brown (1893-1958) Titled, 'Getting Along' depicting two hunters clearing a stone fence...

French School 19th Century Portrait of a Lady Coloured chalks on paper Image size: 10 x 7 inches Contemporary gilt frame

Image of a mother reading to her child.

Jill Greenberg Slow Death 2024 Signed in pencil, verso Charcoal, oil, pastel, and Conté crayon on paper 11.75 x 8.25 inches, sheet Contact gallery for price.

Jill Greenberg Gold Canines 2024 Signed in pencil, verso Charcoal, oil, pastel, and Conté crayon on paper 11.75 x 8.25 inches, sheet Contact gallery for price.

LeRoy Neiman (American, 1921-2012) Statue of Liberty, July 4, 1986 Signed and Dated Lower Left Acrylic Paint and Chalk 24 x 16 inches 37.5 x 29.25 inches with frame Mr. Neiman's ki...