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Art by Medium: Chalk

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Medium: Chalk
Inconscience by Yvon Pissarro - Contemporary work on paper
Located in London, GB
Inconscience by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches) Signed lower left, y. vey Provenance: Studio of the artist, Montpe...
Category

21st Century and Contemporary Art by Medium: Chalk

Materials

Paper, Chalk, Conté, Pastel, Pencil

In the forest of Durlach - Quiet ripple in a secret place -
Located in Berlin, DE
Franz Xaver Graessel (1861 Oberasbach/Baden - 1948 Emmering). In the forest of Durlach. 1881. Pencil drawing, heightened with white, on grey-green paper. 33 x 41.7 cm. Signed, dated and inscribed by the artist himself: 'Franz Graessel. Durlach, 12 April 1881". About the artwork The drawing depicts a view of the woods which, as if sharpening the visual focus, remains diffuse at the edges and does not allow the viewer to locate himself in the picture. As a result, the landscape appears to be an apparition, but at the same time it is given real substance by the solidity of the massive arched bridge made of quarry stone. As the main motif of the painting, the bridge, which blends in with nature like an archaic relic, also acts as a visual guide, drawing attention to the white, raised waters of the stream and the surrounding vegetation. The diffusion of perception that takes place there, however, draws the eye back to the bridge and thus to the overall view. This movement initiating a constant alternation of diffusion and concretion, which is the specific tension of the painting that brings the landscape to life. The materialisation and dematerialisation, however, does not take place solely through the eye's wandering through the picture; it is simultaneously linked to the viewer's approach to and distance from the picture, which loses its richness of detail precisely in the close-up, only to reconfigure itself with increasing distance. In this work, which dates from Graessel's studies in Karlsruhe, the artist reflects on the emergence of pictorial objectivity. Here, however, nature is more than a mere motif. The real connection between culture and nature is symbolically expressed by the choice of green paper. The drawing is an impressive testimony to Graessel's mastery of the sprezzatura with which he skilfully applies the most abstract of strokes, which visibly merge towards the centre of the picture. The signature and the exact date prove that Graessel gave this work more than the character of a mere sketch. About the artist Franz Graessel grew up in an environment that was to nourish his later key motifs: his parents' house was a mill. After attending the Karlsruhe Academy of Art from 1878 to 1884, where he studied under Carl Hoff, Graessel continued his training at the Munich Academy from 1886 to 1890 as a pupil of Wilhelm von Lindenschmidt. Trained primarily in genre and portrait painting, he initially portrayed the life of Black Forest farmers. From 1894 he turned increasingly to animal painting, concentrating on the depiction of ducks and geese, which earned him the nickname 'Enten-Graessel'. Graessel's work thus parallels that of Alexander Koester...
Category

1880s Naturalistic Art by Medium: Chalk

Materials

Chalk, Pencil, Paper

Untitled
Located in New York, NY
Valeria Vilar Untitled, 2013 Mixed media on paper 22 x 25 in (55.88h x 63.5w cm)
Category

2010s Abstract Art by Medium: Chalk

Materials

Paper, Chalk, Acrylic

American Contemporary Art by Katherine Filice - Soulmates No. 1
Located in Paris, IDF
Ink, chalk & mica on sculpted reclaimed paper Framed 26 x 17.5 x 2 in, white wood frame Katherine Filice is an award-winning American abstract artist born in 1963 who lives and work...
Category

2010s Abstract Art by Medium: Chalk

Materials

Ink, Paper, Chalk, Mica

Pair of Sea Views, decorative Drawings, Marine Interior, French Coast, Moin
Located in Greven, DE
A Pair of Drawings, Framed Signed and dated 1855 Chalk in black, brown wash, heightened with white, on paper each sheet, 46 x 31 cm . Framed. Two Landscape and Sea View Old Master Drawings, Paris, 18th Century, by Mozin Charles Louis Mozin (* 12 March 1806 in Paris; † 7 November 1862 in Trouville-sur-Mer) was a French painter. He is the grandfather of the Post-Impressionist Fernand Piet. The brother of the composer Théodore Mozin was a pupil of Xavier Leprince. He is considered the "discoverer" of Trouville-sur-Mer, which developed into a popular seaside resort at the end of the 19th century. At the age of nineteen, he first came to the fishing village on the coast...
Category

19th Century Romantic Art by Medium: Chalk

Materials

Paper, Chalk

Abandon by Yvon Pissarro - Contemporary work on paper
Located in London, GB
Abandon by Yvon Pissarro (b. 1937) Conté chalk on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches) Signed centre right, y. vey Provenance: Studio of the artist, Montpellier Artist biogr...
Category

21st Century and Contemporary Modern Art by Medium: Chalk

Materials

Paper, Chalk, Conté

Drawing of a captive woman
Located in London, GB
Collections: Sir Thomas Lawrence, who acquired the contents of Fuseli’s studio; Susan, Countess of Guilford, née Coutts (1771-1837), acquired from the Lawrence estate; Susan, Baroness North (1797-1884), daughter of the above; Mrs A. M. Jaffé, acquired in France, c. 1950 to 2016. Black chalks, on buff-coloured paper Stamped verso: ‘Baroness Norths Collection / of Drawings by H Fuseli Esq.’ Framed dimensions: 26.38 x 20.63 inches This boldly drawn sheet depicting a seated figure was made by Fuseli at an important and highly productive moment in his career. The monumental drawing is closely related to another sheet by Fuseli in the British Museum which Schiff published as subject unknown. Both drawings were made when Fuseli was designing his most important sequence of historical works, including scenes from Shakespeare and Milton, The Nightmare and The Death of Dido which was exhibited at the Royal Academy to great critical acclaim in 1781. The present drawing does not relate directly to any of Fuseli’s finished historical paintings of the period, but evidently the image of a slightly menacing, seated and covered old woman was precisely the sort of motif he was playing with. It is notable that the same figure reappears later in Fuseli’s work as the witch from Ben Jonson’s Witch’s Song which Fuseli produced as both a painting and engraving in 1812. Fuseli returned to London in 1779 from a highly creative and productive period in Rome and established himself as one of the leading history painters of the period. Fuseli re-established contact with his old mentor Sir Joshua Reynolds, becoming a regular guest at his dinner table and visitor to his studio. The earliest and most striking manifestation of this strategy was Fuseli's Death of Dido, exhibited in 1781 at the Royal Academy. Executed on the same scale as Reynolds's version (Royal Collection), Fuseli's vertically oriented picture was hung directly opposite Reynolds's with its horizontal orientation, inevitably inviting comparison between the two works and garnering Fuseli much publicity and favourable reviews in the newspapers. The present, previously unpublished sheet, relates closely to a drawing now in the British Museum. That sheet shows the same seated old woman, drawn on a smaller scale and more schematic in design, seated next to an anatomical drawing of a man. The pose of this figure is related to the pose of Dido in his Death of Dido; the foreshortened torso, arrangement of head, oblique view of Dido’s features and arms all suggest that the study can be viewed as an initial thought for the composition. Fuseli may have initially thought of including the figure of the hunched and covered old woman. Drawn on identical paper to the British Museum sheet, our study is an enlarged depiction of the same figure, more elaborately delineated and developed. The presence of a chain to the right of the figure, suggests that the iconography was related in some way to a scene of imprisonment. Fuseli had first explored the motif of the hooded old woman in an early Roman drawing, 'The Venus Seller'. The idea of a grotesque old woman, hooded and with angular nose and projecting chin seen in profile was most spectacularly used by Fuseli in his sequence of paintings depicting The Three Witches from Macbeth. Fuseli seems to have kept the present sheet and may have returned to it when preparing a painting of The Witch and the Mandrake from Ben Jonson’s Witch’s Song from his Masque of Queens in 1812. Here the same seated figure looks out from under her hood and picks a mandrake by moonlight. Jonson’s drama had been performed at the court of James I in 1609, inspired the subject. To throw the nobility of the queens into relief, the poet added a coven of witches, one of whom declares: ‘I last night lay all alone, On the ground, to hear the mandrake groan; And plucked him up, though he grew full low, And, as I had done, the cock did crow.’ The figure was reversed in the associated etching which was published in 1812. It seems likely that the present drawing remained as part of Fuseli’s working archive of figure studies. The present drawing was presumably purchased with the bulk of Fuseli’s drawings after the artist’s death by Sir Thomas Lawrence. Lawrence’s large group of Fuseli drawings were then acquired by Susan, Countess of Guildford (1771-1837). Lady Guildford was the eldest daughter of the banker Thomas Coutts (1735-1822), who himself had supported Fuseli’s journey to Rome in the 1770s and had remained one of the artist’s key...
Category

18th Century Old Masters Art by Medium: Chalk

Materials

Chalk

Cadmus Slaying a Dragon (God Series)
Located in Toronto, Ontario
Harold Town (1924-1990) is the ultimate chameleon of Canadian art. One of the founders of Painters Eleven, he remains one of the most fascinating characters from this important colle...
Category

1970s Modern Art by Medium: Chalk

Materials

Chalk, Pastel, Graphite

Indifference by Yvon Pissarro - Contemporary artwork
Located in London, GB
Indifference by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 50.3 x 64 cm (19 ³/₄ x 25 ¹/₄ inches) Signed lower right, y. vey Provenance: Studio of the artist, Mon...
Category

21st Century and Contemporary Art by Medium: Chalk

Materials

Paper, Chalk, Conté, Pastel, Pencil

Young Man with a Sword, a Fist on his Hip, a drawing by Cornelis Saftleven
Located in PARIS, FR
Black chalk and white highlights on paper (originally washed in blue) Monogrammed and dated 1630 on the right This drawing, executed in black chalk and enhanced with white brushwor...
Category

1630s Old Masters Art by Medium: Chalk

Materials

Paper, Chalk

Bathing Women Badende Frauen - Landscape Bathers German
Located in London, GB
This watercolour is hand signed with the artist’s monogram and dated in pencil "EH 29" [1929] in the lower right image. It is also hand titled in pencil “Badende Frauen” [Bathing Wo...
Category

1920s Expressionist Art by Medium: Chalk

Materials

Paper, Chalk, Watercolor

Canadian Contemporary Art by Christian Frederiksen - The Fire Tree
Located in Paris, IDF
Chalk pastel and acrylic on illustration board Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways o...
Category

2010s Contemporary Art by Medium: Chalk

Materials

Acrylic, Illustration Board, Chalk

Yachtsman Woodcut with Chalk Pastel and Sand by Keith Purser, 2009
Located in Kingsclere, GB
Yachtsman Painting by Keith Purser B. 1944, 2009 Additional information: Medium: Chalk pastel, woodcut and sand Dimensions: 31 x 38.5 cm 12 1/4 x 15 1/8 in Signed, titled and dated....
Category

21st Century and Contemporary Art by Medium: Chalk

Materials

Chalk, Pastel, Mixed Media, Woodcut

Petrichor - Smell of the Rain
Located in Fairfield, CT
When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The line itself can act as a tool used to di...
Category

21st Century and Contemporary Abstract Art by Medium: Chalk

Materials

Enamel

Ram's Head Contemporary Plaster Sculpture with Green Patina Ancient Rome Style
Located in Firenze, IT
This contemporary plaster sculpture of a ram’s head is inspired by the art of Ancient Rome and Ancient Greece with a reference to Neoclassicism and Neoclassical period old masters, when the discoveries of archaeological sites became the focal point in art history between the 18th and 19th century. The artist is able to attribute incredible details to this work of art featuring a majestic appearance due to its large curling ridged horns. This animal figurative work of art is sculpted on the round, the artist took inspiration both from his imagination and archaic reminiscences. He modeled the inert chalk creating an animal with very real facial expression and incredible realistic features with intricate detailed head. This sculpture is the plaster cast hand modeled by the artist that served him as a reference model to create a bronze sculpture with the lost wax technique, also the bronze version is on sale on my page. So it represents the first phase of a fascinating and long process of creating sculptural art, a studio piece made as a maquette before a bronze version was cast. The present aries' head sculpture has been painted to simulate the green patina that archaeological metal sculptures take over the centuries. Two green patina sculptures...
Category

2010s Contemporary Art by Medium: Chalk

Materials

Plaster, Lacquer, Paint, Chalk

"Paul Brown 'The First Fence Pink Coat Cup' West Hills, L.I. Race Meeting" 1926
Located in Bristol, CT
West Hills Race Meeting November 13, 1926 Drawn on stone 4/35 signed Paul Brown lower right Art Sz: 13"H x 22"W
Category

1920s Art by Medium: Chalk

Materials

Conté

Large black and white drawing titled 'Waves' by French artist Yvon Pissarro
Located in London, GB
Waves by Yvon Pissarro (b. 1937) Conté chalk on paper 70 x 100 (27 ¹/₂ x 39 ³/₈ inches) Signed and dated Yvon Pissarro 1986 Provenance Studio of the ar...
Category

Late 20th Century Contemporary Art by Medium: Chalk

Materials

Chalk, Conté

MOURNING DOVE AND NEST WITH WHITE STRING - Realism / Charcoal Drawing / Wildlife
Located in New York, NY
Original drawing by Patricia Traub
Category

2010s Contemporary Art by Medium: Chalk

Materials

Paper, Chalk, Charcoal, Pastel, Graphite

"Double Over" Show Jumper Gouache By Paul Desmond Brown (1893-1958)
Located in Bristol, CT
Art Sz: 12 1/2"H x 16"W Frame Sz: 18 3/4"H x 22"W c1938 Conte Crayon w/ Gouache
Category

1930s Art by Medium: Chalk

Materials

Conté, Gouache

Ofrenda de ciruelas
Located in New York, NY
Valeria Vilar Ofrenda de ciruelas, 2015 Acrylic and chalk on paper 59 x 78.7 in (149.86h x 199.9w cm)
Category

2010s Abstract Art by Medium: Chalk

Materials

Paper, Chalk, Acrylic

The Pot Carrier - Bright Colour Portrait, Women, Texture, Face
Located in London, GB
Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...
Category

2010s Contemporary Art by Medium: Chalk

Materials

Canvas, Chalk, Acrylic

DRAWING OF SAM II
Located in Aventura, FL
Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...
Category

1990s Contemporary Art by Medium: Chalk

Materials

Paper, Chalk, Crayon, Pencil

The Cleansing of the Temple, Late 18th European School Graphite Drawing
Located in London, GB
Pencil and chalk on paper Image size: 8 1/2 x 13 inches (22 x 33cm) This wonderful drawing depicts 'The Cleansing of the Temple', a biblical narrative where Christ expels merchants...
Category

Late 18th Century Art by Medium: Chalk

Materials

Paper, Chalk, Graphite

Untitled
Located in New York, NY
Valeria Vilar Untitled, 2013 Mixed media on paper 20 x 23 in (50.8h x 58.42w cm)
Category

2010s Abstract Art by Medium: Chalk

Materials

Paper, Chalk, Acrylic

"Petie (Duck)" conte crayon drawing signed by Sylvia Spicuzza
Located in Milwaukee, WI
In this drawing, Sylvia Spicuzza presents the viewer with a duck in a watery landscape, rendered in her elegant modernist style. Other forms in the drawing appear to shoot up like le...
Category

1950s Modern Art by Medium: Chalk

Materials

Conté

GOAT WITH ORANGE COLLAR - Traditional Realism / Animal Drawing / Farm Animal
Located in New York, NY
Original drawing by Patricia Traub.
Category

2010s Contemporary Art by Medium: Chalk

Materials

Paper, Chalk, Charcoal, Pastel, Graphite

Small Island #1
Located in Palm Beach, FL
Michael K. Paxton is a well-established, Chicago-based artist and sixth-generation West Virginian. He is currently the subject of a documentary film Work at Hand...
Category

2010s Abstract Expressionist Art by Medium: Chalk

Materials

Canvas, Chalk, Charcoal, Acrylic

Untitled
Located in New York, NY
Valeria Vilar Untitled, 2014 Mixed media on paper 59 x 61 in (149.86h x 154.94w cm)
Category

2010s Abstract Art by Medium: Chalk

Materials

Paper, Chalk, Acrylic

ICELANDIC GOOSE, REYKJAVIK, ICELAND - Traditional Realism /Contemporary Wildlife
Located in New York, NY
Original drawing by Patricia Traub
Category

Early 2000s Contemporary Art by Medium: Chalk

Materials

Paper, Chalk, Charcoal, Pastel, Graphite

Peasant Family, Cornelis Bega. Dutch Golden age painter and engraver.
Located in New York, NY
Documents indicate that Cornelis Pietersz Bega was born in either 1631 or 1632 in Haarlem. His grandfather was the renowned history painter Cornelis Cornelisz van Haarlem (Dutch, 1562 - 1638), and his extended family included many other more minor painters, sculptors, and craftsmen. In the spring of 1653 he traveled with the portraitist and still life painter Vincent Laurensz van der Vinne (1628–1702) through Germany, visiting Frankfurt am Main, Heidelberg, Strasbourg, and Basel. Although, like Van der Vinne, he may have intended to continue on to Rome, Bega instead returned to Haarlem in June of that year. He joined the Guild of Saint Luke in 1654. Bega died unmarried in 1664 at the young age of 32, likely a victim of the plague that claimed many lives in Haarlem that year. Dutch artist biographer Arnold Houbraken wrote that Bega was the “first and best pupil” of Adriaen van Ostade (Dutch, 1610 - 1685), a painter of low-life genre scenes. Bega similarly specialized in paintings of jovial taverngoers, smokers, quack doctors, alchemists, and musicians, but he also created tender and sympathetic images of peasant families and nursing mothers. Like Ostade, he also produced etchings, and he may have been one of the first Dutch artists to experiment with monotypes. Bega was also a confident draughtsman, and made numerous chalk drawings remarkable for their sculptural quality. Houbraken wrote that Bega and his close friend Leendert van der Cooghen (1632–1681) frequently drew from life together. Early in his career, Bega painted in a loose, rough style similar to Ostade, although his paintings differ from Ostade’s in that they exhibit a greater degree of monumentality and occasionally include classical elements and figures derived from live models. Bega may have been influenced by the classicizing tradition in Haarlem painting, which he would have known both from the extensive art collection he inherited from his grandfather, as well as from contemporary Haarlem painters who had trained there, such as Salomon (1597–1664) and Jan de Bray...
Category

17th Century Dutch School Art by Medium: Chalk

Materials

Pastel, Chalk, Satin Paper

Bozzetto for the Christos at St. Patrick's Old Cathedral
Located in Fort Lauderdale, FL
Red Chalk and Brown Ink
Category

1970s Art by Medium: Chalk

Materials

Chalk, Ink, Paper

Daredevil Aces Interior Illustration
Located in Fort Washington, PA
Medium: Conte Crayon, Pen and Ink on Paper Dimensions: 16.00" x 10.50 Signature: Signed Lower Right
Category

Early 20th Century Art by Medium: Chalk

Materials

Paper, Conté, Ink, Pen

Amalia, Paloma, and Bindongo
Located in Toronto, ON
13.5" x 17" Unframed Original Conte Crayon and Pencil Hand Signed by Joe Lasker
Category

21st Century and Contemporary Art by Medium: Chalk

Materials

Conté, Pencil

Italian neoclassical monochrome on paper with a religious theme Adam and Eve
Located in Florence, IT
With an immediately clean and elegant impact, we already know that this drawing can be counted among the valuable range of Ademollian early graphic art for two reasons: the subject, ...
Category

Early 19th Century Other Art Style Art by Medium: Chalk

Materials

Paper, Chalk, Watercolor, Pen, Graphite

Ash Drawing #5
Located in Fairfield, CT
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds in different seasons. In these landscape...
Category

21st Century and Contemporary Abstract Art by Medium: Chalk

Materials

Paper, Charcoal, Chalk

Voisinage by Yvon Pissarro - Contemporary work on paper
Located in London, GB
Voisinage by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 48.8 x 64 cm (19 ¹/₄ x 25 ¹/₄ inches) Signed lower right, y. vey Provenance: Studio of the artist, Montpe...
Category

21st Century and Contemporary Art by Medium: Chalk

Materials

Paper, Chalk, Conté, Pastel, Pencil

Oblivion Of Flowers
Located in Fairfield, CT
When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The line itself can act as a tool used to di...
Category

21st Century and Contemporary Abstract Art by Medium: Chalk

Materials

Enamel

Studies of a Woman Sitting, Red Chalk Drawing, Modern British Artist, Framed
Located in London, GB
Red chalk on paper Image size: 21 x 14 1/2 inches (54 x 37 cm) Gilt frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...
Category

20th Century Modern Art by Medium: Chalk

Materials

Paper, Chalk

Fogón
Located in New York, NY
Fogón, 2015 Acrylic, chalk and pencil on paper 67.30h x 59w in Valeria Vilar received her Bachelor’s Degree in Architecture from the University of Buenos Aires in 2009. In 2011, Vilar was selected to be part of the Artist Program of the University of Torcuato Di Tella, which was led by the artist Jorge Macchi. Vilar has attended multiple visual arts workshops, and in 2013, Vilar worked with the artists Elisa Estrada and Florencia Lenzi to co-found CasaPlaza – a visual arts school for children. Among her solo exhibitions are the "Fairies' Powder" at Central Gallery of Bs As Projects, 2012; “Pinopark” at Central Gallery of Projects, 2010. She has participated in several group exhibitions including “Pictorial Fantasies” at Artemisa Gallery...
Category

2010s Contemporary Art by Medium: Chalk

Materials

Paper, Chalk, Acrylic, Pencil

Fogón
$4,800 Sale Price
36% Off
Untitled
Located in New York, NY
Valeria Vilar Untitled, 2014 Mixed media on paper 22 x 30 in (55.88h x 76.2w cm)
Category

2010s Abstract Art by Medium: Chalk

Materials

Paper, Chalk, Acrylic

Cruzada
Located in New York, NY
Valeria Vilar Cruzada, 2015 Acrylic, chalk and pencil on paper 74.4 x 59 in (188.98h x 149.86w cm)
Category

2010s Abstract Art by Medium: Chalk

Materials

Paper, Chalk, Acrylic

Cruzada
Cruzada
$5,440 Sale Price
36% Off
Otoño Blanco
Located in New York, NY
Valeria Vilar Otoño Blanco, 2016 Acrylic and chalk on paper 27.5 x 39.3 in (69.85h x 99.82w cm)
Category

2010s Abstract Art by Medium: Chalk

Materials

Paper, Chalk, Acrylic

Getting Along 1929 Conte Crayon & Charcoal Drawing by Paul Brown
Located in Bristol, CT
Classic fox-hunt drawing in conté crayon with charcoal highlights by Paul Desmond Brown (1893-1958) Titled, 'Getting Along' depicting two hunters clearing a stone fence...
Category

1920s Other Art Style Art by Medium: Chalk

Materials

Conté, Charcoal, Crayon

Hedges 28 : Charcoal and chalk work of art
By Gerson Leiber
Located in New York, NY
Gerson Leiber's body of work reflects his interest in geometry, order, the use of a limited palette, light and shadow. He utilizes all of these components within his bold chalk and c...
Category

Early 2000s Abstract Art by Medium: Chalk

Materials

Chalk, Charcoal, Paper

The Mother's Story
By Carol Jones
Located in Fort Washington, PA
Image of a mother reading to her child.
Category

20th Century Other Art Style Art by Medium: Chalk

Materials

Chalk, Charcoal, Paper

Slow Death
Located in New York, NY
Jill Greenberg Slow Death 2024 Signed in pencil, verso Charcoal, oil, pastel, and Conté crayon on paper 11.75 x 8.25 inches, sheet Contact gallery for price.
Category

2010s Contemporary Art by Medium: Chalk

Materials

Conté, Charcoal, Oil Pastel

Gold Canines
Located in New York, NY
Jill Greenberg Gold Canines 2024 Signed in pencil, verso Charcoal, oil, pastel, and Conté crayon on paper 11.75 x 8.25 inches, sheet Contact gallery for price.
Category

2010s Contemporary Art by Medium: Chalk

Materials

Conté, Charcoal, Pastel, Oil

The Callings of Saints Peter and Andrew
Located in London, GB
The Callings of Saints Peter and Andrew Robert Edge Pine 1730-1788 Chalk on paper Image size: 15 1/2 x 17 inches (39.5 x 43 cm) Original frame Here in Pine’s picture displays an ac...
Category

18th Century English School Art by Medium: Chalk

Materials

Paper, Chalk

Study of a Standing Female Nude
Located in London, GB
Evelyn de Morgan Study of a Standing Female Nude 1855 - 1917 Black chalk and pastel on grey paper Image size: 12 ½ x 19 inches (48.2 x 31.7 cm) Pre-Raphaelite style frame Provenance J.S. Mass & Co., Ltd., London, J.X. Reynolds & Co., Ltd. Once she had graduated from the Slade School of Art, Evelyn continued to draw every day for the rest of her life. Her drawings are enlightening not only for their skill and subject matter, but also for their ability to teach us her working process. From loose compositional sketches, Evelyn swiftly progressed to detailed life studies for the figures in her paintings. Choosing to draw mainly on a grey wove paper in pencil and pastel, Evelyn produced hundreds of figure studies. Her rigorously-examined double studies of clothed and nude figures are particularly fascinating and underline the artist’s obsession with the human form and her desire for accuracy. A deep understanding of anatomy is obvious in this drawing and looking at the work you feel as though you can reach out and feel the muscle and bone under the skin, that you could feel the pulse of life through the soft skin. Evelyn de Morgan Born into a landowning family, from an early age Evelyn De Morgan, née Pickering, demonstrated a precocious artistic talent and a passionate desire to pursue a career as an artist, writing in her diary on her seventeenth birthday ‘Art is eternal, life is short… I have not a moment to lose’ (Evelyn De Morgan’s Diary, 30 August 1872, De Morgan Foundation Archive). Her maternal uncle, the artist John Roddam Spencer-Stanhope encouraged her talents and accompanied her on her first formative journeys to Italy where she discovered the Renaissance masters, particularly Botticelli. Overcoming initial parental opposition, Evelyn enrolled at the newly formed Slade School in 1873, one of the first women to do so. The Slade revolutionised women’s artistic education by allowing female students to study the nude from life alongside their male counterparts. Whilst at the Slade she began to submit work under her middle name Evelyn, rather than her Christian name Mary, as its gender ambiguity offered a chance for her work to be judged on its own merit. One of her tutors, Edward Poynter...
Category

20th Century Victorian Art by Medium: Chalk

Materials

Paper, Chalk, Pastel

Anne Hyde, Duchess of York; King James II
Located in London, GB
After Sir Peter Lely 1618 - 1680 Anne Hyde, Duchess of York; King James II Pencil, ink and white chalk on paper, Image size: 10 x 8 inches (25.5 x 20.5 cm) Original frame This work,...
Category

17th Century Old Masters Art by Medium: Chalk

Materials

Paper, Chalk, Ink, Pencil

Alone Together
Located in Kansas City, MO
Stefanie Betz Alone Together Acrylic, Chalk, Whitewash on Canvas 2023 39.37 x 55.11 (100 x 140 cm) Signed verso COA provided Stefanie Betz lives and works in Stuttgart, in southern Germany. Working as Coach and Consultant she utilizes art to open people’s minds to discover new solutions and perspectives. Stefanie Betz is a passionate and active designer of many-layered interpersonal relationships. Accordingly, her art is always a reflection of dynamic inner processes such as the evolution of a particular project or the right time for its beginning; the overcoming of obstacles; and achieving “flow state”. All of this and more is expressed in her paintings. Stefanie Betz likes to work on large formats, sometimes on canvas, sometimes on cardboard boxes. She works intuitively and spontaneously with an array of tools beyond brushes. Stefanie can be found making use of box knives, scrapers, bubble wrap, fabric...
Category

2010s Contemporary Art by Medium: Chalk

Materials

Canvas, Chalk, Acrylic

Exercise
Located in Kansas City, MO
Stefanie Betz Exercise Acrylic, Chalk, Whitewash on Canvas 2023 27.55 x 19.68 (70 x 50 cm) Signed verso COA provided Stefanie Betz lives and works in Stuttgart, in southern Germany. Working as Coach and Consultant she utilizes art to open people’s minds to discover new solutions and perspectives. Stefanie Betz is a passionate and active designer of many-layered interpersonal relationships. Accordingly, her art is always a reflection of dynamic inner processes such as the evolution of a particular project or the right time for its beginning; the overcoming of obstacles; and achieving “flow state”. All of this and more is expressed in her paintings. Stefanie Betz likes to work on large formats, sometimes on canvas, sometimes on cardboard boxes. She works intuitively and spontaneously with an array of tools beyond brushes. Stefanie can be found making use of box knives, scrapers, bubble wrap, fabric...
Category

2010s Abstract Art by Medium: Chalk

Materials

Chalk, Acrylic, Canvas

Exercise
Exercise
Price Upon Request
Statue of Liberty
Located in Missouri, MO
LeRoy Neiman (American, 1921-2012) Statue of Liberty, July 4, 1986 Signed and Dated Lower Left Acrylic Paint and Chalk 24 x 16 inches 37.5 x 29.25 inches with frame Mr. Neiman's ki...
Category

1980s American Modern Art by Medium: Chalk

Materials

Chalk, Acrylic

I thought the sun rose in your eyes
Located in New York, NY
I thought the sun rose in your eyes 2022 Signed and titled, verso Graphite and conté on paper mounted to panel 16 x 12 x .875 inches This work is offered by CLAMP in New York City.
Category

2010s Contemporary Art by Medium: Chalk

Materials

Paper, Conté, Panel, Graphite

Cat Nap
Located in New York, NY
Cat Nap Conté crayon on paper 8.25 x 12.5 inches Contact gallery for price. This work is offered by CLAMP in New York City.
Category

20th Century Contemporary Art by Medium: Chalk

Materials

Paper, Conté

Cat Nap
Price Upon Request
Seated Female Nude
Located in New York, NY
Seated Female Nude Signed, u.l. Conté crayon on paper 12 x 15.5 inches Contact gallery for price. This work is offered by CLAMP in New York City.
Category

20th Century Contemporary Art by Medium: Chalk

Materials

Paper, Conté

Untitled (Seated Nude Male Facing Left)
Located in New York, NY
Conté and colored pencil on paper 20.75 x 14.5 inches Contact gallery for price. This work is offered by CLAMP in New York City.
Category

20th Century Contemporary Art by Medium: Chalk

Materials

Paper, Conté, Color Pencil

Untitled (Classical Bust II)
Located in New York, NY
Untitled (Classical Bust II) n.d. Conté crayon on paper 30 x 22 inches Contact gallery for price. This work is offered by CLAMP in New York City.
Category

20th Century Contemporary Art by Medium: Chalk

Materials

Paper, Conté

Untitled (Classical Bust I)
Located in New York, NY
Untitled (Classical Bust I) n.d. Conté crayon on paper 30 x 22 inches Contact gallery for price. This work is offered by CLAMP in New York City.
Category

20th Century Contemporary Art by Medium: Chalk

Materials

Paper, Conté

Elegy to the Spanish Republic No. 163
Located in London, GB
Robert Motherwell Elegy to the Spanish Republic No. 163 1979-82 Acrylic and Conte crayon on board 59.1 x 74.3 cms (23 1/4 x 29 1/4 ins) RM14159 P1061 Elegy to the Spanish Republic No. 163 is a fine example of Robert Motherwell’s most acclaimed body of work, the Elegies to the Spanish Republic. As important as Barnett Newman’s zips and Jackson Pollock’s drips for their revolutionary contribution to art history, the Elegies are Motherwell’s most extensive series; he executed over 140 paintings using this motif, beginning in 1948 until his death in 1991. Nearly every major museum collection, including the Metropolitan Museum of Art, New York, Museum of Modern Art, New York, Solomon R. Guggenheim Museum of Art, New York, and San Francisco Museum of Modern Art, have in their permanent collection an Elegy to the Spanish Republic. Intended to be read as a lamentation or funeral song after the Spanish Civil War (1936-39), Motherwell’s Elegies to the Spanish Republic are a lyrical and poetic memorial to the immense human loss and suffering endured during these harrowing years. Motherwell was a young student of twenty-one when the horrors of the Spanish Civil War commenced in 1936, and he would later reflect that it was the most “moving political event” of his youth. In 1939, the Spanish Civil War concluded with the fall of Spain’s democratically elected socialist government, which was deposed by a fascist coalition led by dictator Francisco Franco, whose dictatorship would persist until 1975. In 1948 nearly a decade after the end of the Spanish Civil War, Motherwell created his first Elegy with a small drawing to accompany a poem by Harold Rosenberg. Over the next four decades, Motherwell would pursue this same structural and thematic motif relentlessly; taken as a whole, the Elegies confirm the resounding impact that this war had on the young artist, and indeed stand as a powerful monument to the overwhelming loss during and in the aftermath of the Spanish Civil War. Motherwell stated: “I meant the word 'elegy' in the title. I was twenty-one in 1936, when the Spanish Civil War began…The Spanish Civil War was even more to my generation than Vietnam was to be thirty years later to its generation, and should not be forgotten, even though la guerre est finie.” (David Craven in Joan M...
Category

1980s Abstract Expressionist Art by Medium: Chalk

Materials

Conté, Acrylic, Board

Chalk art for sale on 1stDibs.

Find a wide variety of authentic Chalk art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kory Twaddle, Mark Beard, Joseph Broghammer, and Howard Tangye. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Chalk art, so small editions measuring 0.01 inches across are also available

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