Art by Medium: Chalk

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 5 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 2 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 1 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

Artist Statement: My drawings are made with mixtures of white chalk, graphite, flour and ash. Personal history is always present in my artwork, whether straightforward or oblique. Th...

Valeria Vilar Untitled, 2014 Mixed media on paper 59 x 61 in (149.86h x 154.94w cm)

Valeria Vilar Cruzada, 2015 Acrylic, chalk and pencil on paper 74.4 x 59 in (188.98h x 149.86w cm)

Artist Statement: My drawings are made with mixtures of white chalk, graphite, flour and ash. Personal history is always present in my artwork, whether straightforward or oblique. Th...

Valeria Vilar Otoño Blanco, 2016 Acrylic and chalk on paper 27.5 x 39.3 in (69.85h x 99.82w cm)

pencil, conte, prismacolor, erasure, pencil shavings and smudge on 90# Stonehenge

William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolour paintings of women. He also worked in oils, tempera and printmaking. He was b...

Medium: Conte Crayon, Pen and Ink on Paper Dimensions: 16.00" x 10.50 Signature: Signed Lower Right

pencil, conte, prismacolor, erasure, pencil shavings and smudge on 90# Stonehenge

pencil, conte, prismacolor, erasure, pencil shavings and smudge on 90# Stonehenge

pencil, conte, prismacolor, erasure, pencil shavings and smudge on 90# Stonehenge

pencil, conte, prismacolor, erasure, pencil shavings and smudge on 90# Stonehenge

Wasim Kapoor - Untitled - 30 x 34 inches ( unframed size ) Oil and Conte on Canvas. . The listed price if for the rolled work . Should you wish to receive it framed the shipping shou...

KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publicat...

chalk on vintage collaged music sheets. Artwork measures 30 x 21 inches, 34.5 x 25 inches framed, deckle edge paper is floated in natural wood moulding with glass. This painting is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern, graphic chalk drawing on collaged vintage music sheets...

Medium: Charcoal, Chalk and Gold Paint on Mid-Toned Paper Signature: Signed Lower Left Dimensions: 19.00" x 37.00" Henry VIII licensing Bible translation; Woman refusing to recant.“The Answer to Tyndal’s Prayer” and “The Martyrdom of Anne Askew” Preliminary study for mural: The Governor’s Reception Room, Pennsylvania State Capitol Building. Literature (related to the finished work): The Century magazine, June 1905; “The Holy Experiment” by Violet Oakley Carter: “The Red Rose Girls...

Antokal's drawings are made with mixtures of white chalk, graphite, flour and ash. These materials, ineffable light dry powders, can be easily dispersed by the slightest movement of ...

Edmund D. Kinzinger was the Chairman of the Art Department at Baylor University from 1935 to 1950. Previously, Kinzinger was the Director of the Hans Hofmann School of Fine Arts in Munich. Kinzinger left Germany in 1933 because he did not agree with the Nazi government. Kinzinger’s early work in Germany was influenced by Theosophy: a philosophy based on mystical insight into the nature of God. This guided Kinzinger’s art away from representation and towards abstraction. Later, Kinzinger assimilated German Expressionism, French Cubism, and Italian Futurism with his own continuing sense of the mystery of life. While his work incorporated the formal qualities of cubism, there was always a mystical moodiness just below the surface. "From EDK: The Early Years 1913-1935" by Philip Van Keuren...

Antokal's drawings are made with mixtures of white chalk, graphite, flour and ash. These materials, ineffable light dry powders, can be easily dispersed by the slightest movement of ...

Antokal's drawings are made with mixtures of white chalk, graphite, flour and ash. These materials, ineffable light dry powders, can be easily dispersed by the slightest movement of ...

Image of a mother reading to her child.

Edward Schmidt is an artist firmly rooted in the academic Beaux-Arts tradition. He was born in Ann Arbor Michigan in 1946, and earned his Bachelor of Art’s degree from Pratt institute, where he studied with Lennart Anderson and Martha Mayor Erlebacher. He earned his Master’s degree from Brooklyn College, CUNY, where he studied with Alfred Russell...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley before earning a 4 year certificate from the Pennsylvania Academy of Fine Arts with awards for excellence in drawing. In 2008, Weary left Texas for a three year sabbatical in Southern California where she began drawing in Torrey Pines...

Chalk on vintage collaged paper with book cover 24 x 31.5 inches With vintage book pages serving as her background, Louise Laplante here works i...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” wrote poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley before earning a 4 year certificate from the Pennsylvania Academy of Fine Arts with awards for excellence in drawing. In 2008, Weary left Texas for a three year sabbatical in Southern California where she began drawing in Torrey Pines State Natural Reserve with red conté...

chalk on vintage, collaged paper artwork measures 31 x 36 inches Floated in Natural Wood Frame measuring 35.5 x 40 x 1 inches with non-reflective glass This work on paper is being offered by Carrie Haddad Gallery, located in Hudson, NY Graphic depictions of a fedora hat and manly boots with black chalk on vintage book pages. A contemporary spin on a coming of age story. Louise Laplante introduces new collages made with antique paper from found books. Each work contains a story often about women, botany, or animals that is inspired by the pages they're built upon. In the tradition of scrapbooks or memory boxes, the work is also riddled with personal references which are blurred with whitewash “the way memories are blurred by distance” and finally encased by a surface of encaustic. Laplante’s career as a head university librarian further explains her love of books and ephemera...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner (American Arts Quarterly.) Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley before earning a 4 year certificate from the Pennsylvania Academy of Fine Arts with awards for excellence in drawing. In 2008, Weary left Texas for a three year sabbatical in Southern California where she began drawing in Torrey Pines State Natural Reserve with red conté...

Cat Nap Conté crayon on paper 8.25 x 12.5 inches Contact gallery for price. This work is offered by CLAMP in New York City.

Seated Female Nude Signed, u.l. Conté crayon on paper 12 x 15.5 inches Contact gallery for price. This work is offered by CLAMP in New York City.

Conté and colored pencil on paper 20.75 x 14.5 inches Contact gallery for price. This work is offered by CLAMP in New York City.

Untitled (Classical Bust II) n.d. Conté crayon on paper 30 x 22 inches Contact gallery for price. This work is offered by CLAMP in New York City.

Untitled (Classical Bust I) n.d. Conté crayon on paper 30 x 22 inches Contact gallery for price. This work is offered by CLAMP in New York City.

Reginato's work is organic and biomorphic, using color to add a painterly effect.

Robert Motherwell Elegy to the Spanish Republic No. 163 1979-82 Acrylic and Conte crayon on board 59.1 x 74.3 cms (23 1/4 x 29 1/4 ins) RM14159 P1061 Elegy to the Spanish Republic No. 163 is a fine example of Robert Motherwell’s most acclaimed body of work, the Elegies to the Spanish Republic. As important as Barnett Newman’s zips and Jackson Pollock’s drips for their revolutionary contribution to art history, the Elegies are Motherwell’s most extensive series; he executed over 140 paintings using this motif, beginning in 1948 until his death in 1991. Nearly every major museum collection, including the Metropolitan Museum of Art, New York, Museum of Modern Art, New York, Solomon R. Guggenheim Museum of Art, New York, and San Francisco Museum of Modern Art, have in their permanent collection an Elegy to the Spanish Republic. Intended to be read as a lamentation or funeral song after the Spanish Civil War (1936-39), Motherwell’s Elegies to the Spanish Republic are a lyrical and poetic memorial to the immense human loss and suffering endured during these harrowing years. Motherwell was a young student of twenty-one when the horrors of the Spanish Civil War commenced in 1936, and he would later reflect that it was the most “moving political event” of his youth. In 1939, the Spanish Civil War concluded with the fall of Spain’s democratically elected socialist government, which was deposed by a fascist coalition led by dictator Francisco Franco, whose dictatorship would persist until 1975. In 1948 nearly a decade after the end of the Spanish Civil War, Motherwell created his first Elegy with a small drawing to accompany a poem by Harold Rosenberg. Over the next four decades, Motherwell would pursue this same structural and thematic motif relentlessly; taken as a whole, the Elegies confirm the resounding impact that this war had on the young artist, and indeed stand as a powerful monument to the overwhelming loss during and in the aftermath of the Spanish Civil War. Motherwell stated: “I meant the word 'elegy' in the title. I was twenty-one in 1936, when the Spanish Civil War began…The Spanish Civil War was even more to my generation than Vietnam was to be thirty years later to its generation, and should not be forgotten, even though la guerre est finie.” (David Craven in Joan M...

A crayon and chalk drawing of a band by French artist Jean Arène. The work is signed and dated top left. Presented in plain metal frame under glass. A charming coloured drawing of a Provencal musical band. The French equivalent of a 'mariachi band'. Two trumpet players, a tuba and a drum. The musicians are all wearing straw 'boater' hats and striped blazers. In the background is the terrace of a café with its green tables. Arene has captured, with a lightness of touch, all the excitement and animation of the scene. Jean Arène was a student of August Chabaud, a highly sought after French artist in Provence who in turn took his inspiration from Cezanne. After a stint in 1949 at the School of Fine Arts in Marseille, then a year in Paris in 1950 with the poster artist Paul Colin, Jean Arène returned to Marseille the following year where he founded the "Group of under 30' with Trofimoff, Trabuc, Zutter and Mela and began painting as an autodidact, while earning a living in advertising and decoration. His first exhibition dates from 1956. Then, from 1957, Jean Arène left the city for the countryside, which served as his base for many trips, often hitchhiking and backpacking, but always accompanied by a pencil and a sketchbook: Spain, Morocco in 1957, West Africa in 1960, (followed by an exhibition in Dakar), Northern Europe (Germany, Denmark, Sweden, Norway, Lapland , Lofoten, Netherlands and Belgium) In 1963 a trip to Tunisia. Then in 1966 his first retrospective in Toulon. In 1970 Arène left for the United States and Mexico, followed two years later by West Africa again: Tassili, the Sahara and Algeria. He exhibited extensively in Provence and the Gard: Aix-en-Provence, Uzès, Avignon, La Ciotat...

Head Study, 1930 John Sloan (1871-1951) Signed Lower Right 10.5" x 9" Unframed 19" x 16.5" Framed Born in Lock Haven, Pennsylvania, John Sloan became one o...

FREDERICK SANDYS (1829-1904) Reine Chapman and her Pug Signed, inscribed and dated u.l.: Reine Chapman 1881/F Sandys Coloured chalks on pale blue ti...

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

The Pickled Beats [The Picked Beets] Titled, center Crayon on paper 25 x 19 inches (63.5 x 48.3 cm) Contact gallery for price. This work is offered by ClampArt in New York City.

Petit Grand Vin Ordinaire Inscribed “MAD-DOG HIP 1” l.r.; titled l.l. Crayon on paper 25 x 19 inches (63.5 x 48.3 cm) This work is offered by ClampArt in New York City.

Study of a Man’s Leg Crayon on paper 20.5 x 10.5 inches (52.1 x 26.7 cm) This work is offered by ClampArt in New York City.

Leaning Female Nude Crayon on paper 12.5 x 9 inches (31.8×22.9 cm) Contact gallery for price. This work is offered by ClampArt in New York City.

Athletic Pose Charcoal and Conté crayon on paper 17.5 x 12 inches (44.5 x 30.5 cm) This work is offered by Clamp Art in New York City.

"Passers By" is an oil painting with chalk and graphite on wood panel, and measures 12" high by 16" wide. It is finished with a clear resin across the surface, lending the artwork a ...

A beautiful watercolour and chalk on paper circa 1860 by French Barbizon painter Henri Joseph Harpignies. The piece depicts figures beside the river Seine in Paris with a view of the Île de la Cité and the Notre Dame Cathedral behind on what looks to be a cool autumn day with the leaves of the trees beginning to turn brown. Signed lower right. Dimensions: Framed: 20"x23.5" Unframed: 10"x13.5" Provenance: M. Knoedler & Co. New York Christie's - New York Saint-Privé is a French commune located in the department of Yonne in region Bourgogne-Franche-Comt Born in Valenciennes, Henri Harpignies...

Avant-Garde Argentine

Chalk and charcoal on paper. Auerbach met Juliet Yardley Mills in 1956, when she was working as a model at Sidcup College of Art. He began to paint her the following year, and contin...

Artist: Joseph Broghammer Title : Night Navigating Date : 2020 Dimensions : 20 1/2 by 24 inches. Medium : chalk pastel on paper Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. Broghammer’s work has resonated with many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

Artist: Joseph Broghammer Title : Mighty Little Albatross Date : 2020 Dimensions : 20 1/2 by 24 inches. Medium : chalk pastel on paper Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. Broghammer’s work has resonated with many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “Mosler Junior” Materials : Chalk pastel and pencil on Arches Paper Date : 2019 Dimensions : 42 x 43 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer...

Artist : Kory Twaddle Title : Waltham Biogram Materials : Oil, acrylic, resin, string, and mixed media on canvas Date : 2007 Dimensions : 54 x 56 x 0.3 inches Kory Twaddle is a Ka...

Artist : Kory Twaddle Title : Self Portrait as Cell Mitosis Library Materials : Oil, acrylic, paper, fabric, string, hair of the artist and the artist's husband, rubble from studio ...

Artist : Kory Twaddle Title : Portland Old Port Materials : Oil and acrylic on canvas Date : 2004 Dimensions : 20 x 14 x 0.2 inches Kory Twaddle is a Kansas...

Artist : Kory Twaddle Title : Portland Apartment Organ Building Materials : Pastel, charcoal, conté crayon, marker, graphite, and mixed media on paper diptych Date : 2006 Dimensions...

Artist : Kory Twaddle Title : Portland Apartment Biogram Materials : Pastel, oil pastel, marker, charcoal, conté crayon, colored pencil, gaphite china marker, and mixed media on pap...