Art by Medium: Charcoal

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist The...

Working from a live model Anna Razumovskaya perfectly captures a violinist in a candid moment, the bow teasing out the last note on the strings. Whil...

A finely executed charcoal portrait on paper depicting Steuart Adolphus Pears, thought to have been painted in “Harrow 1849”. Pears, noted for his tenure as headmaster of Repton Sc...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Original abstract Acrylic Painting on Canvas, affixed to Windsor Newton paper. The moods and whims of nature influence the work of Sarah Van Beckum. D...

English School, Portrait of a Woman, Charcoal and Pastel on Wove Paper, 19th Century, apparently unsigned, giltwood frame. Image: 10.75" H x 8.25" W; frame: 17" H x 14.5" W x 1" D. P...

Study of Ruth, c. 1925 Charcoal and sepia ink on paper 22 1/4 x 27 3/4 inches (56.5 x 70.5 cm) Signed upper center: Lillian Westcott Hale Lilian Westcott Hale...

Elephant in the Room II - smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 32x32 inches Frame size: 36x3...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Sinc...

A fabulous composition that is inspiring and uplifting. Technically, it is executed very well with a lot of detail, which shows in our detail shots. This is an artist who is coming...

A brightly colored, large 1950s Mid-Century, watercolor and charcoal on paper image of a young boy (titled "Sun Child") by notable Chicago Modern woman artist, Margo Hoff. Artwork s...

A charcoal portrait of a boy. Presented in an oval blue double mount and an oval distressed gilt-effect wooden frame. Signed and dated to the lower-right corner. On wove.

Holly Addi, living and working in Salt Lake City, UT, USA is an abstract painter using acrylic and charcoal on canvas. Her gesture and surface quality is reminiscent of the Abstract ...

Artist: Jim Dine Title: Atheism VII Medium: Painting of Acrylic, Watercolor and Charcoal on Paper Sheet Size: 43" x 37.75" Edition: Original Years: 1986 Inscription: Signed, dated, a...

Luke Jackson "The Bright and The Dark" 2017 48” x 31.75” inches. Charcoal and Oil on Canvas About the Artist: Luke Jackson is a visual artist who has been based in Brooklyn, NY fo...

Figures is a modern artwork realized by Francisco Bores in 1950. Charcoal drawings. Good conditions.

Title: Sluice Gate and Footbridge River Ember East Molesey Surrey Charcoal 1950 by Norman A. Overy (British 20th century) charcoal and graphite on artists paper image size approximat...

"Vincent Van Gogh, Encrypted" presents a thought-provoking reinterpretation of the iconic artist, merging classical elements with modern abstraction. This 2022 painting captures Van ...

Charcoal & acrylic on canvas Sa Hara is a Korean artist born in 1975 who lives and works in Seoul, South Korea. She is graduated with a bachelor’s degree in business administrat...

In Nuclear Era, Diego Tirigall explores the environmental and economic complexities surrounding nuclear power. Towering reactor structures dominate the scene, accompanied by striking...

"Telephone in Landscape" is an original charcoal drawing on handmade amate paper by Miguel Castro Leñero. The artist initialed the piece lower rig...

Charcoal with red and white conté crayon on Rives BFK paper Signed and dated, recto This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt ...

Charcoal and acrylic paint on canvas Unique work Hand-signed by the artist

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Est...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Est...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Pool #35 by California artist Jeffrey Palladini is a minimalist figurative painting. It is Oil and Charcoal on Wood Panel. It is 24x36. With the wood frame, it is 25x37. It is a fe...

Luke Jackson "Tradescantia Zebrina II" 2024 63” x 51” (framed) Charcole, Water, Eraser, on Paper About the Artist: Luke Jackson is a visual artist who has been based in Brooklyn, ...

In this delicate drawing, artist Josef Levi takes reference to art history by combining figures within one composition. The two characters depicted in this composition utilize the bo...

La Promenade by Georges Manzana Pissarro (1871-1961) Charcoal and pastel on paper 49.5 x 63.5 cm (19 ⅜ x 25 inches) Signed lower left, Manzana Executed circa 1920 This work is accom...

Acrylic on canvascharcoa

Country Path with Red Roofs by Georges Manzana Pissarro (1871-1961) Coloured crayon, pencil and charcoal on paper 32 x 24 cm (12 ⅝ x 9 ½ inches) Signed with Estate Stamp lower right ...

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

Ink, acrylic, charcoal on korean paper

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

charcoal drawing of a group of friends telling jokes on canvas.

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

"Body" by the impressionist Alexandr Reznichenko. About the artwork: TECHNIQUE: charcoal on paper STYLE: Impressionist, Contemporary Edition : Unique, signed The painting is unf...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist The...

Robert Dandarov (Macedonian/American, b. 1959), Snake Tongue Creature, Mixed Media on Paper, 1985, signed and dated lower right, ebonized wood frame. Image: 11" H x 7.5" W; frame: 2...

Jeune Orientale Assise by Georges Manzana Pissarro (1871-1961) Charcoal on paper 63 x 50 cm (24 ³/₄ x 19 ³/₄ inches) Signed lower right, manzana Executed circa 1915 This work is acc...

Landscape B/W charcoal on paper (Canson paper 300 gr) 30x 42 cm framed SIZE 40x50 cm the drawing comes with a passepartout and a rigid support ready to be hung this painting is published in the personal exhibition catalogue "The Fragile Space" was given a mention by the jury...

Peri Schwartz (born October 4, 1951, Brooklyn, New York) is an American painter and printmaker. She was born in Brooklyn, New York and raised in Far Rockaway, New York. She received her BFA from Boston University College of Fine Arts in 1973 and an MFA from Queens College in 1975. Up for sale is a wonderful Still Life with fruits Painting...

Medium: Charcoal, Pastel, and Watercolor on Board Signature: Signed Lower Right Sight Size 16.00;" Framed 28.00" x 25.00"

Comes ready to hang in a professional floater frame. Dimensions given are with frame. Artist's Statement: "I am revisiting a series of paintings I did back in 2015 (long since sold...

William Barnett (1918-1992). Portrait of a Reclining Woman ca. 1950's. Charcoal and Ink on paper measuring 11 x 11.5 inches. Signed lower right. Unframed. William Barnett ( cal...

Teboho Makoatsa emerges as a prominent figure within the South African contemporary art landscape. Born in the Free State Province and later raised in the North West Province, his ea...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist The...

Original advertisement for Cream of Wheat, published 1909. Literature Dave Stivers, Nabisco Brands Collection of Cream of Wheat Advertising...

Charcoal and Oil on Canvas Unique Available for display at Taylor Fine Art

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

This charcoal and acrylic flower drawn from life, taken from the amazing flowers at the Armory Show in NYC that the artist went home with. The renowned art fair is one of the most a...

it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...

French Romantic school, circa 1840 Portrait of a young man, charcoal on paper 22.5 x 17 cm In good condition, however, there is a restoration of the paper in the upper right-hand qu...

Jeune Femme de Dos au Zèbre by Georges Manzana Pissarro (1871-1961) Charcoal on paper 66 x 49 cm (26 x 19 ¼ inches) Signed lower right, Manzana Executed circa 1915 This work is acco...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

Charcoal on paper, Signed (centre) 40cm × 29cm (57cm × 46cm framed) Victor Prouvé was a French painter, sculptor, and decorative artist known for his work in the Art Nouveau style ...

Charcoal on paper Signed and dated (lower right) 105cm × 73cm (109cm × 78cm framed) A Colombian painter, draughtsman and lithographer, known for his depictions of the male nude, wit...

Charcoal and grey wash on paper Image size: 14 3/4 x 13 3/4 inches (37.5 x 36 cm) Hand made gilt frame Provenance Private collection, Washington DC. C.G. Sloan & Co., Sept. 1980. T...