Art by Medium: Charcoal

Title: Charcoal Portrait of a Woman in Profile Artist: Josine Vignon (French 1922-2022) Medium: signed black pen/charcoal on artists paper stuck on board, glass covered Size: 11 (...

Artist: Marilina Marchica (1984, Italy) Title: Frammento CN Year: 2025 Medium: Charcoal on translucent drafting paper Frame: Custom, handcrafted solid wood frame Dimensions: Framed:...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Lemurs is an artwork realized by Umberto Mastroianni in 1978. Mixed colored scratched and colored cardboard on canvas. Includes frame. Han signed on the lower margin.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Charles Osaro...

Figurative seated nude study of a woman draping fabric around herself. The work is signed by Thierry Andre thought to be a French who was influenced by Edgar Degas. The paper is not ...

Medium: Charcoal, Pastel, and Watercolor on Board Signature: Signed Lower Right Sight Size 16.00;" Framed 28.00" x 25.00"

This work reflects Satria Nugraha’s intuitive and experimental approach to making, where everyday life, human connection, and the surrounding environment quietly inform the image. Wo...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Charcoal on paper Unique work Hand-signed by the artist

🔸 _Title: Astro Boy 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2023 🔸 _Dimensions: 38.2 x 51.2 / 97 x 130 cm 🔸 _Medium: Acrylic, enamel, spray ...

Artist Commentary: This minimalist oil painting is created with oil paint and charcoal made from Trump's "Art of the Deal" and Playboy magazines. The calmness belies the blackmail referred to in the title. Trace amounts of human urine are mixed with acrylic medium painted over the charcoal lines. This medium has not color or texture, but is a tool for making the charcoal adhere to the oil primed linen. Keywords: political art, small minimalist painting...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist The...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

William Barnett (1918-1992). Portrait of a Reclining Woman ca. 1950's. Charcoal and Ink on paper measuring 11 x 11.5 inches. Signed lower right. Unframed. William Barnett ( cal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Cottage in Tree Landscape by Regine David (female French artist, 1910-2018) charcoal painting on artist paper painting: 11 x 12 inches condition: This painting is in excellent condi...

Artist: Dale Chihuly Title: Japan Drawing 90/1457 Sheet Size: 30.25" × 22.5" Medium: Original Charcoal on Paper Year: 1990 Inscription: Signed "Chihuly" on bottom front Provenance: P...

Luke Jackson “Sunrise Cave”, 2023 Acrylic Ink, Charcoal, Oil, On Canvas About the Artist: Luke Jackson is a visual artist who has been based in Brooklyn, NY for the last 20 years....

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Franz Rogler (1921 -1994) studied wood and stone sculpture with Wilhelm Gösser at the Graz School of Applied Arts and attended the master class for painting with Rudolf Szyszkowitz. During his studies he was drafted for military service and, together with fellow artist Hans Fronius, was deployed as a war painter in Austria, Germany, Italy, the former Yugoslavia, Greece and Russia. During this time he completed studies at the Academy in Zagreb and organised exhibitions in Austria. In 1944 he deserted and managed to escape to Switzerland, where he settled in Basel after his internment and came into contact with the Swiss Surrealists of "Group 33" and with the artists Hans Arp, Max Ernst and Meret Oppenheim through his friend Regula Weilenmann. After the end of the war, he studied at the Basel Art School with Walter Bodmer and Heinrich Müller, which introduced him to Constructivist art. In 1947 Rogler returned to Graz and became a member of the Graz Secession. From 1948 to 1950 he studied at the Vienna Academy with Albert Paris Gütersloh, before returning to Graz as a freelance artist in 1950. In 1953 he received the Art Prize of the City of Graz and his works were published in the first issue of the "Surrealist Publications" edited by Edgar Jené and Paul Celan...

Repertory 2 (Abstract drawing) Charcoal on paper - Unframed. Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal ...

Repertory 2 (Abstract drawing) Charcoal on paper - Unframed. Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal ...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

The Palms #4 (Abstract painting) Charcoal on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist The...

"Vincent Van Gogh, Cosmic Groove" reimagines the iconic artist as a figure of the digital age, blending futuristic and expressive street art elements. This 2022 artwork features Van Gogh in white sunglasses and Beats-style headphones, symbolizing his connection to contemporary music culture. Dressed in an astronaut suit...

Jeune Femme de Dos au Zèbre by Georges Manzana Pissarro (1871-1961) Charcoal on paper 66 x 49 cm (26 x 19 ¼ inches) Signed lower right, Manzana Executed circa 1915 This work is acco...

. Circus. Vegetable Charcoal on Paper. Lima, Peru

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

Original drawing by Patricia Traub

Intermezzo 7 (Abstract drawing) Charcoal on paper - Unframed. Image size: 46.3 x 43.8 cm/ 18 1/4 x 17 1/4 inches. Neill creates works on canvas, linen and paper using a variety of...

Manifest 1 (Abstract Drawing) Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as...

Forest Series I is an atmospheric abstract representation of a forest in the mist. It was created by poured transparent layers of paint and linear elements of charcoal. My long-term...

The artist constructs his spirit animal through mixed media. 48" x 60" Spray Paint, Oil, Construction Paper, Acrylic, Pastel, Marker

"Performance I & II" are thoughtful and dynamic charcoal drawings on paper by Patsy McArthur. They are monotone, black and white, and show a woman wearing a fashionable striped s...

Ingenuity (Abstract painting) Ink, oil pastel and charcoal on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a pro...

An original pastel-on-paper drawing by British artist Charlie Mackesy - Mackesy's clever work and style here, provide us with a glimpse into this atmospheric depiction of a Jazz Trio...

"Vincent Van Gogh, Olive Trees" captivates with a vivid reimagination of the legendary artist, intertwining iconic elements of his life and work into an intriguing narrative canvas. ...

On offer is a work which was part of a book of drawings by Granville Redmond (1871-1935). The moody, lamp-lit scene of a man at his desk, a bottle within easy reach, and the ghostly ...

Pencil, colored pencil and charcoal on paper. Note: The painting shown on the wall may not be proportional to the room size.

Davidoff is influenced by her close connection to nature and by what she calls, “the spirit of investigation and observation of the natural world.” Her work explores themes of struct...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

Unframed Dimensions: 34 1/2 x 26 inches Framed Dimensions: 36 1/2 x 27 1/2 inches

A Finely Drawn 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, ea...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Donkey by Georges Manzana Pissarro (1871-1961) Charcoal on paper 19 x 28.2 cm (7 ¹/₂ x 11 ¹/₈ inches) Signed with Estate stamp lower right, manzana-Pissarro This work is accompanied...

Untitled (Jazz Scene) is an original Charcoal & pastel drawing on paper by British artist Charlie Mackesy. Mackesy's clever work and style here give us a glimpse into this intimate &...

SOLD UNFRAMED Girl & Zebras by Georges Manzana Pissarro (1871 - 1961) Charcoal on paper 51 x 64.5 cm (20 ⅛ x 25 ⅜ inches) Signed lower right, Manzana Pissarro This work is accompa...

This modern and contemporary series blends elements of street art with an expressive, spontaneous style. Each piece is created using charcoal and acrylic on deep black paper, evoking...

This modern and contemporary series blends elements of street art with an expressive, spontaneous style. Each piece is created using charcoal and acrylic on deep black paper, evoking...

This modern and contemporary series blends elements of street art with an expressive, spontaneous style. Each piece is created using charcoal and acrylic on deep black paper, evoking...

This modern and contemporary series blends elements of street art with an expressive, spontaneous style. Each piece is created using charcoal and acrylic on deep black paper, evoking...

This modern and contemporary series blends elements of street art with an expressive, spontaneous style. Each piece is created using charcoal and acrylic on deep black paper, evoking...

This modern and contemporary series blends elements of street art with an expressive, spontaneous style. Each piece is created using charcoal and acrylic on deep black paper, evoking...

This modern and contemporary series blends elements of street art with an expressive, spontaneous style. Each piece is created using charcoal and acrylic on deep black paper, evoking...