Art by Medium: Color Pencil

Every year a miracle harvest grows from a small seed.

If red is your colour, this is a great way to personalize a space. This artwork on paper exudes an air of femininity, blending acrylic paint with a vintage lace collage. The focus is...

PRETTY IN PINK 1 - This original artwork on board combines delicate detail with expressive brushwork. The piece offers a soft, feminine aesthetic, featuring a pink dress with flowers...

In this painting on masonite, the enduring appeal of vintage style is vividly captured. Attention to detail embodies the chic aesthetic of times past. Layers of paint and loose brush...

Titled "The faraway forest", this artwork created by Frank Girard, utilizes pigments, Chinese ink, watercolors, acrylics, and colored pencils on 400g/m2 neutral white paper. It remai...

Titled "The remote", this artwork created by Frank Girard, utilizes pigments, Chinese ink, watercolors, acrylics, and colored pencils on 400g/m2 neutral white paper. It remains unfra...

In this painting on masonite, the enduring appeal of vintage style is vividly captured. Attention to detail embodies the chic aesthetic of times past. Layers of paint and loose brush...

This is an unframed original painting. June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Berlin, and various New York and stateside galleries and museums. They have also appeared in New American Paintings, the Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself, Sand Journal, and Diner Journal as well as the film “My Idiot Brother.” She has also designed and fabricated exhibitions and displays for the Center for Urban Pedagogy, Bergdorf Goodman, Bumble and Bumble, and Crumpler Bags. She is a co-founder of the Wyoming Art...

EVENING SHOES - This elegant painting combines neutral acrylic colours with textured collage and a delicate touch of sparkle. Attention to detail captures a hint of timeless glamour ...

Evening Bag: A blend of pale neutrals, textured collage and a delicate touch of sparkle create this elegant artwork. Attention to detail captures a hint of timeless glamour in this h...

Eva Tanguqy-A Strange Request, New York Evening World newspaper India ink and blue pencil on heavyweight paper 16-1/2 x 10-1/2 inches (41.9 x 26.7 cm) (each, image) Signed lower righ...

Watchmaker is an original Ink and Watercolor Pencil drawing on paper. It is 16x24, unframed. Krzysztof Pastuszka is an interdisciplinary artist who spans sculpture, drawing, engineering, and computer design. Much of his work focuses on the complexity and tension in transition/transitioning, giving voice to his experience growing up as a trans kid in the late 90s -2000s. His process consists of idea generation and the testing and creation of prototypes to generate a multitude of parts. He focuses on mechanical movement and the interplay between parts to visualize the intricacies of change and focus on the necessity of each component's ability to cooperate with another and create movement. He uses motion as a way to expose all the micro-operations and mental acrobatics involved in navigating and rejecting the unchanging nature of cisnormativity. He combines his array of skills to envision and compose an elaborate trail of blueprints archiving the hidden and unseen essence of his trans experience--building documentation that didn't exist in his childhood. His current body of work consists of multiple assemblies within one mechanical sculpture...

Tracy Stuckey received his BFA in painting from Florida State University and his MFA from the University of New Mexico. He has exhibited his work extensively throughout the United St...

Color pencil, graphite and collage on paper Unique work Hand-signed and dated on the back

Color pencil, graphite and collage on paper Unique work Hand-signed and dated on the back

Color pencil, graphite, collage and ink on paper Unique work Hand-signed and dated on the back

SILHOUETTE - This artwork on paper captures a sense of understated glamour. The blending of a textile texture and delicate gold detailing around the waist creates a refined and elega...

This detailed artwork on paper puts emphasis on design and composition. A Navajo inspired rug motif is created using traditional design elements with a contemporary outcome. Symmetry...

This detailed artwork on paper puts emphasis on design and composition. A navajo inspired pattern is created using traditional design elements. The high contrasting, geometric patter...

This detailed artwork on paper puts emphasis on design and composition. A Navajo inspired rug motif is created using traditional design elements with a contemporary outcome. Symmetry...

“People who love to eat are always the best people.” Julia Child This still life painting puts the spotlight on the dinner plate, a big part of our everyday lives. Emphasis is placed...

“People who love to eat are always the best people.” Julia Child This still life painting puts the spotlight on the dinner plate, a big part of our everyday lives. Emphasis is placed...

This stylish black and leopard print dress is an artwork on paper blending paint, pencil and collage elements. Intuitive mark-making and loose textured detail make for an outcome bot...

Leopard print takes centre stage in this original artwork on paper. Blending paint and colored pencil, intuitive mark-making and loose textured detail creates an expressive yet refin...

This highly detailed artwork seamlessly blends acrylic, pencil and colour pencils in a freeform style. It maintains a delicate balance between expressiveness and refinement. The dist...

This is a series of four contemporary abstract paintings utilizing a distinct neutral palette throughout. Emphasizing a simplified composition, this minimal yet captivating grouping ...

CLASSY EVENING -This dress painting on art board comes framed and protected with glass. A blend of acrylic paint and pencil creates textured detail, with an outcome both expressive a...

AP2 of 3 Editions with 2 AP's. Malou da Cunha Bang (b. 1982) graduated with a BFA in 2014 and a MFA in 2016 from The Royal Institute of Art in Stockholm. She lives and works in Cope...

AP2 of 6 Editions with 2 AP's. Malou da Cunha Bang (b. 1982) graduated with a BFA in 2014 and a MFA in 2016 from The Royal Institute of Art in Stockholm. She lives and works in Cope...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...

Retreating from the stress and chaos of the last year, I created another landscape; populated by an army of friendly creatures. Here the burdens of coronavirus, climate change, and ...

"Red Rabbit Wreath" By Johanna Mueller is a unique and detailed piece which depicts a jumping desert rabbit, surrounded by iconography of the plains desert, structured in a Native Am...

Balloon is an original Ink and Watercolor Pencil drawing on paper. It is 16x24, unframed. It is an invented flying machine idea imagined by Pastuszka. As the bicycle is pedaled, t...

SNOW, MOON AND FLOWERS OF THE ÔGIYA TEA HOUSE Head and shoulders portrait of a beautiful courtesan of the Ôgiya Tea House. With an attentive gesture, she brings her left hand behind her ear with delicate wrist and finger motion. This image is part of the bijin-ga series, “Pretty women”, drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print “Snow, moon and flowers from the Ôgiya Tea House” (1793-1795). The tittle is a Japanese topic in art and design originating from a poem by Tang dynasty poet Bai Juyi. It became popular in the late Edo used to describe serene beauty. The artist reproduces the seal of the censor (Kiwame) and from the original publisher (Tsutaya, climbing leaf)), as it appears in the woodblock print used as a model; between the two, the signature of Mario BGil written in Japanese, with the date 14 (2014). The mesaurements of the drawing are 76 x 56 cm., with a painted surface of 67 x 49,5 cm. (the woodblock print is 36,2 x 25,9 cm.). With his work on the bijing-ga series, Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2; the thickness and hardness of the paper makes it necessary to transport it without rolling). In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries. ABOUT THE ARTIST Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the family business, away from commercial art galleries. In 2012, a deep interest in oriental art was awakened in him and he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late XIX century. The discovery of Kitagawa Utamaro (1753-1806), a key figure in the metropolitan culture of Edo (now Tokyo), and a point of reference in the history of Japanese engraving...

Soudeh Davoud Anahita, 2021 Colour pencils on paper 70 x 56 cm (27 1/2 x 22 in) In Anahita, Soudeh Davoud conjures a scene steeped in symbolism and quiet ritual. Set against a vast,...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

WOMAN READING A LETTER Three-quarter portrait of an Edo period Japanese courtesan caught reading a letter. Her clothing is simple: an inner pink kimono peeks out from the collar and short sleeves of the outer gray kimono with black trim. The note of color is provided by the obi tied at the waist at the front, the ribbon around the bow and the light turquoise background. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print “Woman reding a letter” (1792-17993). The artist reproduces also the seal of the censor (Kiwame) and the original publisher's seal (Tsutaya, climbing leaf), as it appears in the woodblock print used as a model; between the two, the signature of Mario BGil written in Japanese, with the date 14 (2014). The measurements of the woodblock print are 37,2 x 24,5 cm., the drawing made by Mario BGil is 76 x 56 cm. / 29,92 x 22.05 in. With his work on the bijing-ga series, Mario BGil wanted to embellish, give brilliance and volume to the images presented by japanese artist Kitigawa Utamaro in those beautiful engravings, ennobled with the patina of time, which have served as inspiration. The result obtained is almost life-size portraits, endowed with strong chromaticism and valuable contrasts, all enhanced, in turn, with the volume provided by the weight and rigidity of the paper, and its thick texture (Fabriano Artistico “grana grosso”, 640g/m2); the thickness and hardness of the paper makes it necessary to transport it without rolling). In this way, Mario BGil pays tribute to his admired artist and offers us a new and enriched vision of this popular facet of oriental art from the 18th and 19th centuries. ABOUT THE ARTIST Mario BGil is a self-taught artist who for years has combined his creative activity with his work in the family business, away from commercial art galleries. In 2012, a deep interest in oriental art was awakened in him and he began to study the great masters of Japanese Ukiyo-e prints, who had such an influence on the European avant-garde of the late s...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

DAVID BRODY Untitled (F221, G3), 2000 16.8 x 21.75 inches; framed in off white wood frame 20.1 x 25.1 inches graphite and colored pencil on isometric graph paper pencil signed and da...

ABBY GOLDSTEIN Untitled, 2012 8.0 x 11.3 inches; framed in white frame 13 x 16.1 inches watercolor and pencil on paper pencil signed recto American artist, Abby Goldstein has been f...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

Paco Rabanne ( 1934 -2023 ) " Profil Orange " 41 X 31 cm 49 X 39 cm framed . colored pencil , Gouache, felt-tip pen and graphite on paper . signed and dated 1990.

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

JERRY BERNECHE Untitled (Cats & Dogs No. 2) Colored pencil, gouache, and pastel on paper 30 x 22 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 4) Colored pencil, gouache, and pastel on paper 30 x 22 inches

Soudeh Davoud 1988 - Current Untitled, 2019 Colour pencil on paper 34 x 70 cm 13 3/8 x 27 1/2 in

Kevin Varner, American (1954 - 2019) - Spiraling Brooms with Musical Lizard (Horse Derivative). Year: 1993, Medium: Color Pencil and Ink on Paper, signed and dated lower left, Size:...

Kevin Varner, American (1954 - 2019) - Magic Mud Monolith Ceremony. Year: 1993, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Image Size: 10.5 x 21 inche...

Kevin Varner, American (1954 - 2019) - The Discovery of Superconductive Trapdoor Economics. Year: 1988, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Ima...

Kevin Varner, American (1954 - 2019) - Harmonic Convergence. Year: 1994, Medium: Color Pencil and Ink on Paper, signed and dated lower left, Size: 28 x 28 in. (71.12 x 71.12 cm)

Kevin Varner, American (1954 - 2019) - Primordial Pie. Year: 1994, Medium: Color Pencil and Ink on Paper, signed and dated lower left, Size: 27 x 21 in. (68.58 x 53.34 cm)

Kevin Varner, American (1954 - 2019) - The Interplanetary Stadium. Year: 1991, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Image Size: 10.5 x 21 inches...

Kevin Varner, American (1954 - 2019) - Intermission. Year: 1991, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Image Size: 12 x 18 inches, Size: 18 x 23....

Kevin Varner, American (1954 - 2019) - Influence of Pyramid Energy on Giant Bacteria. Year: 1991, Medium: Color Pencil and Ink on Paper, signed and dated lower left, Size: 24 x 18 i...

Kevin Varner, American (1954 - 2019) - Petrified Sludge Supercollider. Year: 1989, Medium: Color Pencil and Ink on Paper, signed and dated, titled on verso, Image Size: 12 x 18 inch...