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Medium: Etching
Artist: Leo Guida
Artist: Pablo Picasso
The Three Graces Crowned with Flowers - Three Graces
Located in London, GB
This original etching is hand signed in pencil by the artist "Picasso" at the lower right margin. It is dated in the plate “18.1.38” [18th January 1938]. It is also hand numbered ...
Category

1960s Art by Medium: Etching

Materials

Paper, Etching

Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur
Located in Aventura, FL
Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur, from « 347 Series » Aquatint on paper. Hand signed and numbered by the artist. Bloch 1715. Edition of 50. ...
Category

1960s Cubist Art by Medium: Etching

Materials

Paper, Aquatint

Le Viol II
Located in Wien, 9
- handsigned on the lower right - dated and unreadable inscripted in the plate - from the Suite Vollard - plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm - edition of 260, unnumb...
Category

1930s Modern Art by Medium: Etching

Materials

Drypoint, Etching, Aquatint

Carmen, Cubist Face - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, Cubist Face , 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog rai...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

Model Contemplating Sculpture
Located in New York, NY
Pablo Picasso, Model Contemplating Sculpture, etching, signed in pencil, 1933, a fine impression, published by Vollard, from the Vollard Suite, edition of 310, Bloch 175, Geiser 328...
Category

1930s Cubist Art by Medium: Etching

Materials

Etching

The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art by Medium: Etching

Materials

Drypoint, Aquatint

The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category

20th Century Modern Art by Medium: Etching

Materials

Drypoint, Aquatint

GARCON ET DORMEUSE A LA CHANDELLE (BLOCH 226)
Located in Aventura, FL
Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 wit...
Category

1930s Cubist Art by Medium: Etching

Materials

Paper, Etching, Engraving, Aquatint

Monogram "J" with Landscape (Plate XI), from Carmen
Located in Washington, DC
Artist: Pablo Picasso Title: Monogram "J" with Landscape (Plate XI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed:...
Category

1940s Art by Medium: Etching

Materials

Etching

Pablo Picasso (1881–1973) "Peintre et modèle avec un noeud dans les cheveux"
Located in Los Angeles, CA
Pablo Picasso 1881–1973 "Peintre et modèle avec un noeud dans les cheveux" 1964 etching and aquatint on BFK Rives image: 10¾ h × 15 w in (27 × 38 cm)...
Category

Mid-20th Century Abstract Expressionist Art by Medium: Etching

Materials

Etching, Aquatint

The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category

20th Century Modern Art by Medium: Etching

Materials

Drypoint, Aquatint

Monkey - Original Etching by Leo Guida - 1973
Located in Roma, IT
Image dimensions: 19 x 15.5 cm. Hand signed, dated and numbered by the artist with pencil. Artist's proof. Etching, aquatint, black ink. Edition of III prints in Roman Numerals. Go...
Category

1970s Contemporary Art by Medium: Etching

Materials

Etching, Aquatint

The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art by Medium: Etching

Materials

Drypoint, Aquatint

The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art by Medium: Etching

Materials

Drypoint, Aquatint

The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art by Medium: Etching

Materials

Drypoint, Aquatint

Square Head of a Man with Soft Features (Plate IV), from Carmen
Located in Washington, DC
Artist: Pablo Picasso Title: Square Head of a Man with Soft Features (Plate IV) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" ...
Category

1940s Cubist Art by Medium: Etching

Materials

Etching

Dans l'Atelier - in the studio
Located in Naples, Florida
Signed and numbered Picasso 15/50. Aquatint and etching printed on Auvergne. Pablo Picasso (1881 – 1973): Picasso (né Pablo R...
Category

20th Century Art by Medium: Etching

Materials

Etching, Aquatint

Carmen, The Expression - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, The Round Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog r...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

Carmen, The Round Face - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, The Round Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog r...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

Les bleus de Barcelone
Located in OPOLE, PL
Technique: Aquatint and etching Paper: Gourbeyre wove paper with watermark “Au Vent d’Arles” Edition: 73/75 Signed: Hand-signed and numbered in pencil Printer: Atelier Crommelynck, ...
Category

20th Century Modern Art by Medium: Etching

Materials

Etching

Painter in a hat, bearded model and nake woma spectator
Located in Miami, FL
Pablo Picasso Painter in a Hat, Bearded Model and Naked Woman Spectator, 1963 Etching 18 x 14 ½ in Ed. 38 / 50 Georges Bloch catalogue raisonné as No. 1130 A number from this editio...
Category

20th Century Modern Art by Medium: Etching

Materials

Etching, Aquatint

The Monkey - Etching by Leo Guida - 1972
Located in Roma, IT
The Monkey  is a Contemporary artwork realized in the 1972  by the italian artist  Leo Guida. Etching on paper. Mint conditions.  Edition of 12/30 Hand-signed and numbered in pen...
Category

1970s Contemporary Art by Medium: Etching

Materials

Etching

Painter in front of one of Raphael's Three Graces..., from: Series 347
Located in London, GB
This drypoint, aquatint with scraper is hand signed in pencil by the artist “Picasso” at the lower right margin. It is dated in the plate “5.8.68.VI.” It is also hand numbered in pen...
Category

1960s Modern Art by Medium: Etching

Materials

Aquatint, Drypoint

Carmen, A Young Girl’s Look - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, A Young Girl’s Look, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Cata...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

The Monkey - Etching by Leo Guida - 1972
Located in Roma, IT
The Monkey  is a Contemporary artwork realized in the 1972  by the italian artist  Leo Guida. Etching on paper. Mint conditions.  Artist proof. Hand-signed n pencil.
Category

1970s Contemporary Art by Medium: Etching

Materials

Etching

Pablo Picasso THÉÂTRE OU TÉLÉVISION: CAPE ET ÉPÉE 1968 Aquatint - 347 Series
Located in Rancho Santa Fe, CA
Pablo Picasso’s 1968 etching and aquatint Théâtre ou télévision: cape et épée belongs to the artist’s late period, a time when he reflected intensely on the themes of performance, sp...
Category

1960s Surrealist Art by Medium: Etching

Materials

Archival Paper, Etching, Aquatint

Étreinte I
Located in OPOLE, PL
Pablo Picasso (1881-1973) - Étreinte I Drypoint etching from 1963. The edition of 47/50. Dimensions of work: 59 x 76 cm. Hand signed. Publisher: Galerie Louise Leiris, Paris. R...
Category

1960s Modern Art by Medium: Etching

Materials

Drypoint, Etching

Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970
Located in Palo Alto, CA
Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...
Category

1970s Modern Art by Medium: Etching

Materials

Etching

Carmen, Portrait of a Bull - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, Portrait of a Bull, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catal...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

Femme au lit avec visiteurs en costume du XVII
Located in Wien, 9
- with the stamped signature on the lower right, as issued - numbered 15/50 - dated in the plate 29.3.71 - from the Suite 156 - published by Galerie Louise ...
Category

1970s Modern Art by Medium: Etching

Materials

Etching

Plate V, Le Cocu Magnifique
Located in Fairlawn, OH
Plate V, Le Cocu Magnifique Etching, 1968 Unsigned From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 impressions The set of...
Category

1960s Modern Art by Medium: Etching

Materials

Etching

347 SERIES (BLOCH 1502)
Located in Aventura, FL
Etching on paper. Hand signed and numbered by the artist. From the 347 series. Bloch 1502. Edition of 50. Sheet size: 18 x 22 inches. Image size 12.375 x 16.375 inches. Frame si...
Category

1960s Cubist Art by Medium: Etching

Materials

Paper, Etching

Carmen, The Peaceful Face - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, The Peaceful Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalo...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

Personnages Masqués et Femme Oiseau - Etching by Pablo Picasso - 1934
Located in Roma, IT
Etching and Aquatint on Montval paper. Hand Signed. Edition of 260 prints (not numbered and generally not signed). Plate 24 from "La Suite Vollard". Catalogue Bloch no. 227; Baer 44...
Category

1930s Cubist Art by Medium: Etching

Materials

Aquatint, Etching, Paper

Trois Hommes se Disputant une Femme Devant un Emir-Etching by Pablo Picasso-1966
Located in Roma, IT
Trois Hommes se Disputant une Femme Devant un Emir is an original artwork realized by Spanish artist Pablo Picasso in 1966. Black and white etching on wove paper. Fine proof edited...
Category

1960s Cubist Art by Medium: Etching

Materials

Etching

Combat pour Andromède entre Persée et Phinée - From "Les Métamorphoses d'Ovide"
Located in Roma, IT
Etching from the portfolio "Les Métamorphoses d'Ovide"publised by Skira in Lausanne, in 1930. On Arches paper. Printed by Louis Fort, Paris. Catalogue Bloch Vol. I n. 108. Edition of...
Category

1930s Modern Art by Medium: Etching

Materials

Etching

Amours de Jupiter et de Semele, Modern Etching by Pablo Picasso
Located in Long Island City, NY
Pablo Picasso, Spanish (1881 -1973) - Amours de Jupiter et de Semele, Year: 1930, Medium: Etching, dated in the plate, Image Size: 9 x 6.75 inches, Frame Size: 17.75 x 13.75 inch...
Category

1930s Modern Art by Medium: Etching

Materials

Etching

Head of a Bull (Plate XXXII), from Carmen
Located in Washington, DC
Artist: Pablo Picasso Title: Head of a Bull (Plate XXXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signe...
Category

1940s Cubist Art by Medium: Etching

Materials

Etching

Pablo Picasso, Portrait of Andre Breton, from Earthlight, 1923
Located in Southampton, NY
This exquisite etching by Pablo Picasso (1881–1973), titled Portrait d’Andre Breton (Portrait of Andre Breton), from the album Clair de Terre, avec un portrait par Pablo Picasso (Ear...
Category

1920s Modern Art by Medium: Etching

Materials

Etching

Gravure Au Burin 1945, Etching by Pablo Picasso
Located in Long Island City, NY
Pablo Picasso, Spanish (1881 - 1973) - Gravure Au Burin 1945, Year: 1945, Medium: Etching, Edition: 50 (edition not marked), Image Size: 8.75 x 13.75 inches, Size: 12.5 x 18.25 in. ...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

Carmen, The Bull's Horns - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

Les Saltimbanques
Located in Wien, 9
Pablo Picasso's ,,Les Saltimbanques" is a captivating drypoint etching created in 1905. The work is unnumbered and part of the catalog raisonné. The artwork explores the lives of cir...
Category

Early 1900s Modern Art by Medium: Etching

Materials

Drypoint, Etching

Carmen, The Oval Face - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, The Oval Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog ra...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

Les Bleus de Barcelone - Etching by Pablo Picasso - 1963
Located in Roma, IT
Etching and aquatint on wove paper, full margins. Hand Signed and numbered. Edition of 70/75. Belongs to the series "Les Bleus de Barcelone". Excellent condition. Ref. Bloch no. 1130.
Category

1960s Cubist Art by Medium: Etching

Materials

Paper, Etching, Aquatint

Carmen, The Noble Bull - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, The Noble Bull, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog r...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

Carmen, The Smiling Face - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, The Smiling Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...
Category

1940s Modern Art by Medium: Etching

Materials

Etching

At The Same Time - Original Etching by Leo Guida - 1970s
Located in Roma, IT
At the Same Time is an original etching and aquatint realized by Leo Guida in 1970s. Good condition. Mounted on a white cardboard passpartout (35x50). Leo Guida (1992 - 2017). Se...
Category

1970s Contemporary Art by Medium: Etching

Materials

Etching

Series 347:301 (Raphael et Fornarina VI: Enfin seuls)
Located in New York, NY
A very good impression of this etching. Signed and numbered 35/50 in pencil by Picasso. Printed by Crommelynck, Mougins. Published by Galerie Louise Leiris, Paris. From "347 Gravures...
Category

1960s Modern Art by Medium: Etching

Materials

Etching

Plate IV, Le Cocu Magnifique
Located in Fairlawn, OH
Plate IV, Le Cocu Magnifique etching & aquatint, 1968 Unsigned on the print Signed on the portfolio justification page (see photo) From the unsigned edition of 200 impressions printe...
Category

1960s French School Art by Medium: Etching

Materials

Aquatint

Vespri - Etching by Leo Guida - 1970s
Located in Roma, IT
Vespri is an artwork realized  in 1970s  by the italian Contemporary artist  Leo Guida  (1992 - 2017). Etching on paper. Hand-signed and numbered. Edition of 50. Excellent condit...
Category

1970s Contemporary Art by Medium: Etching

Materials

Etching

Vespri - Etching by Leo Guida - 1970s
Located in Roma, IT
Vespri is an artwork realized  in 1970s  by the italian Contemporary artist  Leo Guida  (1992 - 2017). Etching on paper. Hand-signed and numbered. Edition of 50. Excellent condit...
Category

1970s Contemporary Art by Medium: Etching

Materials

Etching

Numa suit les Cours de Pythagore - From "Les Métamorphoses d'Ovide"
Located in Roma, IT
Original etching from the portfolio "Les Métamorphoses d'Ovide"publised by Skira in 1931. Illustration "Avec Remarque". Catalogue Bloch Vol. I n. 128...
Category

1930s Modern Art by Medium: Etching

Materials

Etching

Le Singe - Etching by Pablo Picasso - 1940s
Located in Roma, IT
Etching, aquatint and drypoint. Not Signed and not Numbered as issued. Edition of 226 pieces. Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86). Printed by Lacourièr...
Category

1940s Cubist Art by Medium: Etching

Materials

Paper, Etching, Drypoint, Aquatint

Square Head of a Man with Joined Eyebrows (Plate V), from Carmen
Located in Washington, DC
Artist: Pablo Picasso Title: Square Head of a Man with Joined Eyebrows (Plate V) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...
Category

1940s Cubist Art by Medium: Etching

Materials

Etching

Dans l' Atelier - 1960s - Pablo Picasso - Aquatint - Modern
Located in Roma, IT
Hand Signed. Edition of 50 copies plus 15 artist's proofs. Aquatint and drypoint. Image dimensions: 32 x 46 cm Reference: Bloch 1219; Baer 1201.
Category

1960s Modern Art by Medium: Etching

Materials

Aquatint

Le Modèle et son Peintre - Etching by Pablo Picasso - 1963
Located in Roma, IT
Etching, burin and Aquatint. Edition of 50 prints, numbered and hand signed. Rare and in very good conditions. Bibliography: G. Bloch, Picasso: Catalog of the Printed Graphic work 1...
Category

1960s Modern Art by Medium: Etching

Materials

Etching

At the Same Time - Etching by Leo Guida - 1970s
Located in Roma, IT
At the same time is an artwork realized by Leo Guida, in the 1970s.  Etching on paper. Titled on the lower. Good conditions.
Category

1970s Contemporary Art by Medium: Etching

Materials

Etching

Nocturne 1 - Original Etching by Leo Guida - 1970s
Located in Roma, IT
Nocturne 1 is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original Etching. Good conditions. Hand-signed. Artis's proo...
Category

1970s Contemporary Art by Medium: Etching

Materials

Etching

Deux vieux au bord de la mer avec une pelle et une barque (B. 267-272; C. 24)
Located in Southampton, NY
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

1930s Cubist Art by Medium: Etching

Materials

Etching

Cinesias et Sa Famille
Located in Washington, DC
Artist: Pablo Picasso Title: Cinesias et Sa Famille Medium: Original etching Portfolio: Lysistrata Year: 1934 Edition: 1500 Signature: No (signed and numbered on the justification pa...
Category

1930s Art by Medium: Etching

Materials

Etching

Etching art for sale on 1stDibs.

Find a wide variety of authentic Etching art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 20th Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Salvador Dalí, Thomas Holloway, and Pablo Picasso. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching art, so small editions measuring 2.96 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $55 and tops out at $3,119, while the average work can sell for $330.

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