Art by Medium: Etching

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

Etching and aquatint on paper realized by Normanno Soscia. Hand signed and numbered in pencil. Edition of 30. Excellent condition.

Etching and aquatint on wove paper. Artist Proof, hand signed in pencil lower right. Excellent condition.

Edition of 30

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

John Baldessari (June 17, 1931 - January 2, 2020, American) Two Sets (One with Bench) 1989-1990 Photogravure with aquatint 47 3/8 29 5/8 in. Artist's Proof (A.P) Pencil signed and nu...

Alison Saar (1956 - ) - Tatoo, Year: 1994, Medium: Softground etching and aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 20, EP, Image Size: 22 x 13 inche...

"The Who's Tommy" Broadway Musical New York Times Published Cast Signed Pete Townsend Al Hirschfeld (1993) The Who's Tommy Lithograph on heavy paper Sight: 19 x 25 1/4 inches Number...

Judy Pfaff Untitled 1997 Signed and numbered Etching with wax and watercolor (Edition of 50) 9 x 12 inches

Etching and aquatint on wove paper. Artist Proof, hand signed in pencil lower right. Excellent condition.

Etching hand watercolored realized by the italian Artist Benito Trolese. Hand signed. Not numbered. Excellent condition.

Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...

Etching on paper, hand signed and numbered in pencil. Edition of 20, in roman numbers. Very good condition.

Etching realized in 1990s. Hand signed in pencil. Artist Proof. Very good condition.

Etching and aquatint on paper realized by Normanno Soscia. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...

Etching with aquatint in colors on paper. Hand signed in pencil. A poetic and imaginative etching with aquatint in colours by Italian contemporary artist Enrico Benaglia, known for ...

Etching realized in 1990s. Hand signed and numbered in pencil. Edition of 30, in roman numbers. Very Good condition, matted.

Etching hand watercolored realized by the italian Artist Benito Trolese. Hand signed. Not numbered. Excellent condition.

Etching realized in 1990s. Hand signed and numbered in pencil. Edition of 35, in roman numbers. Very Good condition, matted.

Pierre Alechinsky (1927) - À deux mains Etching from 1997. Pour Raymond, cordialement. Dimensions of work: 76.5 x 60 cm. Hand signed. Referece: Alechinsky. 50 ans d'Imprimerie""...

Zao WOU-KI Abstract composition, 1996 Original etching and aquatint Unsigned as issued On vellum 34 x 30 cm (c. 14 x 12") Excellent condition REFERENCES : Agerup #380/86 This etch...

Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...

"Chicago" Broadway Musical Tony Award Signed by Ann Reinking & Bebe Neuwirth Al Hirschfeld (1996) "Chicago" Lithograph on heavy paper Sight: 20 x ...

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

Etching realized in 1990s. Hand signed in pencil. Artist Proof. Very good condition.

Tilmann Krieg Morning at St. Malo from folio "Bretagnemappe Finis Terrae" Color Etching Image Size: 4.72 x 7.08 inches (12 x 18 cm) Sheet Size: 10.43 x 15.55 (26.5 x 39.5 cm) Signed...

Terry Winters Field Notes #20 from Field Notes Etching on Hahnemuhle off white paper, 1992 Signed in pencil, numbered 20/75 Published by Aldo Crommelynck, Paris with full margins Ve...

Etching realized in 1990s. Hand signed and numbered in pencil. Edition of 35, in roman numbers. Very Good condition, matted.

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

Etching hand colored realized by Vincenzo Maugeri. Hand signed in pencil. Excellet condition.

Etching and aquatint on paper realized by Normanno Soscia. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs)...

Etching realized in 1990s. Hand signed in pencil. Artist Proof. Very good condition.

Etching realized in 1990s. Hand colored. Hand signed in pencil. Not numbered. Excellent condition.

Richard Haas Downtown Los Angeles MOCA (Museum of Contemporary Art), 1991 Etching and aquatint on paper with printers blind stamp SIgned, dated '91 and numbered 14/35 in graphite pen...

Artist: Janet Fish, American (1938 - ) Title: Bag of Bananas Year: 1996 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 100 Size: 24.5 x 30 in. (62.23 x 76.2 cm)

Grisha Bruskin, Russian (1945 - ) - Litza II, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, numbered and dated in pencil, Edition: WP, Image Size: 9 x 7....

Etching on paper. Hand signed, titled (original title: Quale è la Via Giusta?i), and numbered in pencil. Edition of 5, in roman numbers. Excellent condition.

Screen print realized by Franco Marzilli in 1990s. Hand signed and numbered in pencil. Edition of 150. Very good condition.

George Dannatt (1915-2009) Line Drawing No.1 1996 Etching Editions available: A/P, 8/16, 9/16, 12/16 signed by George Dannatt Image measures: 12.5 x 16.5 cm George Dannatt’s long ...

Etching and aquatint on paper realized by Normanno Soscia. Hand signed in pencil. Artist Proof. Excellent condition.

Etching hand watercolored realized by the italian Artist Benito Trolese. Hand signed. Not numbered. Excellent condition.

Artist: Squeak Carnwath American (1947- ) Title: Intelligence of a Three Year Old Date: 1997 Media: Color Sugarlift And Soapground Aquatint With Hardground, Scrape And Burnish Dimen...

Etching realized by Sigfrido Oliva in 1990. Hand signed in pencil. Artist proof. Very good condition.

Etching and aquatint on paper realized by Normanno Soscia. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Etching and aquatint on paper realized by Normanno Soscia. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Etching on paper, realized in 1982 by Pasquale Basile. Hand signed and numbered in pencil. Edition of 69. Excellent condition.

Etching hand colored in pastel, realized in 1990s. Artist Proof, hand signed in pencil. Excellent condition.

Etching realized in 1990s. Hand colored. Hand signed in pencil. Not numbered. Excellent condition.

At Five O'Clock In The Afternoon by Sir Terry Frost Signed and numbered 5/25 Image 55 x 37.7 cm Published by the artist 1990 On Somerset Satin Paper Contemporary black frame, behind...

Mel Chin, American (1951 - ) - Revival Ramp, Year: 1996, Medium: Etching, Engraving, Photoetching and Lithograph on Arches, signed, titled, numbered and dated in pencil, Edition: ...

Etching on paper. Hand signed, dated and numbered in pencil. Edition of 60. Very good condition.

Magda Bolumar (Spain, 1936) 'Agua (Carpeta ""Los cuatro elementos"")', 1996 etching, aquatint on paper Rives BFK 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edi...

Etching on paper. Hand signed and dated. Artist Proof. Very good condition.

Screen print realized by Franco Marzilli in 1990s. Hand signed and numbered in pencil. Very good condition.

Etching on paper. Hand signed, titled (original title:La Santa Meditazione non è Sempre Facile), and numbered in pencil. Edition of 5, in roman numbers. Excellent condition.

Etching on paper. Hand signed, titled (original title: A Chi Faranno Comodo?)) and numbered in pencil. Edition of 30, in roman numbers. Very good condition.

Grisha Bruskin, Russian (1945 - ) - Ptitza, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: WP, Image Size: ...