Art by Medium: Found Objects

"Accented Room Featuring A Man" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. It depicts a man sitting in a pastel interior. The artist signed the piece lowe...

This mask was created by an unknown artist from New Guinea. It depicts an elongated face with carved wood and cowry shells for eyes. Mask: 29 x 8 in, incl...

Medium: very old hand-carved bat, old handmade ball, hand-carved wood toy plane, Old wood handmade toolbox, one photo of young men gathered to play baseball ...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

Sharon Brooks, the imaginative creator of the mixed media assemblage sculpture "Too Much Tea," describes it as a whimsical and delightful artwork. The centerpiece of this piece is a silver tray, cleverly supported by pounded silver cones that securely hold a wooden plate in place through drilled holes. This arrangement not only provides stability but also adds a touch of resilience to the sculpture. In her creative manipulation, Brooks has added a playful twist by incorporating the head of a doll sitting atop a teapot. It appears as if the doll is emerging from the teapot, with her arms playfully sticking out of the snout. This unique concept adds a sense of charm and intrigue to the artwork, reinventing the traditional tea-serving experience. The sculpture is further enhanced by the presence of multiple trays...

KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique, open edition. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. *Reach is a series of pieces with the same composition and butterfly elements. Variations in the materials (found aluminum cans) and in the finishes result in subtle differences making each Reach piece unique within the series. PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally. A mid-career retrospective, “Farther,” is currently on view at The Taubman Museum of Art in Roanoke, VA, through July, 2018. Recent solo exhibitions include “Paul Villinski: Burst” at the McNay Art Museum in San Antonio, TX and “Passage: A Special Installation,” at the Blanton Museum, University of Texas, Austin. Recent group shows include “Material Transformations” at the Montgomery Museum of Art, Montgomery, AL; “Re: Collection,” at the Museum of Arts and Design, New York, NY; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer transformed into an off-the-grid mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. “SkyCycles,” three full-scale “flying bicycles...

Vestiges spectrales III is a mixed-media painting on canvas that continues Melisa Taylor Metzger’s exploration of the spectral and oceanic sublime. Though more intimate in scale, it ...

A 2010 documentary on Harald focused on his impressive exhibition in the Chelsea art district of New York City. In this heavily textured abstract painting, Harald M. Olson uses oil...

Artist Commentary: An interactive hybrid of social experiment and sculptural object, envelopes the sitter into it’s cushiony softness, referencing a Victorian courting chair...

Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly ...

Patrick Dean Hubbell is Dine' (Navajo). He is To'ahani'(Near to Water Clan), Born for Dibe'lizhini (Black Sheep), Maternal Grandfather is Kinyaa'aanii (Towering House People), Patern...

Olafur Eliasson (Danish-Icelandic, b. 1967) Herbarium, 2021 Medium: Collage of dried and pressed Nympheas Ellisana water lilies (Latour-Marliac) on Lanaquarelle handmade paper, in fl...

Mixed media collage: found objects, watercolor, pastel, and printed matter on masonite. Framed in plexiglass box frame. Barnett, a surrealist artist incorporates discarded mechanica...

Medium: house-paint on upcycled drop cloth Becca Fuhrman (b. 1988, Boise, ID) is an interdisciplinary artist who specializes in multimedia large-scale p...

Believed to be signed lower right, but little is known of this works' artist or origin.

"Pepe" is a striking metal sculpture of a wild pig, showcasing an exceptional combination of industrial aesthetics and natural form. Crafted from textured, rust-toned metal, the scul...

Aparici's work is characterized by simplicity, since most of his pieces bring together few elements, resulting in very elegant compositions with simple lines, which together with his...

BATIK II by Kim Fonder is a Vintage Batik Textile on Burlap with Plexiglass measuring 60.00 X 36.00 in and is priced at $3,600.00. Kim Fonder loves texture and touch. Her paintings ...

assemblage sculpture: painted wood building refashioned out of an old seed box, constructed old wood toy boat to resemble the Ark, vintage carved & painted an...

Hand-sewn fabric collage with hand painting collage and mixed media. Velcro set up to hang directly on the wall without framing required by preference of ...

"Trans Youth - Body of a boy/girl, mind of a monster, soul of an unearthly thing. Prejudice against transgender people is widespread." KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

This painting on paper can be casually clipped onto any display, or mounted in a proper frame. Inquire for our further suggestions on framing. Painting dimensions: 2.5 x 3.5 inches ...

Trofeos - Homenaje a Picasso I Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which ...

"Olive" is a surrealist oil painting on a silver tray of a cocktail olive floating in the sky. The antique serving platter serves as both the c...

medium: reclaimed button-down shirts on birch plywood panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea Co...

Medium: house-paint on upcycled WWII era quilt Becca Fuhrman (b. 1988, Boise, ID) is an interdisciplinary artist who specializes in multimedia large-sca...

"Rolling Pin" contemporary realist oil painting on wood panel. The wood plank on which "Rolling Pin" is painted, is left untouched around the edges; The natural wood grain visible. A rectangle of crisp white paint is applied to the wooden plank. Then, a wooden rolling pin...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally. A mid-career retrospective, “Farther,” is currently on view at The Taubman Museum of Art in Roanoke, VA, through July, 2018. Recent solo exhibitions include “Paul Villinski: Burst” at the McNay Art Museum in San Antonio, TX and “Passage: A Special Installation,” at the Blanton Museum, University of Texas, Austin. Recent group shows include “Material Transformations” at the Montgomery Museum of Art, Montgomery, AL; “Re: Collection,” at the Museum of Arts and Design, New York, NY; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer transformed into an off-the-grid mobile artist...

Aparici's work is characterized by simplicity, since most of his pieces bring together few elements, resulting in very elegant compositions with simple lines, which together with his...

medium: reclaimed button-down, wire, floral tape, brass vase Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea C...

Rafael says of his work… "The damn circumstance of water everywhere..." Born and raised on an island like Cuba, with all its peculiarities, my work borders on an obsession with themes such as insularity, identity and freedom. I frequently make both historical and everyday symbols my own to describe and question the environment that surrounds me through work with a marked social cut. I make art with any resource and/or material within my reach while taking advantage of the energy of recoverable objects and mixing them with traditional and contemporary supports and technologies. ⎯⎯⎯⎯⎯ Rafael Pérez...

Medium: Unusual antique racist carnival baseball toss game-head of racist stereotype Mexican man (hat knocks off when hit with ball), Wall constructed of wood with acrylic paintings & drawings of Mexican asylum seekers and Gandhi's shadow, vintage metal toy...

Collection of Three Painted and Collage Glass Bottles, comprising: small bottle with gold painted accents, 1977, signed "HA" and dated to the underside, one bottle with silver-painte...

Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

Aparici's work is characterized by simplicity, since most of his pieces bring together few elements, resulting in very elegant compositions with simple lines, which together with his...

medium: reclaimed button-down shirts on birch plywood panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea Co...

"Pressure Point" by Sarah Milne, mixed media, 8 1/2 X 5 inches (Frame size:16 1/4 X 13 1/2 in.), $325. I use old book pieces, ephemera, and subtle signs of life as my palette, and c...

This painting on paper can be clipped onto any display, or mounted in a proper frame. Painting dimensions: 2.5 x 3.5 inches Dimensions in the plastic holder: 4 x 5.5 inches Antho...

This painting on paper can be wearable art, or mounted in a frame. Inquire for our further suggestions on framing. Painting dimensions: 2.5 x 3.5 inches Dimensions in the plastic holder: 4 x 5.5 inches Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly intricate trompe l'oeil oil paintings ranging in size from 7 x 5 inches to 48 x 36 inches. In supplement to the exhibition, Mastromatteo painted 10 pictographs on "Hello My Name Is" nametags and put them in plastic sleeves one would clip on their person for any kind of large function. There is always a bit of tongue and cheek...

medium: trumpet, aluminum (found cans), stainless steel wire, soot, enamel Paul Villinski has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally, recently including the solo exhibitions “Paul Villinski: Burst” at the McNay Art Museum in San Antonio, TX and “Passage: A Special Installation,” at the Blanton Museum, University of Texas, Austin. Recent group shows include “Material Transformations” at the Montgomery Museum of Art, Montgomery, AL; “Re: Collection,” at the Museum of Arts and Design, New York, NY; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer transformed into an off-the-grid mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and ERS was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major commissioned public works including “SkyCycles,” three full-scale “flying bicycles...

Materials: found and painted paper, metal base Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her work...

Artist Commentary: This piece is constructed from my grandmother's dressing table mirror, a found table base, and dismembered segments of a soft sculpture I had previously made and n...

"Pepe" is a striking metal sculpture of a wild pig, showcasing an exceptional combination of industrial aesthetics and natural form. Crafted from textured, rust-toned metal, the scul...

medium: reclaimed button-down, wire, floral tape, metal vase Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea C...

Manuele Bernardi was born in 1959 in Saint-Tropez. She lives and works in Roussillon, in the south of France. After completing studies at the Roederer Academy in Paris, she completed...

assemblage sculpture: wood stadium-like stands with 13 hand-carved & painted people, 1 resin & wood figure, painted reversible wood carnival game clown with one side a smile and the reverse a frown, hand-painted wood flag...

PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally. A mid-career retrospective, “Farther,” is currently on view at The Taubman Museum of Art in Roanoke, VA, through July, 2018. Recent solo exhibitions include “Paul Villinski: Burst” at the McNay Art Museum in San Antonio, TX and “Passage: A Special Installation,” at the Blanton Museum, University of Texas, Austin. Recent group shows include “Material Transformations” at the Montgomery Museum of Art, Montgomery, AL; “Re: Collection,” at the Museum of Arts and Design, New York, NY; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer transformed into an off-the-grid mobile artist...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...

Manuele Bernardi was born in 1959 in Saint-Tropez. She lives and works in Roussillon, in the south of France. After completing studies at the Roederer Academy in Paris, she completed...

Kathleen Vance, “Traveling Landscape, "Golden Interior” found case, artificial foliage, resin, paint (12.5”x5”x8”) 2022 Kathleen Vance is an environmental artist who creates sculptures and installations that connect people to local aspects of nature that are overlooked or under-appreciated. Vance received her B.F.A. from Pratt Institute and her M.F.A. from Hunter College in sculpture. She has received numerous grants and awards for her artwork including: a travel grant to research the geo-thermal regions of Iceland, a grant from the Puffin foundation for public sculpture, a development grant from Aljira, Center for Contemporary Art in conjunction with the Creative Capital Foundation, and a grant from the Brooklyn Arts council which aided the development and implementation of an outdoor community based art project in East New York. Ms. Vance was artist in resident in Berlin, Germany, presenting a workshop on environmental arts in connection with the Grunewald Parks Department in Germany. Her sculptural installations have been featured at the Museum of Contemporary Art in Krakow, the Museum of Contemporary Art in Jacksonville, the Orlando Museum of Art, the Weatherspoon Art Museum, the Peeler Art Center, the Weisman Art Museum, the Brandywine River Museum of Art, the Bruce Museum, the Ellen Noel Art Museum, Nassauischer Kunstverein Wiesbaden, the Hillwood Art Museum, VOLTA New York, PULSE New York and Miami, and EXPO Chicago, as well as many private and public institutions. Kathleen Vance has exhibited extensively in New York and internationally and continues to live and work in New York. Kathleen Vance Artist Statement, “Traveling Landscapes” With the series “Traveling Landscapes” Vance creates miniature landscapes inside vintage suitcases and trunks...

Rod Lathim’s Glowgrass transforms a vintage wooden dobro into a fusion of sculpture, sound, and spirit. Rooted in the traditions of American folk, country, and bluegrass, the dobro h...

Mark Hilltout has always been drawn to the random, the discarded and the broken. For the past 12 years he has been looking intently at something that mo...

This striking sculpture captures the essence of a wild boar, rendered with remarkable realism and creativity. Constructed from intricately welded metal pieces, the artwork exudes a s...

Artist Commentary: This soft, pepto-bismol pink sculpture intertwined around a found traditional lamp and wrapped around the table it is sitting on reminded me of people who are look...

This vertical 79 inch high and 39.5 inch wide and 4 inch deep installation artwork is a one-of-a-kind creation. The half inch white edge of the shadowbox make the frame around the piece, and it contains found and recycled materials such as cardboard, bottle caps, compact discs...