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Medium: Found Objects
Sylvia Schwartz 4, 2018, fabric, silk, wool, 14"H x 13"W
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Fabric, Found Objects, Wool, Silk
Lisa Levy, You See Through Bullshit, 2014, Mirror, Plastic, Marble, Found Object
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies
Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist.
Lisa's visual career started when she was 3 1/2 ...
Category
21st Century and Contemporary Assemblage Art by Medium: Found Objects
Materials
Marble
Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Found Objects
Materials
Fabric, Thread, Dye, Found Objects, Plaster
Eden
Located in Santa Monica, CA
Headdresses; embroideries, felted and crocheted yarn, stones, linen, and old photography.
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Felt, Linen, Found Objects, Mixed Media
$3,840 Sale Price
20% Off
Earthy Abstract Tree Landscape Rusted Metal Composition "Green Trees Study"
Located in Cape Town, ZA
Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Metal, Steel, Iron
"Love Welcomes" More Than Beautiful Gross Domestic Product Interior Art
By Banksy
Located in Draper, UT
Each mat is a Unique hand-stitched using the fabric from life vests abandoned on the Mediterranean beaches. The mats were designed by the world-renowned artist, Banksy and fabricated...
Category
2010s Street Art Art by Medium: Found Objects
Materials
Fabric, Cord, Organic Material, Found Objects, Mixed Media, Mesh
Sylvia Schwartz 8, 2018, wood, fabric, plastic, 11" x 11.5" x 2"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Fabric, Plastic, Wood, Found Objects, Acrylic
Jo Yarrington, Ghost girls_Slide Carousel, 2018, Photographic Film, Found Object
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Photographic Film, Found Objects
Oh, Georgia (Homage to O'Keeffe)
By Carolee Thea
Located in Long Island City, NY
Artist: Carolee Thea
Title: Oh, Georgia (Homage to O'Keeffe)
Year: 1986
Medium: Unique Wall Sculpture: Oak, Varnished Plywood and Bone Construction, signed and dated verso
Size: ...
Category
1980s Surrealist Art by Medium: Found Objects
Materials
Oak, Plywood, Found Objects
"#187 – HE SAID IT WAS A LIE", ink, pencil, gouache, found vintage book, poetry
By Amy Williams
Located in Toronto, Ontario
"#187 – HE SAID IT WAS A LIE" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 187 of a found copy of Er...
Category
21st Century and Contemporary Contemporary Art by Medium: Found Objects
Materials
Paper, Found Objects, Ink, Gouache, Pencil
Ellen Hackl Fagan_Seeking the Sound of Cobalt Blue_Paver 3_2020_found object
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014.
Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home.
Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...
Category
2010s Arte Povera Art by Medium: Found Objects
Materials
Concrete
"#186 – WOUNDED WERE COMING", ink, pencil, gouache, found vintage book, poetry
By Amy Williams
Located in Toronto, Ontario
"#186 – WOUNDED WERE COMING" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from page 186 to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text. The resulting poem reads "The wounded were coming / men that were scared / I felt the rain in my face / It was getting dark." – Hemingway's novel is a doomed romance between a wounded American soldier and an Italian nurse – note the feminine form on the page, with a "dress" or apron that looks skeletal, bloody and rained upon, all at once.
From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
Category
21st Century and Contemporary Abstract Art by Medium: Found Objects
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"The Bigger Picture", abstract sculpture, found frame, wood, paint, geometry
Located in Toronto, Ontario
"The Bigger Picture" is an abstract artwork by Stan Olthuis composed of acrylic paint on pine wood and reclaimed picture frame. The Bigger Picture measures...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Found Objects
Materials
Acrylic, Wood, Found Objects
Fly
Located in Brooklyn, NY
This photograph was taken in Tulum, Mexico. It was a magical morning, I met a very special person at this secret cenote. We relaxed in the sunlight and then dove underwater, finding this cave like structure. The light beams flooding through the sacred water, I took some photos and created this piece so that the majestic light will always continue to shine.
I added a natural coral plant...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Canvas, Resin, Found Objects, Acrylic, Wood Panel
$3,555 Sale Price
20% Off
"Taahhutlu" Monotype with Chine Colle and Watercolor, Found Object Collage
Located in Soquel, CA
Contemporary abstract painting and found object collage composition with stamps, money, various types of paper, and watercolor by Michael Pauker (...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Paper, Watercolor, Found Objects
$2,520 Sale Price
20% Off
Jane Sangerman, Road 2, 2014, Found Objects, Wax, Oil Paint, Spray Paint, Modern
Located in Darien, CT
Jane Sangerman lives and works in New York City.
She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had on...
Category
2010s Abstract Geometric Art by Medium: Found Objects
Materials
Found Objects, Wax, Oil, Spray Paint, Acrylic
Surreal Contemporary Figurative Mixed-Media Oil Painting American
Located in Buffalo, NY
One of a kind mixed-media collage on canvas by Philip Kuznicki from the Spirit exhibition. Comes in its original frame.
Born in Dunkirk NY, Kuznicki started his career working for ar...
Category
2010s Surrealist Art by Medium: Found Objects
Materials
Found Objects, Oil
Metal Composition "Arum Lilies"
Located in Cape Town, ZA
Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Metal, Steel, Iron
Sylvia Schwartz_2, 2018, fabric, silicone, plastic, 14" x 13" x 2"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Fabric, Plastic, Found Objects, Silicone
Paintbrushes I
By Arman
Located in Long Island City, NY
Artist: Arman, French/American (1929 - 2005)
Title: Paintbrushes I
Year: 1991
Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed
Edition: 20,...
Category
1990s Dada Art by Medium: Found Objects
Materials
Epoxy Resin, Found Objects, Mixed Media, Oil
$15,000
Assemblage with Cigar Box and the Letter P
Located in Soquel, CA
Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a yellow and black background, the artist has attached several objects, including plastic letters, cigar boxes, and glass slides.
Unsigned, but was acquired with a collection of his work.
Unframed.
Image size: 20"H x 24"W
Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco.
Exhibitions include:
2007 Contemporary Art Museum, San Jose, Costa Rica
2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA
2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA
2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA
2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA
2002 “40 by 40...
Category
21st Century and Contemporary Abstract Expressionist Art by Medium: Found Objects
Materials
Canvas, Glass, Plastic, Paper, Oil, Found Objects
Andra Samelson, Microcosm 3, 2016, Canvas, Found Objects, Acrylic Paint
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Art by Medium: Found Objects
Materials
Canvas, Found Objects, Acrylic
Cave Branch (self portrait)
By Eric Rhein
Located in New York, NY
Eric Rhein “Cave Branch (self portrait)”
2010
Signed, verso
Silver gelatin print, sterling silver, bronze, and found objects
25 x 24 x 4 inches (63.5 x 61 x 10.2 cm), framed
Thi...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Silver, Bronze
Large Abstract Rusted Metal Composition "Matisse 2 Study 1"
Located in Cape Town, ZA
Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Metal, Steel, Iron
"Cordial", wallpaper, spray paint, aunt's pearls, crystal, red resin, on board
Located in Toronto, Ontario
“Cordial“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, spray paint, wood, the artist's aunt's pearls, crystal and red resin (solid), mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Cordial celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art.
Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...
Category
21st Century and Contemporary Assemblage Art by Medium: Found Objects
Materials
Glass, Wood, Found Objects, Board, Resin, Spray Paint
Joseph Fucigna, Burning Bush, 2001, Plastic, Found Objects
Located in Darien, CT
Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants.
Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg.
Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT.
Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY.
He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...
Category
Early 2000s Arte Povera Art by Medium: Found Objects
Materials
Plastic, Found Objects
Collective Liberation
Located in Brooklyn, NY
Collective Liberation is comprised of a photograph, acrylic paint and resin. The base materials for the work are a wooden paneled canvas that supports the adhesion of a rolled photog...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Resin, Found Objects, Acrylic, Wood Panel, Photographic Paper
$7,110 Sale Price
20% Off
Jo Yarrington, Uh Oh, 2020, mixed media, 3.5 x 4 x 8 in
Located in Darien, CT
Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Metal
Jo Yarrington, Red Weaving and Codes, 2020, Mixed media, 15 x 12 in
Located in Darien, CT
Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Linen, Thread, Found Objects, Wax, Archival Paper
Potential
By George Herms
Located in Santa Monica, CA
Beyond Baroque Literary Art Center
Gift direct from the Artist
Consigned to ViCA
Category
Early 2000s Assemblage Art by Medium: Found Objects
Materials
Found Objects
$6,800 Sale Price
20% Off
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Found Objects
Materials
Thread, Dye, Found Objects
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Found Objects
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Jo Yarrington, Mute-Ability_Composition 4, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Steel
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Found Objects
Materials
Fabric, Thread, Plaster, Dye, Found Objects
"Tiffany Garden 01" Mixed Media Painting
Located in Chicago, IL
"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...
Category
21st Century and Contemporary Abstract Art by Medium: Found Objects
Materials
Concrete
Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Wood, Paint, Found Objects
Ellen Hackl Fagan_Seeking the Sound of Cobalt Blue_Paver 1_2020_found object
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014.
Ellen Hackl Fagan_SeekingtheSoundofCobaltBlue_Found Object...
Category
2010s Arte Povera Art by Medium: Found Objects
Materials
Concrete
Ellen Hackl Fagan_Seeking the Sound of Cobalt Blue_Paver 2_2020_found object
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014.
Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home.
Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...
Category
2010s Arte Povera Art by Medium: Found Objects
Materials
Concrete
Liz Sweibel, Untitled (Scrapings #3), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...
Category
2010s Abstract Art by Medium: Found Objects
Materials
Wood, Paint, Found Objects
Sylvia Schwartz 9, 2018, wood, fabric, paint. 10' x 16" x 2"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Fabric, Plastic, Wood, Found Objects, Acrylic
The Battle (of Grunwald) -- geometric abstract mixed media collage painting
By Mat Tomezsko
Located in Bryn Mawr, PA
Mat Tomezko's "Price" series of mixed media collage paintings are constructed from periodicals, circulars, acrylic, asphalt, graffiti, and coal on panel. Using mostly found materials...
Category
2010s Abstract Art by Medium: Found Objects
Materials
Found Objects, Acrylic, Panel, Wood Panel, Magazine Paper, Newsprint, As...
Keynote XIV
By Dianne Baker
Located in Buffalo, NY
Diane Baker is a mixed media and fiber-related sculptor working out of Buffalo, NY. She has exhibited throughout the United States and in Canada and is included in several public and...
Category
21st Century and Contemporary Conceptual Art by Medium: Found Objects
Materials
Found Objects, Tape, Wood
"Oesterreich II" Contemporary Monotype with Chine Colle and Watercolor
Located in Soquel, CA
Contemporary abstract painting and collage composition with stamps, various types of paper, and watercolor by Michael Pauker (American, b. 1957). With found object scraps of vintage ...
Category
Early 2000s Contemporary Art by Medium: Found Objects
Materials
Paper, Watercolor, Found Objects
Large Red and Brown Abstract Rusted Metal Composition "Hollywood"
Located in Cape Town, ZA
Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Metal, Steel, Iron
Another Unrendered Quasi-Articulated Substitution, Wall Sculpture by R. Melee
By Robert Melee
Located in Long Island City, NY
Artist: Robert Melee
Title: Another Unrendered Quasi-Articulated Substitution
Year: 2006
Medium: Beer bottle caps, Plaster and Enamel on Wood, signed verso
Size: 40 inch Diameter
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Found Objects
Materials
Enamel
"Retablo No. 5 (An Attic of Records)", Mixed Media Sculpture
Located in Chicago, IL
The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...
Category
2010s Surrealist Art by Medium: Found Objects
Materials
Paper, Oil, Found Objects, Mixed Media, Wood Panel
Tera (Latin, Earth)
By Nancy Legge
Located in Mill Valley, CA
The abstracted figure has always been a visual preoccupation for Legge – particularly as it relates to the Japanese idea of “zan ketsu no bi” – finding beauty in something missing. P...
Category
21st Century and Contemporary Contemporary Art by Medium: Found Objects
Materials
Found Objects, Porcelain
Linda Cunningham, 'Randall's Island Connector', Pastel, Found Objects, Canvas
Located in Darien, CT
canvas, collage, pastel, acrylic, photo transfers, 2016
Bifurcated sheets of canvas with torn edges suggest the beautiful open vistas now inaccessible to the residents of the Mott Haven and Port Morris areas of the South Bronx, abandoned and dominated by de-teriorating remains, rotting remnants of piers, New York State-owned power stations and City Waste transfer stations.
The unusual materials and torn canvas edges convey with tactile sensibility the contradiction documented with photo-transferred images, layered with acrylic and pastel. Materials and image fuse revealing a broken South Bronx history, an urban renewal tragedy, an area once the retreat of choice for fresh air, heath and greenery.
The shards of information and vistas evoke the former Port Morris harbor named after Governor Morris a signatory of the constitution. There barges once docked and youth once swam off a pier in the East River.
Cunningham’s work centers upon time, transience and contradictions shown through images of the shifting urban present. Compelling environmental concerns juxtaposed against industry, ur-ban blight and the loss of the natural environment as well as her concern for her Bronx home area faced with gentrification drive her work.
Linda Cunningham is a Bronx based artist with a long New York and international exhibition career. ODETTA, Bushwick, Brooklyn featured her work in a November two person exhibition and in the Harlem FLUX Art Fair, in 2015 and 2016. Her 2013 installation in No Longer Empty’s “This Side of Paradise,”at the Andrew Freedman House was installed at the Bronx Museum, 2014 in an exhibition sponsored by the Bronx Arts Alliance. The Bronx Museum displayed her sculptural installation ”Urban Regeneration” on its terrace, 2009/10.
Exhibitions in Germany began with a Fulbright Senior Research Fellowship in Berlin and her monumental public sculptural installations & alternative memorials are permanently sited in Cologne, Kassel, Bad Hersfeld and Cornberg, Germany, Grounds for Sculpture, Hamilton, New Jersey and City of Sculpture, Hamilton, Ohio.
Alternative memorials were sited at the CUNY Graduate Center across from Bryant Park, 1989-1995, in Tribeca and at UN Plaza, New York 1997-1998.
Recent temporary public sculpture installations were at Westchester Sq., Bronx. NY, 2014 and Marcus Garvey...
Category
2010s Post-Modern Art by Medium: Found Objects
Materials
Canvas, Pastel, Found Objects, Acrylic, Dye Transfer
Large Pink, Cream & Red Abstract Rusted Metal Composition "Razor Wire: Study 1"
Located in Cape Town, ZA
Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Metal, Steel, Iron
Metal Landscape Composition "Fences Study D16"
Located in Cape Town, ZA
Mark Hilltout has always been drawn to the random, the discarded and the broken. For the past 12 years he has been looking intently at something that mo...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Metal, Steel, Iron
Obstruction II
Located in New Orleans, LA
KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...
Category
21st Century and Contemporary Contemporary Art by Medium: Found Objects
Materials
Canvas, Found Objects, Acrylic
Rift Valley, Sonde 1 (khaki tan green organic copper coastal abstract texture)
Located in Quebec, Quebec
"Rift Valley, Sonde 1" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with bas-relief aesthetics. Various techn...
Category
2010s Abstract Art by Medium: Found Objects
Materials
Acrylic Polymer, Found Objects, Oil, Acrylic
"Violet Garden 01" Mixed Media Painting
Located in Chicago, IL
"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...
Category
21st Century and Contemporary Abstract Art by Medium: Found Objects
Materials
Concrete
"Cornbread World Stage Shield", Acrylic on Vintage Street Sign, Graffiti
By Cornbread
Located in Philadelphia, PA
This artwork titled "Cornbread World Stage Shield" is an original artwork by Cornbread made of acrylic paint on a retired Amsterdam street sign. The piece measures 60cm / 23.5in diam...
Category
21st Century and Contemporary Contemporary Art by Medium: Found Objects
Materials
Found Objects, Acrylic
"Cornbread STRAAT Shield", Acrylic Paint on Vintage Street Sign, Graffiti
By Cornbread
Located in Philadelphia, PA
This artwork titled "Cornbread STRAAT Shield" is an original artwork by Cornbread made of acrylic paint on a retired Amsterdam street sign. The piece measures 80cm / 31.5in diameter....
Category
21st Century and Contemporary Contemporary Art by Medium: Found Objects
Materials
Found Objects, Acrylic
Kaleidoscopic Dream
By Tony Dagradi
Located in New Orleans, LA
TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...
Category
21st Century and Contemporary Contemporary Art by Medium: Found Objects
Materials
Wood, Paper, Varnish, Found Objects
Abstract Metal "Black Square"
Located in Cape Town, ZA
Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Iron, Metal, Steel
"Pearlman Blue" Contemporary Bright Blue Found Object Violin Sculpture Painting
By Paul Reeves
Located in Houston, TX
Bright blue sculptural painting by contemporary artist Paul Reeves. The work features a found violin painted blue floating against a background of the same vibrant blue color. Curren...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Found Objects, Pigment
Well Before….the Trusty S.C.O.R.E.* Crows
By Michael Beam
Located in Buffalo, NY
Peenemunde 1943—During World War II, German rocketeers developed Vergeltungswaffen or "V" weapons at the German rocket facility Peenemunde, built in 1937. The first civilian employee...
Category
21st Century and Contemporary Conceptual Art by Medium: Found Objects
Materials
Canvas, Found Objects, Mixed Media, Oil
Roots - An Iron vessel wall sculpture by Nir Adoni. 64x42"
Located in Tel Aviv, IL
Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world.
We are offering limited editions ...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Metal, Steel, Iron
Found Objects art for sale on 1stDibs.
Find a wide variety of authentic Found Objects art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Reginald K. Gee, Katie VanVliet, Melisa Taylor Metzger, and Kat Flyn. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Found Objects art, so small editions measuring 0.01 inches across are also available
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