Art by Medium: Glass

Float glass, cut, ground, polished and assembled. Each piece is unique in it's design. Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in wa...

Float glass, cut, ground, polished and assembled. Each piece is unique in it's design. Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in wa...

Available in 24" and 30" sizes. Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is e...

Available in 24" and 30" sizes. Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is e...

This work features an acrylic painting on canvas suspended between two wooden planks. The treatment of the painting appears visceral and rambunctious - congested with abstract and sy...

This work consists of an acrylic painting on canvas laid in a handmade frame of plaster and pine. The imagery of the painting, as implied by the title and crucifix near the center of...

Oil, mirror and 24k gold leaf on canvas

Oil, mirror and 24k gold leaf on canvas.

Oil and 3 mirrors on 9 canvases

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes. ...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes. ...

black glass sculpture on a wood table depicting a scale and a gazing ball. Price includes travel and installation by the artist. work is currently in an ex...

Glass still-life assemblage with ferns, fish and bottles. Additional cost should be considered for the artist or an assistant to install the work.

glass, eggshell, ink, and oxidized iron paint on found image. Framed with Natural wood, glass, linen.

Two 24" X 24" panels, $3,450 per panel or $7000 for both. Madonna Phillip's original art technique in glass and mixed media developed after studying with a master stained glass pain...

Available in 24" and 30" sizes. Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is e...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes. ...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Two of the oil can sculptures depicted here are sold. Please contact the gallery for specific prices on individual prices and smaller light boxes sold with the sculptures. Prices range from $675 - $2050 including a small lightbox for individual sculptures. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Glass, Crystal, Polished, Optic, Dichroic Sculpture. Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in wa...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes. ...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes. ...

Starfire Sunburst Dichroic Wings’ is an abstracted glass sculpture featuring brilliant multi color dichroic glass. The sculpture strikes beautiful simplicity with its intertwining li...

‘Starfire Dichroic Wings’ is an abstracted glass sculpture featuring brilliant multi color dichroic glass. The sculpture strikes beautiful simplicity with its intertwining lines, alo...

"Tear for Henry" is an abstract glass sculpture in the blue azurelite color, which Tom laminates, grinds and polishes resulting in the glass's architectural form. Tom Marosz’s drive to test the limits of manipulating light began early on; teenage interests in photography and optics yielded early holography projects. His efforts were deemed so cutting edge during the 1960’s that he ended up collaborating with the Navy Electronics Lab team in Point Loma...

Descendants explores the origins of personal identity as it relates to my Italian lineage and its sartorial ancestry. It is an attempt to preserve my past, connecting and honoring th...

These works use the lost-wax kiln-casting glass technique. First, he makes the original form of the babies in wax and then pours in refractory plaster to...

Large wall object made of hand-blown glass and wire in light blue. Despite the hard material, Aloni's objects possess an extraordinary soft quality, which is the optical attraction of the work. Ron...

"Glass Windseed" by Norman Mooney Cast glass In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally for more than 20 years. His wall...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes....

Kazumi Ohno is inspired by a wide range of objects and the world around her, not limited to memory and older things. Using a combination of glass blowing, lamp work, cut and polish, ...

Kazumi Ohno is inspired by a wide range of objects and the world around her, not limited to memory and older things. Using a combination of glass blowing, lamp work, cut and polish, ...

Kazumi Ohno is inspired by a wide range of objects and the world around her, not limited to memory and older things. The works in this series, Voyage of Memories, are influenced by c...

Kazumi Ohno is inspired by a wide range of objects and the world around her, not limited to memory and older things. The works in this series, Voyage of Memories, are influenced by c...

Kazumi Ohno is inspired by a wide range of objects and the world around her, not limited to memory and older things. The works in this series, Voyage of Memories, are influenced by c...

"Snowflake 1" Sculpture Edition 2/8 by Huang Yulong 2017 Glass D: 60cm 23 3/5 × 23 3/5 × 1 1/5 in 60 × 60 × 3 cm SNOWFLAKE SERIES Overwhelmed by the ou...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

"I Want You No. 3" by Norman Mooney Mirror-Polished Stainless Steel with Tinted Clear Coat In 1994 Mooney moved from Ireland to New York City and has been ...

Swerve II is a 24" x 24" panel of mixed media and glass on board. The abstracted shapes and collage with a beautiful overlay of hand cut glass strips creates a depth of shimmering li...

"Cumulus Stone No. 3" by Norman Mooney Bardiglio Imperiale marble, stainless steel In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internation...

Louis Sclafani, while studying in 1976 at the Siena School of Art in Italy, became fascinated with glass on a trip to Venice and the Island of Murano. After a 3 year apprenticeship i...

Louis Sclafani’s exploration in glass began as an undergraduate majoring in ceramics at Alfred University, Alfred, New York. In 1976, Louis spent a semester abroad studying ceramics at the Siena School of Art, Italy. On a field trip to Venice, he found himself fascinated by the glass of Venice and the Island of Murano. He secured an apprenticeship with renowned glass sculptor Loredano Rosin and returned to Venice soon after to launch deeper into the world of glass. While living in a tent on a roof top behind Loredano’s studio, he learned from the best and found his own artistic direction. This “summer” job would last three years. His experience in Venice since 1976 has given him an extended family and the pleasure of working with Davide Fuin...

Tom Marosz plays with the manipulation of negative space, quite a powerful element when used correctly. Often it is the major element that explains the “story” of his sculpture So...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes...

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes....

Tom Marosz's art is the culmination of skills, craft, and the attempt to manipulate light in ways that no one expects. His fascination with light is evident in every piece he makes....

Louis Sclafani, while studying in 1976 at the Siena School of Art in Italy, became fascinated with glass on a trip to Venice and the Island of Murano. After a 3 year apprenticeship in Venice with renowned glass sculptor Loredano Rosin, Sclafani has been creating unique and technically advanced glass sculptures in his own studio in Rosendale, NY. Louis’s work is included in many private and public collections such as the Renwick Gallery of the Smithsonian Art Museum, Tampa Museum of Art,Museum of American Glass, and the Prescott Collection in Seattle. Fish Monger...

Sand-cast glass, steel mesh, silver mesh, and metal. 60"H x 45"W x 20"D Yasemin Aslan Bakiri specializes in sand-cast glass techniques using ideas relating to the natural world...

Louis Sclafani, while studying in 1976 at the Siena School of Art in Italy, became fascinated with glass on a trip to Venice and the Island of Murano. After a 3 year apprenticeship...

Louis is an artist in the forefront of his field and his pieces are technical feats in style, execution and dimension. After his studies at the Rietveld Academy and the National Acad...

Louis is an artist in the forefront of his field and his pieces are technical feats in style, execution and dimension. After his studies at the Rietveld Academy and the National Acad...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...