Art by Medium: Graphite

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

A Grand Tour study of decorative objects at the Louvre. c1910. Graphite on light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In very good condition. The object appe...

An iconic Thames Sailing Barge being unloaded along an estuary riverbank. English School, 19th century Watercolor and graphite on wove paper laid down to board, 7 1/2 x 10 1/2 inches...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Linda Stein, Profile Envelope 421.035 - Signed Feminist LGBTQ+ Ink on Paper, Calligraphic Drawing Profile Envelope 421.035 is from Linda Stein's Profile Envelope series--drawings...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Rolf Pettersson (Swedish, 20th Century) Double Portrait, 1975 Oil on canvas Framed dimensions 25 1/2” Hx 21 3/4” W Signed and dated verso A charming original Swedish portrait from t...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Linda Stein, Letter 424.026, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.026 is from Linda Stein's Missives series--a body of work born from her earlier expl...

Linda Stein, Letter 424.027, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.027 is from Linda Stein's Missives series--a body of work born from her earlier expl...

Karl Anton Fleck's portraits captivate through reduction to the essential, as well as distortion and the use of details and symbols. The striking stroke creates clear contours and th...

Arlene Shechet Summer Set 8, 2005 Watercolor monoprint on dieu donné hand made paper 21 × 27 1/2 inches Signed and dated in graphite on the front Exquisite watercolor monoprint on di...

A stylish, colorful 1950s Mid-Century Modern abstract geometric textile design (depicting a polychrome Wedge Star pattern in red, white and blue tones) by notable costume, set and fa...

Baobab N2, N6, N9 & N11 is a set of four graphite drawings from the series ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’) by the contemporary Spanish artist, Calo Carr...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

A delicate academic study by the artist Pierre Neveu (b.1929). Unsigned. On laid. Image size: 63 x 47.5cm.

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graphi...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional for a woman in her era in a male-dominated field. Wieland set new standards for what women artists could accomplish and was the first woman artist to have a solo exhibition at the National Gallery (Ottawa) in 1971. Many of her innovative creations predate similar works by female artists...

Convergence in Blue by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 24 x 38. Rose Umerlik extracts the intangible emotional moments that live in our collect...

“Orgasm” marks a decisive shift in the artist’s practice. Departing from her previous realist works executed in graphite and charcoal, the artist embraces a freer, more intuitive lan...

Date: 1944 Medium: Oil and Graphite on Paperboard Sight Size 14.00" x 11.00", Framed 22.00" x 19.00" Study for cover of The Saturday Evening Post, May 27, 1944 Norman Rockwell disc...

Abstract modernist style still life graphite drawing inspired by Giorgio Morandi's bottle still life paintings "Morandi XX” by Hudson Valley artist, David Dew Bruner, made in 2025 G...

Original watercolor over graphite under drawing of the harbor with sailboats in Puerto Plata, Dominican Republic by the American artist, Wilmot Emerton Heitland. Signed “Heitland” lower right by the artist. Condition is excellent. Circa 1930. Under UV plexiglass. A similar painting of the same harbor done in 1924 by Wilmot Heitland is in the permanent collection of the Art Institute of Chicago. The artwork is housed in a light blue laminate frame with navy blue mat. Overall framed measurements are 25 by 31 inches. Provenance: A Sarasota, Florida estate. Born 1893 in Wisconsin, Wilmot Emerton Heitland was an illustrator and painter trained at the Pennsylvania Academy of the Fine Arts. For a time, he was president of the American Watercolor Society. He also painted numerous illustrations depicting high society that were published in magazines such as: Collier’s, Women’s Home Companion, Cosmopolitan, and McCall’s, throughout the 20s, 30s, and 40s. Later, Heitland moved on to paint and teach at the Art Club. His paintings can be found in the collections of the Boston Museum of Fine Arts; the Brooklyn Museum; the Art Institute of Chicago; the Philadelphia Museum of Art; and locally at the Museum of Fine Arts, William R. Hough and Co., Stetson College of Law Library, and the Poynter Institute. Heitland moved to St. Petersburg because of the active Art Club here. He had a solo show of his work at the Art Club in 1963, and served as the exhibition chairman in 1964. He died in 1969. Overview San Felipe de Puerto Plata is the capital of the Puerto Plata province on the Dominican Republic’s Atlantic north coast. The city is best known for its beaches. Playa Dorada’s lengthy beachfront is backed by resorts and an 18-hole golf course. The city’s old colonial-era center is dominated by the 16th-century Fortaleza San Felipe, a Spanish fortress that now houses historical and military artifacts.

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli ...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Dou...

Figurative II Series, acrylic paint on canvas, brings forth the spirit world through animals, folklore, myth, and dream. The archetypal figures, aspects of ourselves, reveal layers o...

Graphite on paper Image size: 5 1/4 x 8 inches (13 x 20.25 cm) Mounted Jane Ross Little is known about Jane Ross apart from that she attended Heatherley's Art School. Here she met...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Linda Stein, Profile Flying 446.154 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.154 is from Linda Stein's Profiles series--drawings, collages and paintin...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

In this contemporary drawing in pastel, graphite and acrylic on paper, layered undulating lines in blue, black and pale mint blue investigate the properties of abstract curvilinear f...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Emily Cole Cherry Blossom, 1890 Dated "May 3, 1890" lower right Signed, dated and inscribed on verso Watercolor and graphite on paper 6 1/4 x 8 1/2 inches Sheet 8 1/4 x 10 1/2 inches...

Bee Gone Bee Gone is a poetic and visually arresting work by Arminée Chahbazian that speaks to the fragility of the natural world and the silent disappearance of vital species. Throu...

Image Dimensions: Image 9" x 19" Sheet Dimensions: 15" x 20.25" Medium: Watercolor, ink, and graphite on paper laid to board This is an unsigned study for the 38" H x 75" W oil pain...

"Notes from the Night Garden" is part of the ongoing series Garden Narratives. Dexheimer, while consistent in her focus on shape, color, texture and form works simultaneously on seve...

Christopher Ganz Self-Portrait 1999 Graphite 15.50h x 12w in 39.37h x 30.48w cm CG0027 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dra...

36"x72" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga employs a linear abstract composition. Masyga's masterful knowledge and backgrou...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Hight brow couple having relationship issues rendered in a black and white stylized Art Deco fashion. In pencil the caption reads "Are you willing to divorce your wife the minute sh...

"Basilica" is a graphite and watercolor painting of an architectural detail of the San Marco Basilica in Venice, Italy. This piece is 20.5 by 16.25 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

ARTWORK SOLD UNFRAMED Paysage by Paulémile Pissarro (1884 - 1972) Graphite on paper 32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches) Signed lower middle, Paulémile-Pissarro- Executed circa 1934...

"Descriptions I have heard or read of my work, most of which either delight or offend me, are: allegorical, apocalyptic, provocative, prophetic, dream-like, surreal, fantastic, weird...

Sloan, John, 1871-1951 The New Hat, c. 1912 graphite on paper 12 X 10 inches signed l.l. “John Sloan (per HFS)” inscribed by Helen Farr Sloan. Sloan-1 Provenance: The artist, Priva...

Here for your consideration is a very well executed pencil (graphite) drawing on archival paper of a young aristocratic lady. Attributed to the hand of the British artist, J.R. Vince...

This drawing by James Childs is offered by CLAMP in New York City.

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

A detailed landscape of the Gulf of Naples, with Mt. Vesuvius on the precipice of an eruption. Graphite on light-weight cream wove paper, 10 x 30 1/2 inches (254 x 775 mm), the full...

A stylish, colorful 1950s Mid-century Modern abstract geometric textile design (depicting a polychrome Wedge Star pattern in orange, blue, red and yellow tones) by famed French costu...

Elfi Schuselka (Austrian, b. 1940), Surrealist Composition, Mixed Media on Paper, stamped "Studio / Elfi Schuselka" to verso, unframed. 39.75" H x 29.75" W. Provenance: From the Coll...

Marcel Dzama Even More Friends of Jason, including Dzama, from the Estate of Jason Polan, double sided work with self portrait on the back, 2019 Mixed media collage with ink, waterco...

Inspired by the geometric landscape of his hometown Thomas Roese has created a photorealist series using acrylic, graphite, and colored pencil. Since graduating from the Cleveland...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

The Fan-Shape Series represents how an iconic image manifests with many connotations. Like oracular coins, these fan shapes look like sonograms foretelling the immediate future of a ...

Robert O'Meara (American, 1957-2024), Group of Three House Scenes, graphite on paper, two signed lower right depicting interior home scenes, one picturing farm house, two wood frames...

Collection Note: The F.S. No. 22 Series ​The F.S. No. 22 series represents a visceral departure from traditional color field studies, pivoting into a realm where the medium serves as...