Art by Medium: Graphite

Framed Dimensions: 12.5h x 18.5w inches Hiroshi Hayakawa was born and raised in Japan. He earned a BA in French Literature from Keio University in To...

Signed, l.r. Graphite on museum board This work is offered by ClampArt in New York City.

Untitled (Still Life) By Nicolas Party Nicolas Party is a Swiss contemporary artist known for his bold, colorful works that blend elements of surrealism and abstraction. His art sp...

A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Graphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...

19th century maritime seascape of a naval ship similar to those used in the war of 1812, by William B. Hoff (American, 1846-1903). This miniature wat...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

A moody yet vibrant California sunset. Oil paintings on wood have a very different feel than on canvas. There is a smoothness from the layers of sanded white gesso underneath and the...

My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new thought, an old memory, I am often stuck by the duality of permanence and impermanence all around us. My work engages the natural world through this lens. Images of birds...

Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject : Les Indestinés (series ...

Graphite on cream wove paper, 6 1/2 x 5 inches (165 x 122 mm), the full sheet. In very good condition with uniform light toning. Josephine Van Ingen (1885 – 1955) was the sister of...

In this contemporary drawing in pastel and graphite on BFK Rives paper, layered undulating lines investigate the properties of abstract curvilinear forms found in the localized condi...

In this contemporary drawing in pastel and graphite on BFK Rives paper, layered undulating lines investigate the properties of abstract curvilinear forms found in the localized condi...

In this contemporary drawing in pastel and graphite on BFK Rives paper, layered undulating lines investigate the properties of abstract curvilinear forms found in the localized condi...

Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Serse creates drawings by erasure. He covers a sheet of paper with a dense layer of graphite, then ''draws'' on its surface with an eraser. Using photos as his point of departure, Serse renders mountains, bodies of water and trees from the shades of gray that emerge as he plies his eraser. The resulting image is mounted on aluminum. This image has a powerful presence because of the composition and the clarity of its realism. Serse was born in 1952 in San Polo di Piave. He lives and works in Trieste. The artist has produced over the years an extraordinary series of images that have been included in the book “Drawing”, edited by Phaidon Press. These also owed him the participation in significant national and international exhibitions such as: Parkview Museum in Beijing and Singapore (2018 - 2019); Palazzo del Governatore, Parma, Italy (2018); Centre Pompidou, Musée National d’Art Moderne, Paris, France (2013); Museum of Modern and Contemporary Art, Rimini, Italy (2012); Musée des Beaux-Arts et d’archéologie, Besançon, France (2010); Palazzo Reale, Milan, Italy (2007); De Garage Cultuurcentrum, Mechelen, Belgium (2006); III Biennial of Valencia, Spain (2005); S.M.A.K., Gent, Belgium (2004); Rufino Tamayo Museum, Mexico City, Mexico (2002); Center for Contemporary Art Luigi Pecci, Prato, Italy (2002); Kunstverein Augsburg , Augsburg, Germany (2000); Musée de Beaux Arts, Gent, Belgium (1999); Bevilacqua La Masa Foundation, Venice, Italy (1997). Amongst the institutions that hosted his most recent solo shows include: Museum of Modern and Contemporary Art of Saint-Etienne Métropole, Saint-Etienne, France (2014); Galleria Continua, San Gimignano, Italy (2015), Tan Guobin Museum, Changsha, China (2017) and Museo Nacional de Bellas Artes, Havana, Cuba (2017 - 2018). Source: Galleria Continua SELECTED SOLO EXHIBITIONS 2019 Water Veils, Modern Studio, Shanghai, CN 2017 Serse, Tan Guobin Museum, Changsha, CN Aquí todo está abierto. Nada es cercano, nada es lejano, Museo Nacional De Bellas Artes, CU 2016 Serse, as far the eyes can see, Galleria Continua, Beijing, CN 2015 L’Esperienza del paesaggio, Galleria Continua, San Gimignano, IT Paysage Analogue dessins 1994-2014, Musée d’Art Moderne et Contemporain de SaintÈtienne Métropole, Saint-Ètienne, FR 2014 Serse, Galleria Continua Beijing, CN 2013 Disegnare per ordini e numeri, Galleria Giuseppe Pero, Milano, IT 2012 Puro disegno. Disegni 1997-2012, Galleria Plurima, Udine, IT Matité, Studio Carlotta Pesce, Bologna, IT Serse - “Koh-i-noor”, FAR – Museo d'Arte Moderna e Contemporanea, Rimini, IT 2010 Geometriche dissolvenze, Ex Pescheria- Salone degli Incanti, Trieste, IT Disegni in Scala, Galleria Continua / Le Moulin, Boissy-le-Châtel, FR Gemme, architetture, riflessi, Galleria Contemporaneo, Venice, IT 2009 Serse, Galleria Civica Segantini, Arco, IT 2008 Fotographite, Galleria Massimo Minini, Brescia, IT Stoiceia (Elements), Casa Natale di Leonardo, Vinci / Cecchi wine cellars, Castellina in Chianti, IT 2007 Diamonds, Tim Van Laere gallery, Antwerp, BE 2006 La natura del disegno, De Garage Cultuurcentrum, Mechelen, BE Il cielo sopra il Cremlino, Galleria Lipanjepuntin, Rome, IT Astratto naturale, Gallerie Plurima, Udine, IT 2005 Umanak, il luogo dove il cuore fa silenzio, Galleria Continua, San Gimignano, IT 2004 Paesaggio adottivo, Villa Manin – Centro d’Arte Contemporanea Spazio FVG, Codroipo, IT Bella figura, Galerie Guy Bärtschi, Genève, CH Astratto naturale, Het Domein Museum, Sittard, NL 2003 Naturam ipsam imitandam esse, non artificem, Van Laere Contemporay Art, Antwerp, BE 2002 Serse, Guy Bartschi Gallery, Genève, CH 2001 Serse, Casa Musumeci Greco, Rome, IT 2000 Serse, Van Laere Gallery, Antwerp, BE Serse, Galleria Continua, San Gimignano, IT Serse, Galleria Modulo, Centro Difusor de Arte, Lisbone, Portugal FIAC, Special project, Paris, FR 1999 Serse, Galleria Massimo Minini, Brescia, IT Serse, Barbara Mathes Gallery, New York, USA Rinascimento-Nascimento: Serse -Van Eyck, Musée de Beaux Arts, Gent, BE Serse, Galleria Lörhl, Mönchengladbach, DE 1998 Serse, Galleria Albert Baronian, Bruxelles, BE Acqua, Gian Ferrari Arte Contemporanea, Milan, IT Serse, Galleria Biagiotti, Florence, IT Serse, Kunst Mitte Berlin, Berlin, DE 1997 Serse, Galleria Continua, San Gimignano, IT G.Paolini, Serse. Storie della pittura, Galleria Milleventi, Turin, IT 1996 Serse, Galleria Lörhl, Mönchengladbach, DE Paesaggio Adottivo, Galleria Massimo Minini, Brescia, IT 1994 Notti Bianche, Galleria Continua, San Gimignano, IT 1993 Aria di Parigi, Galleria Romberg, Latina, IT SELECTED GROUP EXHIBITIONS 2019 Intriguing Uncertainties, curated by Lorand Hegyi, Parkview Museum, Beijing, CN 2018 Intriguing Uncertainties, curated by Lorand Hegyi, Parkview Museum, Singapore, SG Il Terzo Giorno, curated by Didi Bozzini, Palazzo del Governatore, Parma, IT 2017 L'immagine situata, curated by Denis Viva, Casa Furlan, Pordenone, IT 2016 Caveau, Siena, IT Perditiva, Aria Art Gallery, Florence, IT 2015 Follia Continua!, Le CENTQUATRE - Paris, FR Flow_1, Basilica Palladiana, Vicenza, IT Master Drawings New York, Barbara Mathes Gallery, New York, USA 2014 Krobylos un groviglio di segni. Da Parmigianino a Kentridge, FAR Fabbrica Arte Rimini moderna e contemporanea, Rimini, IT Biennale del Disegno, Rimini, IT Galleria continua, Beijing, CN 2013 Museo illuminato. Arte contemporanea e percorsi museali. Corrispondenze d'arte 2, Museo Revoltella, Trieste, IT Donation Florence Et Daniel Guerlain, Centre Pompidou, Musée National d´Art Moderne, Paris, FR 2012 Future, Landscape. A changing exhibition, Forte Marghera, Venezia, IT 2011 Made in Filandia, La Filanda, Pieve a Presciano, IT Ma dici a me?, SPAC FVG, Friuli Venezia Giulia, IT De l’arbre à la forêt, Galerie Alice Mogabgab, Beyrouth, Liban Fratelli d’Italia, Associazione Culturale Maniera, Rome, IT 2010 Collection Florence & Daniel Guerlain, dessins contemporains, Musée des beaux-arts et d’archèologie de Besancon, Besancon, FR STILL IMAGE, contemporary italian paintings, Galleria Continua, Beijing, CN 2009 Isola Mondo, Torre Massimiliana, Isola Sant’Erasmo, Venice, IT 2008 Plurima 35°, Galleria Plurima, Udine, IT 2007 Ouverture, Galleria Continua / Le Moulin, Boissy-le-Châtel, FR Arte Italiana: 1968 – 2007 Pittura, Palazzo Reale, Milan, IT Wundergarten - Il giardino delle meraviglie, innesti tra arte e botanica, Orto Botanico di Palermo, IT One Colour, Galleria Continua, Beijing, CN 2005 Water (Without you I'm not), 3rd Biennial of Valencia, Valencia, ES Altri fantasmi, galleria in Arco, Torino, IT Manmano, Galleria Continua, Beijing, CN 2004 Questi fantasmi, 1000 Eventi, Milan, IT Demi-Tour, SMAK, Gent, BE 2003 Metropolis, Stamperia dell’Arancio, Grottammare, IT Models & Mavericks, Museum Het Domein, Sittard, NL 2002 Intimate Immensity, Museo Rufino Tamayo, Mexico City, MX The Image Regained, Museo Cantonale d’Arte Contemporanea, Lugano, CH Continuità, Centro per l’Arte Contemporanea Luigi Pecci, Prato, IT 2001 Volume 1, Van Laere Gallery, Antwerp, BE 2000 Paesaggi fluttuanti, Santuario Oropa, Biella, IT Paesaggi italiani...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper All approx. 24 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Max Epstein, Canadian (1932 - 2002) - Miss Canada, Year: 1975, Medium: Color Pencil and Graphite on Paper, signed and dated, Size: 24 in. x 21 in. (60.96 cm x 53.34 cm)

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

A classic example of 19th century American School folk portraiture. c1850. Graphite and ink wash on cream wove paper, 7 1/8 x 4 14 inches (180 x 118 mm), the full sheet. Some minor ...

"Manipulator" is an abstracted figurative drawing in charcoal and graphite. The figure seems to be "manipulating" some object it holds without visual clarity as what that object is leaving it up to the viewer to fantasize about its intent. The drawing has a monumentality to it that speaks of Butler’s influence by Henry Moore, for whom he worked at one time, and echoes the style of the sculptures that Butler created. Butler most often used the female figure in his sculptures and drawings and although it is not certain, this drawing may be of a female figure engaged in some hand work with perhaps a mechanical toy that resembles a bird. Butler trained as an architect and worked as a blacksmith before becoming Henry Moore’s assistant and developing his own talent as a sculptor. His first solo exhibition was held in 1949 at the Hanover Gallery in London. In 1952 he exhibited at the Venice Biennale and in the same year won a much publicized competition for a Monument to the Unknown Political Prisoner which, however, was never made. After winning the 'Unknown Political Prisoner' competition in 1953 he became one of the best known sculptors during the 1950s and 1960s, and also taught at the Slade School of Art. Reginald Cotterell Butler (28 April 1913 – 23 October 1981) was an English sculptor born at Bridgefoot House, Buntingford, Hertfordshire to Frederick William Butler, formerly a police constable, and Edith Barltrop. His parents were the Master and Matron of the Buntingford Union Workhouse. His father was a relative of the poet William Butler Yeats; Edith was of Anglo-French descent. Butler studied and lectured at the Architectural Association School of Architecture in London from 1937 to 1939. He was a conscientious objector during the Second World War, being exempted from military service conditional upon setting up a small blacksmith business repairing farm implements. Butler's later work consists of lifelike models of female figures, such as Girl on a Round Base, that have something in common with Hans Bellmer and the sculpture of Allen Jones and prefigure the work of Ron Mueck...

Repetition, The temptation is always to believe in the stability and Faintly falling On Hansen bears the traces of lived experiences, exploring the possibilities of formal abstracti...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

This is acrylic, paint can stir stick, consumer packaging, fabric, wood, graphite, charcoal, sandpaper and sand.

Provenance Danese Gallery, NY Private Collection, USA Literature Dave Hickey, Julian Stanczak, New York, Danese Gallery, 2008, p. 39, illustrated Julian Stanczak, an artist synonym...

A stylish, captivating 1950s Mid-Century Modern abstract geometric textile design (with wedge star pattern in black and brown ochre tones) by famed French costume...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Diptych Pathways: cold wax, printed tissue paper, graphite, handmade paper, oil sticks on panels, suggest the pathways that are fundamental to navigating this world, only recognized ...

A stylish 1950s Mid-Century Modern abstract geometric textile design in brown, yellow and pale pink tones by famed French costume, set and fashion designer Andre Delfau (1914-2000). Artwork size: 19 x 14 1/2 inches; Unframed. Presented in an archival mat measuring 26 x 20 inches (ready to frame). Estate stamped on reverse. Provenance: Estate of the artist. One from a series of related Modern textile designs by Andre Delfau. Please see our other 1stDibs gallery listings. Born in Paris, France in 1914, Andre Delfau became an internationally acclaimed stage, set and costume designer who worked world-wide from the 1930s to the 1980s. Delfau was a life long artist and painted independently of his noted design career. His artwork is recognized for it’s vibrant color and form, and a particularly keen use of line. He was highly influenced by the French Modern trends of Cubism and Surrealism, and his artwork is often infused with a dramatic sense of architecture and perspective. Delfau created fashion designs for such major Paris couture houses as Balmain, Jean Patou and Balenciaga. He completed noteworthy set designs and costumes for numerous international operatic and ballet productions, including those at the Royal Danish Ballet, the Royal Ballet of Great Britain, the Paris Opera, the Dance Theater of Harlem, the Ruth Page International Ballet, the Civic Ballet of Chicago, the Chicago Opera Ballet and the Lyric Opera of Chicago, among others. Most notably, Delfau designed the elaborate stage sets and costumes for the 1986 PBS television production of the Viennese operetta, "Die Fledermaus...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

York Road Near Rt. 82 Signed in pencil upper left; signed again green pencil lower right. raphite and colored crayon on paper, mounted to paper c. 1950's Titled by the artist in bla...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

"Daniel #1" is a graphite drawing by Rick Sindt. The two figures, one naked, one fully clothed, are standing in a doorway inviting the viewer in. The graphite is reminiscent of the...

The graceful arcs of this botanical painting call to mind Chinese ink brush paintings or Japanese textiles. The silhouette is that of a money tree, a plant traditionally believed to ...

"Portrait Study" is a well-detailed portrait study of an older nude man. It is signed and dated by the artist. Michael Hodges has written about Robert Schefman...

Acrylic and graphite on gessoboard

Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and stamped, verso, with Victor di Gesu estate stamp. A haunting and atmospheric figural watercolor showing a young woman ...

Graphite on paper Signed, c.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now live...

The Wilder Shore of Love is a paean to the south coast, the celebration of distance, natural power and shoreline. The colours reflect those one finds at the edges of city, where the...

John Urbain, Belgian/American (1920 - 2009) - Orange, Pear and Lemon, Year: circa 1975, Medium: Watercolor and Graphite on paper, signed in pencil, Size: 11.5 x 16.5 in. (29.21 x 4...

French women in a reclining position looking out at the viewer. The work is signed by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Graphite on paper Signed and dated, l.r. 13.5 x 10.5 inches, sheet 21.25 x 17.25 inches, frame This drawing is offered by ClampArt, located in New York City. John Lear is an America...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

You are viewing one of a pair of stunning antique realist drawings by well listed Viennese artist August Gerasch. This piece was created with superb...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

A simply marvelous drawing - a self-portrait of the artist himself. It also reads as a very elegant and expressive line drawing of any gentleman - a hallmark depiction of a bon-vi...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Study Year: circa 1963 Medium: Original drawing on vélin Strathmore paper Size: 18 x 23 inches Condition: Good Provenance:...

Steven H. Rehfeld (American, born 1954) "Blue Impressions" 1980 Oil Paint, Mixed Media, Paper, Tape, Graphite, Ink, Canvas, Stretcher Bars The artist signed the back of the painting....