Art by Medium: Graphite

Awards 2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club 2011 Mary Bryan Memorial Medal / Allied Artis...

Awards 2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club 2011 Mary Bryan Memorial Medal / Allied Arti...

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). ...

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). He is a part-time resident of Castine, Maine and has enduring connections with Truro, Cape Cod. Young's most recent work is an outgrowth of sixteen years of research on (and “with”) the little known painter and educator, William Holst...

Frank Mujica was born on December the 20th, 1985 in Pinar del Rio, Cuba. He studied at the San Alejandro Academy of fine Arts from 2000 to 2004 and at the Superior Institute of Art I...

The materials are acrylic paint, and simple marking implements of graphite and Art Graf. Art Graf is a water-soluble media that comes in tailor’s squares, easily fitting into the han...

Collage by Torea Frey created using found papers from vintage dictionaries and thesauruses, graphite powder, and matte medium. Torea is a writer,...

Susan Reedy’s work explores and responds to surfaces often seen in urban areas. Due to the passage of time and their interaction with the people and weather, these surfaces are in th...

Jim’s of Lambertville is proud to offer this artwork. Signed. Complemented by a hand carved and gilt frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades. Even though his prints were extremely beautiful, he still was impoverished. Lathrop would return to his family in Ohio, before once again attempting the New York art scene. In 1899, with great trepidation, he submitted five small watercolors to an exhibit at the New York Watercolor Club. He won the Evans Prize, the only award given, and four of the five paintings were sold the opening night. At age forty Lathrop’s career would finally take off and he became an “overnight success Lathrop came to Phillips Mill for the first time in1898, to visit his boyhood friend, Dr. George Marshall. Shortly after, he and his family purchased the old miller’s house from Dr. Marshall. The Lathrop’s home became a social and artistic center for the growing New Hope colony. Tea and fascinating conversation was the “order of the day” every Sunday. This was a scene fondly recalled by many younger art students that Lathrop taught privately at Phillips Mill. It was common to see groups of his students painting and sketching along the banks of the canal or aboard his canal boat. He had previously taught in the Poconos and at the Lyme, Connecticut Summer School in1907, but Phillips Mill always remained Lathrop’s permanent address. In 1928, a committee headed by Lathrop was formed to purchase the old Phillips Mill building as a place to hold community gatherings and art exhibitions. The committee had success and in 1929 the Phillips Mill Community Association was formed. This became the center of the New Hope Art Colony holding annual exhibitions and still operating today. In 1930, Lathrop had built a sailboat he named the “Widge”. For eight consecutive seasons he sailed it along the coast of Long Island...

In Instruments Waiting, acrylic paint, gold, and rust, handmade paper with tissue paper conjure a sense of something found in an ancient site, yet to be identified. These instruments...

These works reflect the animism of Japanese culture and Zen training. Living in temples and the countryside with craftsman communities in Japan for over a decade, Majio was deeply in...

Signed Lower Right Burgoyne Diller (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to ...

The artist has divided the image into three vertical bands, reminiscent of a flag, where each section represents a distinct and autonomous reality. On the left, against a vibrant cri...

Organic shapes created with harmoniously dispersed stains on the canvas. Its homogeneous lines and pointillism details combine in this work to create a visually striking composition....

A unique piece with organic shapes and bold brushstrokes. This creation features detailed pointillism that adds texture and depth to the composition. The combination of cool colors o...

A true testimony that captures the intimate essence of the artist's overcoming, an autobiographical manifesto. The use of vibrant colors and intricately detailed elements makes this ...

Artist Commentary: This piece is created from a photo of a piece from the Small Works Group, manipulated on the computer, printed on a laser print then drawn on with graphite and cha...

Artist Commentary: This piece is created from a photo of one of my sculptures, manipulated on the computer, printed on a laser print then drawn on with graphite and charcoal. Keywords: abstract, bold, plastic Artist Biography: Toby Zallman...

Artist Commentary: This piece is created from a photo of one of my sculptures, manipulated on the computer, printed on a laser print then drawn on with graphite and charcoal. Keywords: abstract, bold, plastic Artist Biography: Toby Zallman...

Artist Commentary: This piece is created from a photo of a piece from the Small Works Group, manipulated on the computer, printed on a laser print then drawn on with graphite and cha...

Artist Commentary: This piece is created from a photo of a piece from the Small Works Group, manipulated on the computer, printed on a laser print then drawn on with graphite and cha...

Artist Commentary: This piece is created from a photo of one of my sculptures, manipulated on the computer, printed on a laser print then drawn on with graphite and charcoal. Keywords: abstract, bold, plastic Artist Biography: Toby Zallman...

Artist Commentary: This piece is created from a photo of one of my sculptures, manipulated on the computer, printed on a laser print then drawn on with graphite and charcoal. Keywords: abstract, bold, plastic Artist Biography: Toby Zallman...

Artist Commentary: This piece is created from a photo of one of my sculptures, manipulated on the computer, printed on a laser print then drawn on with graphite and charcoal. Keywords: abstract, bold, plastic Artist Biography: Toby Zallman...

Artist Commentary: Made with plastic bags, beeswax, oil paint and graphite Keywords: abstract, colorful Artist Biography: Toby Zallman has always combi...

Jacqueline Dee Parker’s collages are interdisciplinary in approach and concept. Her materials include antique literature and music books and other e...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...

My paintings are layered bursts of energy inspired by nature’s movement, blending the here and now with memories. Forms and lines fall into a sea of emotion. Shapes and reflections d...

My paintings are layered bursts of energy inspired by nature’s movement, blending the here and now with memories. Forms and lines fall into a sea of emotion. Shapes and reflections d...

Ashley John is proud to offer this artwork by: Burgoyne A Diller (1906 - 1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller mad...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

The work features green abstracted bodies entwined with vivid accents of red, orange, pink, and black. The composition evokes both strength and fluidity, where muscular forms merge w...

V2, blends woodcut, graphite, and oil pastel on paper to create a striking composition of interlaced, abstracted figures. The work features bold green silhouettes layered with fluid,...

Is a unique work on paper combining woodcut, graphite, and oil pastel. Measuring 89.5 × 58.5 cm (35.23” × 23.03”), it presents a fragmented, overlapping human form in vibrant yellows...

SOLD UNFRAMED Les Devoirs by Paulémile Pissarro (1884 - 1972) Graphite on paper 20.2 x 27 cm (8 x 10 ⁵/₈ inches) Signed lower left, Paulémile-Pissarro- and dated upper left Execute...

Prequel-Middle of the Road is part of the “Path to Eminence” series by Meghan Wilbar. During the pandemic, the uncertainty and isolation led Wilbar on a new series of work depicting...

Oil, Wax, Pigment, Charcoal, and Graphite on Canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...

Uri Aran News Reel, 2018 Enamel, oil pastel, pen, graphite, and mixed media on MDO 21 x 8 1/4 inches 26 1/8 x 13 1/2 x 2 1/2 inches (frame) Signed verso

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

A close friend commissioned Sheppard to cover up an old tattoo in the middle of his back that read “VIVA HATE.” Seeking inspiration, he turned to The Book of Hours once again. In the...

Sheppard’s recent month-long excursion across Italy, France, and Monaco served as inspiration when creating “Pink Kink David” which draws inspiration from Michelangelo’s “David”. The...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

Marc Swanson His & Hers, 2017 graphite and collage on paper 13 7/8 x 10 7/8 in (35.2 x 27.6 cm) paper size 20 7/8 x 17 7/8 x 1 1/2 in (53 x 45.4 x 3.8 cm) frame size

Marc Swanson The Theatre, 2017 graphite and collage on paper 17 x 14 in (43.2 x 35.6 cm) paper size 24 7/8 x 21 7/8 x 1 1/2 in (63.2 x 55.6 x 3.8 cm) frame size The duality betwee...

Robert Ruello Switch-It #7, 2016 graphite, watercolor, and colored pencil on paper 20 x 15 inches Energetic and charged with visual power, the Switch-It series is movement and transition visualized. Ruello’s formal investigation of how we move through and disrupt various environments (digital, analog, and in-between) is rendered through these graphic elements. As he notes, “As a result of this disruption, the array is no longer stable or predictable — visual illusions and shifting figure/ground relationships begin to emerge.” Ruello’s work stems from an enjoyment in the tension between the stable and the unpredictable. Though not figural, his work presents elements that are recognizable from our visual vernacular. Digital screens, popular science...

Robert Ruello Switch-It #19, 2016 graphite, watercolor, and colored pencil on paper 20 x 15 inches Energetic and charged with visual power, the Switch-It series is movement and tran...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

A painting will, or will not be made. For all the romance involved in creation, there is a pragmatic objectivity at work in the studio… Whatever profundity one hopes for is found in ...

A painting will, or will not be made. For all the romance involved in creation, there is a pragmatic objectivity at work in the studio… Whatever profundity one hopes for is found in ...

When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The line itself can act as a tool used to di...

28"x35.75" oil, graphite on canvas, signed on reverse by the artist. This contemporary abstract painting by New York artist, Mark Masyga is visually laid out with painted lines of c...

Robert O'Meara (American, 1957-2024), Abstract and Grid Composition, Oil on Canvas, yellow abstraction overlaid over graphite grid, apparently unsigned, unframed. 20" H x 31" W x .7...

Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...

Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...

Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...

Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...

60"x48" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. Masyga employs drawing tech...