Perry Burns

Zed

2013

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

For a thousand years, Islamic artists have patterned their surfaces, long before Pollock activated the surface of his canvases in what Harold Rosenberg called “apocalyptic wallpaper....

Perry Burns Helium, 2014 Oil on canvas 72 x 59 in. Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their tradit...

oil on canvas

oil on canvas

'Dinosaur Me & Baby' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). The scribblings of ...

'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in...

"Rainbow Lollipop" is a resin sculpture by Elena Bulatova. She is originally from Russia now is an international artist who resides permanently in P...

Abstract geometric mixed media collage in black, white, and grey with details of bright red "Layered Plan #6", made by Hudson Valley artist, Donise English, in 2009 15 x 12 inches, 2...

Net (Non-Representational Painting of Yellow Grid on Wood Panel) 16 x 16 x 2 inches encaustic, collage on wood panel Signed on reverse ...

Jernej Forbici studied at the College for Visual Arts in Ljublja, Slovania. He completed a degree in painting (with honors) under Professor Carlo Di Raco at the Academy of Fine Arts ...

Jernej Forbici studied at the College for Visual Arts in Ljublja, Slovania. He completed a degree in painting (with honors) under Professor Carlo Di Raco at the Academy of Fine Arts ...

Horizontal beach scene including a visual zest of color with the inclusion of distant trees and a clear blue water at the picture's center. Inspired by California's Russian River at Jenner, from American Realist Willard Dixon. The canvas is 20 x 30 inches and it is framed in a classic artist solid wood floater frame 31 x 55 inches and with contemporary natural wood framing the work is 32 x 56 inches overall. Ready to hang and enjoy. Signed in paint with artist initials front. And signed in pen with artist's signature Verso. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Dixon’s work can be found in many prestigious public collections, including the San Francisco Museum of Modern Art (SFMOMA), the Metropolitan Museum of Art in New York, and the Oakland Museum of Art / California, as well as numerous private art collections worldwide. The original painting is artist signed front and verso. It comes framed in a classic hard wood floater frame. Willard Dixon Born Kansas City MO, 1942 Education Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and N.E.A. Fellowship Grant- 1989 Commissions California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90 San Francisco State University 1975 San Francisco Art Institute Realism Seminar 1974-76 Academy of Art College, San Francisco, CA 1973-74, 1976 California College of Arts and Crafts, Oakland, CA 1971-72 California State University, Hayward, CA One Man Exhibitions 2015 Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014 SFMOMA Artists Gallery, San Francisco, CA. 2008 SFMOMA Artists Gallery, San Francisco, CA. 2005 Fischbach Gallery, NYC,NY 2005 Dolby Chadwick Gallery, San Francisco, CA 2004 Fischbach Gallery, NYC, NY. 2002 Earl McGrath Gallery, Los Angeles, CA 2002 Bolinas Museum, Bolinas, CA 2001 Hackett Freedman Gallery, San Francisco, CA 2000 Fischbach Gallery, NYC , NY 2000 Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998 Hackett Freedman Gallery, SF, CA 1997 Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995 Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994 Fischbach Gallery 1993 Contemporary Realist Gallery 1992 Fischbach Gallery 1991 Earl McGrath Gallery, 454 North, Los Angeles, CA 1990 Fischbach Gallery 1989 William Sawyer Gallery, San Francisco, CA 1988 Gallery 454 North, Los Angeles, CA 1987 Fischbach Gallery 1987 Gallery 454 North 1986 William Sawyer Gallery 1985 Fischbach Gallery 1984 Harris Gallery, Houston, Tx 1984 William Sawyer Gallery 1983, 1982 Fischbach Gallery 1981 William Sawyer Gallery 1980,1979 Tortue Gallery, Los Angeles, CA 1976, 1975 William Sawyer Gallery 1973, 1972 William Sawyer Gallery Selected Group Exhibitions 2017 SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015 REAL / with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014 Stillness and Activity / A father and daughter exhibition. Gallerie Citi, Burlingame, CA. 2013 Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012 Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011 California: A Landscape of Dreams/ Fresno Art Museum 2010 Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009 On Beauty/ I. Wolk Gallery, St. Helena, CA. 2008 At Water’s Edge/ I. Wolk Gallery, St. Helena, CA. 2007 San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006 Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002 H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001 Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000 Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999 Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999 What is Art For? What are Museums For? What are You For?/ curated for the Oakland Museum by William T.Wiley & Mary Hull Webster, Oakland, CA 1998 Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996 Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996 Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996 New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995 Facing Eden: 100 Years of Landscape Art in the Bay Area/ De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994 Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993 Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992 A Day in the Country, California Landscape Painting/ I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN (traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists/ One Market Plaza, S.F., CA 1991 The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY , National Traveling Ex. 1990 Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990 New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989 The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988 Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988 Ten Artists from the William Sawyer Gallery/ Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987 The Contemporary American Landscape/ Swain Gallery, NJ 1986 Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985 The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984 San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape/ One Market Plaza, San Francisco, CA 1982 Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981 Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980 Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979 Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978 New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977 Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977 Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976 Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975 Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975 A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974 Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973 College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972 Visiting Artists/ California State University, Hayward, CA 1970 Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970 San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967 Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966 California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher, Los Angeles, CA Mr. John Irvin, London, England Ms. Joan Didion, New York , NY Ms. Sabrina Guinness, London, Eng. Mr. and Mrs. Austin Hills, San Francisco, CA Mr. and Mrs. Peter Duchin Ms. Linda Ronstadt Ms. Faye Dunaway Mr . Peter Morton Mrs H.J. Heinze, New York, NY Mr. Rupert Lowenstein Mr. and Mrs. Robert Emery, San Francisco, CA Mr. Earl Mc Grath, New York, NY Mr. Nat Weiss, New York, NY Mr. Luca Barilla Mr. Bruce Schnietzer, New York, NY Dr. and Mrs. Robert Carroll, New York, NY Mrs. Nicholas Boyd, San Francisco, CA Mr. and Mrs. Robert Green, San Francisco, CA Mr. Chappy Morris, New York, NY Ms. Carla Kirkeby, Los Angeles, CA Mr. and Mrs. Elliot Caplow, Los Angeles, CA Mr. and Mrs. Robert Meyerowitz, New York, N.Y. Mr. and Mrs. Steven Gilsendaine Mrs. Caroline Cushing Graham, Los Angeles, CA Mr. Michael Nesmith, Los Angeles, CA Mr. Griffen Dunne, New York, N.Y. Mr. and Mrs. Paul A. Erskine, Pasadena, CA Mr. N.J. Friedman, Hillsborough, CA Mr. Harold Hollingsworth...

Large abstract geometric painting with intricate line work in pencil and gouache on a sage green background "Specifically, Nowhere (Green)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a white stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with an earthy sage green background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a teal blue, white, and black gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Gouache, graphite and ink on Rives paper - Unframed This work (unframed) incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Ba...

Balancing act 4 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Balancing act 2 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 2 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Balancing Act 3 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 3 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Balancing Act 1 (Abstract painting) Gouache, graphite and ink on Rives paper - Unframed This work (unframed) incorporates graphite, ink, and gouache, and is a combination of intuit...