Art by Medium: Graphite

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Art Sz: 10 1/2"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 7 x 5.5 inches Provenance: private collection Condition: very good condition Ha...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Linda Mitchell (born Atlanta, 1960) grew up in a family that nurtured her strong, early interest in both animals and making art. As a child, she started painting, making animal figur...

Linda Stein, Profile Envelope 421.035 - Signed Feminist LGBTQ+ Ink on Paper, Calligraphic Drawing Profile Envelope 421.035 is from Linda Stein's Profile Envelope series--drawings...

This contemporary pencil drawing by Francine Fox of two meticulously detailed moths on a knotted braid of hair is inspired by the mystical animal and natural world. At 6 x 4 inches, ...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Untitled III, 1984 by Enrique Grau Graphite on paper Signed in the top right corner. Great condition. Provenance: Private collection. Image size: 12 in H ...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Abstract modernist style still life graphite drawing inspired by Giorgio Morandi's bottle still life paintings "Morandi XX” by Hudson Valley artist, David Dew Bruner, made in 2025 G...

Pencil and chalk on paper, unsigned Image size: 8 1/2 x 13 inches (22 x 33cm) This wonderful drawing depicts 'The Cleansing of the Temple', a biblical narrative where Christ expels...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

Black chalk and graphite on light weight cream wove paper, 16 1/8 x 11 1/4 inches, (410 x 286 mm), the full sheet. Signed, titled, and dated in sepia ink in the lower-center sheet area. With horizontal folds approximately 1-inch from the sheet edge at each of the four sheets. The drawing appears to have been folded at the sheet edges to fit into a frame. Finn mac Cumail (or mac Umaill), often anglicized Finn McCool or MacCool, is a hero in Irish mythology, as well as in later Scottish and Manx folklore. He is the leader of the Fianna bands of young roving hunter-warriors, as well as being a seer and poet. He is said to have a magic thumb that bestows him with great wisdom. He is often depicted hunting with his hounds Bran and Sceólang, and fighting with his spear and sword. Fionn MacCumhail was transformed into the character "Fingal" in James Macpherson's poem cycle Ossian (1760), which Macpherson claimed was translated out of discovered Ossianic poetry written in the Scottish Gaelic language. Fionn MacCumhail features heavily in modern Irish literature. Most notably he makes several appearances in James Joyce's Finnegans Wake...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

Caught, Trapped Rock & Balance is a set of three drawings by contemporary British artist Peter Brooke-Ball. For the sculptor, drawing is often the starting point to develop a sc...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Title:Italian Woman in Cloak Costume Study Pencil Drawing 19th Century Figure Artist: Louisa J. Wortley (British 19th century) Medium: original graphite pencil drawing on artists pap...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Graphite on light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In very good condition. A detailed rendering of the balustrade and newel of the Escalier de Luynes, al...

A limited edition of prints is available: Paper size: 52 × 40 cm Image size: 42 × 30 cm Edition: 20 copies Paper: Epson Enhanced Matte Paper (190 g/m²) Details: Each print is hand-n...

Linda Stein, Letter 424.028, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.028 is from Linda Stein's Missives series--a body of work born from her earlier expl...

Signed lower right, 'Charlotte A. Morton' (American, 1885-1974) and painted circa 1955. A sensitive study of various blossoms including geraniums, lupin and catmint. A landscape p...

Linda Stein, Letter 424.026, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.026 is from Linda Stein's Missives series--a body of work born from her earlier expl...

Linda Stein, Letter 424.027, Signed Feminist LGBTQ+ Colored Pencil, Graphite Drawing Letter 424.027 is from Linda Stein's Missives series--a body of work born from her earlier expl...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

The artist made this life-size sketch of the Skhodnya River on a frosty day during his years of study at the academy in the landscape workshop in 2001. This artwork is a meticulously...

Edward Avedisian ( 1936-2007 ) 7.5 X 5.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert...

Title: Victorian Botanical Flower Study Pencil Drawing Louisa Wortley 1865 Artist: Louisa J. Wortley (British 19th century) Medium: original graphite pencil drawing on artists paper ...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Andrea Belag A Second Hand II, 1990 Monotype on cotton rag paper 42 1/2 × 30 inches Hand-signed by artist, Signed, titled and dated in pencil on the front; bears publishers name and copyright on the back, along with the unique inventory number Unframed Poignant 1990 monotype, in elegant pastel colors. The cotton rag paper has lightly deckled edges so it will look gorgeous when floated and framed. American painter Andrea Belag creates lush and luminous abstractions inspired by the visual and spiritual principles of Zen, as well as artists such as Mary Heilmann, Bernard Frize...

Karl Parsons English 1884 - 1934 Head of a Young Woman Graphite on paper Signed and dated '(19)07' lower left Image size: 6 1/4 x 8 1/2 inches (16 x 21.5 cm) Contemporary Pre-Raphaelite style frame One of Britain's leading stained glass designers during the early decades of the 20th century, Karl Parsons drew portraits invariably for pleasure rather than commissions, throughout his life, and it is in these that one sees most clearly the influence of some of the artists whom he most admired, notably Botticelli, Rossetti and Burne-Jones. Though harkening back to these illustrious forebears, both technically and compositionally, this portrait also epitomises the type of portraiture that was fashionable in British high society at the start of the 20th century. Karl Parson's technique here, with delicate shading and strong outlines, is certainly comparable to Gerald Leslie Brockhurst's graphic style. It is clear that Parsons took delight in demonstrating his skill at sculpting human forms through gentle shading. Karl Parsons was an English stained glass artist associated with the arts and craft movement. Parsons was born in Peckham in Surrey in 1884, the 12th child of Arthur William Parsons...

This piece, titled "Wanderer 12" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and graphi...

A contemporary drawing with delicate dots and lines in soft shades of indigo blue with pink and dark cobalt details, this intricate composition is inspired by patterns in nature. Thi...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Live Transmission Morgan O'Hara's conceptually based performative drawing researches the vital movement of living beings, the human experience of time and space. It is culturally co...

This piece, titled "Wanderer 15" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark’s process begins with observation and photograph...

collage created in 1998, from the artists studio, on archival paper, smudges, intentional with use of graphite. Mixed media, graphite, drawing, pastels, text. signed L.B. lower righ...

Donald Baechler Untitled (Rose), 2015 Original Graphite drawing on archival bond paper. Framed, with museum provenance Signed and dated in graphite pencil on the front Provenance: Do...

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings “Single Morandi Bottle IX” by Hudson Valley artist, David Dew Bruner, made in 2022 G...

Title: Victorian Watermill Cottage Rural Landscape Drawing Louisa Wortley 1863 Medium: original graphite pencil drawing on artists paper image size: 11.75 x 14.5 inches (height x wid...

Title: Victorian Male Portrait Study Pencil Drawing Louisa Wortley Artist: Louisa J. Wortley (British 19th century) Medium: original graphite pencil drawing on artists paper image si...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

James Stroudley 1906 -1985 Florentine Gent Graphite on paper, signed and inscriber '1931 Florence' Image size: 24 x 18 inches Framed James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Framed in a white wood painted frame with white mat. Wired with all hanging hardware, ready to install. Nazanin Moghbeli is a Persian American artist with training in Persian calligr...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Title: Victorian Hand Study Still Life Pencil Drawing Louisa Wortley 1864 Artist: Louisa J. Wortley (British 19th century) Medium: graphite pencil drawing on artists paper laid down ...

Porcelain (Edition is limited to sixty numbered pieces plus six artist’s proofs numbered EA; measures 17” x 10.25”). This one is numbered 17/60. “Los Cuatro Elementos De La Natur...

Linda Stein, Invention 418.039 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Invention 418.039 is from Linda Stein's Profiles Notation series-...

Linda Stein, The Profile 418.038 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing The Profile 418.038 is from Linda Stein's Profiles Notation ser...

Linda Stein, Rhapsody 418.037 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Rhapsody 418.037 is from Linda Stein's Profiles Notation series--d...

Linda Stein, The Juggler 418.036 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing The Juggler 418.036 is from Linda Stein's Profiles Notation ser...

Lower margin contains inked directive initialed by Rackham and numerous pencil indications as well as a rough thumbnail sketch of the end papers. A fascinating look into Rackham's creative process for his book designs. His attention to detail included the placement of the repeating silhouette pattern of the creatures and tree to appear the front and rear endpapers of the 1933 edition of Christina Rossetti's story "Goblin Market...